{"collection":"Taoism","html_url":"https://unchartedknowledge.5gfusion.net/browse/tao/aow/aow24.htm","path":"tao/aow/aow24.htm","source_url":"https://sacred-texts.com/tao/aow/aow24.htm","text":"The Art of War, by Lionel Giles, [1910]\nP. ix, note: For \"edition\" read \"translation.\"\n14, line 3: For \"by\" read \"in the.\"\n\u201e 16, line 5: For \"T.\" read \"T\u2018u Shu.\"\n\u201e \u201e \u00a7 19, note: Before \"War\" insert \"Soldiers are not to be used as playthings.\"\n\u201e 17, \u00a7 1: #, etc. The more I think about it, the more I prefer the rendering suggested on p. 159, \u00a7 22, note.\n\u201e \u201e \u00a7 1 note, and p. 78, line 6: Insert \"the\" before \"Ss\u016d-ma Fa.\"\n\u201e 33, note on heading: Cf. X. \u00a7 12, where # is translated \"strength,\" though it might also be \"conditions.\" The three words #, # and # have been much confused. It appears from the Shuo W\u00ean that the last character is post-classical, so that Sun Tz\u016d must have used either or a in all senses.\n\u201e 45, line 1: For \"sublety\" read \"subtlety.\"\n\u201e 63, line 4: M. Chavannes writes in the T\u2018oung Pao, 1906, p. 210: \"Le g\u00e9n\u00e9ral Pan Tch\u2018ao n\u2019a jamais port\u00e9 les armes chinoises jusque sur les bords de la mer Caspienne.\" I hasten to correct my statement on this authority.\n\u201e 80, 9th line from the bottom: For # read #.\n\u201e 100, \u00a7 23, note, and p. 126, 5th line from bottom: For \"Huang Shih-kung\" read \"Huang-shih Kung.\"\n\u201e 124, line 7: For \"Ch\u2018\u00ean\" read \"Ch\u2018\u00ean Hao.\"\n\u201e 136, 11th line from bottom: Insert \"to\" before \"select.\"\n\u201e 152, \u00a7 2: Substitute semi-colon for full stop after \"available.\"","title":"The Art of War: Corrigenda","type":"page"}