{"collection":"bos","html_url":"https://unchartedknowledge.5gfusion.net/browse/bos/bos243.htm","path":"bos/bos243.htm","source_url":"https://sacred-texts.com/bos/bos243.htm","text":"Internet Book of Shadows, (Various Authors), [1999]\n \n \n \n ASCII MUSICAL NOTATION\n developed by Leigh Ann Hussey\n with help from Shadowthought and Josh Gordon\n \n Each line of the music consists of 4 lines of music. The time\n signature(s),\n the lines between bars, and each note take up one column, with modifiers\n such\n as sharps, flats, and dots extending a note up to three columns. The time\n signature is written at the beginning in the obvious way. Three vertical\n bars\n (lines 2 to 4) mark the divisions between measures. Lines 1 to 3 indicate\n note durations, as follows:\n \n 1/16 1/8 1/4 1/2 dotted-1/2 1/8 1/4\n note note note note note rest rest\n = _\n | | | | | ' %\n | | | o o.\n \n Line 4 indicates the pitch. The numbers 1 to 8 mark the octave including\n middle C (A through F); 1' to 8', one octave above middle C; 1\" to 8\",\n two\n octaves above middle C; '1 to '8, the octave below middle C. A number\n followed\n by a # is a sharp; a number followed by a lower-case b is a flat.\n Underscores\n connecting a note to the next note indicate a slur. Consider the following\n examples:\n \n HOOF AND HORN\n \n | | | ||\n 4 | | | | | | | | | | | | | | | | ||\n - | | o | | | o | | | | | | | | o ||\n 4 1 7b 1 | 1 7b 1 | 1 3b 2 7b | 7b 2 1 ||\n Hoof and horn, hoof and horn, All that dies shall be re-born.\n Corn and grain, corn and grain, All that falls shall rise a- gain.\n \n \n PATIENCE/WAITING MEDICINE CHANT\n \n ____ | ____ | ||\n 4 | | | | | | | | | | ||\n - | | | o | | | | o | ||\n 4 3' 5' | 5' 2' 2' 1' | 6__6 ||\n Hey Yah Hey Hey Yah\n \n \n CALYPSO CHANGING CHANT\n (1) and (2) mark beginnings for round\n \n (1)\n _ _ | _ _ | _ _ |\n 5 | | | | | | | | | | | | | | | | | | | | |\n - | | | | | | | | | | | | | | | | | | | | |\n 4 3' 2' 1' 7 6__1' | 7 1' 2' 5 3'_1' | 3' 2' 1' 7 6__1'|\n We come from the fire, Living in the fire, Go back to the fire,\n \n (2)\n \n \n 1082\n \n \n _ _ | | | _ _ |\n | | | | | | | | | | | | | | | | | | | | |\n | | | | o | o. o | o | | | | | | | | | | |\n 7 1' 2' 7 1' | 3' 4'| 5' 4' 3' 1'| 3' 3' 3' 3' 4'_4'|\n turn the world around! We come from the fire, Go back to the fire,\n \n _ _ ||\n | | | | | ||\n | | | | o ||\n 2' 2' 7 7 1' ||\n turn the world around.\n \n ADDITIONAL We come from the mountain, living in the mountain,\n VERSES: Go back to the mountain, turn the world around!\n We come from the mountain;\n Go back to the mountain, turn the world around!\n \n (Also: spirit, ocean, prairie, forest, river, water, etc.)\n \n I'm the hundreth monkey, we're a hundred monkeys,\n Be the hundreth monkey, turn the world around!\n Be the hundreth monkey,\n Be the hundreth monkey, turn the world around!\n \n \n AUM SHIVAYA VASHI\n \n ___ ___ | | ___ ___ | ||\n 4 | | | | | | | | | % % | | | | | | | | | | % % ||\n - | | | | | | | | | | | | | | | | | | | ||\n 4 1 5 4 3 2 4 | 5 1 | '7 4 3 2 1 3 | 4 '7 ||\n Aum Shiva--ya- Va-shi, Aum Shiva--ya- Va-shi, ...\n \n From Crowley: \"Note that 'shi' means rest, the absolute or male aspect of\n the\n Deity; 'va' is energy, the manifested or female side of Deity. This mantra\n represents the whole course of the Universe, from Zero through the finite\n back\n to Zero.\"\n \n \n GOD/GODDESS CHANTS\n \n ____ | _____ | | _____ _____| | | _ | \n ||\n 2 | | | | | | | | | | | | | | | | | | | | | | ' | | | |\n ||\n - | | | | | | | | | | | | | | | | | | | | | | | | | o\n ||\n 4 1 1 1 | 1 1 1 |'7 '7 | 1 1 1 1 | 1 1 | 1 1 | '7 '7 | 1\n ||\n I-sis,A- star-te, Di- a- na, He- ca-te, De- me-ter,Ka- li, In-na-\n na.\n O-din,Cer-nun-nos, Merd-dyn,Man-na-nan,He- li-os, Shi-va, Horned\n One.\n \n \n 1083","title":"Internet Book of Shadows: Chants w/ASCII Notation (L.A.Hu...","type":"page"}