{"collection":"myth-cosmogony","full_text_available":true,"graph_url":"https://unchartedknowledge.5gfusion.net/v2/api/page/gutenberg_37031/graph","html_url":"https://unchartedknowledge.5gfusion.net/v2/page/gutenberg_37031","id":"gutenberg_37031","license":"Public Domain (US)","rights_basis":"gutenberg_metadata_copyright_false","source":"gutenberg","source_url":"https://www.gutenberg.org/ebooks/37031","summary":null,"tags":["Ballads, English -- England -- Bibliography","Ballads, English -- England -- Texts","Ballads, Scots -- Scotland -- Bibliography","Ballads, Scots -- Scotland -- Texts","Category: British Literature","Category: Mythology, Legends & Folklore","Category: Poetry"],"text":"\n\n\n\nProduced by Simon Gardner, Marilynda Fraser-Cunliffe and\nthe Online Distributed Proofreading Team at\nhttps://www.pgdp.net (This file was made using scans of\npublic domain works from the University of Michigan Digital\nLibraries.)\n\n\n\n\n\nTranscriber's Notes:\n\n1. Greek text has been replaced by a transliteration and indicated by\n[Grk: ...]. In \"Constantine and Arete\" the same transliteration scheme\nhas been used for modern Greek text as is customary for ancient Greek.\n\n2. Footnotes have been relocated following the paragraph or section\nwhere the anchor occurs. Footnote anchors are in the form [A], [B] etc.\n\n3. Linenotes have been grouped at the end of each ballad. Linenote\nanchors in the form [L##] have been added to the text (they are not in\nthe original but alert the reader to the presence of a note referring to\nline number ##). Ballad line numbers have been regularised to multiples\nof five and re-positioned or added where necessary.\n\n4. [z] has been used to represent the yogh character.\n\n5. Italic typeface is represented by _underscores_.\n\n6. Archaic, unusual and inconsistent spelling or punctuation has\ngenerally been retained as in the original. Where changes have been made\nto the text these are listed in Transcriber's Notes at the end of the\nbook.\n\n * * * * *\n\n\n ENGLISH AND SCOTTISH\n BALLADS.\n\n EDITED BY\n\n FRANCIS JAMES CHILD.\n\n\n Sum bethe of wer, and sum of wo,\n Sum of joie and mirthe also;\n And sum of trecherie and of gile,\n Of old aventours that fel while;\n And sum of bourdes and ribaudy;\n And many ther beth of fairy;\n Of all thinges that men seth;--\n Maist o love forsothe thai beth.\n _Lay le Freine._\n\n\n VOLUME I.\n\n\n BOSTON:\n LITTLE, BROWN AND COMPANY.\n M.DCCC.LX.\n\n * * * * *\n\nEntered according to Act of Congress, in the year 1857,\nby LITTLE, BROWN AND COMPANY, in the Clerk's Office of\nthe District Court of Massachusetts.\n\nRIVERSIDE, CAMBRIDGE:\nSTEREOTYPED AND PRINTED BY\nH.O. HOUGHTON AND COMPANY.\n\n\n\n\nCONTENTS OF VOLUME FIRST.\n\n\n Page\n PREFACE vii\n List of Collections of Ballads and Songs xiii\n\n BOOK I.\n\n 1. The Boy and the Mantle 3\n 2. The Horn of King Arthur 17\n 3. The Marriage of Sir Gawaine 28\n 4. King Arthur's Death 40\n 5. The Legend of King Arthur 50\n 6. Sir Lancelot du Lake 55\n 7. The Legend of Sir Guy 61\n 8. St. George and the Dragon 69\n 9. The Seven Champions of Christendom 83\n 10a. Thomas of Ersseldoune 95\n 10b. Thomas the Rhymer 109\n 11. The Young Tamlane 114\n 12. The Wee Wee Man 126\n 13. The Elfin Knight 128\n 14a. The Broomfield Hill 131\n 14b. Lord John 134\n 15a. Kempion 137\n 15b. Kemp Owyne 143\n 16. King Henry 147\n 17a. Cospatrick 152\n 17b. Bothwell 158\n 18. Willie's Ladye 162\n 19. Alison Gross 168\n 20. The Earl of Mar's Daughter 171\n 21a. Young Akin 179\n 21b. Young Hastings the Groom 189\n 22. Clerk Colvill, or, The Mermaid 192\n 23a. Lady Isabel and the Elf-Knight 195\n 23b. The Water O'Wearie's Well 198\n 24a. The Daemon Lover 201\n 24b. James Herries 205\n 25. The Knight's Ghost 210\n 26. The Wife of Usher's Well 213\n 27. The Suffolk Miracle 217\n 28. Sir Roland 223\n\n APPENDIX.\n\n Fragment of the Ballad of King Arthur and the King of Cornwall 231\n Fragment of Child Rowland and Burd Ellen 245\n Rosmer Hafmand, or, The Merman Rosmer 253\n Tama-a-Line 258\n Tom Linn 267\n Burd Ellen and Young Tamlane 271\n Als Y yod on ay Mounday 273\n The Elphin Knight 277\n The Laidley Worm of Spindlestonheugh 281\n Lord Dingwall 288\n Fragment of Hynde Etin 294\n Sir Oluf and the Elf-King's Daughter 298\n Fragment of the Daemon Lover 302\n Constantine and Arete 304\n Translation of the Same 307\n The Hawthorn Tree 311\n St. Stephen and Herod 315\n\n GLOSSARY 319\n\n\n\n\nPREFACE.\n\n\nThese volumes have been compiled from the numerous collections of\nBallads printed since the beginning of the last century. They contain\nall but two or three of the _ancient_ ballads of England and\nScotland, and nearly all those ballads which, in either country, have\nbeen gathered from oral tradition,--whether ancient or not. Widely\ndifferent from the true popular ballads, the spontaneous products of\nnature, are the works of the professional ballad-maker, which make up\nthe bulk of Garlands and Broadsides. These, though sometimes not\nwithout grace, more frequently not lacking in humor, belong to\nartificial literature,--of course to an humble department.[A] As many\nballads of this second class have been admitted as it was thought\nmight be wished for, perhaps I should say tolerated, by the\n\"benevolent reader.\" No words could express the dulness and inutility\nof a collection which should embrace all the Roxburghe and Pepys\nbroadsides--a scope with which this publication was most undeservedly\ncredited by an English journal. But while the broadside ballads have\nbeen and must have been gleaned, the popular ballads demand much more\nliberal treatment. Many of the older ones are mutilated, many more are\nmiserably corrupted, but as long as any traces of their originals are\nleft, they are worthy of attention and have received it. When a ballad\nis extant in a variety of forms, all the most important versions are\ngiven.--Less than this would have seemed insufficient for a collection\nintended as a complement to an extensive series of the British Poets.\nTo meet the objections of readers for pleasure, all those pieces which\nare wanting in general interest are in each volume inserted in an\nappendix.\n\n [A] This distinction is not absolute, for several of the ancient\n ballads have a sort of literary character, and many broadsides were\n printed from oral tradition. The only _popular_ ballads excluded\n from this selection that require mention, are _The Bonny Hynd_, _The\n Jolly Beggar_, _The Baffled Knight_, _The Keach in the Creel_, and\n _The Earl of Errol_. These ballads, in all their varieties, may be\n found by referring to the general Index at the end of the eighth\n volume. To extend the utility of this index, references are also\n given to many other ballads which, though not worth reprinting, may\n occasionally be inquired for.\n\nThe ballads are grouped in eight Books, nearly corresponding to the\ndivision of volumes. The arrangement in the several Books may be\ncalled chronological, by which is meant, an arrangement according to\nthe probable antiquity of the story, not the age of the actual form or\nlanguage. Exceptions to this rule will be observed, partly the result\nof oversight, partly of fluctuating views; the most noticeable case is\nin the First Book, where the ballads that stand at the beginning are\ncertainly not so old as some that follow. Again, it is very possible\nthat some pieces might with advantage be transferred to different\nBooks, but it is believed that the general disposition will be found\npractically convenient. It is as follows:--\n\nBOOK I. contains Ballads involving Superstitions of various kinds,--as\nof Fairies, Elves, Water-spirits, Enchantment, and Ghostly\nApparitions; and also some Legends of Popular Heroes.\n\nBOOK II. Tragic Love-ballads.\n\nBOOK III. Other Tragic Ballads.\n\nBOOK IV. Love-ballads not Tragic.\n\nBOOK V. Ballads of Robin Hood, his followers, and compeers.\n\nBOOK VI. Ballads of other Outlaws, especially Border Outlaws, of\nBorder Forays, Feuds, &c.\n\nBOOK VII. Historical Ballads, or those relating to public characters\nor events.\n\nBOOK VIII. Miscellaneous Ballads, especially Humorous, Satirical,\nBurlesque; also some specimens of the Moral and Scriptural, and all\nsuch pieces as had been overlooked in arranging the earlier volumes.\n\nFor the Texts, the rule has been to select the most authentic copies,\nand to reprint them as they stand in the collections, restoring\nreadings that had been changed without grounds, and noting all\ndeviations from the originals, whether those of previous editors or of\nthis edition, in the margin. Interpolations acknowledged by the\neditors have generally been dropped. In two instances only have\npreviously printed texts been superseded or greatly improved: the text\nof _The Horn of King Arthur_, in the first volume, was furnished from\nthe manuscript, by J.O. Halliwell, Esq., and _Adam Bel_, in the fifth\nvolume, has been amended by a recently discovered fragment of an\nexcellent edition, kindly communicated by J.P. Collier, Esq.\n\nThe Introductory Notices prefixed to the several ballads may seem dry\nand somewhat meagre. They will be found, it is believed, to comprise\nwhat is most essential even for the less cursory reader to know. These\nprefaces are intended to give an account of all the printed forms of\neach ballad, and references to the books in which they were first\npublished. In many cases also, the corresponding ballads in other\nlanguages, especially in Danish, Swedish, and German, are briefly\npointed out. But these last notices are very imperfect. Fascinating as\nsuch investigations are, they could not be allowed to interfere with\nthe progress of the series of Poets of which this collection of\nBallads forms a part, nor were the necessary books immediately at\nhand. At a more favorable time the whole subject may be resumed,\nunless some person better qualified shall take it up in the interim.\n\nWhile upon this point let me make the warmest acknowledgments for the\nhelp received from Grundtvig's Ancient Popular Ballads of Denmark\n(_Danmarks Gamle Folkeviser_), a work which has no equal in its line,\nand which may in every way serve as a model for collections of\nNational Ballads. Such a work as Grundtvig's can only be imitated by\nan English editor, never equalled, for the material is not at hand.\nAll Denmark seems to have combined to help on his labors;\nschoolmasters and clergymen, in those retired nooks where tradition\nlongest lingers, have been very active in taking down ballads from the\nmouths of the people, and a large number of old manuscripts have been\nplaced at his disposal.--We have not even the Percy Manuscript at our\ncommand, and must be content to take the ballads as they are printed\nin the _Reliques_, with all the editor's changes. This manuscript is\nunderstood to be in the hands of a dealer who is keeping it from the\npublic in order to enhance its value. The greatest service that can\nnow be done to English Ballad-literature is to publish this precious\ndocument. Civilization has made too great strides in the island of\nGreat Britain for us to expect much more from tradition.\n\nCertain short romances which formerly stood in the First Book, have\nbeen dropped from this second Edition, in order to give the collection\na homogeneous character. One or two ballads have been added, and some\nof the prefaces considerably enlarged.\n F.J.C.\n _May_, 1860.\n\n\n\n\nLIST OF THE PRINCIPAL COLLECTIONS\nOF ENGLISH AND SCOTTISH BALLADS AND SONGS.\n\n\n[This list does not include (excepting a few reprints) the collections\nof Songs, Madrigals, \"Ballets,\" &c., published in the sixteenth and\nseventeenth centuries,--the titles of most of which are to be seen in\nRimbault's _Bibliotheca Madrigaliana_. On the other hand, it does\ninclude a few useful books connected with ballad-poetry which would\nnot properly come into a list of collections. The relative importance\nof the works in this list is partially indicated by difference of\ntype. When two or more editions are mentioned, those used in this\ncollection are distinguished by brackets. A few books which we have\nnot succeeded in finding--all of slight or no importance--are marked\nwith a star.]\n\n\"A Choise Collection of Comic and Serious Scots Poems. Both Ancient\nand Modern. By several Hands. Edinburgh. Printed by James Watson.\"\nThree Parts, 1706, 1709, 1710. [1713, 1709, 1711.]\n\n\"Miscellany Poems, containing a variety of new Translations of the\nAncient Poets, together with several original poems. By the most\neminent hands.\" Ed. by Dryden. 6 vols. 1st ed. 1684-1708. Ed. of 1716*\ncontains ballads not in the earlier ones.\n\n\"Wit and Mirth: or Pills to Purge Melancholy; being a Collection of\nthe best Merry Ballads and Songs, Old and New. Fitted to all Humours,\nhaving each their proper Tune for either Voice or Instrument: most of\nthe Songs being new set.\" By Thomas D'Urfey. 6 vols. London. 1719-20.\n\n\"A COLLECTION OF OLD BALLADS. Corrected from the best and most ancient\nCopies extant. With Introductions Historical, Critical, or Humorous.\"\n3 vols. London. 1st and 2d vol. 1723, 3d vol. 1725.\n\n\"The Evergreen. Being a Collection of Scots Poems, Wrote by the\nIngenious before 1600. Published by Allan Ramsay.\" 2 vols. Edinburgh,\n1724. [Edinburgh. Printed for Alex. Donaldson, 1761.]\n\n\"The Tea-Table Miscellany: A Collection of Choice Songs, Scots and\nEnglish.\" Edinburgh. 1724. 4 vols. [Glasgow, R. & A. Foulis. 1768. 2\nvols.]\n\n\"Orpheus Caledonius, or a Collection of Scots Songs, Set to Musick by\nW. Thomson.\" London, 1725, fol. [1733, 2 vols. 8vo.]\n\n\"The Hive. A Collection of the most celebrated Songs.\" In Four\nVolumes. 4th ed. London. 1732.\n\n\"The British Musical Miscellany, or The Delightful Grove, being a\ncollection of celebrated English and Scottish Songs.\" London. 1733-36.\n\n\"RELIQUES OF ANCIENT ENGLISH POETRY: Consisting of Old Heroic Ballads,\nSongs, and other Pieces of our Earlier Poets; together with some few\nof later date. By THOMAS PERCY, Lord Bishop of Dromore.\" 3 vols. 1st\ned. London, 1765. [4th ed. (improved) 1794.--London, L.A. Lewis,\n1839.]\n\n\"ANCIENT AND MODERN SCOTTISH SONGS, Heroic Ballads, &c.\" By DAVID\nHERD. 2 vols. Edinburgh, 1769. 2d ed. 1776. [3d ed. Printed for Lawrie\nand Symington, 1791.]\n\n\"Ancient Scottish Poems. Published from the MS. of George Bannatyne,\nMDLXVIII.\" By Sir David Dalrymple, Lord Hailes. Edinburgh, 1770.\n\n\"The Choice Spirit's Chaplet: or a Poesy from Parnassus, being a\nSelect Collection of Songs from the most approved authors: many of\nthem written and the whole compiled by George Alexander Slovens, Esq.\"\nWhitehaven, 1771.\n\n\"A Collection of English Songs in score for three or four Voices.\nComposed about the year 1500. Taken from MSS. of the same age. Revised\nand digested by John Stafford Smith.\" London, 1779.\n\n\"Scottish Tragic Ballads.\" John Pinkerton. London, 1781.\n\n\"Two Ancient Scottish Poems; The Gaberlunzie-Man and Christ's Kirk on\nthe Green. With Notes and Observations. By John Callender, Esq. of\nCraigforth.\" Edinburgh, 1782.\n\n\"The Charmer: A Collection of Songs, chiefly such as are eminent for\npoetical merit; among which are many originals, and others that were\nnever before printed in a songbook.\" 2 vols. 4th ed. Edinburgh, 1782.\n\n\"Select Scottish Ballads.\" 2 vols. John Pinkerton. London, 1783. Vol.\nI. Tragic Ballads, Vol. II. Comic Ballads.\n\n\"A Select Collection of English Songs, with their Original Airs, and\nan Historical Essay on the Origin and Progress of National Song.\" By\nJ. Ritson. 1788. 2d ed. with Additional Songs and Occasional Notes, by\nThomas Park. London, 1813. 3 vols.\n\n\"The Poetical Museum. Containing Songs and Poems on almost every\nsubject. Mostly from Periodical Publications.\" George Caw. Hawick,\n1784.\n\n\"The Bishopric Garland or Durham Minstrel.\" Edited by Ritson.\nStockton, 1784. Newcastle, 1792. [London, 1809.] See \"Northern\nGarlands,\" p. xix.\n\n*\"The New British Songster. A Collection of Songs, Scots and English,\nwith Toasts and Sentiments for the Bottle.\" Falkirk, 1785.\n\n\"Ancient Scottish Poems, never before in print, but now published from\nthe MS. collections of Sir Richard Maitland,\" &c. John Pinkerton. 2\nvols. London, 1786.\n\n\"The Works of James I., King of Scotland.\" To which are added \"Two\nAncient Scotish Poems, commonly ascribed to King James V.\" (The\nGaberlunzie-Man and the Jollie Beggar.) Morrison's Scotish Poets.\nPoets. Perth, 1786.\n\n\"THE SCOTS MUSICAL MUSEUM. In six volumes. Consisting of Six Hundred\nScots Songs, with proper Basses for the Piano Forte,\" &c. By James\nJohnson. Edinburgh, 1787-1803. [3d ed. \"with copious Notes and\nIllustrations of the Lyric Poetry and Music of Scotland, by the late\nWiliam Stenhouse,\" and \"with additional Notes and Illustrations,\" by\nDavid Laing. 4 vols. Edinburgh and London, 1853.]\n\n\"The Yorkshire Garland.\" Edited by Ritson. York, 1788. See \"Northern\nGarlands,\" p. xix.\n\n*\"A Select Collection of Favourite Scottish Ballads.\" 6 vols. R.\nMorison & Son. Perth, 1790.\n\n\"Pieces of Ancient Popular Poetry: From Authentic Manuscripts and Old\nPrinted Copies. By Joseph Ritson, Esq.\" London, 1791. [Second Edition,\nLondon, 1833.]\n\n\"Ancient Songs and Ballads, from the Reign of King Henry the Second to\nthe Revolution. Collected by Joseph Ritson, Esq.\" 2 vols. Printed\n1787, dated 1790, published 1792. [London, 1829.]\n\n\"Scottish Poems, reprinted from scarce editions, with three pieces before\nunpublished.\" Collected by John Pinkerton. 8 vols. London, 1792.\n\n*\"The Melodies of Scotland, &c. The Poetry chiefly by Burns. The whole\ncollected by George Thomson.\" Lond. & Edin. 6 vols. 1793-1841. See p.\nxx., last title but one.\n\n\"The Northumberland Garland.\" Edited by Ritson. Newcastle, 1793.\n[London, 1809.] See \"Northern Garlands,\" p. xix.\n\n\"SCOTISH SONG. In two volumes.\" JOSEPH RITSON. London, 1794.\n\n\"ROBIN HOOD: A Collection of all the Ancient Poems, Songs and Ballads,\nnow extant, relative to that celebrated English Outlaw. To which are\nprefixed Historical Anecdotes of his Life, By JOSEPH RITSON. Esq.\" 2\nvols. 1795. [Second Edition, London, 1832.]\n\n\"A Collection of English Songs, with an Appendix of Original Pieces.\"\nLondon, 1798. Lord Hailes.\n\n*\"An Introduction to the History of Poetry in Scotland, &c., by\nAlexander Campbell, to which are subjoined Songs of the Lowlands of\nScotland, carefully compared with the original editions.\" Edinburgh,\n1798. 4to.\n\n\"Tales of Wonder; Written and collected by M.G. Lewis, Esq., M.P.\" 2\nvols. London, 1800. [New-York, 1801.]\n\n\"Scottish Poems of the Sixteenth Century.\" Ed. by J.G. Dalzell.\nEdinburgh, 1801. 2 vols. (Contains \"Ane Compendious Booke of Godly and\nSpirituall Songs, collectit out of sundrie Partes of the Scripture, with\nsundrie of other Ballates, changed out of Prophaine Sanges for avoyding\nof Sinne and Harlotrie, with Augmentation of sundrie Gude and Godly\nBallates, not contained in the first Edition. Newlie corrected and\namended by the first Originall Copie. Edinburgh, printed by Andro\nHart.\")\n\n\"The Complaynt of Scotland. Written in 1548. With a Preliminary\nDissertation and Glossary.\" By John Leyden. Edinburgh, 1801.\n\n\"Chronicle of Scottish Poetry; from the Thirteenth Century to the\nUnion of the Crowns.\" By J. Sibbald. 4 vols. Edinburgh, 1802.\n\n\"The North-Country Chorister.\" Edited by J. Ritson. Durham, 1802.\n[London, 1809.] See \"Northern Garlands,\" p. xix.\n\n\"MINSTRELSY OF THE SCOTTISH BORDER: Consisting of Historical and\nRomantic Ballads, collected in the Southern Counties of Scotland; with\na few of modern date founded upon local tradition.\" 1st and 2d vols.\n1802, 3d 1803. [Poetical Works of SIR WALTER SCOTT, vols. 1-4. Cadell,\nEdinburgh, 1851.]\n\n\"The Wife of Auchtermuchty. An ancient Scottish Poem, with a\ntranslation into Latin Rhyme.\" Edinburgh, 1803.\n\n\"A Collection of Songs, Moral, Sentimental, Instructive, and Amusing.\"\nBy James Plumtre. 4to. Cambridge, 1805. London, 1824. 3 vols.\n\n\"POPULAR BALLADS AND SONGS, from Tradition, Manuscripts, and scarce\nEditions; with translations of similar pieces from the ancient Danish\nlanguage, and a few originals by the Editor. By ROBERT JAMIESON.\" 2\nvols. Edinburgh, 1806.\n\n\"Ancient (!) Historic Ballads.\" Newcastle, 1807.\n\n\"Scottish Historical and Romantic Ballads, chiefly ancient.\" By John\nFinlay. 2 vols. Edinburgh 1808.\n\n\"Remains of Nithsdale and Galloway Song,\" &c. By R.H. Cromek. London,\n1810.\n\n\"Old Ballads, Historical and Narrative, with some of modern date:\ncollected from Rare Copies and MSS.\" By Thomas Evans. 2 vols. 1777. 4\nvols. 1784. [New edition, revised and enlarged by R.H. Evans. 4 vols.\nLondon, 1810.]\n\n\"Select Scottish Songs, Ancient and Modern, with Critical and\nBiographical Notices, by Robert Burns. Edited by R.H. Cromek.\" London.\n1810. 2 vols.\n\n\"Essay on Song-Writing; with a Selection of such English Songs as are\nmost eminent for poetical merit. By John Aiken. A new edition, with\nAdditions and Corrections, and a Supplement by R.H. Evans.\" London,\n1810.\n\n\"Northern Garlands.\" London, 1810. (Contains The Bishopric, Yorkshire,\nand Northumberland Garlands, and The North-Country Chorister, before\nmentioned.)\n\n\"Bibliographical Miscellanies, being a Collection of Curious Pieces in\nVerse and Prose.\" By Dr. Bliss. Oxford, 1813.\n\n\"Illustrations of Northern Antiquities, from the earlier Teutonic and\nScandinavian Romances, &c., with translations of Metrical Tales from\nthe Old German, Danish, Swedish, and Icelandic Languages.\" 4to. By\nWeber, Scott, and Jamieson. Edinburgh, 1814.\n\n\"Pieces of ancient Poetry, from unpublished Manuscripts and scarce\nBooks.\" Fry. Bristol, 1814.\n\n\"A Collection of Ancient and Modern Scottish Ballads, Tales, and\nSongs: with explanatory Notes and Observations.\" By John Gilchrist. 2\nvols. Edinburgh, 1815.\n\n\"Heliconia. Comprising a Selection of the Poetry of the Elizabethan\nage, written or published between 1575 and 1604.\" Edited by T. Park. 3\nvols. London, 1815.\n\n*\"Albyn's Anthology.\" By Alexander Campbell. Edinburgh, 1816.\n\n\"The Pocket Encyclopedia of Song.\" 2 vols. Glasgow, 1816.\n\n\"Calliope: A Selection of Ballads, Legendary and Pathetic.\" London,\n1816.\n\nFacetiae. Musarum Deliciae (1656), Wit Restor'd (1658), and Wits\nRecreations (1640). 2 vols. London, 1817.\n\n\"The Suffolk Garland: or a Collection of Poems, Songs, Tales, Ballads,\nSonnets, and Elegies, relative to that county.\" Ipswich, 1818.\n\n\"The Jacobite Relics of Scotland: being the Songs, Airs, and Legends\nof the adherents to the House of Stuart. Collected and illustrated by\nJames Hogg.\" 2 vols. Edinburgh, 1819 and 1821.\n\n\"The Harp of Caledonia: A Collection of Songs, Ancient and Modern,\nchiefly Scottish,\" &c. By John Struthers. 3 vols. Glasgow, 1819.\n\n\"The New Notborune Mayd.\" Roxburghe Club. London, 1820.\n\n\"The Scottish Minstrel, a Selection from the Vocal Melodies of\nScotland, Ancient and Modern, arranged for the Piano-Forte by R.A.\nSmith.\" 6 vols. 1820-24.\n\n*\"The British Minstrel, a Selection of Ballads, Ancient and Modern;\nwith Notes, Biographical and Critical. By John Struthers.\" Glasgow,\n1821.\n\n\"Scarce Ancient Ballads, many never before published.\" Aberdeen. Alex.\nLaing, 1822.\n\n\"The Select Melodies of Scotland, interspersed with those of Ireland\nand Wales,\" &c. By George Thomson. London. 6 vols. 1822-25.\n\n\"Select Remains of the Ancient Popular Poetry of Scotland.\" By David\nLaing. Edinburgh, 1822.\n\n\"The Beauties of English Poetry.\" London, 1823.\n\n\"The Thistle of Scotland; a Selection of Ancient Ballads, with Notes.\nBy Alexander Laing.\" Aberdeen, 1823.\n\n\"Some ancient Christmas Carols, with the tunes to which they were\nformerly sung in the West of England; together with two ancient\nBallads, a Dialogue, &c. Collected by Davies Gilbert.\" The Second\nEdition. London, 1823.\n\n\"A Collection of Curious Old Ballads and Miscellaneous Poetry.\" David\nWebster. Edinburgh, 1824.\n\n\"A Ballad Book.\" By Charles Kirkpatrick Sharpe. 1824. (30 copies\nprinted.)\n\n\"A North Countrie Garland.\" By James Maidment. Edinburgh, 1824. (30\ncopies printed.)\n\n\"The Common-Place Book of Ancient and Modern Ballad and Metrical\nLegendary Tales. An Original Selection, including many never before\npublished.\" Edinburgh, 1824.\n\n*\"The Scottish Caledonian Encyclopaedia; or, the Original, Antiquated,\nand Natural Curiosities of the South of Scotland, interspersed with\nScottish Poetry.\" By John Mactaggart. London, 1824.\n\n\"Gleanings of Scotch, English, and Irish scarce Old Ballads, chiefly\nTragical and Historical.\" By Peter Buchan. Peterhead, 1825.\n\n\"The Songs of Scotland, Ancient and Modern; with an Introduction and\nNotes,\" &c. By Allan Cunningham. 4 vols. London, 1825.\n\n\"Early Metrical Tales.\" By David Laing. Edinburgh, 1826.\n\n\"ANCIENT SCOTTISH BALLADS, recovered from Tradition, and never before\npublished: with Notes, Historical and Explanatory, and an Appendix,\ncontaining the Airs of several of the Ballads.\" By GEORGE R. KINLOCH.\nEdinburgh, 1827.\n\n\"MINSTRELSY, ANCIENT AND MODERN, with an Historical Introduction and\nNotes. By WILLIAM MOTHERWELL.\" Glasgow, 1827.\n\n\"The Ballad-Book.\" By George R. Kinloch. Edinburgh, 1827. (30 copies\nprinted.)\n\n\"Ancient Ballads and Songs, chiefly from Tradition, Manuscripts, and\nScarce Works,\" &c. By Thomas Lyle. London, 1827.\n\n\"The Knightly Tale of Golagrus and Gawane, and other Ancient Poems.\nPrinted at Edinburgh, by W. Chepman and A. Myllar in the year\nM.D. VIII. Reprinted MD.CCC.XXVII.\"\n\n\"Ancient Ballads and Songs of the North of Scotland, hitherto\nunpublished.\" By Peter Buchan. 2 vols. Edinburgh, 1828.\n\n\"Jacobite Minstrelsy, with Notes illustrative of the Text, and\ncontaining Historical Details in Relation to the House of Stuart from\n1640 to 1784.\" Glasgow, 1829.\n\n\"The Scottish Ballads; Collected and Illustrated by Robert Chambers.\"\nEdinburgh, 1829.\n\n\"The Scottish Songs; Collected and Illustrated by Robert Chambers.\" 2\nvols. Edinburgh, 1829.\n\n\"Ancient Metrical Tales: printed chiefly from Original Sources.\" By\nC.H. Hartshorne. London, 1829.\n\n\"Christmas Carols, Ancient and Modern, including the most popular in\nthe West of England, and the airs to which they were sung,\" &c. By W.\nSandys. London, 1833.\n\n\"The Bishoprick Garland, or a collection of Legends, Songs, Ballads,\n&c., belonging to the County of Durham.\" By Sir Cuthbert Sharp.\nLondon, 1834.\n\n\"The Universal Songster, or Museum of Mirth, forming the most\ncomplete, extensive, and valuable collection of Ancient and Modern\nSongs in the English language.\" 3 vols. London. 1834.\n\n\"Hugues de Lincoln, Recueil de Ballades, Anglo-Normande et Ecossoises,\nrelatives an meurtre de cet enfant,\" &c. Francisque Michel. Paris,\n1834.\n\n\"Ballads and other Fugitive Poetical Pieces, chiefly Scottish; from\nthe collections of Sir James Balfour.\" Edinburgh, 1834. Ed. by James\nMaidment.\n\n\"Lays and Legends of Varions Nations.\" By W.J. Thoms. London, 1834. 5\nparts.\n\n\"The Songs of England and Scotland.\" By Peter Cunningham. 2 vols.\nLondon, 1835.\n\n\"Songs and Carols. Printed from a Manuscript in the Sloane Collection\nin the British Museum.\" By T. Wright. London, 1836.\n\n\"The Nutbrown Maid. From the earliest edition of Arnold's Chronicle.\"\nBy T. Wright, London, 1836.\n\n\"The Turnament of Totenham, and The Feest. Two early Ballads, printed\nfrom a Manuscript preserved in the Public Library of the University of\nCambridge.\" By T. Wright. London, 1836.\n\n\"A Little Book of Ballads.\" Newport, 1836. Printed by E.V. Utterson\nfor the Roxburghe Club.\n\n\"Ancient Scotish Melodies, from a Manuscript of the Reign of King\nJames VI., with an Introductory Enquiry illustrative of the History of\nMusic in Scotland.\" By William Dauncy. Edinburgh, 1838.\n\n\"Syr Gawayne; a collection of Ancient Romance-Poems, by Scotish and\nEnglish authors, relating to that celebrated Knight of the Round\nTable, with an Introduction, Notes, and a Glossary.\" By Sir Fred.\nMadden. Bannatyne Club. London, 1839.\n\n*\"Fruehlingsgabe fuer Freunde aelterer Literatur.\" By Th. G. v. Karajan.\nVienna, 1839. (Contains English ballads.)\n\n\"The Political Songs of England, from the Reign of John\nto that of Edward II. Edited and translated by Thomas Wright.\" London,\n1839. Camden Society.\n\n\"A Collection of National English Airs, consisting of Ancient Song,\nBallad, and Dance Tunes, interspersed with Remarks and Anecdote, and\npreceded by an Essay on English Minstrelsy.\" By W. Chappell. 2 vols.\nLondon, 1838-1840. (see _post_.)\n\n\"The Latin Poems commonly attributed to Walter Mapes, collected and\nedited by Thomas Wright.\" London, 1841. Camden Society.\n\n\nPUBLICATIONS OF THE PERCY SOCIETY,\n(1840-1852.)\n\nVol. I. \"Old Ballads, from Early Printed Copies of the Utmost Rarity.\"\nBy J. Payne Collier. 1840.\n\n\"A Collection of Songs and Ballads relative to the London Prentices\nand Trades, and to the Affairs of London generally, during the 14th,\n15th, and 16th centuries.\" By Charles Mackay. 1841.\n\n\"The Historical Songs of Ireland: illustrative of the Revolutionary\nStruggle between James II. and William III. By T. Crofton Croker.\n1841.\n\n\"The King and a Poor Northern Man. From the edition of 1640.\" 1841.\n\nVol. II. \"The Early Naval Ballads of England. Collected and edited by\nJ.O. Halliwell.\" 1841.\n\n\"The Mad Pranks and Merry Jests of Robin Goodfellow. Reprinted from\nthe edition of 1628.\" By J. Payne Collier. 1841.\n\nVol. III. \"Political Ballads published in England during the\nCommonwealth.\" By Thomas Wright. 1841.\n\n\"Strange Histories: consisting of Ballads and other Poems, principally\nby Thomas Deloney. From the edition of 1607.\" 1841.\n\n\"The History of Patient Grisel. Two early Tracts in Black-letter.\"\n1842.\n\nVol. IV. \"The Nursery Rhymes of England, collected principally from\noral Tradition.\" By J.O. Halliwell. 1842.\n\nVol. VI. \"Ancient Poetical Tracts of the Sixteenth Century.\" Reprinted\nfrom unique Copies. By E.F. Rimbault 1842.\n\n\"The Crown Garland of Golden Roses: Consisting of Ballads and Songs.\nBy Richard Johnson.\" Part I. From the edition of 1612. 1842. [Part\nII., from the edition of 1659, in vol. xv.]\n\nVol. IX. \"Old Ballads illustrating the great Frost of 1683-4, and the\nFair on the Thames.\" Collected and edited by E.F. Rimbault. 1844.\n\nVol. XIII. \"Six Ballads with Burdens.\" By James Goodwin. 1844.\n\n\"Lyrical Poems selected from Musical Publications between the years\n1589 and 1600.\" By J.P. Collier. 1844.\n\nVol. XV. \"The Crown Garland of Golden Roses. Part II. From the edition\nof 1659.\" 1845.\n\nVol. XVII. \"Scottish Traditional Versions of Ancient Ballads.\" [From a\nMS. of Buchan's.] Edited by James Henry Dixon. 1845.\n\n\"Ancient Poems, Ballads, and Songs of the Peasantry of England, taken\ndown from oral recitation, and transcribed from private manuscripts,\nrare broadsides, and scarce publications. Collected and edited by\nJames Henry Dixon.\" 1846.\n\nVol. XIX. \"The Civic Garland. A Collection of Songs from London\nPageants.\" By F.W. Fairholt. 1845.\n\nVol. XXI. \"Popular Songs illustrative of the French Invasions of\nIreland.\" By T. Crofton Croker. 1845.\n\nVol. XXIII. \"Songs and Carols, now first printed from a manuscript of\nthe Fifteenth Century.\" By Thomas Wright, 1847.\n\n\"Festive Songs, principally of the 16th and 17th centuries: with an\nIntroduction.\" By William Sandys. 1848.\n\nVol. XXVII. \"Satirical Songs and Poems on Costume: from the 13th to\nthe 19th century.\" By F.W. Fairholt. 1848.\n\nVol. XXIX. \"The Loyal Garland: a Collection of Songs of the 17th\ncentury. Reprinted from a black-letter copy supposed to be unique.\" By\nJ.O. Halliwell. 1850.\n\n\"Poems and Songs relating to George Villiers, Duke of Buckingham, and\nhis assassination by John Felton.\" By F.W. Fairholt.\n\nVol. XXX. \"The Garland of Goodwill, by Thomas Deloney.\" From the\nedition of 1678. By J.H. Dixon. 1852.\n\n\"Popular Rhymes, Fireside Stories, and Amusements of Scotland.\" By\nRobert Chambers, Edinburgh. 1842. [Earlier edition in 1826.]\n\n\"Selections from the Early Ballad Poetry of England and Scotland.\nEdited by Richard John King.\" London, 1842.\n\n\"The Book of British Ballads.\" By S.C. Hall. 2 vols. 1842. 1844.\n\n\"The Book of Scottish Song: collected and illustrated with Historical\nand Critical Notices, and an Essay on the Song-Writers of Scotland.\"\nBy Alex. Whitelaw. 1843. [Glasgow, Edinburgh and London, 1855.]\n\n\"A New Book of Old Ballads.\" By James Maidment. Edinburgh, 1844. [60\ncopies printed.]\n\n*Twelve Romantic Scottish Ballads, with Music. Chambers, 1844.\n\n\nPublications of the Shakespeare Society:\n\n\"The Shakespeare Society Papers.\" Vol. I. 1844. Vol. IV. 1849.\n\n\"Illustrations of the Fairy Mythology of A Midsummer Night's Dream.\"\nBy J.O. Halliwell. 1845.\n\n\"The Moral Play of Wit and Science, and Early Poetical Miscellanies\nfrom an Unpublished Manuscript.\" By J.O. Halliwell. 1848.\n\n\"Extracts from the Registers of the Stationers' Company, of Works\nentered for publication between the years 1557 and 1570. With Notes\nand Illustrations by J. Payne Collier.\" 1848. Vol. II. [1570-1587.]\n1849.\n\n\"The Book of Scottish Ballads; collected and illustrated with\nHistorical and Critical Notices. By Alex. Whitelaw.\" Glasgow,\nEdinburgh & London. 1845.\n\n\"Reliquiae Antiquae.\" Wright & Halliwell. 2 vols. London, 1845.\n\n\"Essays on Subjects connected with the Literature, Popular\nSuperstitions, and History of England in the Middle Ages.\" By Thomas\nWright. 2 vols. London, 1846.\n\n\"The Borderer's Table Book: or Gatherings of the Local History and\nRomance of the English and Scottish Border. By M.A. Richardson.\" 8\nvols. Newcastle-upon-Tyne, 1846.\n\n\"The Ballads and Songs of Ayrshire,\" &c. By James Paterson and Captain\nCharles Gray. 2 vols. Ayr, 1846-1847.\n\n\"The Minstrelsy of the English Border. Being a Collection of Ballads,\nAncient, Remodelled, and Original, founded on well-known Border\nLegends. With Illustrative Notes.\" By Frederick Sheldon. London, 1847.\n\n\"A Book of Roxburghe Ballads. Edited by John Payne Collier.\" London,\n1847.\n\n\"Bibliotheca Madrigaliana. A Bibliographical Account of the Musical\nand Poetical Works published in England during the 16th and 17th\ncenturies, under the titles of Madrigals, Ballots, Ayres, Canzonets,\"\n&c. By E.F. Rimbault. 1847.\n\n\"A Lytell Geste of Robin Hode, with other Ancient and Modern Ballads\nand Songs relating to this celebrated Yeoman,\" &c. By John Mathew\nGutch. 2 vols. London. 1847.\n\n\"Sir Hugh of Lincoln: or an Examination of a curious tradition\nrespecting the Jews, with a Notice of the Popular Poetry connected\nwith it. By the Rev. Abraham Hume.\" London, 1849.\n\n\"Ballads and Poems respecting Hugh of Lincoln.\" J.O. Halliwell.\nBrixton Hill, 1849.\n\n\"The Ballad of Edwin and Emma. By David Mallet.\" With Notes and\nIllustrations by Frederick T. Dinsdale. London, 1849.\n\n\"Musical Illustrations of Bishop Percy's Reliques of Ancient English\nPoetry. A Collection of Old Ballad Tunes, etc. chiefly from rare MSS.\nand early Printed Books,\" &c. By Edward F. Rimbault. London, 1850.\n\n\"The Fairy Mythology. Illustrative of the Romance and Superstition of\nvarious Countries.\" By Thomas Keightley. London, 1850.\n\n\"Palatine Anthology. A Collection of ancient Poems and Ballads\nrelating to Lancashire and Cheshire. The Palatine Garland. Being a\nSelection of Ballads and Fragments supplementary to the Palatine\nAnthology.\" By J.O. Halliwell. 1850. [Privately printed.]\n\n\"A New Boke about Shakespeare and Stratford-on-Avon.\" By J.O.\nHalliwell. 1850. [Privately printed.]\n\n\"A Little Book of Songs and Ballads, gathered from Ancient Musick\nBooks, MS. and Printed.\" By E.F. Rimbault. London, 1851.\n\n\"The Sussex Garland. A collection of Ballads, Sonnets, Tales, Elegies,\nSongs, Epitaphs, &c. illustrative of the County of Sussex.\" By James\nTaylor. Newick, 1851.\n\n\"The Yorkshire Anthology. A Collection of Ancient and Modern Ballads,\nPoems and Songs, relating to the County of Yorkshire. Collected by J.O.\nHalliwell.\" London, 1851. [Privately printed.]\n\n\"The Norfolk Anthology. A Collection of Poems, Ballads, and Rare Tracts,\nrelating to the County of Norfolk.\" Collected by J.O. Halliwell. 1852.\n[Privately printed.]\n\n\"The Illustrated Book of English Songs. From the Sixteenth to the\nNineteenth Century.\" Illustrated London Library. London, (about) 1852.\n\n\"The Illustrated Book of Scottish Songs. From the Sixteenth to the\nNineteenth Century.\" Illustrated London Library. London, (about) 1852.\n\n\"The Great Hero of the Ancient Minstrelsy of England, Robin Hood,\" &c.\nBy Joseph Hunter. London, 1852.\n\n\"The Literature and Romance of Northern Europe, &c.; with copious\nspecimens of the most celebrated Histories, Romances, Popular Legends\nand Tales, old Chivalrous Ballads,\" &c. By William & Mary Howitt. 2\nvols. London, 1852.\n\n\"The Pictorial Book of Ancient Ballad Poetry of Great Britain,\nHistorical, Traditional, and Romantic: to which are added a Selection\nof Modern Imitations, and some Translations.\" By J.S. Moore. London,\n1853.\n\n\"The Songs of Scotland adapted to their appropriate Melodies,\" &c.\nIllustrated with Historical, Biographical, and Critical Notices. By\nGeorge Farquhar Graham. 8 vols. Edinburgh, 1854-6.\n\n\"Songs from the Dramatists.\" Edited by Robert Bell. Annotated Edition\nof the English Poets. London, 1854.\n\n\"Popular Music of the Olden Time; a Collection of Ancient Songs,\nBallads, and Dance Tunes, illustrative of the National Music of\nEngland. With short introductions to the different reigns, and notices\nof the airs from writers of the 16th and 17th centuries. Also a short\naccount of the Minstrels.\" By W. Chappell. London. Begun, 1855.\nComplete in 2 vols.\n\n\"Reliques of Ancient Poetry, &c. (Percy's.) To which is now added a\nSupplement of many curious Historical and Narrative Ballads, reprinted\nfrom Rare Copies.\" Philadelphia, 1855.\n\n\"Early Ballads illustrative of History, Traditions and Customs.\" By R.\nBell. Annotated Edition of the English Poets. London, 1856.\n\n\"Ballads and Songs. By David Mallet. A new Edition, with Notes and\nIllustrations and a Memoir of the Author.\" By Frederick Dinsdale.\nLondon, 1857.\n\n\"Ancient Poems, Ballads, and Songs of the Peasantry of England. Edited\nby Robert Bell.\" London, 1857.\n\n\"The Ballads of Scotland. Edited by William Edmondstoune Aytoun.\" 2\nvols. Edinburgh and London, 1858. 2d ed., 1859.\n\n\"The Romantic Scottish Ballads: Their Epoch and Authorship. Edinburgh\nPapers. By Robert Chambers.\" Lond. &. Ed. 1859.\n\n\"The Romantic Scottish Ballads and the Lady Wardlaw Heresy. By Norval\nClyne.\" Aberdeen, 1859.\n\n\"Political Poems and Songs relating to English History, composed\nduring the Period from the Accession of Edward III. to that of Richard\nIII.\" By Thomas Wright. Vol. I. London, 1869. (Published by the\nBritish Government.)\n\nThe Ballads and Songs of Yorkshire. By C.J.D. Ingledew. (Announced.)\n\nThe Jacobite Minstrelsy of Scotland. By Charles Mackay (Announced.)\n\nThe Gentleman's Magazine, *The Scots Magazine, The Retrospective\nReview, The British Bibliographer, Censura Literara, Restituta, Notes\nand Queries, &c.\n\n\nThe full titles of the principal collections of ballad-poetry in other\nlanguages, referred to in these volumes, are as follows:--\n\n\"Udvalgte Danske Viser fra Middelalderen; efter A.S. Vedels og P. Syvs\ntrykte Udgaver og efter haandskrevne Samlinger udgivne paa ny af\nAbrahamson, Nyerup, og Rahbek.\" Copenhagen, 1812-1814. 5 vols.\n\nDANMARKS GAMLE FOLKEVISER, UDGIVNE AF SVEND GRUNDTVIG. 2 vols., and\nthe first part of the third. Copenhagen, 1853-58.\n\n\"Svenska Folk-Visor fran Forntiden, samlade och utgifne af Er. Gust.\nGeijer och Arv. Aug. Afzelius.\" Stockholm, 1814-1816. 3 vols.\n\n\"Svenska Fornsanger. En Samling af Kaempavisor, Folk-Visor, Lekar och\nDansar, samt Barn- och Vall-Sanger. Utgifne af Adolf Iwar Arwidsson.\"\nStockholm, 1834-1842. 3 vols.\n\n\"Altdaenische Heldenlieder, Balladen, und Maehrchen, uebersetzt von\nWilhelm Carl Grimm.\" Heidelberg, 1811.\n\n\"Des Knaben Wunderhorn. Alte dentsche Lieder.\" Arnim & Brentano. 3\nvols. Heidelberg, 1806-8. 2d ed. of first part in 1819.\n\n\"Die Volkslieder der Deutschen, etc. Herausgegeben durch Friedrich\nKarl Freiherrn von Erlach.\" Mannheim, 1834-36. 5 vols.\n\n\"Versuch einer geschichtlichen Charakteristik der Volkslieder\nGermanischer Nationen, mit einer Uebersicht der Lieder\naussereuropaeischer Voelkerschaften.\" Von Talvj. Leipzig, 1840.\n\n\"Schlesische Volkslieder mit Melodien. Aus dem Munde des Volks\ngesammelt und herausgegeben von Hoffmann von Fallersleben und Ernst\nRichter.\" Leipzig, 1842.\n\n\"Alte hoch- und niederdeutsche Volkslieder, in Fuenf Buechern,\nherausgegeben von Ludwig Uhland.\" 2 vols. Stuttgart, 1844-5.\n\n\"Deutsther Liederhort. Auswahl der vorzueglichern deutschen Volkslieder\naus der Vorzeit und der Gegenwart mit ihren eigenthuemlichen Melodien.\"\nVon Ludwig Erk. Berlin, 1856.\n\n\"Niederlaendische Volkslieder. Gesammelt und erlaeutert von Hoffmann von\nFallersleben.\" 2d ed. Hannover, 1856.\n\n * * * * *\n\n\n\n\nBOOK I.\n\n\n\n\nTHE BOY AND THE MANTLE.\n\n\nNo incident is more common in romantic fiction, than the employment of\nsome magical contrivance as a test of conjugal fidelity, or of\nconstancy in love. In some romances of the Round Table, and tales\nfounded upon them, this experiment is performed by means either of an\nenchanted horn, of such properties that no dishonoured husband or\nunfaithful wife can drink from it without spilling, or of a mantle\nwhich will fit none but chaste women. The earliest known instances of\nthe use of these ordeals are afforded by the _Lai du Corn_, by Robert\nBikez, a French minstrel of the twelfth or thirteenth century, and the\n_Fabliau du Mantel Mautaille_, which, in the opinion of a competent\ncritic, dates from the second half of the thirteenth century, and is\nonly the older lay worked up into a new shape. (Wolf, _Ueber die\nLais_, 327, sq., 342, sq.) We are not to suppose, however, that either\nof these pieces presents us with the primitive form of this humorous\ninvention. Robert Bikez tells us that he learned his story from an\nabbot, and that \"noble ecclesiast\" stood but one further back in a\nline of tradition which curiosity will never follow to its source. We\nshall content ourselves with noticing the most remarkable cases of the\nuse of these and similar talismans in imaginative literature.\n\nIn the _Roman de Tristan_, a composition of unknown antiquity, the\nfrailty of nearly all the ladies at the court of King Marc is exposed\nby their essaying a draught from the marvellous horn, (see the English\n_Morte Arthur_, Southey's ed. i. 297.) In the _Roman de Perceval_, the\nknights, as well as the ladies, undergo this probation. From some one\nof the chivalrous romances Ariosto adopted the wonderful vessel into\nhis _Orlando_, (xlii. 102, sq., xliii. 31, sq.,) and upon his\nnarrative La Fontaine founded the tale and the comedy of _La Coupe\nEnchantee_. In German, we have two versions of the same story,--one,\nan episode in the _Krone_ of Heinrich vom Tuerlein, thought to have\nbeen borrowed from the _Perceval_ of Chretien de Troyes, (_Die Sage\nvom Zauberbecher_, in Wolf, _Ueber die Lais_, 378,) and another, which\nwe have not seen, in Bruns, _Beitraege zur kritischen Bearbeitung alter\nHandschriften_, ii. 139; while in English, it is represented by the\nhighly amusing \"bowrd,\" which we are about to print, and which we have\ncalled _The Horn of King Arthur_. The forms of the tale of the Mantle\nare not so numerous. The _fabliau_ already mentioned was reduced to\nprose in the sixteenth century, and published at Lyons, (in 1577,) as\n_Le Manteau mal taille_, (Legrand's _Fabliaux_, 3d ed., i. 126,) and\nunder this title, or that of _Le Court Mantel_, is very well known. An\nold fragment (_Der Mantel_) is given in Haupt and Hoffmann's\n_Altdeutsche Blaetter_, ii. 217, and the story is also in Bruns\n_Beitraege_. Lastly, we find the legends of the horn and the mantle\nunited, as in the German ballad _Die Ausgleichung_, (_Des Knaben\nWunderhorn_, i. 389,) and in the English ballad of _The Boy and The\nMantle_, where a magical knife is added to the other curiosities. All\nthree of these, by the way, are claimed by the Welsh as a part of the\n_insignia_ of Ancient Britain, and the special property of Tegau\nEurvron, the wife of Caradog with the strong arm. (Jones, _Bardic\nMuseum_, p. 49.)\n\nIn other departments of romance, many other objects are endowed with\nthe same or an analogous virtue. In Indian and Persian story, the test\nof innocence is a red lotus-flower; in _Amadis_, a garland, which\nfades on the brow of the unfaithful; in _Perceforest_, a rose. The\n_Lay of the Rose_ in _Perceforest_, is the original (according to\nSchmidt) of the much-praised tale of Senece, _Camille, ou la Maniere\nde filer le parfait Amour_, (1695,)--in which a magician presents a\njealous husband with a portrait in wax, that will indicate by change\nof color the infidelity of his wife,--and suggested the same device in\nthe twenty-first novel of Bandello, (Part First,) on the translation\nof which in Painter's _Palace of Pleasure_, (vol. ii. No. 28,)\nMassinger founded his play of _The Picture_. Again, in the tale of\n_Zeyn Alasman and the King of the Genii_, in the _Arabian Nights_, the\nmeans of proof is a mirror, that reflects only the image of a spotless\nmaiden; in that of the carpenter and the king's daughter, in the\n_Gesta Romanorum_, (c. 69,) a shirt, which remains clean and whole as\nlong as both parties are true; in _Palmerin of England_, a cup of\ntears, which becomes dark in the hands of an inconstant lover; in the\n_Fairy Queen_, the famous girdle of Florimel; in _Horn and Rimnild_\n(Ritson, _Metrical Romances_, iii. 301,) as well as in one or two\nballads in this collection, the stone of a ring; in a German ballad,\n_Die Krone der Koenigin von Afion_, (Erlach, _Volkslieder der\nDeutschen_, i. 132,) a golden crown, that will fit the head of no\nincontinent husband. Without pretending to exhaust the subject, we may\nadd three instances of a different kind: the Valley in the romance of\n_Lancelot_, which being entered by a faithless lover would hold him\nimprisoned forever; the Cave in _Amadis of Gaul_, from which the\ndisloyal were driven by torrents of flame; and the Well in _Horn and\nRimnild_, (_ibid._) which was to show the shadow of Horn, if he proved\nfalse.\n\nIn conclusion, we will barely allude to the singular anecdote related\nby Herodotus, (ii. 111,) of Phero, the son of Sesostris, in which the\nexperience of King Marc and King Arthur is so curiously anticipated.\nIn the early ages, as Dunlop has remarked, some experiment for\nascertaining the fidelity of women, in defect of evidence, seems\nreally to have been resorted to. \"By the Levitical law,\" (_Numbers_ v.\n11-31,) continues that accurate writer, \"there was prescribed a mode\nof trial, which consisted in the suspected person drinking water in\nthe tabernacle. The mythological fable of the trial by the Stygian\nfountain, which disgraced the guilty by the waters rising so as to\ncover the laurel wreath of the unchaste female who dared the\nexamination, probably had its origin in some of the early institutions\nof Greece or Egypt. Hence the notion was adopted in the Greek\nromances, the heroines of which were invariably subjected to a magical\ntest of this nature, which is one of the few particulars in which any\nsimilarity of incident can be traced between the Greek novels and the\nromances of chivalry.\" See DUNLOP, _History of Fiction_, London, 1814,\ni. 239, sq.; LEGRAND, _Fabliaux_, 3d ed., i. 149, sq., 161; SCHMIDT,\n_Jahrbuecher der Literatur_, xxix. 121; WOLF, _Ueber die Lais_,\n174-177; and, above all, GRAESSE'S _Sagenkreise des Mittelalters_,\n185, sq.\n\n_The Boy and the Mantle_ was \"printed verbatim\" from the Percy MS., in\nthe _Reliques of Ancient English Poetry_, iii. 38.\n\n\n In the third day of May,\n To Carleile did come\n A kind curteous child,\n That cold much of wisdome.\n\n A kirtle and a mantle 5\n This child had uppon,\n With brouches[L7] and ringes\n Full richelye bedone.\n\n He had a sute of silke\n About his middle drawne; 10\n Without he cold of curtesye,\n He thought itt much shame.\n\n \"God speed thee, King Arthur,\n Sitting at thy meate:\n And the goodly Queene Guenever 15\n I cannott her forgett,\n\n \"I tell you, lords, in this hall,\n I hett[L18] you all to heede,\n Except you be the more surer,\n Is you for to dread.\" 20\n\n He plucked out of his poterner,[L21]\n And longer wold not dwell;\n He pulled forth a pretty mantle,\n Betweene two nut-shells.\n\n \"Have thou here, King Arthur, 25\n Have thou heere of mee;\n Give itt to thy comely queene,\n Shapen as itt is alreadye.\n\n Itt shall never become that wiffe,\n That hath once done amisse:\"-- 30\n Then every knight in the kings court\n Began to care for his[L32].\n\n Forth came dame Guenever;\n To the mantle shee her hied[L34];\n The ladye shee was newfangle, 35\n But yett shee was affrayd.\n\n When shee had taken the mantle,\n She stoode as shee had beene madd:\n It was from the top to the toe,\n As sheeres had itt shread. 40\n\n One while was it gule[L41],\n Another while was itt greene;\n Another while was it wadded;\n Ill itt did her beseeme.\n\n Another while was it blacke, 45\n And bore the worst hue:\n \"By my troth,\" quoth King Arthur,\n \"I think thou be not true.\"\n\n She threw down the mantle,\n That bright was of blee; 50\n Fast, with a rudd redd,\n To her chamber can shee flee.\n\n She curst the weaver and the walker\n That clothe that had wrought,\n And bade a vengeance on his crowne 55\n That hither hath itt brought.\n\n \"I had rather be in a wood,\n Under a greene tree,\n Then in King Arthurs court\n Shamed for to bee.\" 60\n\n Kay called forth his ladye,\n And bade her come neere;\n Saies, \"Madam, and thou be guiltye,\n I pray thee hold thee there.\"\n\n Forth came his ladye, 65\n Shortlye and anon;\n Boldlye to the mantle\n Then is shee gone.\n\n When she had tane the mantle,\n And cast it her about, 70\n Then was shee bare\n 'Before all the rout.'\n\n Then every knight,\n That was in the kings court,\n Talked, laughed,[L75] and showted 75\n Full oft att that sport.\n\n Shee threw downe the mantle,\n That bright was of blee;\n Fast, with a red rudd,\n To her chamber can shee flee. 80\n\n Forth came an old knight,\n Pattering ore a creede,\n And he proferred to this litle boy\n Twenty markes to his meede,\n\n And all the time of the Christmasse, 85\n Willinglye to ffeede;\n For why, this mantle might\n Doe his wiffe some need.\n\n When she had tane the mantle,\n Of cloth that was made, 90\n Shee had no more left on her,\n But a tassell and a threed:\n Then every knight in the kings court\n Bade evill might shee speed.\n\n Shee threw downe the mantle, 95\n That bright was of blee;\n And fast, with a redd rudd,\n To her chamber can shee flee.\n\n Craddocke called forth his ladye,\n And bade her come in; 100\n Saith, \"Winne this mantle, ladye,\n With a little dinne.\n\n Winne this mantle, ladye,\n And it shal be thine,\n If thou never did amisse 105\n Since thou wast mine.\"\n\n Forth came Craddockes ladye,\n Shortlye and anon;\n But boldlye to the mantle\n Then is shee gone. 110\n\n When she had tane the mantle,\n And cast it her about,\n Upp at her great toe\n It began to crinkle and crowt:\n Shee said, \"Bowe downe, mantle, 115\n And shame me not for nought.\n\n Once I did amisse,\n I tell you certainlye,\n When I kist Craddockes mouth\n Under a greene tree; 120\n When I kist Craddockes mouth\n Before he marryed mee.\"\n\n When shee had her shreeven,\n And her sines shee had tolde,\n The mantle stoode about her 125\n Right as shee wold,\n\n Seemelye of coulour,\n Glittering like gold:\n Then every knight in Arthurs court\n Did her behold. 130\n\n Then spake dame Guenever\n To Arthur our king;\n \"She hath tane yonder mantle\n Not with right[L134], but with wronge.\n\n See you not yonder woman, 135\n That maketh her self soe 'cleane'[L136]?\n I have seene tane out of her bedd\n Of men fiveteene;\n\n Priests, clarkes, and wedded men\n From her, bydeene: 140\n Yett shee taketh the mantle,\n And maketh her self cleane.\"\n\n Then spake the little boy,\n That kept the mantle in hold;\n Sayes, \"King, chasten thy wiffe, 145\n Of her words shee is to bold:\n\n Shee is a bitch and a witch,\n And a whore bold:\n King, in thine owne hall\n Thou art a cuckold.\" 150\n\n The little boy stoode\n Looking out a dore;\n 'And there as he was lookinge\n He was ware of a wyld bore.'\n\n He was ware of a wyld bore, 155\n Wold have werryed a man:\n He pulld forth a wood kniffe,\n Fast thither that he ran:\n He brought in the bores head,\n And quitted him like a man. 160\n\n He brought in the bores head,\n And was wonderous bold:\n He said there was never a cuckolds kniffe\n Carve itt that cold.\n\n Some rubbed their knives 165\n Uppon a whetstone:\n Some threw them under the table,\n And said they had none.\n\n King Arthur and the child\n Stood looking them upon; 170\n All their knives edges\n Turned backe againe.\n\n Craddocke had a little knive\n Of iron and of steele;\n He britled[L175] the bores head 175\n Wonderous weele,\n That every knight in the kings court\n Had a morssell.\n\n The little boy had a horne,\n Of red gold that ronge: 180\n He said there was \"noe cuckolde\n Shall drinke of my horne,\n But he shold it sheede,\n Either behind or beforne.\"\n\n Some shedd on their shoulder, 185\n And some on their knee;\n He that cold not hitt his mouthe,\n Put it in his eye:\n And he that was a cuckold\n Every man might him see. 190\n\n Craddocke wan the horne,\n And the bores head:\n His ladie wan the mantle\n Unto her meede.\n Everye such a lovely ladye 195\n God send her well to speede.\n\n\nMS. Ver. 7, branches.\n\nV. 18, heate.\n\nV. 21, poterver.\n\nMS. V. 32, his wiffe.\n\nV. 34, bided.\n\nV. 41, gaule.\n\nMS. Ver. 75, lauged.\n\nMS. Ver. 134, wright.\n\nV. 136, cleare.\n\nMS. V. 175, Or birtled.\n\n\n\n\nTHE HORN OF KING ARTHUR.\n\nMS. Ashmole, 61, fol. 59 to 62.\n\n\nThis amusing piece was first published entire in Hartshorne's _Ancient\nMetrical Tales_, p. 209, but with great inaccuracies. It is there\ncalled _The Cokwolds Daunce_. A few extracts had previously been given\nfrom the MS., in the Notes to _Orfeo and Heurodis_, in Laing's _Early\nPopular Poetry of Scotland_. Mr. Wright contributed a corrected\nedition to Karajan's _Fruehlingsgabe fuer Freunde aelterer Literatur_.\nThat work not being at the moment obtainable, the Editor was saved\nfrom the necessity of reprinting or amending a faulty text, by the\nkindness of J.O. Halliwell, Esq., who sent him a collation of\nHartshorne's copy with the Oxford manuscript.\n\n\n All that wyll of solas lere,\n Herkyns now, and [z]e schall here,\n And [z]e kane vnderstond;\n Off a bowrd I wyll [z]ou schew,\n That ys full gode and trew, 5\n That fell some tyme in Ynglond.\n\n Kynge Arthour was off grete honour,\n Off castellis and of many a toure,\n And full wyde iknow;\n A gode ensample I wyll [z]ou sey, 10\n What chanse befell hym one a dey;\n Herkyn to my saw!\n\n Cokwoldes he louyd, as I [z]ou ply[z]t;\n He honouryd them, both dey and nyght,\n In all maner of thyng; 15\n And as I rede in story,\n He was kokwold sykerly;\n Ffor sothe it is no lesyng.\n\n Herkyne, seres, what I sey;\n Her may [z]e here solas and pley, 20\n Iff [z]e wyll take gode hede;\n Kyng Arthour had a bugyll horn,\n That ever mour stod hym be forn,\n Were so that ever he [z]ede.\n\n Ffor when he was at the bord sete, 25\n Anon the horne schuld be fette[L26],\n Ther off that he myght drynk;\n Ffor myche crafte he couth thereby,\n And ofte tymes the treuth he sey;\n Non other couth he thynke. 30\n\n Iff any cokwold drynke of it,\n Spyll he schuld, withouten lette;\n Therfor thei wer not glade;\n Gret dispyte thei had therby,\n Because it dyde them vilony, 35\n And made them oft tymes sade.\n\n When the kyng wold hafe solas,\n The bugyll was fett[L38] into the plas,\n To make solas and game;\n And then changyd the cokwoldes chere; 40\n The kyng them callyd ferre and nere,\n Lordynges, by ther name.\n\n Than men myght se game inow[z]e,\n When every cokwold on other leu[z]e,\n And [z]it thei schamyd sore: 45\n Where euer the cokwoldes wer sought,\n Befor the kyng thei were brought,\n Both lesse and more.\n\n Kyng Arthour than, verament,\n Ordeynd, throw hys awne assent, 50\n Ssoth as I [z]ow sey,\n The tabull dormounte withouten lette;\n Ther at the cokwoldes wer sette,\n To have solas and pley.\n\n Ffor at the bord schuld be non other 55\n Bot euery cokwold and his brother[L56];\n To tell treuth I must nedes;\n And when the cokwoldes wer sette,\n Garlandes of wylos sculd be fette,\n And sett vpon ther hedes. 60\n\n Off the best mete, withoute lesyng,\n That stode on bord befor the kyng,\n Both ferr and nere,\n To the cokwoldes he sente anon,\n And bad them be glad euerychon, 65\n Ffor his sake make gode chere.\n\n And seyd, \"Lordyngs, for [z]our lyues,\n Be neuer the wrother with [z]our wyues,\n Ffor no manner of nede:\n Off women com duke and kyng; 70\n I [z]ow tell without lesyng,\n Of them com owre manhed.\n\n So it befell sertenly,\n The duke off Glosseter com in hy[z]e,\n To the courte with full gret my[z]ht; 75\n He was reseyued at the kyngs palys,\n With mych honour and grete solas,\n With lords that were well dyg[z]ht.\n\n With the kyng ther dyde he dwell,\n Bot how long I can not tell, 80\n Therof knaw I non name;\n Off kyng Arthour a wonder case,\n Frendes, herkyns how it was,\n Ffor now begynes game.\n\n Vppon a dey, withouten lette, 85\n The duke with the kyng was sette,\n At mete with mykill pride;\n He lukyd abowte wonder faste,\n Hys syght on euery syde he caste\n To them that sate besyde. 90\n\n The kyng aspyed the erle anon,\n And fast he low[z]he the erle vpon,\n And bad he schuld be glad;\n And yet, for all hys grete honour,\n Cokwold was Kyng Arthour, 95\n Ne galle non he had.\n\n So at the last, the duke he brayd,\n And to the kyng thes wordes sayd[L98];\n He myght no longer forbere;\n \"Syr, what hath thes men don, 100\n That syche garlondes thei were vpon?\n That skyll wold I lere.\"\n\n The kyng seyd the erle to,\n \"Syr, non hurte they haue do,\n Ffor this was thru[z]h a chans. 105\n Sertes thei be fre men all,\n Ffor non of them hath no gall;\n Therfor this is ther penans.\n\n \"Ther wyves hath ben merchandabull,\n And of ther ware compenabull; 110\n Methinke it is non herme;\n A man of lufe that wold them craue,\n Hastely he schuld it haue,\n Ffor thei couth not hym wern.\n\n \"All theyr wyves, sykerlyke, 115\n Hath vsyd the backefysyke[L116],\n Whyll thes men were oute;\n And ofte they haue draw that draught,\n To vse well the lechers craft,\n With rubyng of ther toute. 120\n\n \"Syr,\" he seyd, \"now haue I redd;\n Ete we now, and make vs glad,\n And euery man fle care;\"\n The duke seyd to hym anon,\n \"Than be thei cokwoldes, everychon;\" 125\n The kyng seyd, \"hold the there.\"\n\n The kyng than, after the erlys word,\n Send to the cokwolds bord,\n To make them mery among,\n All manner of mynstralsy, 130\n To glad the cokwolds by and by\n With herpe, fydell, and song:\n\n And bad them take no greffe,\n Bot all with loue and with leffe,\n Euery man ...[L135] with other; 135\n Ffor after mete, without distans,\n The cockwolds schuld together danse,\n Euery man with hys brother.\n\n Than began a nobull game:\n The cockwolds together came 140\n Befor the erle and the kyng;\n In skerlet kyrtells over one,\n The cokwoldes stodyn euerychon,\n Redy vnto the dansyng.\n\n Than seyd the kyng in hye, 145\n \"Go fyll my bugyll hastely,\n And bryng it to my hond.\n I wyll asey with a gyne\n All the cokwolds that her is in;\n To know them wyll I fond.\" 150\n\n Than seyd the erle, \"for charyte,\n In what skyll, tell me,\n A cokwold may I know?\"\n To the erle the kyng ansuerd,\n \"Syr, be myn hore berd, 155\n Thou schall se within a throw.\"\n\n The bugyll was brought the kyng to hond.\n Then seyd the kyng, \"I vnderstond,\n Thys horne that [z]e here se,\n Ther is no cockwold, fer ne nere, 160\n Here of to drynke hath no power,\n As wyde as Crystiante,\n\n \"Bot he schall spyll on euery syde;\n Ffor any cas that may betyde,\n Schall non therof avanse.\" 165\n And [z]it, for all hys grete honour,\n Hymselfe, noble kyng Arthour,\n Hath forteynd syche a chans.\n\n \"Syr erle,\" he seyd, \"take and begyn.\"\n He seyd; \"nay, be seynt Austyn, 170\n That wer to me vylony;\n Not for all a reme to wyn,\n Befor you I schuld begyn,\n Ffor honour off my curtassy.\"\n\n Kyng Arthour ther he toke the horn, 175\n And dyde as he was wont beforn,\n Bot ther was [z]it gon a gyle:\n [L178]He wend to haue dronke of the best,\n Bot sone he spyllyd on hys brest,\n Within a lytell whyle. 180\n\n The cokwoldes lokyd iche on other,\n And thought the kyng was their own brother,\n And glad thei wer of that:\n \"He hath vs scornyd many a tyme,\n And now he is a cokwold fyne, 185\n To were a cokwoldes hate.\"\n\n The quene was therof schamyd sore;\n Sche changyd hyr colour lesse and more,\n And wold haue ben a wey.\n Therwith the kyng gan hyr behold, 190\n And seyd he schuld neuer be so bold,\n The soth agene to sey.\n\n \"Cokwoldes no mour I wyll repreue,\n Ffor I ame ane, and aske no leue,\n Ffor all my rentes and londys. 195\n Lordyngs, all now may [z]e know\n That I may dance in the cokwold row,\n And take [z]ou by the handes.\"\n\n Than seyd thei all at a word,\n That cokwoldes schuld begynne the bord, 200\n And sytt hyest in the halle.\n \"Go we, lordyngs, all [and] same,\n And dance to make vs gle and game,\n Ffor cokwolds have no galle.\"\n\n And after that sone anon, 205\n The kyng causyd the cokwolds ychon\n To wesch withouten les;\n Ffor ought that euer may betyde,\n He sett them by hys awne syde,\n Vp at the hy[z]e dese. 210\n\n The kyng hymselff a gurlond fette;\n Uppon hys hede he it sette,\n Ffor it myght be non other,\n And seyd, \"Lordyngs, sykerly,\n We be all off a freyry; 215\n I ame [z]our awne brother.\n\n \"Be Jhesu Cryst that is aboffe,\n That man aught me gode loffe\n That ley by my quene:\n I wer worthy hym to honour, 220\n Both in castell and in towre,\n With rede, skerlet and grene.\n\n \"Ffor him he helpyd, when I was forth,\n To cher my wyfe and make her myrth;\n Ffor women louys wele pley; 225\n And therfor, serys, have [z]e no dowte\n Bot many schall dance in the cokwoldes rowte,\n Both by nyght and dey.\n\n \"And therefor, lordyngs, take no care;\n Make we mery; for nothing spare; 230\n All brether in one rowte.\"\n Than the cokwoldes wer full blythe,\n And thankyd God a hundred syth,\n Ffor soth withouten dowte.\n\n Every cokwold seyd to other, 235\n \"Kyng Arthour is our awne brother,\n Therfor we may be blyth:\"\n The erle off Glowsytur verament,\n Toke hys leve, and home he wente,\n And thankyd the kyng fele sythe. 240\n\n Kyng Arthour lived at Karlyon[L241],\n With hys cokwolds euerychon,\n And made both gam and gle:\n * * * * *\n * * * * *\n * * * * *[L243]\n\n A knyght ther was withouten les,\n That seruyd at the kyngs des, 245\n Syr Corneus hyght he;\n He made this gest in hys gam,\n And named it after hys awne name,\n In herpyng or other gle.\n\n And after, nobull kyng Arthour 250\n Lyued and dyed with honour,\n As many hath don senne,\n Both cokwoldes and other mo:\n God gyff vs grace that we may go\n To heuyn! Amen, Amen.\n\n\n26, sette. See 59, 211.\n\n38, sett.\n\n56, brothers.\n\n98, spake.\n\n115, MS. baskefysyke.\n\n135, word wanting.\n\n178, Bot he.\n\n241, left at Skarlyon.\n\n243, Three lines omitted in MS.\n\n\n\n\nFRAGMENT OF THE MARRIAGE OF SIR GAWAINE.\n\nFrom Percys _Reliques_, iii. 403.\n\n\nThis is one of the few ballads contained in the Percy MS., which we\nhave the pleasure of possessing as it is there written. Having first\nsubmitted an improved copy, \"with large conjectural supplements and\ncorrections,\" Percy added this old fragment at the end of the volume:\n\"literally and exactly printed, with all its defects, inaccuracies,\nand errata,\" in order, as he triumphantly remarks, \"that such austere\nantiquaries as complain that the ancient copies have not been always\nrigidly adhered to, may see how unfit for publication many of the\npieces would have been, if all the blunders, corruptions, and nonsense\nof illiterate reciters and transcribers had been superstitiously\nretained, without some attempt to correct and amend them.\"\n\n\"This ballad,\" the Editor of the _Reliques_ goes on to say, \"has most\nunfortunately suffered by having half of every leaf in this part of\nthe MS. torn away; and, as about nine stanzas generally occur in the\nhalf-page now remaining, it is concluded that the other half\ncontained nearly the same number of stanzas.\" The story may be seen,\nunmutilated and in an older form, in Madden's _Syr Gawayne_, p. 298,\n_The Weddynge of Syr Gawen and Dame Ragnell_.\n\nThe transformation on which the story turns is found also in Chaucer's\n_Wife of Bath's Tale_, in Gower's tale of _Florent and the King of\nSicily's Daughter_; (_Confessio Amantis_, Book I.) in the ballad of\n_King Henry_ (page 147 of this volume); and in an Icelandic saga of\nthe Danish king Helgius, quoted by Scott in his illustrations to _King\nHenry, Minstrelsy_, iii. 274.\n\nVoltaire has employed the same idea in his _Ce qui plait aux Dames_,\nbut whence he borrowed it we are unable to say.\n\nWorked over by some ballad-monger of the sixteenth century, and of\ncourse reduced to dish-water, this tale has found its way into _The\nCrown Garland of Golden Roses_, Part I. p. 68 (Percy Society, vol.\nvi.), _Of a Knight and a Faire Virgin_.\n\n\n Kinge Arthur liues in merry Carleile,\n And seemely is to see;\n And there he hath with him Queene Genever,\n That bride so bright of blee.\n\n And there he hath with him Queene Genever, 5\n That bride soe bright in bower;\n And all his barons about him stoode,\n That were both stiffe and stowre.\n\n The King kept a royall Christmasse,\n Of mirth & great honor; 10\n ... when ...\n [_About nine stanzas wanting._]\n\n \"And bring me word what thing it is\n That women[L13] most desire;\n This shalbe thy ransome, Arthur,\" he sayes,\n \"For Ile haue no other hier.\" 15\n\n King Arthur then held vp his hand,\n According thene as was the law;\n He tooke his leaue of the baron there,\n And homword can he draw.\n\n And when he came to merry Carlile, 20\n To his chamber he is gone;\n And ther came to him his cozen, Sir Gawaine,\n As he did make his mone.\n\n And there came to him his cozen, Sir Gawaine[L24],\n That was a curteous knight; 25\n \"Why sigh you soe sore, vnckle Arthur,\" he said,\n \"Or who hath done thee vnright?\"\n\n \"O peace! o peace! thou gentle Gawaine,\n That faire may thee beffall;\n For if thou knew my sighing soe deepe, 30\n Thou wold not meruaile att all.\n\n \"Ffor when I came to Tearne-wadling,\n A bold barron there I fand;\n With a great club vpon his backe,\n Standing stiffe & strong. 35\n\n \"And he asked me wether I wold fight\n Or from him I shold be gone;\n Or else[L38] I must him a ransome pay,\n And soe depart him from.\n\n \"To fight with him I saw noe cause, 40\n Me thought it was not meet;\n For he was stiffe and strong with all;\n His strokes were nothing sweete.\n\n \"Therefor this is my ransome, Gawaine,\n I ought to him to pay; 45\n I must come againe, as I am sworne,\n Vpon the Newyeers day.\n\n \"And I must bring him word what thing it is\n [_About nine stanzas wanting._]\n\n Then King Arthur drest him for to ryde,\n In one soe riche array, 50\n Towards the foresaid Tearne-wadling,\n That he might keepe his day.\n\n And as he rode over a more,\n Hee see a lady, where shee sate,\n Betwixt an oke and a greene hollen; 55\n She was clad in red scarlett.\n\n Then there as shold have stood her mouth,\n Then there was sett her eye;\n The other was in her forhead fast,\n The way that she might see. 60\n\n Her nose was crooked, & turnd outward,\n Her mouth stood foule a-wry;\n A worse formed lady then shee was,\n Neuer man saw with his eye.\n\n To halch vpon him, King Arthur, 65\n This lady was full faine;\n But King Arthur had forgott his lesson,\n What he shold say againe.\n\n \"What knight art thou,\" the lady sayd,\n \"That wilt not speake to me? 70\n Of me [be] thou nothing dismayd,\n Tho I be vgly to see.\n\n \"For I haue halched you curteouslye,\n And you will not me againe;\n Yett I may happen, Sir knight,\" shee said, 75\n \"To ease thee of thy paine.\"\n\n \"Giue thou ease me, lady,\" he said,\n \"Or helpe me any thing,\n Thou shalt haue gentle Gawaine, my cozen,\n And marry him with a ring.\" 80\n\n \"Why if I helpe thee not, thou noble King Arthur,\n Of thy owne hearts desiringe,\n Of gentle Gawaine....\n [_About nine stanzas wanting._]\n\n And when he came to the Tearne-wadling,\n The baron there cold he finde[L85]; 85\n With a great weapon on his backe,\n Standinge stiffe and stronge.\n\n And then he tooke King Arthurs letters in his hands,\n And away he cold them fling;\n And then he puld out a good browne sword, 90\n And cryd himselfe a king.\n\n And he sayd, \"I haue thee, & thy land, Arthur,\n To doe as it pleaseth me;\n For this is not thy ransome sure,\n Therfore yeeld thee to me.\" 95\n\n And then bespoke him noble Arthur,\n And bade him hold his hand[L97];\n \"And give me leave to speake my mind,\n In defence of all my land.\"\n\n He said, \"as I came over a[L100] more, 100\n I see a lady, where shee sate,\n Betweene an oke & a green hollen;\n Shee was clad in red scarlette.\n\n \"And she says a woman will haue her will,\n And this is all her cheef desire; 105\n Doe me right, as thou art a baron of sckill,\n This is thy ransome, & all thy hyer.\"\n\n He sayes, \"an early vengeance light on her!\n She walkes on yonder more;\n It was my sister, that told thee this, 110\n She is a misshapen hore.\n\n \"But heer Ile make mine avow to God,\n To do her an euill turne;\n For an euer I may thate fowle theefe get,\n In a fyer I will her burne.\" 115\n\n [_About nine stanzas wanting._]\n\n\n THE SECOND PART.\n\n Sir Lancelott, & Sir Steven, bold,\n They rode with them that day;\n And the formost of the company,\n There rode the steward Kay.\n\n Soe did Sir Banier, & Sir Bore, 120\n Sir Garrett with them, soe gay;\n Soe did Sir Tristeram, that gentle knight,\n To the forrest, fresh & gay.\n\n And when he came to the greene forrest,\n Vnderneath a greene holly tree, 125\n Their sate that lady in red scarlet,\n That vnseemly was to see.\n\n Sir Kay beheld this ladys face,\n And looked vppon her suire,--\n \"Whosoeuer kisses this lady,\" he sayes, 130\n \"Of his kisse he stands in feare!\"\n\n Sir Kay beheld the lady againe,\n And looked vpon her snout;\n \"Whosoeuer kisses this lady,\" he saies,\n \"Of his kisse he stands in doubt!\" 135\n\n \"Peace, cozen Kay,\" then said Sir Gawaine,\n \"Amend thee of thy life;\n For there is a knight amongst us all,\n That must marry her to his wife.\"\n\n \"What! wedd her to wiffe,\" then said Sir Kay, 140\n \"In the diuells name anon,\n Get me a wiffe whereere I may,\n For I had rather be slaine!\"\n\n Then some[L144] tooke vp their hawkes in hast,\n And some tooke vp their hounds; 145\n And some sware they wold not marry her,\n For citty nor for towne.\n\n And then bespake him noble King Arthur,\n And sware there, \"by this day,\n For a litle foule sight & misliking, 150\n [_About nine stanzas wanting._]\n\n Then shee said, \"choose thee, gentle Gawaine,\n Truth as I doe say;\n Wether thou wilt haue me in this liknesse,\n In the night, or else in the day.\"\n\n And then bespake him gentle Gawaine, 155\n With one soe mild of moode;\n Sayes, \"well I know what I wold say,\n God grant it may be good!\n\n \"To haue thee fowle in the night,\n When I with thee shold play-- 160\n Yet I had rather, if I might,\n Haue thee fowle in the day.\"\n\n \"What, when lords goe with ther feires[L163],\" shee said,\n \"Both to the ale and wine;\n Alas! then I must hyde my selfe, 165\n I must not goe withinne.\"\n\n And then bespake him gentle Gawaine,\n Said, \"Lady, thats but a skill;\n And because thou art my owne lady,\n Thou shall haue all thy will.\" 170\n\n Then she said, \"blessed be thou, gentle Gawaine,\n This day that I thee see;\n For as thou see me att this time,\n From hencforth I wil be.\n\n \"My father was an old knight, 175\n And yett it chanced soe,\n That he married a younge lady,\n That brought me to this woe.\n\n \"Shee witched me, being a faire young lady,\n To the greene forrest to dwell; 180\n And there I must walke in womans liknesse,\n Most like a feeind of hell.\n\n \"She witched my brother to a carlist b....\n [_About nine stanzas wanting._]\n\n That looked soe foule, and that was wont\n On the wild more to goe. 185\n \"Come kisse her, brother Kay,\" then said Sir Gawaine,\n \"And amend the of thy liffe;\n I sweare this is the same lady\n That I marryed to my wiffe.\"\n\n Sir Kay kissed that lady bright, 190\n Standing vpon his ffeete;\n He swore, as he was trew knight,\n The spice was neuer soe sweete.\n\n \"Well, cozen Gawaine,\" sayes Sir Kay,\n \"Thy chance is fallen arright; 195\n For thou hast gotten one of the fairest maids,\n I euer saw with my sight.\"\n\n \"It is my fortune,\" said Sir Gawaine;\n \"For my vnckle Arthurs sake,\n I am glad as grasse wold be of raine, 200\n Great joy that I may take.\"\n\n Sir Gawaine tooke the lady by the one arme,\n Sir Kay tooke her by the tother;\n They led her straight to King Arthur,\n As they were brother and brother. 205\n\n King Arthur welcomed them there all,\n And soe did lady Geneuer, his queene;\n With all the knights of the Round Table,\n Most seemly to be seene.\n\n King Arthur beheld that lady faire, 210\n That was soe faire & bright;\n He thanked Christ in Trinity\n For Sir Gawaine, that gentle knight.\n\n Soe did the knights, both more and lesse, 220\n Rejoyced all that day,\n For the good chance that hapened was\n To Sir Gawaine and his lady gay.\n\n\n13, Y^e a woman.\n\n24, Cawaine.\n\n38, O else.\n\n85, srinde.\n\n97, hands.\n\n100, The.\n\n144, soome.\n\n163, seires.\n\n\n\n\nKING ARTHUR'S DEATH.\n\nA FRAGMENT.\n\n_Reliques of English Poetry_, iii, 67.\n\n\n\"The subject of this ballad is evidently taken from the old romance\n_Morte Arthur_, but with some variations, especially in the concluding\nstanzas; in which the author seems rather to follow the traditions of\nthe old Welsh Bards, who 'believed that King Arthur was not dead, but\nconveied awaie by the Fairies into some pleasant place, where he\nshould remaine for a time, and then returne againe and reign in as\ngreat authority as ever.' (Holinshed, B. 5, c. 14.) Or, as it is\nexpressed in an old chronicle printed at Antwerp, 1493, by Ger. de\nLeew: 'The Bretons supposen, that he [King Arthur] shall come yet and\nconquere all Bretaigne, for certes this is the prophicye of Merlyn, He\nsayd, that his deth shall be doubteous; and sayd soth, for men thereof\nyet have doubte, and shullen for ever more,--for men wyt not whether\nthat he lyveth or is dede.' See more ancient testimonies in Selden's\nNotes on Polyolbion, Song 3.\n\n\"This fragment, being very incorrect and imperfect in the original\nMS., hath received some conjectural emendations, and even a supplement\nof three or four stanzas composed from the romance of _Morte Arthur_.\"\nPERCY.\n\n\n * * * * *\n\n On Trinitye Mondaye in the morne,\n This sore battayle was doom'd to bee,\n Where manye a knighte cry'd, Well-awaye!\n Alacke, it was the more pittie.\n\n Ere the first crowinge of the cocke, 5\n When as the kinge in his bed laye,\n He thoughte Sir Gawaine[L7] to him came,\n And there to him these wordes did saye.\n\n \"Nowe, as you are mine unkle deare,\n And as you prize your life, this daye 10\n O meet not with your foe in fighte;\n Putt off the battayle, if yee maye.\n\n \"For Sir Launcelot is nowe in Fraunce,\n And with him many an hardye knighte:\n Who will within this moneth be backe, 15\n And will assiste yee in the fighte.\"\n\n The kinge then call'd his nobles all,\n Before the breakinge of the daye;\n And tolde them howe Sir Gawaine came,\n And there to him these wordes did saye. 20\n\n His nobles all this counsayle gave,\n That earlye in the morning, hee\n Shold send awaye an herauld at armes,\n To aske a parley faire and free.\n\n Then twelve good knightes King Arthur chose,\n The best of all that with him were, 25\n To parley with the foe in field,\n And make with him agreement faire.\n\n The king he charged all his hoste,\n In readinesse there for to bee; 30\n But noe man sholde noe weapon sturre,\n Unlesse a sword drawne they shold see.\n\n And Mordred, on the other parte,\n Twelve of his knights did likewise bringe,\n The beste of all his companye, 35\n To holde the parley with the kinge.\n\n Sir Mordred alsoe charged his hoste,\n In readinesse there for to bee;\n But noe man sholde noe weapon sturre,\n But if a sworde drawne they shold see. 40\n\n For he durste not his unkle[L41] truste,\n Nor he his nephewe[L42], sothe to tell;\n Alacke! it was a woefulle case,\n As ere in Christentye befelle.\n\n But when they were together mette, 45\n And both to faire accordance broughte,\n And a month's league betweene them sette,\n Before the battayle sholde be foughte,\n\n An addere crept forth of a bushe,\n Stunge one o' the king's knightes on the knee; 50\n Alacke! it was a woefulle chance,\n As ever was in Christentie.\n\n When the knighte found him wounded sore,\n And sawe the wild-worme hanginge there,\n His sworde he from his scabberde drewe; 55\n A piteous case, as ye shall heare.\n\n For when the two hostes sawe the sworde,\n They joyned battayle instantlye;\n Till of so manye noble knightes,\n On one side there were left but three. 60\n\n For all were slaine that durst abide,\n And but some fewe that fled awaye:\n Ah mee! it was a bloodye fielde,\n As ere was foughte on summer's daye.\n\n Upon King Arthur's own partye, 65\n Onlye himselfe escaped there,\n And Lukyn Duke of Gloster free,\n And the king's butler Bedevere.\n\n And when the king beheld his knightes\n All dead and scattered on the molde, 70\n The teares fast trickled downe his face;\n That manlye face in fight so bolde.\n\n \"Nowe reste yee all, brave knights,\" he said,\n \"Soe true and faithful to your trust:\n And must yee then, yee valiant hearts, 75\n Be lefte to moulder into dust!\n\n \"Most loyal have yee been to mee,\n Most true and faithful unto deathe:\n And, oh! to rayse yee up againe,\n How freelye could I yield my breathe! 80\n\n \"But see, the traitor's yet alive!\n Lo where hee stalkes among the deade!\n Nowe bitterlye he shall abye,\n And vengeance fall upon his head.\"\n\n \"O staye, my liege,\" then sayd the duke; 85\n \"O staye for love and charitie;\n Remember what the vision spake,\n Nor meete your foe, if it may bee.\"\n\n \"O staye mee not, thou worthye wight,\n This debt my loyal knights I owe: 90\n Betide me life, betide me death,\n I will avenge them of their foe.\"\n\n Then straite he grasp'd his trustye speare,\n And on his horse then mounted hee:\n As his butler holpe him to his horse, 95\n His bowels gushed to his knee.\n\n \"Alas!\" then sayd the noble king,\n \"That I should live this sight to see!\n To see this good knight here be slaine,\n All for his love in helping mee!\" 100\n\n He put his speare into his reste,\n And to Sir Mordred loud gan crye;\n \"Nowe sette thyself upon thy guarde,\n For, traitor, nowe thy death is nye.\"\n\n Sir Mordred lifted up his sworde, 105\n And fierce to meet the king ran hee:\n The king his speare he through him thrust,\n A fathom thorow his bodie.\n\n When Mordered felt the stroke of death,\n And found that he was wounded soe, 110\n He thruste himselfe upon the speare,\n And strucke the king a deadlye blowe.\n\n Then grimmlye dyed Sir Mordered,\n Presentlye upon that tree:\n And bloody streames ranne from the kinge, 115\n Ere to the duke returned hee.\n\n Sir Lukyn then he thus bespake:\n \"Sir knighte, thou hast been faithfulle tryde;\n Nowe take my sword Excalibar[L119],\n That hangs so freelye by my syde, 120\n\n \"O take my sword Excalibar,\n And there into the river throwe:\n For here, henceforth, benethe this tree,\n All use of weapons I foregoe.\n\n \"And fare thee well, thou trustye sword, 125\n A better neer had valiant knighte;\n With thee full ofte, and many a daye,\n Have I withstood my foe in fighte.\n\n \"With this good fauchion in my hande,\n Oft have I reapd the bloody feelde: 130\n But nowe the fatalle houre is come,\n That never more I may thee weelde.\"\n\n The duke to the river side he went,\n And there his owne sword in threwe he;\n But he kept back Excalibar, 135\n He kept it back in privitie.\n\n For all of coleyne was the blade,\n And all the hilte of precious stone:\n \"And ever alacke!\" then sayd the knighte,\n \"Must such a sword awaye be throwne?\" 140\n\n Then backe he came unto the kinge,\n Who sayd, \"Sir Lukyn, what did yee see?\"\n \"Nothing, my liege, save that the winde\n Blewe oer the waters faire and free.\"\n\n \"O goe againe,\" then said the kinge, 145\n \"O good Sir Lukyn, goe againe:\n Into the rivere throwe my sword,\n Nor keepe me lingering here in paine.\"\n\n The duke then to the river went,\n And the kings scabbard in threwe hee; 150\n But hee kept backe Excalibar,\n And hid it undernethe a tree.\n\n Then backe he came to tell the kinge,\n Who sayde, \"Sir Lukyn, sawe ye oughte?\"\n \"Nothinge, my liege, save that the winde 155\n Nowe with the angrye waters fought.\"\n\n \"O Lukyn, Lukyn,\" said the kinge,\n \"Twice haste thou dealt deceytfullye:\n Alacke, whom may wee ever truste,\n When suche a knighte soe false can bee! 160\n\n \"Saye, wouldst thou have thy master dead,\n All for a sword that wins thine eye?\n Now goe againe, and throwe it in,\n Or here the one of us shall dye.\"\n\n The duke, all shent with this rebuke, 165\n No aunswere made unto the kinge;\n But to the rivere tooke the sworde,\n And threwe it far as he coulde flinge.\n\n A hande and an arme did meete the sworde,\n And flourishd three times in the air; 170\n Then sunke benethe the renninge streme,\n And of the duke was seene noe mair.\n\n All sore astonied stood the duke,\n He stood as still, as still mote bee;\n Then hastend backe to tell the kinge, 175\n But he was gone from under the tree.\n\n But to what place, he cold not tell,\n For never after hee did him see;\n But hee sawe a barge goe from the land,\n And hee heard ladyes howle and crye. 180\n\n And whether the kinge were there, or not,\n Hee never knewe, nor ever colde;\n For from that sad and direfulle daye,\n Hee never more was seene on molde.\n\n\n7. Sir Gawaine had been killed at Arthur's landing on his return from\nabroad. See the next ballad, ver. 73. P.\n\n41, 42, the folio MS. reads father ... sonne.\n\n119. More commonly called _Caliburn_. In the folio MS. _Escalberd_. P.\n\n\n\n\nTHE LEGEND OF KING ARTHUR.\n\n_Reliques of English Poetry_, iii. 76.\n\n\n\"We have here a short summary of King Arthur's History as given by\nJeff. of Monmouth and the old Chronicles, with the addition of a few\ncircumstances from the romance _Morte Arthur_.--The ancient\nchronicle of Ger. de Leew (quoted above in p. 40,) seems to have been\nchiefly followed: upon the authority of which we have restored some of\nthe names which were corrupted in the MS., and have transposed one\nstanza, which appeared to be misplaced: _viz._, that beginning at v.\n49, which in the MS. followed v. 36.\n\n\"Printed from the Editor's ancient folio MS.\"\n PERCY.\n\n\n Of Brutus'[L1] blood, in Brittaine borne,\n King Arthur I am to name;\n Through Christendome and Heathynesse\n Well knowne is my worthy fame.\n\n In Jesus Christ I doe beleeve; 5\n I am a Christyan bore;\n The Father, Sone, and Holy Gost,\n One God, I doe adore.\n\n In the four hundred ninetieth yeere[L9],\n Oer Brittaine I did rayne, 10\n After my Savior Christ his byrth,\n What time I did maintaine\n\n The fellowshipp of the Table Round,\n Soe famous in those dayes;\n Whereatt a hundred noble knights 15\n And thirty sat alwayes:\n\n Who for their deeds and and martiall feates,\n As bookes done yett record,\n Amongst all other nations\n Wer feared through the world. 20\n\n And in the castle off Tyntagill\n King Uther mee begate,\n Of Agyana[L23], a bewtyous ladye,\n And come of 'hie'[L24] estate.\n\n And when I was fifteen yeere old, 25\n Then was I crowned kinge:\n All Brittaine, that was att an uprore,\n I did to quiett bringe;\n\n And drove the Saxons from the realme,\n Who had opprest this land; 30\n All Scotland then, throughe manly feates,\n I conquered with my hand.\n\n Ireland, Denmarke, Norwaye,\n These countryes wan I all;\n Iseland, Gotheland, and Swetheland; 35\n And made their kings my thrall.\n\n I conquered all Gallya,\n That now is called France;\n And slew the hardye Froll in feild[L39],\n My honor to advance. 40\n\n And the ugly gyant Dynabus[L41],\n Soe terrible to vewe,\n That in Saint Barnards mount did lye,\n By force of armes I slew.\n\n And Lucyus, the emperour of Rome, 45\n I brought to deadly wracke;\n And a thousand more of noble knightes\n For feare did turne their backe.\n\n Five kinges of Pavye I did kill[L49]\n Amidst that bloody strife; 50\n Besides the Grecian emperour,\n Who alsoe lost his liffe.\n\n Whose carcasse I did send to Rome,\n Cladd poorlye on a beere;\n And afterward I past Mount-Joye 55\n The next approaching yeere.\n\n Then I came to Rome, where I was mett\n Right as a conquerour,\n And by all the cardinalls solempnelye\n I was crowned an emperour. 60\n\n One winter there I made abode,\n Then word to mee was brought,\n Howe Mordred had oppressed the crowne,\n What treason he had wrought\n\n Att home in Brittaine with my queene: 65\n Therfore I came with speede\n To Brittaine backe, with all my power,\n To quitt that traitorous deede;\n\n And soone at Sandwiche I arrivde,\n Where Mordred me withstoode: 70\n But yett at last I landed there,\n With effusion of much blood.\n\n For there my nephew Sir Gawaine dyed,\n Being wounded in that sore\n The whiche Sir Lancelot in fight 75\n Had given him before.\n\n Thence chased I Mordered away,\n Who fledd to London right,\n From London to Winchester, and\n To Cornewalle tooke his flyght. 80\n\n And still I him pursued with speed,\n Till at last wee mett;\n Wherby an appointed day of fight\n Was there agreed and sett:\n\n Where we did fight, of mortal life 85\n Eche other to deprive,\n Till of a hundred thousand men\n Scarce one was left alive.\n\n There all the noble chivalrye\n Of Brittaine tooke their end: 90\n O see how fickle is their state\n That doe on fates[L92] depend!\n\n There all the traiterous men were slaine,\n Not one escapte away;\n And there dyed all my vallyant knightes 95\n Alas! that woefull day!\n\n Two and twenty yeere I ware the crowne\n In honor and great fame,\n And thus by death was suddenlye\n Deprived of the same. 100\n\n\n1. MS., Bruitehis.\n\n9, He began his reign A.D. 515, according to the Chronicles.\n\n23, She is named _Igerna_ in the old Chronicles.\n\n24, his, MS.\n\n39, Froland field, MS. Froll, according to the Chronicles, was a Roman\nknight, governor of Gaul.\n\n41, Danibus, MS.\n\n49, see p. 134, v. 55.\n\n92, feates, MS.\n\n\n\n\nSIR LANCELOT DU LAKE.\n\n\nThis ballad first occurs in the _Garland of Good Will_, and is\nattributed to Thomas Deloney, whose career as a song-writer extends\nfrom about 1586 to 1600. It is merely a rhymed version of a passage in\nthe _Morte D'Arthur_, (Book vi. ch. 7, 8, 9, of Southey's ed.) The\nfirst two lines are quoted in the Second Part of Henry IV., A. ii. sc. 4.\n\nThe present text is nearly that of the _Garland of Good Will_ (Percy\nSociety, vol. xxx. p. 38), and differs considerably from that of\nPercy, (_Reliques_, i. 215.) The same, with very trifling variations,\nis found in _Old Ballads_, (1723,) ii. 21; Ritson's _Ancient Songs_,\nii. 188; Evans's _Old Ballads_, ii. 5.\n\n\n When Arthur first in court began,\n And was approved king,\n By force of arms great victories won,\n And conquests home did bring;\n\n Then into Britain straight he came, 5\n Where fifty good and able\n Knights then repaired unto him,\n Which were of the Round Table;\n\n And many justs and tournaments\n Before them there were drest, 10\n Where valiant knights did then excel,\n And far surmount the rest.\n\n But one Sir Lancelot du Lake,\n Who was approved well,\n He in his fights and deeds of arms, 15\n All others did excel.\n\n When he had rested him a while,\n To play, to game, and sport,\n He thought he would go try himself,\n In some adventurous sort. 20\n\n He armed rode in forest wide,\n And met a damsel fair,\n Who told him of adventures great,\n Whereto he gave good ear.\n\n \"Why should I not?\" quoth Lancelot tho, 25\n \"For that cause I came hither.\"\n \"Thou seem'st,\" quoth she, \"a goodly knight,\n And I will bring thee thither\n\n \"Whereas a[L29] mighty knight doth dwell,\n That now is of great fame; 30\n Therefore tell me what knight thou art,\n And then what is your name.\"\n\n \"My name is Lancelot du Lake.\"\n Quoth she, \"it likes me than;\n Here dwells a knight that never was 35\n O'ermatch'd[L36] with any man;\n\n \"Who has in prison threescore knights\n And four, that he has bound;\n Knights of King Arthur's court they be,\n And of his Table Round.\" 40\n\n She brought him to a river side,\n And also to a tree,\n Whereon a copper bason hung,\n His fellows[L44] shields to see.\n\n He struck so hard, the bason broke: 45\n When Tarquin heard the sound,\n He drove a horse before him straight,\n Whereon a knight lay bound.\n\n \"Sir knight,\" then said Sir Lancelot,\n \"Bring me that horse-load hither, 50\n And lay him down, and let him rest;\n We'll try our force together.\n\n \"And as I understand, thou hast,\n So far as thou art able,\n Done great despite and shame unto 55\n The knights of the Round Table.\"\n\n \"If thou be of the Table Round\"\n (Quoth Tarquin, speedilye),\n \"Both thee and all thy fellowship\n I utterly defie.\" 60\n\n \"That's overmuch,\" quoth Lancelot tho;\n \"Defend thee by and by.\"\n They put their spurs unto their steeds,\n And each at other fly.\n\n They coucht their spears, and horses ran 65\n As though there had been thunder;\n And each struck them amidst the shield,\n Wherewith they broke in sunder.\n\n Their horses backs brake under them.\n The knights were both astound; 70\n To void their horses they made great haste,\n To light upon the ground.\n\n They took them to their shields full fast,\n Their swords they drew out than;\n With mighty strokes most eagerly 75\n Each one at other ran.\n\n They wounded were, and bled full sore,\n For breath they both did stand,\n And leaning on their swords awhile,\n Quoth Tarquin, \"Hold thy hand, 80\n\n \"And tell to me what I shall ask;\"\n \"Say on,\" quoth Lancelot tho;\n \"Thou art,\" quoth Tarquin, \"the best knight\n That ever I did know;\n\n \"And like a knight that I did hate; 85\n So that thou be not he,\n I will deliver all the rest,\n And eke accord with thee.\"\n\n \"That is well said,\" quoth Lancelot then;\n \"But sith it must be so, 90\n What is the knight thou hatest thus?[L91]\n I pray thee to me show.\"\n\n \"His name is Lancelot du Lake,\n He slew my brother dear;\n Him I suspect of all the rest; 95\n I would I had him here.\"\n\n \"Thy wish thou hast, but yet unknown;\n I am Lancelot du Lake!\n Now knight of Arthur's Table Round,\n King Ban's son of Benwake;[L100] 100\n\n \"And I desire thee do thy worst.\"\n \"Ho! ho!\" quoth Tarquin tho,\n \"One of us two shall end our lives,\n Before that we do go.\n\n \"If thou be Lancelot du Lake, 105\n Then welcome shalt thou be;\n Wherefore see thou thyself defend,\n For now defie I thee.\"\n\n They buckled then together so,\n Like two wild boars rashing, 110\n And with their swords and shields they ran\n At one another slashing.[L112]\n\n The ground besprinkled was with blood,\n Tarquin began to faint;\n For he gave back, and bore his shield 115\n So low, he did repent.\n\n This soon espied[L117] Sir Lancelot tho;\n He leapt upon him then,\n He pull'd him down upon his knee,\n And rushed[L120] off his helm. 120\n\n And then he struck his neck in two;\n And when he had done so,\n From prison, threescore knights and four\n Lancelot delivered tho.\n\n\n29, the.\n\n36, E'er match'd.\n\n44, fellow.\n\n92, so.\n\n100, Kind Haud's son of Seuwake.\n\n112, flashing.\n\n117, 'spied.\n\n120, rushing.\n\n\n\n\nTHE LEGEND OF SIR GUY.\n\n(Percy's _Reliques_, iii. 143.)\n\n\n\"Published from an ancient MS. copy in the Editor's old folio volume,\ncollated with two printed ones, one of which is in black-letter in the\nPepys collection.\" PERCY.\n\nAn inferior copy is printed in Ritson's _Ancient Songs and Ballads_,\nii. 193.\n\nFrom an essay on the romance of Sir Guy, read by Mr. Wright before the\nBritish Archaeological Association during its meeting at Warwick, we\nextract the following remarks in illustration of the history of the\npresent ballad, and other similar popular heroic traditions.\n\n\"As the Teutonic tribes progressed in their migrations, and settled in\nnew lands--and especially when they received a new faith, and made\nadvances in civilization,--the mythic romances of their\nforefathers underwent remarkable modifications to adapt them to new\nsentiments and new manners. Among people who had forgotten the\nlocalities to which they referred, they received a new location and\nbecame identified with places and objects with which people were\nbetter acquainted, and in this manner they underwent a new historical\ninterpretation. It would be no uninteresting task to point out how\nmany romantic tales that are soberly related of individuals of\ncomparatively modern history, are merely new applications of these\nearly myths.\n\n\"Among the romances of the Anglo-Danish cycle by no means the least\ncelebrated is that of GUY OF WARWICK. It is one, of the few, which has\nbeen preserved in its Anglo-Norman form, since which it has gone\nthrough an extraordinary number of versions, and Chaucer enumerated it\namong the _romances of pris_, or those which in the fourteenth century\nwere held in the highest estimation. It is doubtless one of those\nstories in which an ancient mythic romance has undergone the series of\nmodifications I have been describing; a legend which had become\nlocated by popular traditions in the neighbourhood we are now\nvisiting, in which the contests between northern chieftains are\nchanged into tilts and tournaments, but in which the combats with\ndragons and giants are still preserved. Whatever may have been the\nname of the original hero, that which he now bears, Guy, is a French\nname, and could not have been given till Norman times.\n\n\"From the Anglo-Norman poem, so great was its popularity, two or three\ndifferent English metrical versions were made, which are still found\nin manuscripts, and the earliest of which, that of the well-known\nAuchinlech manuscript, has been printed in a very expensive form by\none of the Scottish Antiquarian clubs. It was next transformed into\nFrench prose, and in that form was popular in the fifteenth century,\nand was printed by some of the earlier printers. It was finally\nreduced to a popular chap-book in prose and a broadside ballad in\nverse, and in these forms was hawked about the streets until a very\nrecent period. Such has in general been the fate of the romantic\nliterature of the middle ages; a remarkable proof of the tenacity with\nwhich it has kept its hold on the popular mind.\" _Gentleman's\nMagazine_, Sept. 1847, p. 300.\n\n\n Was ever knight for ladyes sake\n Soe tost in love, as I, Sir Guy,\n For Phelis fayre, that lady bright\n As ever man beheld with eye?\n\n She gave me leave myself to try, 5\n The valiant knight with sheeld and speare,\n Ere that her love she would grant me;\n Which made mee venture far and neare.\n\n Then proved I a baron bold,[L9]\n In deeds of armes the doughtyest knight 10\n That in those dayes in England was,\n With sworde and speare in feild to fight.\n\n An English man I was by birthe:\n In faith of Christ a christyan true:\n The wicked lawes of infidells 15\n I sought by prowesse to subdue.\n\n 'Nine' hundred twenty yeere and odde[L17]\n After our Saviour Christ his birth,\n When King Athelstone wore the crowne,\n I lived heere upon the earth. 20\n\n Sometime I was of Warwicke erle,\n And, as I sayd, of very truth\n A ladyes love did me constraine\n To seeke strange ventures in my youth;\n\n To win me fame by feates of armes 25\n In strange and sundry heathen lands;\n Where I atchieved for her sake\n Right dangerous conquests with my hands.\n\n For first I sayled to Normandye,\n And there I stoutlye wan in fight 30\n The emperours daughter of Almaine,\n From manye a vallyant worthye knight.\n\n Then passed I the seas to Greece,\n To helpe the emperour in his right,\n Against the mightye souldans hoaste 35\n Of puissant Persians for to fight:\n\n Where I did slay of Sarazens,\n And heathen pagans, manye a man;\n And slew the souldans cozen deere,\n Who had to name doughtye Coldran. 40\n\n Eskeldered, a famous knight,\n To death likewise I did pursue:\n And Elmayne, King of Tyre, alsoe,\n Most terrible in fight to viewe.\n\n I went into the souldans hoast, 45\n Being thither on embassage sent,\n And brought his head awaye with mee;\n I having slaine him in his tent.\n\n There was a dragon in that land\n Most fiercelye mett me by the waye, 50\n As hee a lyon did pursue,\n Which I myself did alsoe slay.\n\n Then soon I past the seas from Greece,\n And came to Pavye land aright;\n Where I the duke of Pavye killed, 55\n His hainous treason to requite.\n\n To England then I came with speede,\n To wedd faire Phelis, lady bright;\n For love of whome I travelled farr\n To try my manhood and my might. 60\n\n But when I had espoused her,\n I stayd with her but fortye dayes,\n Ere that I left this ladye faire,\n And went, from her beyond the seas.\n\n All cladd in gray, in pilgrim sort, 65\n My voyage from her I did take\n Unto the blessed Holy-Land,\n For Jesus Christ my Saviours sake.\n\n Where I Erle Jonas did redeeme,\n And all his sonnes, which were fifteene, 70\n Who with the cruell Sarazens\n In prison for long time had beene.\n\n I slew the gyant Amarant\n In battel fiercelye hand to hand,\n And doughty Barknard killed I, 75\n A treacherous knight of Pavye land.\n\n Then I to England came againe,\n And here with Colbronde fell I fought;\n An ugly gyant, which the Danes\n Had for their champion hither brought. 80\n\n I overcame him in the feild,\n And slewe him soone right valliantlye;\n Wherebye this land I did redeeme\n From Danish tribute utterlye.\n\n And afterwards I offered upp 85\n The use of weapons solemnlye\n At Winchester, whereas I fought,\n In sight of manye farr and nye.\n\n 'But first,' neare Winsor, I did slaye\n A bore of passing might and strength; 90\n Whose like in England never was\n For hugenesse both in bredth and length.\n\n Some of his bones in Warwicke yett\n Within the castle there doth lye;\n One of his sheeld-bones to this day 95\n Hangs in the citye of Coventrye.\n\n On Dunsmore heath I alsoe slewe\n A monstrous wyld and cruell beast,\n Calld the Dun-cow of Dunsmore heath;\n Which manye people had opprest. 100\n\n Some of her bones in Warwicke yett\n Still for a monument doth lye,\n And there exposed to lookers viewe,\n As wondrous strange, they may espye.\n\n A dragon in Northumberland 105\n I alsoe did in fight destroye,\n Which did bothe man and beast oppresse,\n And all the countrye sore annoye.\n\n At length to Warwicke I did come,\n Like pilgrim poore, and was not knowne; 110\n And there I lived a hermitts life\n A mile and more out of the towne.\n\n Where with my hands I hewed a house\n Out of a craggy rocke of stone,\n And lived like a palmer poore 115\n Within that cave myself alone:\n\n And daylye came to begg my bread\n Of Phelis att my castle gate;\n Not knowne unto my loved wiffe,\n Who dailye mourned for her mate. 120\n\n Till att the last I fell sore sicke,\n Yea, sicke soe sore that I must dye;\n I sent to her a ring of golde,\n By which shee knew me presentlye.\n\n Then shee repairing to the cave, 125\n Before that I gave up the ghost,\n Herself closd up my dying eyes;\n My Phelis faire, whom I lovd most.\n\n Thus dreadful death did me arrest,\n To bring my corpes unto the grave, 130\n And like a palmer dyed I,\n Wherby I sought my soule to save.\n\n My body that endured this toyle,\n Though now it be consumed to mold,\n My statue, faire engraven in stone, 135\n In Warwicke still you may behold.\n\n\n9, The proud Sir Guy, PC.\n\n17, Two hundred, MS. and PC.\n\n\n\n\nST. GEORGE AND THE DRAGON.\n\n(From Percy's _Reliques_, iii. 278.)\n\n\nThe following rhymed legend, which, like several other pieces in this\nBook, can be called a ballad only by an objectionable, though common,\nextension of the term, was printed by Percy (with some alterations)\nfrom two \"ancient\" black-letter copies in the Pepys collection.\n\nReal popular ballads on St. George's victory over the Dragon exist in\nseveral languages, though not in English.[B] Such a ballad is known\nto have been sung by the Swedes at the battle of Brunkeberg in 1471,\nand one is still sung by the people both of Denmark and Sweden.\nGrundtvig gives three copies of the Danish ballad, two of the 16th and\n17th centuries, and one of the present. Four versions of the Swedish\nhave been published, of various ages (e.g. _Svenska Folkvisor_, ii.\n252). A German ballad is given by Meinert, _Altdeutsche Volkslieder_,\np. 254; after him by Erlach, iv. 258; and Haupt and Schmaler have\nprinted two widely different versions of the ballad in Wendish,\n_Volkslieder der Wenden_, vol. i. No. 285, ii. No. 195. These are\nall the proper traditional ballads upon this subject which are known to\nbe preserved, unless we include a piece called _Juerg Drachentoedter_\nin Zuccalmaglio's _Deutsche Volkslieder_, No. 37, which is of\nsuspicious authenticity. The piece called _Ritter St. Georg_, in _Des\nKnaben Wunderhorn_, i. 151, is not a proper ballad, but a rhymed\nlegend, like the one here printed, though intended to be sung.\n\n [B] What follows is abridged from Grundtvig, _Danmarks Gamle\n Folkeviser_, ii. 554.\n\nThe hero of these ballads, St. George of Cappadocia, is said to have\nsuffered martyrdom during the persecution in Syria, in the year 303.\nIn the 6th century he was a recognized saint both in the western and\nthe eastern churches, and his reputation was limited to this character\nuntil the 13th. Reinbot von Dorn, (1231-53,) in his poem _Der Heilige\nGeorg_, (Von der Hagen and Buesching's _Deutsche Gedichte des\nMittelalters_,) and Vincent de Beauvais (died 1262) in his _Speculum\nHistoriale_ (XII. 131-32), content themselves with recounting his\nmartyrdom, and appear to know nothing about his fight with the Dragon.\nThe first known writer who attributes this exploit to St. George is\nJacobus a Voragine (died 1298), in the _Golden Legend_. Of course\nit does not follow that the story originated there. It is probable that\nthe legend of the Dragon arose at the time of the Crusades, and indeed\nwas partly occasioned by them, though we ought not hastily to admit,\nwhat has been suggested, that it was founded upon some tradition which\nthe Crusaders heard in Syria.\n\nThe Byzantians had long before ascribed various miracles to St.\nGeorge, but it was the Normans, who, so to say, first pressed him into\nactive military service.\n\nIt was he that commanded the heavenly host that came to the help of\nthe Crusaders against the Turks, under the walls of Antioch, in the\nyear 1098, on which occasion he was seen on his white horse, bearing\nthe white banner with the red cross. He manifested himself again at\nthe storming of Jerusalem in the following year, and a hundred years\nlater was seen to fight in the front rank against the Moors in Spain,\nand for Frederic Barbarossa, in his crusade in 1190. But though he had\nentered into the service of the German emperor, this did not prevent\nhis aiding the orthodox William of Holland in taking Aix-la-Chapelle\nfrom the excommunicated Emperor Frederic in 1248.--The most various\nraces have contended for his protection. His feast was in 1222 ordered\nto be kept as a holiday throughout all England: from the beginning of\nthe 14th century, or since the Mongol dominion was shaken off, he has\nbeen one of the guardian saints of Russia: in 1468, the Emperor\nFrederic III. founded the Austrian Order of St. George for the\nprotection of the Empire against the Turks, and a few years later, in\n1471, at the momentous battle of Brunkeberg, his name was the war-cry\nof both parties, Swedes and Danes.\n\nThat the subjugation of the Dragon (a symbolical mode of representing\nthe extinction of Evil common to all times and peoples) should be\nattributed to St. George, would seem to be sufficiently explained by\nhis having become the Christian Hero of the Middle Ages. A special\nreason may, however, be alleged for his connection with such a legend.\nLong before the Crusades, he was depicted by the artists of the\nOriental Church as the Great Martyr, with the Dragon (Anti-Christ or\nthe Devil) at his feet, and a crowned virgin (the Church) at his side.\nIn like manner had Constantine the Great had himself drawn, and many\nother saints are represented in the same way, as Theodore, Victor, and\nMargaret. This symbolic representation would naturally lead to the\nCrusaders making St. George the hero in an achievement which was well\nknown in connection with other names: and it would then not be too\nmuch to assume that the Normans (who, as already said, were the first\nto recognize his presence in battle),--the same Normans who were\nproperly the creators of the romantic poetry of the Middle Ages,--were\nalso the first to connect St. George with the conquest of the Dragon.\n\nBut however we may account for St. George's being introduced into such\na legend, so much is sure; that from the 14th century on, the story\nand the hero have been inseparable: all the legendaries and all the\npictures of him exhibit him as the conqueror of the Dragon: his\nmartyrdom is nearly lost sight of, and in ballads is entirely\nforgotten.--As to the place which was the scene of the fight,\nthere are many opinions. Some have fixed it in Cappadocia, others in\nLybia, others in Syria, and some European nations have assigned the\nadventure to a locality within their own bounds. Thus the Wallachians\nlay the scene at Orwoza, one of the Wendish ballads at Berlin, the\nGermans at Leipsic, the Dutch at Oudenarde, and--the people of the\nisland of Funen at Svendborg!\n\n\n Of Hector's deeds did Homer sing,\n And of the sack of stately Troy,\n What griefs fair Helena did bring,\n Which was Sir Paris' only joy:\n And by my pen I will recite 5\n St. George's deeds, an English knight.\n\n Against the Sarazens so rude\n Fought he full long and many a day,\n Where many gyaunts he subdu'd,\n In honour of the Christian way; 10\n And after many adventures past,\n To Egypt land he came at last.\n\n Now, as the story plain doth tell,\n Within that countrey there did rest\n A dreadful dragon, fierce and fell, 15\n Whereby they were full sore opprest:\n Who by his poisonous breath each day\n Did many of the city slay.\n\n The grief whereof did grow so great\n Throughout the limits of the land, 20\n That they their wise men did intreat\n To shew their cunning out of hand;\n What way they might this fiend destroy,\n That did the countrey thus annoy.\n\n The wise men all before the king, 25\n This answer fram'd incontinent:\n The dragon none to death might bring\n By any means they could invent;\n His skin more hard than brass was found,\n That sword nor spear could pierce nor wound. 30\n\n When this the people understood,\n They cryed out most piteouslye,\n The dragon's breath infects their blood,\n That every day in heaps they dye;\n Among them such a plague is bred, 35\n The living scarce could bury the dead.\n\n No means there were, as they could hear,\n For to appease the dragon's rage,\n But to present some virgin clear,\n Whose blood his fury might asswage; 40\n Each day he would a maiden eat,\n For to allay his hunger great.\n\n This thing by art the wise men found,\n Which truly must observed be;\n Wherefore, throughout the city round, 45\n A virgin pure of good degree\n Was, by the king's commission, still\n Taken up to serve the dragon's will.\n\n Thus did the dragon every day\n Untimely crop some virgin flowr, 50\n Till all the maids were worn away,\n And none were left him to devour;\n Saving the king's fair daughter bright,\n Her father's only heart's delight.\n\n Then came the officers to the king, 55\n That heavy message to declare,\n Which did his heart with sorrow sting;\n \"She is,\" quoth he, \"my kingdom's heir:\n O let us all be poisoned here,\n Ere she should die, that is my dear.\" 60\n\n Then rose the people presently,\n And to the king in rage they went;\n They said his daughter dear should dye,\n The dragon's fury to prevent:\n \"Our daughters all are dead,\" quoth they, 65\n \"And have been made the dragon's prey;\n\n \"And by their blood we rescued were,\n And thou hast sav'd thy life thereby;\n And now in sooth it is but faire,\n For us thy daughter so should die.\" 70\n \"O save my daughter,\" said the king,\n \"And let ME feel the dragon's sting.\"\n\n Then fell fair Sabra on her knee,\n And to her father dear did say,\n \"O father, strive not thus for me, 75\n But let me be the dragon's prey;\n It may be, for my sake alone\n This plague upon the land was thrown.\n\n \"'Tis better I should dye,\" she said,\n \"Than all your subjects perish quite; 80\n Perhaps the dragon here was laid,\n For my offence to work his spite,\n And after he hath suckt my gore,\n Your land shall feel the grief no more.\"\n\n \"What hast thou done, my daughter dear, 85\n For to deserve this heavy scourge?\n It is my fault, as may appear,\n Which makes the gods our state to purge;\n Then ought I die, to stint the strife,\n And to preserve thy happy life.\" 90\n\n Like mad-men, all the people cried,\n \"Thy death to us can do no good;\n Our safely only doth abide\n In making her the dragon's food.\"\n \"Lo! here I am, I come,\" quoth she, 95\n \"Therefore do what you will with me.\"\n\n \"Nay stay, dear daughter,\" quoth the queen,\n \"And as thou art a virgin bright,\n That hast for vertue famous been,\n So let me cloath thee all in white; 100\n And crown thy head with flowers sweet,\n An ornament for virgins meet.\"\n\n And when she was attired so,\n According to her mother's mind,\n Unto the stake then did she go, 105\n To which her tender limbs they bind;\n And being bound to stake a thrall,\n She bade farewell unto them all.\n\n \"Farewell, my father dear,\" quoth she,\n \"And my sweet mother, meek and mild; 110\n Take you no thought nor weep for me,\n For you may have another child;\n Since for my country's good I dye,\n Death I receive most willinglye.\"\n\n The king and queen and all their train 115\n With weeping eyes went then their way,\n And let their daughter there remain,\n To be the hungry dragon's prey:\n But as she did there weeping lye,\n Behold St. George came riding by. 120\n\n And seeing there a lady bright\n So rudely tyed unto a stake,\n As well became a valiant knight,\n He straight to her his way did take:\n \"Tell me, sweet maiden,\" then quoth he, 125\n \"What caitif thus abuseth thee?\n\n \"And, lo! by Christ his cross I vow,\n Which here is figured on my breast,\n I will revenge it on his brow,\n And break my lance upon his chest:\" 130\n And speaking thus whereas he stood,\n The dragon issued from the wood.\n\n The lady, that did first espy\n The dreadful dragon coming so,\n Unto St. George aloud did cry, 135\n And willed him away to go;\n \"Here comes that cursed fiend,\" quoth she,\n \"That soon will make an end of me.\"\n\n St. George then looking round about,\n The fiery dragon soon espy'd, 140\n And like a knight of courage stout,\n Against him did most fiercely ride;\n And with such blows he did him greet,\n He fell beneath his horse's feet.\n\n For with his launce, that was so strong, 145\n As he came gaping in his face,\n In at his mouth he thrust along;\n For he could pierce no other place:\n And thus within the lady's view\n This mighty dragon straight he slew. 150\n\n The savour of his poisoned breath\n Could do this holy knight no harm;\n Thus he the lady sav'd from death,\n And home he led her by the arm;\n Which when King Ptolemy did see, 155\n There was great mirth and melody.\n\n When as that valiant champion there\n Had slain the dragon in the field,\n To court he brought the lady fair,\n Which to their hearts much joy did yield, 160\n He in the court of Egypt staid\n Till he most falsely was betray'd.\n\n That lady dearly lov'd the knight,\n He counted her his only joy;\n But when their love was brought to light, 165\n It turn'd unto their great annoy.\n Th' Morocco king was in the court,\n Who to the orchard did resort;\n\n Dayly, to take the pleasant air;\n For pleasure sake he us'd to walk; 170\n Under a wall he oft did hear\n St. George with Lady Sabra talk;\n Their love he shew'd unto the king,\n Which to St. George great woe did bring.\n\n Those kings together did devise 175\n To make the Christian knight away:\n With letters him in curteous wise\n They straightway sent to Persia,\n But wrote to the sophy him to kill,\n And treacherously his blood to spill. 180\n\n Thus they for good did him reward\n With evil, and most subtilly,\n By such vile meanes, they had regard\n To work his death most cruelly;\n Who, as through Persia land he rode, 185\n With zeal destroy'd each idol god.\n\n For which offence he straight was thrown\n Into a dungeon dark and deep;\n Where, when he thought his wrongs upon,\n He bitterly did wail and weep: 190\n Yet like a knight of courage stout,\n At length his way he digged out.\n\n Three grooms of the King of Persia\n By night this valiant champion slew,\n Though he had fasted many a day, 195\n And then away from thence he flew\n On the best steed the sophy had;\n Which when he knew he was full mad.\n\n Towards Christendom he made his flight,\n But met a gyant by the way, 200\n With whom in combat he did fight\n Most valiantly a summer's day:\n Who yet, for all his bats of steel,\n Was forc'd the sting of death to feel.\n\n Back o'er the seas, with many bands 205\n Of warlike souldiers soon he past,\n Vowing upon those heathen lands\n To work revenge; which at the last,\n Ere thrice three years were gone and spent,\n He wrought unto his heart's content. 210\n\n Save onely Egypt land he spar'd,\n For Sabra bright her only sake,\n And, ere for her he had regard,\n He meant a tryal kind to make:\n Meanwhile the king, o'ercome in field, 215\n Unto Saint George did quickly yield.\n\n Then straight Morocco's king he slew,\n And took fair Sabra to his wife,\n But meant to try if she were true,\n Ere with her he would lead his life; 220\n And, tho' he had her in his train,\n She did a virgin pure remain.\n\n Toward England then that lovely dame\n The brave St. George conducted strait,\n An eunuch also with them came, 225\n Who did upon the lady wait.\n These three from Egypt went alone:\n Now mark St. George's valour shown.\n\n When as they in a forest were,\n The lady did desire to rest: 230\n Meanwhile St. George to kill a deer\n For their repast did think it best:\n Leaving her with the eunuch there,\n Whilst he did go to kill the deer.\n\n But lo! all in his absence came 235\n Two hungry lyons, fierce and fell,\n And tore the eunuch on the same\n In pieces small, the truth to tell;\n Down by the lady then they laid,\n Whereby they shew'd she was a maid. 240\n\n But when he came from hunting back,\n And did behold this heavy chance,\n Then for his lovely virgin's sake\n His courage strait he did advance,\n And came into the lions sight, 245\n Who ran at him with all their might.\n\n Their rage did him no whit dismay,\n Who, like a stout and valiant knight,\n Did both the hungry lyons slay\n Within the Lady Sabra's sight: 250\n Who all this while, sad and demure,\n There stood most like a virgin pure.\n\n Now when St. George did surely know\n This lady was a virgin true,\n His heart was glad, that erst was woe, 255\n And all his love did soon renew:\n He set her on a palfrey steed,\n And towards England came with speed.\n\n Where being in short space arriv'd\n Unto his native dwelling place, 260\n Therein with his dear love he liv'd,\n And fortune did his nuptials grace:\n They many years of joy did see,\n And led their lives at Coventry.\n\n\n\n\nTHE SEVEN CHAMPIONS OF CHRISTENDOM.\n\n\n_The Famous Historie of the Seven Champions of Christendom_, is the\nwork of Richard Johnson, a ballad maker of some note at the end of the\n16th and beginning of the 17th century. All that is known of him may\nbe seen in Chappel's Introduction to the _Crown Garland of Golden\nRoses_, of which Johnson was the compiler or the author. (Percy\nSociety, vol. vi.) \"The Story of St. George and the Fair Sabra,\" says\nPercy, \"is taken almost verbatim from the old poetical legend of Sir\nBevis of Hampton.\"\n\nThe _Seven Champions_ is twice entered on the Stationers' Registers\nin the year 1596. It is here reprinted from _A Collection of Old\nBallads_, 1723, vol. i. 28. The same copy is in Evans's collection,\ni. 372.\n\n\n Now of the Seven Champions here\n My purpose is to write,\n To show how they with sword and spear\n Put many foes to flight;\n Distressed ladies to release, 5\n And captives bound in chains,\n That Christian glory to increase\n Which evermore remains.\n\n First, I give you to understand\n That great Saint George by name, 10\n Was the true champion of our land;\n And of his birth and fame,\n And of his noble mother's dream,\n Before that he was born,\n The which to her did clearly seem 15\n Her days would be forlorn.\n\n This was her dream; that she did bear\n A dragon in her womb;\n Which griev'd this noble lady fair,\n 'Cause death must be her doom. 20\n This sorrow she could not conceal,\n So dismal was her fear,\n So that she did the same reveal\n Unto her husband dear;\n\n Who went for to inquire straight 25\n Of an enchanteress;\n When, knocking at her iron gate,\n Her answer it was this:\n \"The lady shall bring forth a son,\n By whom, in tract of time, 30\n Great noble actions shall be done;\n He will to honour climb.\n\n \"For he shall be in banners wore;\n This truth I will maintain;\n Your lady, she shall die before 35\n You see her face again.\"\n His leave he took, and home he went;\n His wife departed lay;\n But that which did his grief augment,\n The child was stole away. 40\n\n Then did he travel in despair,\n Where soon with grief he died;\n While the young child, his son and heir,\n Did constantly abide\n With the wise lady of the grove, 45\n In her enchanted cell;\n Amongst the woods he oft did rove,\n His beauty pleased her well.\n\n Blinded with love, she did impart,\n Upon a certain day, 50\n To him her cunning magic art,\n And where six Champions lay\n Within a brazen castle strong,\n By an enchanted sleep,\n And where they had continued long; 55\n She did the castle keep.\n\n She taught and show'd him every thing\n Through being free and fond;\n Which did her fatal ruin bring;\n For with a silver wand 60\n He clos'd her up into a rock,\n By giving one small stroke;\n So took possession of her stock,\n And the enchantment broke.\n\n Those Christian Champions being freed 65\n From their enchanted state,\n Each mounted on his prancing steed,\n And took to travel straight;\n Where we will leave them to pursue\n Kind fortune's favours still, 70\n To treat of our own champion, who\n Did courts with wonders fill.\n\n For as he came to understand,\n At an old hermit's cell,\n How, in the vast Egyptian land, 75\n A dragon fierce and fell\n Threatened the ruin of them all,\n By his devouring jaws,\n His sword releas'd them from that thrall,\n And soon remov'd the cause. 80\n\n This dreadful dragon must destroy\n A virgin every day,\n Or else with stinks he'll them annoy,\n And many thousands slay.\n At length the king's own daughter dear, 85\n For whom the court did mourn,\n Was brought to be devoured here,\n For she must take her turn.\n\n The king by proclamation said,\n If any hardy knight 90\n Could free this fair young royal maid,\n And slay the dragon quite,\n Then should he have her for his bride,\n And, after death, likewise\n His crown and kingdom too beside: 95\n Saint George he won the prize.\n\n When many hardy strokes he'd dealt,\n And could not pierce his hide,\n He run his sword up to the hilt\n In at the dragon's side; 100\n By which he did his life destroy,\n Which cheer'd the drooping king;\n This caused an universal joy,\n Sweet peals of bells did ring.\n\n The daughter of a king, for pride 105\n Transformed into a tree\n Of mulberries, Saint Denis[L107] spied,\n And being hungery,\n Of that fair fruit he ate a part,\n And was transformed likewise 110\n Into the fashion of a hart,\n For seven years precise.\n\n At which he long bewail'd the loss\n Of manly shape: then goes\n To him his true and trusty horse, 115\n And brings a blushing rose,\n By which the magic spell was broke,\n And both were fairly freed\n From the enchanted heavy yoke:\n They then in love agreed. 120\n\n Now we come to Saint James of Spain,\n Who slew a mighty boar,\n In hopes that he might honour gain,\n But he must die therefore:\n Who was allow'd his death to choose, 125\n Which was by virgins' darts,\n But they the same did all refuse,\n So tender were their hearts.\n\n The king's daughter at length, by lot,\n Was doomed to work his woe; 130\n From her fair hands a fatal shot,\n Out of a golden bow,\n Must put a period to the strife;\n At which grief did her seize.\n She of her father begg'd his life 135\n Upon her bended knees;\n\n Saying, \"my gracious sovereign Lord,\n And honoured father dear,\n He well deserves a large reward;\n Then be not so severe. 140\n Give me his life!\" He grants the boon,\n And then without delay,\n This Spanish champion, ere 'twas noon,\n Rid with her quite away.\n\n Now come we to Saint Anthony, 145\n A man with valour fraught,\n The champion of fair Italy,\n Who many wonders wrought.\n First, he a mighty giant slew,\n The terror of mankind: 150\n Young ladies fair, pure virgins too,\n This giant kept confined\n\n Within his castle walls of stone,\n And gates of solid brass,\n Where seven ladies made their moan, 155\n But out they could not pass.\n Many brave lords, and knights likewise,\n To free them did engage,\n Who fell a bleeding sacrifice\n To this fierce giant's rage. 160\n\n Fair daughters to a royal king!\n Yet fortune, after all,\n Did our renowned champion bring\n To free them from their thrall.\n Assisted by the hand of heaven, 165\n He ventured life and limb:\n Behold the fairest of the seven,\n She fell in love with him.\n\n That champion good, bold Saint Andrew,\n The famous Scottish knight, 170\n Dark gloomy deserts travelled through,\n Where Phoebus gave no light.\n Haunted with spirits, for a while\n His weary course he steers,\n Till fortune blessed him with a smile, 175\n And shook off all his fears.\n\n This Christian champion travell'd long,\n Till at the length he came\n Unto the giant's castle strong,\n Great Blanderon by name, 180\n Where the king's daughters were transform'd\n Into the shape of swans:\n Though them he freed, their father storm'd,\n But he his malice shuns.\n\n For though five hundred armed knights 185\n Did straight beset him round,\n Our Christian champion with them fights,\n Till on the heathen ground\n Most of those Pagans bleeding lay;\n Which much perplexed the king; 190\n The Scottish champion clears the way,\n Which was a glorious thing.\n\n Saint Patrick too, of Ireland,\n That noble knight of fame,\n He travelled, as we understand, 195\n Till at the length he came\n Into a grove where satyrs dwelt,\n Where ladies he beheld,\n Who had their raged fury felt,\n And were with sorrow fill'd. 200\n\n He drew his sword, and did maintain\n A sharp and bloody fray,\n Till the ring-leader he had slain;\n The rest soon fled away.\n This done, he asked the ladies fair, 205\n Who were in silks array'd,\n From whence they came, and who they were.\n They answered him and said:\n\n \"We are all daughters to a king,\n Whom a brave Scottish knight 210\n Did out of tribulation bring:\n He having took his flight,\n Now after him we are in quest.\"\n Saint Patrick then replies,\n \"He is my friend, I cannot rest 215\n Till I find him likewise.\n\n \"So, ladies, if you do intend\n To take your lot with me,\n This sword of mine shall you defend\n From savage cruelty.\" 220\n The ladies freely gave consent\n To travel many miles;\n Through shady groves and woods they went,\n In search of fortune's smiles.\n\n The Christian champion David, went 225\n To the Tartarian court,\n Where at their tilt and tournament,\n And such like royal sport,\n He overthrew the only son\n Of the Count Palatine; 230\n This noble action being done\n His fame began to shine.\n\n The young Count's sad and sudden death\n Turn'd all their joys to grief;\n He bleeding lay, bereaved of breath, 235\n The father's son in chief;\n But lords and ladies blazed the fame\n Of our brave champion bold;\n Saying, they ought to write his name\n In characters of gold. 240\n\n Here have I writ a fair account\n Of each heroic deed,\n Done by these knights, which will surmount\n All those that shall succeed.\n The ancient chronicles of kings, 245\n Ere since the world begun,\n Can't boast of such renowned things\n As these brave knights have done.\n\n Saint George he was for England,\n Saint Dennis was for France, 250\n Saint James for Spain, whose valiant hand\n Did Christian fame advance:\n Saint Anthony for Italy,\n Andrew for Scots ne'er fails,\n Patrick too stands for Ireland, 255\n Saint David was for Wales.\n\n Thus have you those stout champions names\n In this renowned song:\n Young captive ladies bound in chains,\n Confined in castles strong, 260\n They did by knightly prowess free,\n True honour to maintain:\n Then let their lasting memory\n From age to age remain.\n\n\n107, which Dennis.\n\n\n\n\nTHOMAS OF ERSSELDOUNE.\n\n\nThis beautiful tale is transferred to these pages from Mr. Laing's\n_Select Remains of the Ancient Popular Poetry of Scotland_. The\ntwo \"fytts\" of prophecies which accompany it in the manuscripts, are\nomitted here, as being probably the work of another, and an inferior,\nhand. From the exordium by which the story is introduced, it might be\nconcluded that the author was an Englishman. Indeed, all the poems and\nprophecies attributed to Thomas the Rhimer which remain to us, are\npreserved in English manuscripts and an English dress; but, in the\njudgment of Mr. Jamieson, the internal evidence still almost amounts\nto proof that the romance itself was of Scottish origin, although no\nindubitably Scottish copy is now known to be in existence.\n\nThe hero of this legend is believed to have lived through nearly the\nwhole of the 13th century. He derived his territorial appellation from\nthe village of Erceldoune, in the county of Berwick, lying on the\nriver Leader, about two miles above its junction with the Tweed. The\nHuntly bank on which the meeting of Thomas with the Queen of Fairy\ntook place, is situated, according to Mr. Laing, on one of the Eldoun\nhills, but the same distinction is claimed for another place of like\nname, which, together with an adjoining ravine, called from time\nimmemorial the _Rymer's Glen_, was included in the domain of\nAbbotsford. (See _Minstrelsy of the Scottish Border_, iv. 110. v. 1.)\n\n\"During the 14th, 15th, and 16th centuries, to get up a prophecy in\nthe name of Thomas the Rhymer appears to have been found a good stroke\nof policy on many occasions. Thus was his authority employed to\ncountenance the views of Edward III. against Scottish independence, to\nfavor the ambitious views of the Duke of Albany in the minority of\nJames V., and to sustain the spirits of the nation under the harassing\ninvasions of Henry VIII. A small volume containing a collection of the\nrhymes thus put into circulation was published by Andro Hart in\nEdinburgh, in 1615.\"--CHAMBERS, _Pop. Rhymes of Scotland_, p. 6.\n\n\"This poem,\" says Mr. Laing, \"is preserved in three ancient\nmanuscripts, each of them in a state more or less mutilated, and\nvarying in no inconsiderable degree from the others. A portion of it\nwas first printed in the _Border Minstrelsy_, [iv. 122,] from the\nfragment in the British Museum, among the Cotton MSS.; and the one\nwhich Mr. Jamieson adopted in his collection of _Popular Ballads and\nSongs_ [ii. 11,] was carefully deciphered from a volume of no ordinary\ncuriosity, in the University Library, Cambridge, written in a very\nillegible hand, about the middle of the 15th century. It is now\nprinted from the other copy, as it occurs in a volume, compiled at a\nstill earlier period, which is preserved in the Cathedral Library of\nLincoln. On comparison, it will be readily perceived, that the text is\nin every respect preferable to that of either of the other\nmanuscripts.... An endeavor has been made to fill up the defective\nparts from the Cambridge copy, though in some instances, as will be\nseen, without success.\"--Mr. Halliwell has republished the Cambridge\ntext in his _Fairy Mythology_, (p. 58,) and he cites a fourth\nmanuscript, which, however, appears to be of slight importance.\n\n\nTHOMAS OF ERSSELDOUNE.\n\n Lystnys, lordyngs, bothe grete and smale,\n And takis gude tente what I will say:\n I sall yow telle als trewe a tale,\n Als euer was herde by nyghte or daye:\n\n And the maste meruelle fforowttyn naye, 5\n That euer was herde byfore or syen,\n And therfore pristly I yow praye,\n That ye will of youre talkyng blyn.\n\n It es an harde thyng for to saye,\n Of doghety dedis that hase bene done; 10\n Of felle feghtyngs and batells sere;\n And how that knyghtis hase wonne thair schone.\n\n Bot Jhesu Christ, that syttis in trone,\n Safe Ynglysche men bothe ferre and nere;\n And I sall telle yow tyte and sone, 15\n Of battells done sythen many a yere;\n\n And of batells that done sall bee;\n In whate place, and howe and whare;\n And wha sall hafe the heghere gree;\n And whethir partye sall hafe the werre; 20\n\n[Transcriber's note: one stanza missing here, lines 21-24]\n\n Wha sall take the flyghte and flee; 25\n And wha sall dye and byleue thare:\n Bot Jhesu Christ, that dyed on tre,\n Saue Inglysche men whare so thay fare.\n\n * * * * *\n\n Als I me wente this endres-daye,\n Full faste in mynd makane my mone,\n In a mery mornynge of May,\n By Huntle bankkes my selfe allone,\n\n I herde the jaye, and the 'throstelle,'[L5] 5\n The mawys menyde of hir songe,\n The wodewale beryde als a belle,\n That all the wode abowte me ronge.\n\n Allone in longynge, thus als I laye,\n Vndre nethe a semely tre, 10\n 'Saw I' whare a lady gaye,\n 'Came ridand' ouer a longe lee.\n\n If I suld sytt to Domesdaye,\n With my tonge, to wrebbe and wrye,\n Certanely that lady gaye, 15\n Neuer bese scho askryede for mee.\n\n Hir palfraye was a dappill graye;\n Swilke one I saghe ne neuer none:\n Als dose the sonne, on someres daye,\n That faire lady hir selfe scho schone. 20\n\n Hir selle[L21] it was of reele bone,\n Full semely was that syghte to see!\n Stefly sett with precyous stones,\n And compaste all with crapotee,\n\n Stones of Oryence, grete plente. 25\n Hir hare abowte hir hede it hange;\n Scho rode ouer that lange lee;\n A whylle scho blewe, a nother scho sange.\n\n Hir garthes of nobyll sylke they were;\n The bukylls were of berelle stone; 30\n Hir steraps were of crystalle clere,\n And all with perelle ouer bygone.\n\n Hir payetrelle was of iralle fyne;\n Hir cropoure was of orfare;\n And als clere golde hir brydill it schone; 35\n One aythir syde hange bellys three.\n\n 'Scho led seuen grew houndis in a leeshe;'\n And seuen raches by hir they rone;\n Scho bare a horne abowte hir halse;\n And vnder hir belte full many a flone. 40\n\n Thomas laye and sawe that syghte,\n Vnder nethe ane semly tree;\n He sayd, \"yone es Marye most of myghte,\n That bare that childe that dyede for mee.\n\n \"But if I speke with yone lady bryghte, 45\n I hope myn herte will bryste in three;\n Now sall I go with all my myghte,\n Hir for to mete at Eldoun tree.\"\n\n Thomas rathely vpe he rase,\n And he rane ouer that mountayne hye; 50\n Gyff it be als the storye sayes,\n He hir mette at Eldone tree.\n\n He knelyde down appon his knee,\n Vndir nethe that grenwode spraye:--\n And sayd, \"lufly ladye! rewe one mee; 55\n Qwene of heuen, als thu wele maye!\"\n\n Then spake that lady milde of thoghte:--\n \"Thomas, late swylke wordes bee;\n Qwene of heuenne, am I noghte,\n For I tuke neuer so heghe degre. 60\n\n \"Bot I ame of ane other contree,\n If I be payrelde moste of prysse;\n I ryde aftyre this wylde fee;\n My raches rynnys at my devyse.\"\n\n \"If thu be parelde moste of prysse, 65\n And here rydis thus in thy folye,\n Of lufe, lady, als thu art wysse,\n Thou gyffe me leue to lye the bye.\"\n\n Scho sayde, \"thu man, that ware folye;\n I praye the, Thomas, thu lat me bee; 70\n Ffor I saye the full sekirlye,\n That syne will fordoo all my beaute.\"\n\n \"Now lufly ladye rewe on mee,\n And I will euer more with the duelle;\n Here my trouthe I 'plyghte to thee,' 75\n Wethir thu will in heuen or helle.\"\n\n \"Mane of molde, thu will me marre,\n But yitt thu sall hafe all thy will;\n And trowe it wele, thu chewys the werre,\n Ffor alle my beaute will thu spylle.\" 80\n\n Down than lyghte that lady bryghte,\n Vndir nethe that grene wode spraye;\n And, als the storye tellis full ryghte,\n Seuen sythis by hir he laye.\n\n Scho sayd, \"man, the lykes thi playe: 85\n What byrde in boure maye delle with the?\n Thou merrys me all this longe daye;\n I pray the, Thomas, late me bee.\"\n\n Thomas stode wpe in that stede,\n And he byhelde that lady gaye; 90\n Hir hare it hange all ouer hir hede,\n Hir eghne semede owte, that are were graye.\n\n And all the riche clothynge was awaye,\n That he byfore sawe in that stede;\n Hir a schanke blake, hir other graye, 95\n And all hir body lyke the lede;\n\n Thomas laye, and sawe that syghte,\n Vndir nethe that grenewod tree.\n\n Than sayd Thomas, \"allas! allas!\n In faythe this es a dullfull syghte; 100\n How arte thu fadyde thus in the face,\n That schane byfore als the sonne so bryght!\"\n\n Scho sayd, \"Thomas, take leve at sone and mone,\n And als at lefe that grewes on tree;\n This twelmoneth sall thu with me gone, 105\n And medill-erthe thu sall non see.\"\n\n He knelyd downe appon his knee,\n Vndir nethe that grenewod spraye;\n And sayd, \"Lufly lady![L109] rewe on mee,\n Mylde qwene of heuen, als thu beste maye.\" 110\n\n \"Allas!\" he sayd, \"and wa es mee,\n I trewe my dedis will wirke me care;\n My saulle, Jhesu, byteche I the,\n Whedir come that euer my banes sall fare.\"\n\n Scho ledde hym in at Eldone hill, 115\n Vndir nethe a derne lee;\n Whare it was dirk as mydnyght myrke,\n And euer the water till his knee.\n\n The montenans of dayes three,\n He herd bot swoghyne of the flode; 120\n At the laste, he sayde, \"full wa es mee!\n Almaste I dye, for fawte of fude.\"\n\n Scho lede hym in till a faire herbere,\n Whare frwte was 'growyng in gret plentee;'\n Pers and appill, bothe rype thay were, 125\n The date, and als the damasee;\n\n The fygge, and als so the wyne-berye;\n The nyghtyngales lyggande on thair neste;\n The papeioyes faste abowte gan flye;\n And throstylls sange, wolde hafe no reste. 130\n\n He pressede to pulle frowte with his hande,\n Als man for fude that was nere faynt;\n Scho sayd, \"Thomas, thu late tham stande,\n Or ells the fende the will atteynt.\n\n \"If thu it plokk, sothely to say, 135\n Thi saule gose to the fyre of helle;\n It comes neuer owte or Domesdaye,\n Bot ther in payne ay for to duelle.\n\n \"Thomas, sothely, I the hyghte,\n Come lygge thyn hede down on my knee, 140\n And 'thou' sall se the fayreste syghte,\n That euer sawe man of thi contree.\"\n\n He did in hye als scho hym badde;\n Appone hir knee his hede he layde,\n Ffor hir to paye he was full glade, 145\n And than that lady to him sayde--\n\n \"Seese thu nowe yone faire waye,\n That lyggis ouer yone heghe montayne?--\n Yone es the waye to heuen for aye,\n When synfull sawles are passed ther payne. 150\n\n \"Seese thu nowe yone other waye,\n That lygges lawe by nethe yone rysse?\n Yone es the waye, the sothe to saye,\n Vnto the joye of paradyse.\n\n \"Seese thu yitt yone third waye, 155\n That ligges vnder yone grene playne?\n Yone es the waye, with tene and traye,\n Whare synfull saulis suffiris thare payne.\n\n \"Bot seese thu nowe yone forthe waye,\n That lygges ouer yone depe delle? 160\n Yone es the way, so waylawaye,\n Vnto the byrnande fyre of hell.\n\n \"Seese thu yitt yone faire castelle,\n That standes vpone yone heghe hill?\n Of towne and towre, it beris the belle; 165\n In erthe es none lyk it vntill.\n\n \"Ffor sothe, Thomas, yone es myn awenn,\n And the kynges of this countree;\n Bot me ware leuer hanged and drawen,\n Or that he wyste thou laye me by. 170\n\n \"When thu commes to yone castelle gay,\n I pray the curtase man to bee;\n And whate so any man to the saye,\n Luke thu answere none bott mee.\n\n \"My lorde es seruede at ylk a mese, 175\n With thritty knyghttis faire and free;\n I sail saye, syttande at the dasse,\n I tuke thi speche byyonde the see.\"\n\n Thomas still als stane he stude.\n And he byhelde that lady gaye; 180\n Scho come agayne als faire and gude,\n And al so ryche one hir palfraye.\n\n Hir grewe hundis fillide with dere blode;\n Hir rachis couplede, by my faye;\n Scho blewe hir horne with mayne and mode, 185\n Vnto the castelle scho tuk the waye.\n\n In to the haulle sothely scho went;\n Thomas foloued at hir hande;\n Than ladyes come, bothe faire and gent,\n With curtassye to hit knelande. 190\n\n Harpe and fethill bothe thay fande,\n Getterne, and als so the sawtrye;\n Lutte and rybybe, bothe gangande,\n And all manere of mynstralsye.\n\n The most meruelle that Thomas thoghte, 195\n When that he stode appon the flore;\n Ffor feftty hertes in were broghte,\n That were bothe 'largely' grete and store.\n\n Raches laye lapande in the blode,\n Cokes come with dryssynge knyfe; 200\n They brittened tham als thay were wode;\n Reuelle amanges thame was full ryfe.\n\n Knyghtis dawnsede by three and three,\n Thare was revelle, gamen, and playe,\n Lufly ladyes, faire and free, 205\n That satte and sange one riche araye.\n\n Thomas duellide in that solace\n More than I yowe save, perde;\n Till one a daye, so hafe I grace,\n My lufly lady sayde to mee: 210\n\n \"Do busk the, Thomas,--the busk agayne,[L211]\n Ffor thu may here no lengare be;\n Hye the faste, with myghte and mayne;\n I sall the brynge till Eldone tree.\"\n\n Thomas sayde than with heuy chere; 215\n \"Lufly lady, nowe late me bee;\n Ffor certis, lady, I hafe bene here\n Noghte bot the space of dayes three.\n\n \"Ffor sothe, Thomas, als I the telle,\n Thou hase bene here thre yere and more; 220\n Bot langere here thu may noghte dwelle;\n The skylle I sall the telle wherefore.\n\n \"To morne, of helle the foulle fende\n Amange this folke will feche his fee;\n And thu arte mekill man and hende, 225\n I trowe full wele he wolde chese the.\n\n \"Ffor all the gold that euer may bee,\n Ffro hethyn unto the worldis ende,\n Thou bese neuer betrayede for mee;\n Therefore with me I rede thou wende.\" 230\n\n Scho broghte hym agayne to Eldone tree,\n Vndir nethe that grenewode spraye;\n In Huntlee bannkes es mery to bee,\n Whare fowles synges bothe nyght and daye.\n\n \"Fferre owtt in yone mountane graye, 235\n Thomas, my fawkon byggis a neste;--\n A fawcoun is an eglis praye;\n Fforthi in na place may he reste.\n\n \"Ffare well, Thomas; I wend my waye;\n Ffor me byhouys ouer thir benttis brown.\" 240\n --Loo here a fytt: more es to saye,\n All of Thomas of Erselldown.--\n\n\n22, Laing, by tene. [Transcriber's note: this refers to line 22 of the\nfirst part, which is missing between pages 97 and 98.]\n\n5, Linc. MS. throstylle cokke.\n\n21, sette, Laing.\n\n109, Lufly lady, i.e. Mary.\n\n211, buse agayne.\n\n\n\n\nTHOMAS THE RHYMER.\n\nTRADITIONAL VERSION.\n\n\n_Minstrelsy of the Scottish Border_, (iv. 117.) \"Given from a copy\nobtained from a lady residing not far from Ercildoune, corrected and\nenlarged by one in Mrs. Brown's MSS.\"\n\n True Thomas lay on Huntlie bank;\n A ferlie he spied wi' his ee;\n And there he saw a ladye bright,\n Come riding down by the Eildon Tree.\n\n Her shirt was o' the grass-green silk, 5\n Her mantle o' the velvet fyne;\n At ilka tett of her horse's mane,\n Hung fifty siller bells and nine.\n\n True Thomas, he pull'd aff his cap,\n And louted low down to his knee: 10\n \"All hail, thou mighty Queen of Heaven!\n For thy peer on earth I never did see.\"--\n\n \"O no, O no, Thomas,\" she said,\n \"That name does not belang to me;\n I am but the Queen of fair Elfland, 15\n That am hither come to visit thee.\n\n \"Harp and carp, Thomas,\" she said;\n \"Harp and carp along wi' me;\n And if ye dare to kiss my lips,\n Sure of your bodie I will be.\"-- 20\n\n \"Betide me weal, betide me woe,\n That weird shall never daunton me.\"--\n Syne he has kissed her rosy lips,\n All underneath the Eildon Tree.\n\n \"Now, ye maun go wi' me,\" she said; 25\n \"True Thomas, ye maun go wi' me;\n And ye maun serve me seven years,\n Thro' weal or woe as may chance to be.\"\n\n She mounted on her milk-white steed;\n She's ta'en true Thomas up behind: 30\n And aye, whene'er her bridle rung,\n The steed flew swifter than the wind.\n\n O they rade on, and farther on;\n The steed gaed swifter than the wind;\n Until they reach'd a desert wide, 35\n And living land was left behind.\n\n \"Light down, light down, now, true Thomas,\n And lean your head upon my knee;\n Abide and rest a little space,\n And I will shew you ferlies three. 40\n\n \"O see ye not yon narrow road,\n So thick beset with thorns and briers?\n That is the path of righteousness,\n Though after it but few enquires.\n\n \"And see ye not that braid braid road, 45\n That lies across that lily leven?\n That is the path of wickedness,\n Though some call it the road to heaven.\n\n \"And see not ye that bonny road,\n That winds about the fernie brae? 50\n That is the road to fair Elfland,\n Where thou and I this night maun gae.\n\n \"But, Thomas, ye maun hold your tongue,\n Whatever ye may hear or see;\n For, if you speak word in Elfyn land, 55\n Ye'll ne'er get back to your ain countrie.\"\n\n O they rade on, and farther on,\n And they waded through rivers aboon the knee,\n And they saw neither sun nor moon,\n But they heard the roaring of the sea. 60\n\n It was mirk mirk night, and there was nae stern light,\n And they waded through red blude to the knee;\n For a' the blude that's shed on earth\n Rins through the springs o' that countrie.\n\n Syne they came on to a garden green, 65\n And she pu'd an apple frae a tree--\n \"Take this for thy wages, true Thomas;\n It will give thee the tongue that can never lie.\"--\n\n \"My tongue is mine ain,\" true Thomas said;\n \"A gudely gift ye wad gie to me![L70] 70\n I neither dought to buy nor sell,\n At fair or tryst where I may be.\n\n \"I dought neither speak to prince or peer,\n Nor ask of grace from fair ladye.\"--\n \"Now hold thy peace!\" the lady said, 75\n \"For as I say, so must it be.\"--\n\n He has gotten a coat of the even cloth,\n And a pair of shoes of velvet green;\n And till seven years were gane and past,\n True Thomas on earth was never seen. 80\n\n\n70. The traditional commentary upon this ballad informs us, that the\napple was the produce of the fatal Tree of Knowledge, and that the\ngarden was the terrestrial paradise. The repugnance of Thomas to be\ndebarred the use of falsehood, when he might find it convenient, has a\ncomic effect. SCOTT.\n\n\n\n\nTHE YOUNG TAMLANE.\n\n\nThe _Tayl of the Yong Tamlene_ is mentioned in the _Complaynt of\nScotland_, (1548,) and the dance of _Thom of Lyn_ is noticed in\nthe same work. A considerable fragment of this ballad was printed by\nHerd, (vol. i. 215,) under the title of _Kertonha'_, a corruption of\nCarterhaugh; another is furnished in Maidment's _New Book of Old\nBallads_, (p. 54,) and a nearly complete version in Johnson's\n_Museum_, (p. 423,) which, with some alterations, was inserted in the\n_Tales of Wonder_, (No. 58.) The present edition, prepared by Sir\nWalter Scott from a collation of various copies, is longer than any\nother, but was originally disfigured by several supposititious stanzas\nhere omitted. Another version, with Maidment's fragment, will be found\nin the Appendix to this volume.\n\n\"Carterhaugh is a plain, at the conflux of the Ettrick and Yarrow in\nSelkirkshire, about a mile above Selkirk, and two miles below Newark\nCastle; a romantic ruin which overhangs the Yarrow, and which is said\nto have been the habitation of our heroine's father, though others\nplace his residence in the tower of Oakwood. The peasants point out,\nupon the plain, those electrical rings, which vulgar credulity\nsupposes to be traces of the Fairy revels. Here, they say, were\nplaced the stands of milk, and of water, in which _Tamlane_ was\ndipped, in order to effect the disenchantment; and upon these spots,\naccording to their mode of expressing themselves, the grass will never\ngrow. Miles Cross, (perhaps a corruption of Mary's Cross,) where fair\nJanet awaited the arrival of the Fairy train, is said to have stood\nnear the Duke of Buccleuch's seat of Bow-hill, about half a mile from\nCarterhaugh.\"--(SCOTT'S _Minstrelsy_, ii. 334, at the end of a\nmost interesting essay, introductory to this tale, on the Fairies of\nPopular Superstition.)\n\n\n \"O I forbid ye, maidens a',\n That wear gowd on your hair,\n To come or gae by Carterhaugh,\n For young Tamlane is there.\n\n \"There's nane that gaes by Carterhaugh, 5\n But maun leave him a wad,\n Either gowd rings, or green mantles,\n Or else their maidenheid.\n\n \"Now gowd rings ye may buy, maidens,\n Green mantles ye may spin; 10\n But, gin ye lose your maidenheid,\n Ye'll ne'er get that agen.\"--\n\n But up then spak her, fair Janet,\n The fairest o' a' her kin;\n \"I'll cum and gang to Carterhaugh; 15\n And ask nae leave o' him.\"--\n\n Janet has kilted her green kirtle,\n A little abune her knee;\n And she has braided her yellow hair,\n A little abune her bree. 20\n\n And when she came to Carterhaugh,\n She gaed beside the well;\n And there she fand his steed standing,\n But away was himsell.\n\n She hadna pu'd a red red rose, 25\n A rose but barely three;\n Till up and starts a wee wee man,\n At lady Janet's knee.\n\n Says--\"Why pu' ye the rose, Janet?\n What gars ye break the tree? 30\n Or why come ye to Carterhaugh,\n Withouten leave o' me?\"--\n\n Says--\"Carterhaugh it is mine ain;\n My daddie gave it me;\n I'll come and gang to Carterhaugh, 35\n And ask nae leave o' thee.\"\n\n He's ta'en her by the milk-white hand,\n Among the leaves sae green;\n And what they did, I cannot tell--\n The green leaves were between. 40\n\n He's ta'en her by the milk-white hand,\n Among the roses red;\n And what they did, I cannot say--\n She ne'er return'd a maid.\n\n When she cam to her father's ha', 45\n She looked pale and wan;\n They thought she'd dreed some sair sickness,\n Or been with some leman.\n\n She didna comb her yellow hair,\n Nor make meikle o'er her head; 50\n And ilka thing that lady took,\n Was like to be her deid.\n\n It's four and twenty ladies fair\n Were playing at the ba';\n Janet, the wightest of them anes, 55\n Was faintest o' them a'.\n\n Four and twenty ladies fair\n Were playing at the chess;\n And out there came the fair Janet,\n As green as any grass. 60\n\n Out and spak an auld grey-headed knight,\n Lay o'er the castle wa',--\n \"And ever, alas! for thee, Janet,\n But we'll be blamed a'!\"--\n\n \"Now haud your tongue, ye auld grey knight! 65\n And an ill deid may ye die;\n Father my bairn on whom I will,\n I'll father nane on thee.\"--\n\n Out then spak her father dear,\n And he spak meik and mild-- 70\n \"And ever, alas! my sweet Janet,\n I fear ye gae with child.\"--\n\n \"And if I be with child, father,\n Mysell maun bear the blame;\n There's ne'er a knight about your ha' 75\n Shall hae the bairnie's name.\n\n \"And if I be with child, father,\n 'Twill prove a wondrous birth;\n For weel I swear I'm not wi' bairn\n To any man on earth. 80\n\n \"If my love were an earthly knight,\n As he's an elfin grey,\n I wadna gie my ain true love\n For nae lord that ye hae.\"--\n\n She prink'd hersell and prinn'd hersell, 85\n By the ae light of the moon,\n And she's away to Carterhaugh,\n To speak wi' young Tamlane.\n\n And when she came to Carterhaugh,\n She gaed beside the well; 90\n And there she saw the steed standing,\n But away was himsell.\n\n She hadna pu'd a double rose,\n A rose but only twae,\n When up and started young Tamlane, 95\n Says--\"Lady, thou pu's nae mae!\n\n \"Why pu' ye the rose, Janet,\n Within this garden grene,\n And a' to kill the bonny babe,\n That we got us between?\" 100\n\n \"The truth ye'll tell to me, Tamlane;\n A word ye mauna lie;\n Gin e'er ye was in haly chapel,\n Or sained in Christentie?\"--\n\n \"The truth I'll tell to thee, Janet, 105\n A word I winna lie;\n A knight me got, and a lady me bore,\n As well as they did thee.\n\n \"Randolph, Earl Murray, was my sire,\n Dunbar, Earl March, is thine; 110\n We loved when we were children small,\n Which yet you well may mind.\n\n \"When I was a boy just turn'd of nine,\n My uncle sent for me,\n To hunt, and hawk, and ride with him, 115\n And keep him companie.\n\n \"There came a wind out of the north,\n A sharp wind and a snell;\n And a deep sleep came over me,\n And frae my horse I fell. 120\n\n \"The Queen of Fairies keppit me,\n In yon green hill to dwell;\n And I'm a fairy, lyth and limb;\n Fair ladye, view me well.\n\n \"Then would I never tire, Janet, 125\n In Elfish land to dwell;\n But aye, at every seven years,\n They pay the teind to hell;\n And I am sae fat and fair of flesh,\n I fear 'twill be mysell[L130]. 130\n\n \"This night is Hallowe'en, Janet,\n The morn is Hollowday;\n And, gin ye dare your true love win,\n Ye hae nae time to stay.\n\n \"The night it is good Hallowe'en, 135\n When fairy folk will ride;\n And they that wad their true-love win,\n At Miles Cross they maun bide.\"\n\n \"But how shall I thee ken, Tamlane?\n Or how shall I thee knaw, 140\n Amang so many unearthly knights,\n The like I never saw?\"\n\n \"The first company that passes by,\n Say na, and let them gae;\n The next company that passes by, 145\n Sae na, and do right sae;\n The third company that passes by,\n Then I'll be ane o' thae.\n\n \"First let pass the black, Janet,\n And syne let pass the brown; 150\n But grip ye to the milk-white steed,\n And pu' the rider down.\n\n \"For I ride on the milk-white steed,\n And aye nearest the town;\n Because I was a christen'd knight, 155\n They gave me that renown.\n\n \"My right hand will be gloved, Janet,\n My left hand will be bare;\n And these the tokens I gie thee,\n Nae doubt I will be there. 160\n\n \"They'll turn me in your arms, Janet,[L161]\n An adder and a snake;\n But had me fast, let me not pass,\n Gin ye wad buy me maik.\n\n \"They'll turn me in your arms, Janet, 165\n An adder and an ask;\n They'll turn me in your arms, Janet,\n A bale that burns fast.\n\n \"They'll turn me in your arms, Janet,\n A red-hot gad o' airn; 170\n But haud me fast, let me not pass,\n For I'll do you no harm.\n\n \"First dip me in a stand o' milk,\n And then in a stand o' water;\n But had me fast, let me not pass-- 175\n I'll be your bairn's father.\n\n \"And, next, they'll shape me in your arms,\n A tod, but and an eel;\n But had me fast, nor let me gang,\n As you do love me weel. 180\n\n \"They'll shape me in your arms, Janet,\n A dove, but and a swan;\n And, last, they'll shape me in your arms\n A mother-naked man:\n Cast your green mantle over me-- 185\n I'll be myself again.\"--\n\n Gloomy, gloomy, was the night,\n And eiry was the way,\n As fair Janet, in her green mantle,\n To Miles Cross she did gae. 190\n\n Betwixt the hours of twelve and one,\n A north wind tore the bent;\n And straight she heard strange elritch sounds\n Upon that wind which went.\n\n About the dead hour o' the night, 195\n She heard the bridles ring;\n And Janet was as glad o' that\n As any earthly thing.\n\n Will o' Wisp before them went,\n Sent forth a twinkling light; 200\n And soon she saw the Fairy bands\n All riding in her sight.\n\n And first gaed by the black black steed,\n And then gaed by the brown;\n But fast she gript the milk-white steed, 205\n And pu'd the rider down.\n\n She pu'd him frae the milk-white steed,\n And loot the bridle fa';\n And up there raise an erlish cry--\n \"He's won amang us a'!\"-- 210\n\n They shaped him in fair Janet's arms,[L208]\n An esk, but and an adder;\n She held him fast in every shape--\n To be her bairn's father.\n\n They shaped him in her arms at last, 215\n A mother-naked man:\n She wrapt him in her green mantle,\n And sae her true love wan!\n\n Up then spake the Queen o' Fairies,\n Out o' a bush o' broom-- 220\n \"She that has borrow'd young Tamlane,\n Has gotten a stately groom.\"--\n\n Up then spake the Queen o' Fairies,\n Out o' a bush o' rye--\n \"She's ta'en awa the bonniest knight 225\n In a' my cumpanie.\n\n \"But had I kenn'd, Tamlane,\" she says,\n \"A lady wad borrow'd thee--\n I wad ta'en out thy twa grey een,\n Put in twa een o' tree. 230\n\n \"Had I but kenn'd, Tamlane,\" she says,\n \"Before ye came frae hame--\n I wad ta'en out your heart o' flesh,\n Put in a heart o' stane.\n\n \"Had I but had the wit yestreen 235\n That I hae coft the day--\n I'd paid my kane seven times to hell\n Ere you'd been won away!\"\n\n\n130, See _Thomas of Ersseldoune_, (p. 107,) v. 225, 226.\n\nV. 161-172, v. 208-214. The same process of disenchantment is found in\nthe Danish ballad _Nattergalen_, st. 20-22, Grundtvig, No. 57 (also\n_Svenska Folk-visor_, No. 41). The comparison with the transformations\nof Proteus is curious.\n\n\n [Grk: amphi de cheiras\n ballomen; oud' ho geron dolies epeletheto technes;\n all' etoi protista leon genet' eugeneios,\n autar epeita drakon kai pordalis ede megas sus;\n gigneto d' hygron hydor kai dendreon hypsipetelon.\n hemeis d' astempheos echomen tetleoti thymo.]\n _Odyssey_, iv. 454-59.\n\n Verum ubi correptum manibus vinclisque tenebis,\n Tum variae eludent species atque ora ferarum:\n Fiet enim subito sus horridus atraque tigris,\n Squamosusque draco, et fulva cervice leaena,\n Aut acrem flammae sonitum dabit, atque ita vinclis\n Excidet, aut in aquas tenues dilapsus abibit.\n Sed quanto ille magis formas se vertet in omnes,\n Tanto, nate, magis contende tenacia vincla.\n _Georgics_, iv. 405-12.\n\n\n\n\nTHE WEE WEE MAN.\n\n\nThis ballad will be found, in forms slightly varying, in Herd, (i.\n156;) Caw's _Poetical Museum_, (p. 348;) Motherwell's _Minstrelsy_,\n(p. 343;) and Buchan's _Ancient Ballads_, (i. 263.) It bears some\nresemblance to the beginning of the remarkable poem, _Als Y Yod on ay\nMounday_, (see Appendix). The present version is from the _Poetical\nMuseum_.\n\n\n As I was walking by my lane,\n Atween a water and a wa,\n There sune I spied a wee wee man,\n He was the least that eir I saw.\n\n His legs were scant a shathmont's length, 5\n And sma and limber was his thie;\n Atween his shoulders was ae span,[L7]\n About his middle war but three.\n\n He has tane up a meikle stane,\n And flang't as far as I cold see; 10\n Ein thouch I had been Wallace wicht,\n I dought na lift it to my knie.\n\n \"O wee wee man, but ye be strang!\n Tell me whar may thy dwelling be?\"\n \"I dwell beneth that bonnie bouir, 15\n O will ye gae wi me and see?\"\n\n On we lap, and awa we rade,\n Till we cam to a bonny green;\n We lichted syne to bait our steid,\n And out there cam a lady sheen; 20\n\n Wi four and twentie at her back,\n A' comely cled in glistering green;\n Thouch there the King of Scots had stude,\n The warst micht weil hae been his queen.\n\n On syne we past wi wondering cheir, 25\n Till we cam to a bonny ha;\n The roof was o the beaten gowd,\n The flure was o the crystal a.\n\n When we cam there, wi wee wee knichts[L29]\n War ladies dancing, jimp and sma; 30\n But in the twinkling of an eie,\n Baith green and ha war clein awa.\n\n\n7. Much better in Motherwell.\n\n Between his een there was a span,\n Betwixt his shoulders there were ells three.\n\n29-32.\n\n There were pipers playing in every neuk,\n And ladies dancing, jimp and sma';\n And aye the owreturn o' their tune\n Was, \"Our wee wee man has been lang awa!\"--\n MOTHERWELL.\n\n\n\n\nTHE ELFIN KNIGHT.\n\n\nReprinted from _A Collection of Curious Old Ballads and Miscellaneous\nPoetry_, Edinburgh. David Webster, 1824.\n\nOther versions are given in Motherwell's _Minstrelsy_, (see the\nAppendix to this volume;) Kinloch's _Ancient Scottish Ballads_, (p.\n145;) Buchan's _Ancient Ballads_, (ii. 296.)\n\nSimilar collections of impossibilities in _The Trooper and Fair Maid_,\nBuchan, i. 230; _Robin's Tesment_, _id._, i. 273, or Aytoun, 2d ed. ii.\n197; _As I was walking under a grove_, _Pills to purge Melancholy_, v.\n370. See also _post_, vol. ii. 224, 352, vol. iv. 132, 287; and in\nGerman, _Von eitel unmoeglichen Dingen_, Erk's _Liederhort_, p. 334-37;\nUhland, _Eitle Dinge_, No. 4, A, B; _Wunderhorn_, ii. 410.\n\n\n The Elfin knight sits on yon hill,\n _Ba, ba, ba, lillie ba._\n He blaws his horn baith loud and shrill.\n _The wind hath blawn my plaid awa._\n\n He blaws it east, he blaws it west,\n He blaws it where he liketh best.\n\n \"I wish that horn were in my kist, 5\n Yea, and the knight in my arms niest.\"\n\n She had no sooner these words said,\n Than the knight came to her bed.\n\n \"Thou art o'er young a maid,\" quoth he,\n \"Married with me, that thou would'st be.\" 10\n\n \"I have a sister, younger than I,\n And she was married yesterday.\"\n\n \"Married with me if thou would'st be,\n A curtisie thou must do to me.\n\n \"It's ye maun mak a sark to me, 15\n Without any cut or seam,\" quoth he;\n\n \"And ye maun shape it, knife-, sheerless,\n And also sew it needle-, threedless.\"\n\n \"If that piece of courtisie I do to thee,\n Another thou must do to me. 20\n\n \"I have an aiker of good ley land,\n Which lyeth low by yon sea strand;\n\n \"It's ye maun till't wi' your touting horn,\n And ye maun saw't wi' the pepper corn;\n\n \"And ye maun harrow't wi' a thorn, 25\n And hae your wark done ere the morn;\n\n \"And ye maun shear it wi' your knife,\n And no lose a stack o't for your life;\n\n \"And ye maun stack it in a mouse hole,\n And ye maun thrash it in your shoe sole; 30\n\n \"And ye maun dight it in your loof,\n And also sack it in your glove;\n\n \"And ye maun bring it over the sea,[L33]\n Fair, and clean, and dry to me;\n\n \"And when that ye have done your wark, 35\n Come back to me, and ye'll get your sark.\"\n\n \"I'll not quite my plaid for my life;\n It haps my seven bairnes and my wife.\"\n\n \"My maidenhead I'll then keep still,\n Let the Elfin knight do what he will. 40\n\n \"My plaid awa, my plaid away,\n And owre the hills and far awa,\n And far awa to Norowa',\n My plaid shall not be blawn awa.\"\n\n\n33, thou must.\n\n\n\n\nTHE BROOMFIELD HILL.\n\n\nA fragment of this ballad was printed in Herd's Collection, (\"_I'll\nwager, I'll wager_,\" i. 226.) The present version is from the _Border\nMinstrelsy_, (iii. 28,) and we have added another from Kinloch's\n_Ancient Scottish Ballads_. A somewhat longer copy is given in\nBuchan's _Ballads_, (ii. 291,) and a modernized English one, of no\nvalue, (_The West Country Wager_,) in _Ancient Poems_, &c.,\nPercy Society, vol. xvii. p. 116.\n\n_Brume, brume on hil_, is mentioned in the _Complaynt of\nScotland_, and formed part of Captain Cox's well-known collection.\n\nA Danish ballad exhibits the same theme, though differently treated:\n_Soevnerunerne_, Grundtvig, No. 81.\n\n\n There was a knight and a lady bright,\n Had a true tryst at the broom;\n The ane ga'ed early in the morning,\n The other in the afternoon.\n\n And aye she sat in her mother's bower door, 5\n And aye she made her mane,\n \"O whether should I gang to the Broomfield hill,\n Or should I stay at hame?\n\n \"For if I gang to the Broomfield hill,\n My maidenhead is gone; 10\n And if I chance to stay at hame,\n My love will ca' me mansworn.\"--\n\n Up then spake a witch woman,\n Aye from the room aboon;\n \"O, ye may gang to Broomfield hill, 15\n And yet come maiden hame.\n\n \"For when ye come to the Broomfield hill,\n Ye'll find your love asleep,\n With a silver belt about his head,\n And a broom-cow at his feet. 20\n\n \"Take ye the blossom of the broom,\n The blossom it smells sweet,\n And strew it at your true love's head,\n And likewise at his feet.\n\n \"Take ye the rings off your fingers, 25\n Put them on his right hand,\n To let him know, when he doth awake,\n His love was at his command.\"--\n\n She pu'd the broom flower on Hive-hill,\n And strew'd on's white hals bane, 30\n And that was to be wittering true,\n That maiden she had gane.\n\n \"O where were ye, my milk-white steed,\n That I hae coft sae dear,\n That wadna watch and waken me, 35\n When there was maiden here?\"--\n\n \"I stamped wi' my foot, master,\n And gar'd my bridle ring;\n But nae kin' thing wald waken ye,\n Till she was past and gane.\"-- 40\n\n \"And wae betide ye, my gay goss hawk,\n That I did love sae dear,\n That wadna watch and waken me,\n When there was maiden here.\"--\n\n \"I clapped wi' my wings, master, 45\n And aye my bells I rang,\n And aye cry'd, Waken, waken, master,\n Before the ladye gang.\"--\n\n \"But haste and haste, my gude white steed,\n To come the maiden till, 50\n Or a' the birds of gude green wood\n Of your flesh shall have their fill.\"--\n\n \"Ye needna burst your gude white steed,\n Wi' racing o'er the howm;\n Nae bird flies faster through the wood, 55\n Than she fled through the broom.\"\n\n\n\n\nLORD JOHN.\n\nFrom Kinloch's _Ancient Scottish Ballads_, (p. 195.)\n\n\n \"I'll wager, I'll wager,\" says Lord John,\n \"A hundred merks and ten,\n That ye winna gae to the bonnie broom-fields,\n And a maid return again.\"--\n\n \"But I'll lay a wager wi' you, Lord John, 5\n A' your merks oure again,\n That I'll gae alane to the bonnie broom-fields,\n And a maid return again.\"\n\n Then Lord John mounted his grey steed,\n And his hound wi' his bells sae bricht, 10\n And swiftly he rade to the bonny broom-fields,\n Wi' his hawks, like a lord or knicht.\n\n \"Now rest, now rest, my bonnie grey steed,\n My lady will soon be here;\n And I'll lay my head aneath this rose sae red, 15\n And the bonnie burn sae near.\"\n\n But sound, sound, was the sleep he took,\n For he slept till it was noon;\n And his lady cam at day, left a taiken and away,\n Gaed as licht as a glint o' the moon. 20\n\n She strawed the roses on the ground,\n Threw her mantle on the brier,\n And the belt around her middle sae jimp,\n As a taiken that she'd been there.\n\n The rustling leaves flew round his head, 25\n And rous'd him frae his dream;\n He saw by the roses, and mantle sae green,\n That his love had been there and was gane.\n\n \"O whare was ye, my gude grey steed,\n That I coft ye sae dear; 30\n That ye didna waken your master,\n Whan ye ken'd that his love was here.\"--\n\n \"I pautit wi' my foot, master,\n Garr'd a' my bridles ring;\n And still I cried, Waken, gude master, 35\n For now is the hour and time.\"--\n\n \"Then whare was ye, my bonnie grey hound,\n That I coft ye sae dear,\n That ye didna waken your master,\n Whan ye kend that his love was here.\"-- 40\n\n \"I pautit wi' my foot, master,\n Garr'd a' my bells to ring;\n And still I cried, Waken, gude master,\n For now is the hour and time.\"--\n\n \"But whare was ye, my hawks, my hawks, 45\n That I coft ye sae dear,\n That ye didna waken your master,\n Whan ye ken'd that his love was here.\"--\n\n \"O wyte na me, now, my master dear,\n I garr'd a' my young hawks sing, 50\n And still I cried, Waken, gude master,\n For now is the hour and time.\"--\n\n \"Then be it sae, my wager gane!\n 'T will skaith frae meikle ill;\n For gif I had found her in bonnie broom-fields, 55\n O' her heart's blude ye'd drunken your fill.\"\n\n * * * * *\n\nThe stanzas below are from an American version of this ballad called\n_The Green Broomfield_, printed in a cheap song-book. (Graham's\n_Illustrated Magazine_, Sept. 1858.)\n\n\n \"Then when she went to the green broom field,\n Where her love was fast asleep,\n With a gray _goose_-hawk and a green laurel bough,\n And a green broom under his feet.\n\n \"And when he awoke from out his sleep,\n An angry man was he;\n He looked to the East, and he looked to the West,\n And he wept for his sweetheart to see.\n\n \"Oh! where was you, my gray _goose_-hawk,\n The hawk that I loved so dear,\n That you did not awake me from out my sleep,\n When my sweetheart was so near!\"\n\n\n\n\nKEMPION.\n\n\nThis ballad was first printed in the _Border Minstrelsy_, (vol. iii.\np. 230,) \"chiefly from Mrs. Brown's MS. with corrections from a\nrecited fragment.\" Motherwell furnishes a different version, from\nrecitation, (_Minstrelsy_, p. 374,) which is subjoined to the\npresent, and the well-known ditty of the _Laidley Worm of\nSpindleston-Heugh_, upon the same theme, will be found in the Appendix\nto this volume.\n\n\"Such transformations as the song narrates,\" remarks Sir Walter Scott,\n\"are common in the annals of chivalry. In the 25th and 26th cantos of\nthe second book of the _Orlando Inamorato_, the Paladin, Brandimarte,\nafter surmounting many obstacles, penetrates into the recesses of an\nenchanted palace. Here he finds a fair damsel, seated upon a tomb, who\nannounces to him, that, in order to achieve her deliverance, he must\nraise the lid of the sepulchre, and kiss whatever being should issue\nforth. The knight, having pledged his faith, proceeds to open the\ntomb, out of which a monstrous snake issues forth, with a tremendous\nhiss. Brandimarte, with much reluctance, fulfils the _bizarre_\nconditions of the adventure; and the monster is instantly changed into\na beautiful Fairy, who loads her deliverer with benefits.\"\n\n_Jomfruen i Ormeham_, in Grundtvig's _Danmarks Gamle Folkeviser_, ii.\n177, is essentially the same ballad as _Kempion_. The characteristic\nincident of the story (a maiden who has been transformed by her\nstep-mother into a snake or other monster, being restored to her\nproper shape by the kiss of a knight) is as common in the popular\nfiction of the North as Scott asserts it to be in chivalrous romance.\nFor instances, see Grundtvig, l. l., and under the closely related\n_Lindormen_, ii. 211.\n\nThe name _Kempion_ is itself a monument of the relation of our ballads\nto the _Kaempeviser_. Pollard of Pollard Hall, who slew \"a venomous\nserpent which did much harm to man and beast,\" is called in the modern\nlegend a _Champion_ Knight.\n\n\n \"Cum heir, cum heir, ye freely feed,\n And lay your head low on my knee;\n The heaviest weird I will you read,\n That ever was read to gay ladye.\n\n \"O meikle dolour sall ye dree, 5\n And aye the salt seas o'er ye'se swim;\n And far mair dolour sall ye dree\n On Estmere crags[L8], when ye them climb.\n\n \"I weird ye to a fiery beast,\n And relieved sall ye never be, 10\n Till Kempion, the kingis son,\n Cum to the crag, and thrice kiss thee.\"--\n\n O meikle dolour did she dree,\n And aye the salt seas o'er she swam;\n And far mair dolour did she dree 15\n On Estmere crag, when she them clamb.\n\n And aye she cried for Kempion,\n Gin he would but come to her hand:\n Now word has gane to Kempion,\n That sicken a beast was in his land. 20\n\n \"Now, by my sooth,\" said Kempion,\n \"This fiery beast I'll gang and see.\"--\n \"And by my sooth,\" said Segramour,\n \"My ae brother, I'll gang wi' thee.\"\n\n Then bigged hae they a bonny boat, 25\n And they hae set her to the sea;\n But a mile before they reach'd the shore,\n Around them she gar'd the red fire flee.\n\n \"O Segramour, keep the boat afloat,\n And let her na the land o'er near; 30\n For this wicked beast will sure gae mad,\n And set fire to a' the land and mair.\"--\n\n Syne has he bent an arblast bow,\n And aim'd an arrow at her head;\n And swore if she didna quit the land, 35\n Wi' that same shaft to shoot her dead.\n\n \"O out of my stythe I winna rise,\n (And it is not for the awe o' thee,)\n Till Kempion, the kingis son,\n Cum to the crag, and thrice kiss me.\"-- 40\n\n He has louted him o'er the dizzy crag,\n And gien the monster kisses ane;\n Awa she gaed, and again she cam.\n The fieryest beast that ever was seen.\n\n \"O out o' my stythe I winna rise, 45\n (And not for a' thy bow nor thee,)\n Till Kempion, the kingis son,\n Cum to the crag, and thrice kiss me.\"--\n\n He's louted him o'er the Estmere crags,\n And he has gi'en her kisses twa: 50\n Awa she gaed, and again she cam,\n The fieryest beast that ever you saw.\n\n \"O out of my den I winna rise,\n Nor flee it for the fear o' thee,\n Till Kempion, that courteous knight, 55\n Cum to the crag, and thrice kiss me.\"--\n\n He's louted him o'er the lofty crag,\n And he has gi'en her kisses three:\n Awa she gaed, and again she cam,\n The loveliest ladye e'er could be! 60\n\n \"And by my sooth,\" says Kempion,\n \"My ain true love, (for this is she,)\n They surely had a heart o' stane,\n Could put thee to such misery.\n\n \"O was it warwolf in the wood? 65\n Or was it mermaid in the sea?\n Or was it man or vile woman,\n My ain true love, that mis-shaped thee?\"--\n\n \"It wasna warwolf in the wood,\n Nor was it mermaid in the sea: 70\n But it was my wicked step-mother,\n And wae and weary may she be!\"--\n\n \"O, a heavier weird shall light her on,\n Than ever fell on vile woman;\n Her hair shall grow rough, and her teeth grow lang, 75\n And on her four feet shall she gang.\n \"None shall take pity her upon;\n In Wormeswood she aye shall won;\n And relieved shall she never be,\n Till St. Mungo come over the sea.\"-- 80\n And sighing said that weary wight,\n \"I doubt that day I'll never see!\"\n\n\n8. If by Estmere Crags we are to understand the rocky cliffs of\n Northumberland, in opposition to Westmoreland, we may bring our\n scene of action near Bamborough, and thereby almost identify the\n tale of _Kempion_ with that of the _Laidley Worm of Spindleston_, to\n which it bears so strong a resemblance.--SCOTT.\n\nBut why should we seek to do this?\n\n\n\n\nKEMP OWYNE.\n\n\nKemp Owyne, says Motherwell, \"was, no doubt, the same Ewein or Owain,\nap Urien the king of Reged, who is celebrated by the bards, Taliessin\nand Llywarch-Hen, as well as in the Welsh historical Triads. In a poem\nof Gruffyd Llwyd, A.D. 1400, addressed to Owain Glyndwr, is the\nfollowing allusion to this warrior. 'Thou hast travelled by land and\nby sea in the conduct of thine affairs, like Owain ap Urien in days of\nyore, when with activity he encountered the black knight of the\nwater.'[C] His mistress had a ring esteemed one of the thirteen\nrarities of Britain, which, (like the wondrous ring of Gyges) would\nrender the wearer invisible.\" _Minstrelsy_, p. lxxxiii.\n\n [C] \"On sea, on land, thou still didst brave\n The dangerous cliff and rapid wave;\n Like _Urien_, who subdued the knight,\n And the fell dragon put to flight,\n Yon moss-grown fount beside;\n The grim, black warrior of the flood,\n The dragon, gorged with human blood,\n The waters' scaly pride.\"\n Jones's _Welsh Bards_, i. 41.\n\nThe copy of Kemp Owyne printed in Buchan's _Ancient Ballads_, (ii.\n78,) is the same as the following.\n\n\n Her mother died when she was young,\n Which gave her cause to make great moan;\n Her father married the warst woman\n That ever lived in Christendom.\n\n She served her with foot and hand, 5\n In every thing that she could dee;\n Till once, in an unlucky time,\n She threw her in ower Craigy's sea.\n\n Says, \"Lie you there, dove Isabel,\n And all my sorrows lie with thee; 10\n Till Kemp Owyne come ower the sea,\n And borrow you with kisses three,\n Let all the warld do what they will,\n Oh borrowed shall you never be.\"\n\n Her breath grew strang, her hair grew lang, 15\n And twisted thrice about the tree,\n And all the people, far and near,\n Thought that a savage beast was she;\n This news did come to Kemp Owyne,\n Where he lived far beyond the sea. 20\n\n He hasted him to Craigy's sea,\n And on the savage beast look'd he;\n Her breath was strang, her hair was lang,\n And twisted was about the tree,\n And with a swing she came about: 25\n \"Come to Craigy's sea, and kiss with me.\n\n \"Here is a royal belt,\" she cried,\n \"That I have found in the green sea;\n And while your body it is on,\n Drawn shall your blood never be; 30\n But if you touch me, tail or fin,\n I vow my belt your death shall be.\"\n\n He stepped in, gave her a kiss,\n The royal belt he brought him wi';\n Her breath was strang, her hair was lang, 35\n And twisted twice about the tree,\n And with a swing she came about:\n \"Come to Craigy's sea, and kiss with me.\n\n \"Here is a royal ring,\" she said,\n \"That I have found in the green sea; 40\n And while your finger it is on,\n Drawn shall your blood never be;\n But if you touch me, tail or fin,\n I swear my ring your death shall be.\"\n\n He stepped in, gave her a kiss, 45\n The royal ring he brought him wi';\n Her breath was strang, her hair was lang,\n And twisted ance around the tree,\n And with a swing she came about:\n \"Come to Craigy's sea, and kiss with me. 50\n\n \"Here is a royal brand,\" she said,\n \"That I have found in the green sea;\n And while your body it is on,\n Drawn shall your blood never be;\n But if you touch me, tail or fin, 55\n I swear my brand your death shall be.\"\n\n He stepped in, gave her a kiss,\n The royal brand he brought him wi';\n Her breath was sweet, her hair grew short,\n And twisted nane about the tree; 60\n And smilingly she came about,\n As fair a woman as fair could be.\n\n\n\n\nKING HENRY.\n\n\nA modernized copy of King Henry was published in the _Tales of\nWonder_, (No 57,) under the title of _Courteous King Jamie_. It first\nappeared in an ancient dress in the _Border Minstrelsy_, (iii. 274,)\nbut a version preferable in some respects was given by Jamieson in his\n_Popular Ballads_, (ii. 194,) which is here printed, without the\neditor's interpolations. For a notice of similar legends, see the\n_Marriage of Sir Gawaine_, at page 28 of this volume.\n\n\n Lat never a man a wooing wend,\n That lacketh thingis three;\n A routh o' gould, an open heart,\n Ay fu' o' charity.\n\n As this I speak of King Henry, 5\n For he lay burd-alane;\n And he's doen him to a jelly hunt's ha',\n Was far frae ony town.\n\n He chas'd the deer now him before,\n And the roe down by the den, 10\n Till the fattest buck in a' the flock\n King Henry he has slain.\n\n O he has doen him to his ha',\n To mak him bierly cheer;\n And in it cam a grisly ghost, 15\n Staed stappin' i' the fleer.\n\n Her head hat the roof-tree o' the house,\n Her middle ye mat weel span;--\n He's thrown to her his gay mantle;\n Says,--\"Ladie, hap your lingcan.\" 20\n\n Her teeth was a' like leather stakes,\n Her nose like club or mell;\n And I ken nae thing she 'pear'd to be,\n But the fiend that wons in hell.\n\n \"Some meat, some meat, ye King Henry; 25\n Some meat ye gie to me.\"\n \"And what meat's in this house, Ladie?\n And what ha'e I to gi'e?\"\n \"Its ye do kill your berry-brown steed,\n And ye bring him here to me.\" 30\n\n O whan he slew his berry-brown steed,\n Wow but his heart was sair!\n She ate him a' up, flesh and bane,\n Left naething but hide and hair.\n\n \"Mair meat, mair meat, ye King Henry, 35\n Mair meat ye bring to me.\"\n \"And what meat's in this house, Ladie?\n And what hae I to gi'e?\"\n \"O ye do kill your good grey hounds,\n And ye bring them in to me.\" 40\n\n O whan he killed his good grey hounds,\n Wow but his heart was sair!\n She ate them a' up, flesh and bane,\n Left naething but hide and hair.\n\n \"Mair meat, mair meat, ye King Henry, 45\n Mair meat ye bring to me.\"\n \"And what meat's in this house, Ladie?\n And what hae I to gi'e?\"\n \"O ye do kill your gay goss hawks,\n And ye bring them here to me.\" 50\n\n O whan he kill'd his gay goss hawks,\n Wow but his heart was sair!\n She ate them a' up, skin and bane,\n Left naething but feathers bare.\n\n \"Some drink, some drink, now, King Henry; 55\n Some drink ye bring to me.\"\n \"O what drink's in this house, Ladie,\n That ye're nae welcome tee?\"\n \"O ye sew up your horse's hide,\n And bring in a drink to me.\" 60\n\n And he's sew'd up the bloody hide,\n A puncheon o' wine put in;\n She drank it a' up at a waught,\n Left na ae drap ahin'.\n\n \"A bed, a bed, now, King Henry, 65\n A bed ye mak to me;\n For ye maun pu' the heather green,\n And mak a bed to me.\"\n\n And pu'd has he the heather green,\n And made to her a bed; 70\n And up he's ta'en his gay mantle,\n And o'er it has he spread.\n\n \"Tak aff your claiths, now, King Henry,\n And lye down by my side;\"\n \"O God forbid,\" says King Henry, 75\n \"That ever the like betide;\n That ever the fiend that wons in hell,\n Should streek down by my side.\"\n\n * * * * *\n\n Whan nicht was gane, and day was come,\n And the sun shone thro' the ha', 80\n The fairest lady that ever was seen\n Lay atween him and the wa'.\n\n \"O weel is me!\" says King Henry;\n \"How lang'll this last wi' me?\"\n Then out it spake that fair lady,-- 85\n \"E'en till the day you die.\n\n \"For I've met wi' mony a gentle knicht,\n That gae me sic a fill;\n But never before wi' a curteis knicht,\n That gae me a' my will.\" 90\n\n\n\n\nCOSPATRICK.\n\n(_Border Minstrelsy_, iii. 263.)\n\n\nThis ballad, which is still very popular, is known under various other\nnames, as _Bothwell_, _Child Brenton_, _Lord Dingwall_, _We were\nSisters_, _We were Seven_, &c. Scott's version was derived principally\nfrom recitation, but some of the concluding stanzas were taken from\nHerd's. Herd's copy, which must be regarded as a fragment, is given in\nconnection with the present, and Buchan's in the Appendix to this\nvolume. Another edition, of a suspicious character, may be seen in\nCromek's _Remains of Nithsdale and Galloway Song_, (p. 205.) All the\nprincipal incidents of the story are found in _Ingefred og Gudrune,\nDanske Viser_, No. 194, translated by Jamieson, _Illustrations_ p. 340.\nMore or less imperfect versions of the same are _Riddar Olle, Svenska\nFolk-Visor_, ii. p. 217, 59, 56, 215, and _Herr Aester och Froeken Sissa_,\np. 50. The substitution of the maid-servant for the bride, occurs also\nin _Torkild Trundesoen, Danske V._, No. 200, or _Thorkil Troneson_,\nArwidsson, No. 36. This idea was perhaps derived from _Tristan and\nIsold_: see Scott's _Sir Tristrem_, II. 54, 55.\n\n\n Cospatrick has sent o'er the faem;\n Cospatrick brought his ladye hame;\n And fourscore ships have come her wi',\n The ladye by the grene-wood tree.\n\n There were twal' and twal' wi' baken bread, 5\n And twal' and twal' wi' gowd sae reid,\n And twal' and twal' wi' bouted flour,\n And twal' and twal' wi' the paramour.\n\n Sweet Willy was a widow's son,\n And at her stirrup he did run; 10\n And she was clad in the finest pall,\n But aye she let the tears down fall.\n\n \"O is your saddle set awrye?\n Or rides your steed for you ower high?\n Or are you mourning, in your tide, 15\n That you suld be Cospatrick's bride?\"\n\n \"I am not mourning, at this tide,\n That I suld be Cospatrick's bride;\n But I am sorrowing in my mood,\n That I suld leave my mother good. 20\n\n \"But, gentle boy, come tell to me,\n What is the custom of thy countrie?\"--\n \"The custom thereof, my dame,\" he says,\n \"Will ill a gentle laydye please.\n\n \"Seven king's daughters has our lord wedded, 25\n And seven king's daughters has our lord bedded;\n But he's cutted their breasts frae their breast-bane,\n And sent them mourning hame again.\n\n \"Yet, gin you're sure that you're a maid,\n Ye may gae safely to his bed; 30\n But gif o' that ye be na sure,\n Then hire some damsell o' your bour.\"--\n\n The ladye's call'd her bour maiden,\n That waiting was into her train;\n \"Five thousand merks I'll gie to thee, 35\n To sleep this night with my lord for me.\"--\n\n When bells were rang, and mass was sayne,\n And a' men unto bed were gane,\n Cospatrick and the bonny maid,\n Into a chamber they were laid. 40\n\n \"Now, speak to me, blankets, and speak to me, bed,\n And speak, thou sheet, enchanted web;\n And speak up, my bonny brown sword, that winna lie,\n Is this a true maiden that lies by me?\"--\n\n \"It is not a maid that you hae wedded, 45\n But it is a maid that you hae bedded;\n It is a leal maiden that lies by thee,\n But not the maiden that it should be.\"--\n\n O wrathfully he left the bed,\n And wrathfully his claes on did; 50\n And he has ta'en him through the ha',\n And on his mother he did ca'.\n\n \"I am the most unhappy man,\n That ever was in Christen land!\n I courted a maiden, meik and mild, 55\n And I hae gotten naething but a woman wi' child.\"--\n\n \"O stay, my son, into this ha',\n And sport ye wi' your merry men a';\n And I will to the secret bour,\n To see how it fares wi' your paramour.\"-- 60\n\n The carline she was stark and sture,\n She aff the hinges dang the dure;\n \"O is your bairn to laird or loun,\n Or is it to your father's groom?\"--\n\n \"O hear me, mother, on my knee, 65\n Till my sad story I tell to thee:\n O we were sisters, sisters seven,\n We were the fairest under heaven.\n\n \"It fell on a summer's afternoon,\n When a' our toilsome task was done, 70\n We cast the kevils us amang,\n To see which suld to the grene-wood gang.\n\n \"Ohon! alas, for I was youngest,\n And aye my wierd it was the hardest!\n The kevil it on me did fa', 75\n Whilk was the cause of a' my woe.\n\n \"For to the grene-wood I maun gae,\n To pu' the red rose and the slae;\n To pu' the red rose and the thyme,\n To deck my mother's bour and mine. 80\n\n \"I hadna pu'd a flower but ane,\n When by there came a gallant hende,\n Wi' high-coll'd hose and laigh-coll'd shoon,\n And he seem'd to be sum kingis son.\n\n \"And be I a maid, or be I nae, 85\n He kept me there till the close o' day;\n And be I a maid, or be I nane,\n He kept me there till the day was done.\n\n \"He gae me a lock o' his yellow hair,\n And bade me keep it ever mair; 90\n He gae me a carknet o' bonny beads,\n And bade me keep it against my needs.\n\n \"He gae to me a gay gold ring,\n And bade me keep it abune a' thing.\"--\n \"What did ye wi' the tokens rare, 95\n That ye gat frae that gallant there?\"--\n\n \"O bring that coffer unto me,\n And a' the tokens ye sall see.\"--\n \"Now stay, daughter, your bour within,\n While I gae parley wi' my son.\"-- 100\n\n O she has ta'en her thro' the ha',\n And on her son began to ca';\n \"What did ye wi' the bonny beads\n I bade you keep against your needs?\n\n \"What did you wi' the gay gold ring 105\n I bade you keep abune a' thing?\"--\n \"I gae them to a ladye gay,\n I met on grene-wood on a day.\n\n \"But I wad gie a' my halls and tours,\n I had that ladye within my bours; 110\n But I wad gie my very life,\n I had that ladye to my wife.\"--\n\n \"Now keep, my son, your ha's and tours,\n Ye have the bright burd in your bours;\n And keep, my son, your very life, 115\n Ye have that ladye to your wife.\"--\n\n Now, or a month was come and gane,\n The ladye bare a bonny son;\n And 'twas weel written on his breast-bane,\n \"Cospatrick[L120] is my father's name.\" 120\n \"O row my lady in satin and silk,\n And wash my son in the morning milk.\"\n\n\n120, Cospatrick, _Comes Patricius_, was the designation of the Earl of\nDunbar, in the days of Wallace and Bruce.--SCOTT.\n\n\n\n\nBOTHWELL.\n\nFrom Herd's _Scottish Songs_, (i. 143.)\n\n\n As Bothwell was walking in the lowlands alane,\n _Hey down, and a down_,\n He met six ladies sae gallant and fine,\n _Hey down, and a down._\n\n He cast his lot amang them a', 5\n And on the youngest his lot did fa'.\n\n He's brought her frae her mother's bower,\n Unto his strongest castle and tower.\n\n But ay she cry'd and made great moan,\n And ay the tear came trickling down. 10\n\n \"Come up, come up,\" said the foremost man,\n \"I think our bride comes slowly on.\"\n\n \"O lady, sits your saddle awry,\n Or is your steed for you owre high?\"\n\n \"My saddle is not set awry, 15\n Nor carries me my steed owre high;\n\n \"But I am weary of my life,\n Since I maun be Lord Bothwell's wife.\"\n\n He's blawn his horn sae sharp and shrill,\n Up start the deer on every hill; 20\n\n He's blawn his horn sae lang and loud,\n Up start the deer in gude green wood.\n\n His lady mother lookit owre the castle wa',\n And she saw them riding ane and a'.\n\n She's called upon her maids by seven, 25\n To mak his bed baith saft and even:\n\n She's called upon her cooks by nine,\n To make their dinner fair and fine.\n\n When day was gane and night was come,\n \"What ails my love on me to frown? 30\n\n \"Or does the wind blow in your glove,\n Or runs your mind on another love?\"\n\n \"Nor blows the wind within my glove,\n Nor runs my mind on another love;\"\n\n \"But I not maid nor maiden am, 35\n For I'm wi' bairn to another man.\"\n\n \"I thought I'd a maiden sae meek and sae mild,\n But I've nought but a woman wi' child.\"\n\n His mother's taen her up to a tower,\n And lockit her in her secret bower: 40\n\n \"Now doughter mine, come tell to me,\n Wha's bairn this is that you are wi'.\"\n\n \"O mother dear, I canna learn\n Wha is the father of my bairn.\n\n \"But as I walk'd in the lowlands my lane, 45\n I met a gentleman gallant and fine;\n\n \"He keepit me there sae late and sae lang,\n Frae the ev'ning late till the morning dawn;\n\n \"And a' that he gied me to my propine,\n Was a pair of green gloves, and a gay gold ring, 50\n\n \"Three lauchters of his yellow hair,\n In case that we shou'd meet nae mair.\"\n\n His lady mother went down the stair:\n \"Now son, now son, come tell to me,\n Where's the green gloves I gave to thee?\" 55\n\n \"I gied to a lady sae fair and so fine,\n The green gloves and a gay gold ring:\n\n \"But I wad gie my castles and towers,\n I had that lady within my bowers:\n\n \"But I wad gie my very life, 60\n I had that lady to be my wife.\"\n\n \"Now keep, now keep your castles and towers,\n You have that lady within your bowers:\n\n \"Now keep, now keep your very life,\n You have that lady to be your wife.\" 65\n\n \"O row my lady in sattin and silk,\n And wash my son in the morning milk.\"\n\n\n\n\nWILLIE'S LADYE.\n\n\nPrinted from Mrs. Brown's MS., in the _Border Minstrelsy_, vol. iii.\np. 170. Another copy is given in Jamieson's _Popular Ballads_, (ii.\n367,) and versions, enlarged and altered from the ancient, in the same\nwork, (ii. 179,) and in _Tales of Wonder_, No. 56. This ballad bears\na striking resemblance to _Sir Stig and Lady Torelild_, translated\nfrom the Danish by Jamieson, _Illustrations of Northern Antiquities_,\np. 344. This is the eighth (marked H) of nine Danish ballads given by\nGrundtvig, under the title _Hustru og Mands Moder_, vol. ii. 404.\nThree Swedish versions have been printed: two in Arwidsson's\n_Fornsanger, Liten Kerstins Foertrollning_, ii. 252, and another\n(Grundtvig) in Cavallius and Stephens's _Svenska Folksagor_.\n\n\"Those who wish to know how an incantation, or charm, of the\ndistressing nature here described, was performed in classic days, may\nconsult the story of Galanthis's Metamorphosis, in Ovid, or the\nfollowing passage in Apuleius: 'Eadem (saga, scilicet, quaedam)\namatoris uxorem, quod in eam dicacule probrum dixerat, jam in sarcinam\npraegnationis, obsepto utero, et repigrato f[oe]tu, perpetua praegnatione\ndamnavit. Et ut cuncti numerant, octo annorum onere, misella illa,\nvelut elephantum paritura, distenditur.' APUL. _Metam._ lib. i.\n\n\"There is a curious tale about a Count of Westeravia, whom a deserted\nconcubine bewitched upon his marriage, so as to preclude all hopes of\nhis becoming a father. The spell continued to operate for three years,\ntill one day, the Count happening to meet with his former mistress,\nshe maliciously asked him about the increase of his family. The Count,\nconceiving some suspicion from her manner, craftily answered, that God\nhad blessed him with three fine children; on which she exclaimed, like\nWillie's mother in the ballad, \"May heaven confound the old hag, by\nwhose counsel I threw an enchanted pitcher into the draw-well of your\npalace!\" The spell being found, and destroyed, the Count became the\nfather of a numerous family. _Hierarchie of the Blessed Angels_, p.\n474.\" SCOTT.\n\n\n Willie's ta'en him o'er the faem,\n He's wooed a wife, and brought her hame;\n He's wooed her for her yellow hair,\n But his mother wrought her meikle care;\n\n And meikle dolour gar'd her dree, 5\n For lighter she can never be;\n But in her bower she sits wi' pain,\n And Willie mourns o'er her in vain.\n\n And to his mother he has gane,\n That vile rank witch, o' vilest kind! 10\n He says--\"My ladie has a cup,\n Wi' gowd and silver set about;\n This gudely gift sall be your ain,\n And let her be lighter o' her young bairn.\"--\n\n \"Of her young bairn she's never be lighter, 15\n Nor in her bour to shine the brighter:\n But she sall die, and turn to clay,\n And you sall wed another may.\"--\n\n \"Another may I'll never wed,\n Another may I'll never bring hame:\"-- 20\n But, sighing, said that weary wight--\n \"I wish my life were at an end!\n\n \"Yet gae ye to your mother again,\n That vile rank witch, o' vilest kind!\n And say, your ladye has a steed, 25\n The like o' him's no in the land o' Leed.\n\n \"For he is silver shod before,\n And he is gowden shod behind;\n At every tuft of that horse mane,\n There's a golden chess, and a bell to ring. 30\n This gudely gift sall be her ain,\n And let me be lighter o' my young bairn.\"--\n\n \"Of her young bairn she's ne'er be lighter,\n Nor in her bour to shine the brighter;\n But she sall die, and turn to clay, 35\n And ye sall wed another may.\"--\n\n \"Another may I'll never wed,\n Another may I'll never bring hame:\"--\n But, sighing, said that weary wight--\n \"I wish my life were at an end!-- 40\n\n \"Yet gae ye to your mother again,\n That vile rank witch, o' rankest kind!\n And say your ladye has a girdle,\n It's a' red gowd to the middle;\n\n \"And aye, at ilka siller hem 45\n Hang fifty siller bells and ten;\n This gudely gift sall be her ain,\n And let me be lighter o' my young bairn.\"--\n\n \"Of her young bairn she's ne'er be lighter,\n Nor in your bour to shine the brighter; 50\n For she sall die, and turn to clay,\n And thou sall wed another may.\"--\n\n \"Another may I'll never wed,\n Another may I'll never bring hame;\"--\n But, sighing, said that weary wight-- 55\n \"I wish my days were at an end!\"--\n\n Then out and spak the Billy Blind,[L57]\n (He spak aye in good time:)\n \"Yet gae ye to the market-place,\n And there do buy a loaf of wace; 60\n Do shape it bairn and bairnly like,\n And in it twa glassen een you'll put;\n\n \"And bid her your boy's christening to,\n Then notice weel what she shall do;\n And do you stand a little away, 65\n To notice weel what she may say.\"\n\n [L67]He did him to the market-place,\n And there he bought a loaf[L68] o' wax;\n He shaped it bairn and bairnly like,\n And in twa glazen een he pat; 70\n\n He did him till his mither then,\n And bade her to his boy's christnin;\n And he did stand a little forbye,\n And noticed well what she did say.\n\n \"O wha has loosed the nine witch knots, 75\n That were amang that ladye's locks?\n And wha's ta'en out the kaims o' care,\n That were amang that ladye's hair?\n\n \"And wha has ta'en down that bush o' woodbine,\n That hung between her bour and mine? 80\n And wha has kill'd the master kid,[L81]\n That ran beneath that ladye's bed?\n And wha has loosed her left foot shee,\n And let that ladye lighter be?\"\n\n Syne, Willy's loosed the nine witch knots, 85\n That were amang that ladye's locks;\n And Willie's ta'en out the kaims o' care,\n That were into that ladye's hair;\n\n And he's ta'en down the bush o' woodbine,\n Hung atween her bour and the witch carline; 90\n And he has kill'd the master kid,\n That ran beneath that ladye's bed;\n\n And he has loosed her left foot shee,\n And latten that ladye lighter be;\n And now he has gotten a bonny son, 95\n And meikle grace be him upon.\n\n\n57. _Billy Blind_--A familiar genius, or propitious spirit, somewhat\nsimilar to the _Brownie_.\n\n67-74. Inserted from Jamieson's copy.\n\n68. _leaf_, Jamieson.\n\n81. The witch's chief familiar, placed in the chamber of the sick woman\nin the form of a kid.\n\n\n\n\nALISON GROSS.\n\nJamieson's _Popular Ballads_, ii. 187.\n\nFROM THE RECITATION OF MRS. BROWN.\n\n\nThe beginning is to be compared with _Lindormen_, the whole ballad\nwith _Jomfruen i Ormeham_, Grundtvig's _Folkeviser_, ii. 213, 177.\n\n\n O Alison Gross, that lives in yon tower,\n The ugliest witch in the north countrie,\n Has trysted me ae day up till her bower,\n And mony fair speech she made to me.\n\n She straiked my head, and she kembed my hair, 5\n And she set me down saftly on her knee,\n Says,--\"Gin ye will be my lemman sae true,\n Sae mony braw things as I would you gi'e.\"\n\n She shaw'd me a mantle o' red scarlet,\n Wi' gouden flowers and fringes fine, 10\n Says \"Gin ye will be my lemman sae true,\n This goodly gift it sall be thine.\"\n\n \"Awa, awa, ye ugly witch,\n Haud far awa, and lat me be;\n I never will be your lemman sae true, 15\n And I wish I were out of your company.\"\n\n She neist brocht a sark o' the saftest silk,\n Weel wrought wi' pearls about the band;\n Says,--\"Gin ye will be my ain true love,\n This goodly gift ye sall command.\" 20\n\n She shaw'd me a cup o' the good red goud,\n Weel set wi' jewels sae fair to see;\n Says,--\"Gin ye will be my lemman sae true,\n This goodly gift I will you gie.\"\n\n \"Awa, awa, ye ugly witch! 25\n Haud far awa, and lat me be;\n For I wadna ance kiss your ugly mouth\n For a' the gifts that ye cou'd gie.\"\n\n She's turned her richt and round about,\n And thrice she blew on a grass-green horn; 30\n And she sware by the moon and the stars aboon,\n That she'd gar me rue the day I was born.\n\n Then out has she ta'en a silver wand,\n And she's turned her three times round and round;\n She's mutter'd sic words, that my strength it fail'd, 35\n And I fell down senseless on the ground.\n\n She's turn'd me into an ugly worm,\n And gar'd me toddle about the tree;\n And ay, on ilka Saturday's night,\n My sister Maisry came to me, 40\n\n Wi' silver bason, and silver kemb,\n To kemb my headie upon her knee;\n But or I had kiss'd her ugly mouth,\n I'd rather hae toddled about the tree.\n\n But as it fell out on last Hallowe'en, 45\n When the Seely Court[L46] was ridin' by,\n The queen lighted down on a gowan bank,\n Nae far frae the tree whare I wont to lye.\n\n She took me up in her milk-white hand,\n And she straiked me three times o'er her knee; 50\n She changed me again to my ain proper shape,\n And I nae mair maun toddle about the tree.\n\n\n46. _Seely Court_, i.e. \"pleasant or happy court,\" or \"court of the\npleasant and happy people.\" This agrees with the ancient and more\nlegitimate idea of Fairies. JAMIESON. See p. 120, v. 131, _et seq._\n\n\n\n\nTHE EARL OF MAR'S DAUGHTER.\n\nFrom Buchan's _Ancient Ballads and Songs of the North of Scotland_,\n(i. 49.)\n\n\nIt is much to be regretted that this piece has not come down to us in\na purer and more ancient form. Similar ballads are found in Danish,\nSwedish, and Faroish. Several forms of the Danish are given by\nGrundtvig (_Ridderen i Fugleham_, No. 68), who also cites many\npopular tales which have the same basis, e.g. the Countess d'Aulnoy's\nfairy story of _The Blue Bird_.\n\n\n It was intill a pleasant time,\n Upon a simmer's day;\n The noble Earl of Mar's daughter\n Went forth to sport and play.\n\n As thus she did amuse hersell, 5\n Below a green aik tree,\n There she saw a sprightly doo\n Set on a tower sae hie.\n\n \"O Cow-me-doo, my love sae true,\n If ye'll come down to me, 10\n Ye'se hae a cage o' guid red gowd\n Instead o' simple tree:\n\n \"I'll put gowd hingers roun' your cage,\n And siller roun' your wa';\n I'll gar ye shine as fair a bird 15\n As ony o' them a'.\"\n\n But she had nae these words well spoke,\n Nor yet these words well said,\n Till Cow-me-doo flew frae the tower,\n And lighted on her head. 20\n\n Then she has brought this pretty bird\n Hame to her bowers and ha';\n And made him shine as fair a bird\n As ony o' them a'.\n\n When day was gane, and night was come, 25\n About the evening tide,\n This lady spied a sprightly youth\n Stand straight up by her side.\n\n \"From whence came ye, young man?\" she said,\n \"That does surprise me sair; 30\n My door was bolted right secure;\n What way ha'e ye come here?\"\n\n \"O had your tongue, ye lady fair,\n Lat a' your folly be;\n Mind ye not on your turtle doo 35\n Last day ye brought wi' thee?\"\n\n \"O tell me mair, young man,\" she said,\n \"This does surprise me now;\n What country ha'e ye come frae?\n What pedigree are you?\" 40\n\n \"My mither lives on foreign isles,\n She has nae mair but me;\n She is a queen o' wealth and state,\n And birth and high degree;\n\n \"Likewise well skill'd in magic spells, 45\n As ye may plainly see;\n And she transform'd me to yon shape,\n To charm such maids as thee.\n\n \"I am a doo the live lang day,\n A sprightly youth at night; 50\n This aye gars me appear mair fair\n In a fair maiden's sight.\n\n \"And it was but this verra day\n That I came ower the sea;\n Your lovely face did me enchant,-- 55\n I'll live and dee wi' thee.\"\n\n \"O Cow-me-doo, my luve sae true,\n Nae mair frae me ye'se gae.\"\n \"That's never my intent, my luve,\n As ye said, it shall be sae.\" 60\n\n \"O Cow-me-doo, my luve sae true,\n It's time to gae to bed.\"\n \"Wi' a' my heart, my dear marrow,\n It's be as ye ha'e said.\"\n\n Then he has staid in bower wi' her 65\n For sax lang years and ane,\n Till sax young sons to him she bare,\n And the seventh she's brought hame.\n\n But aye as ever a child was born,\n He carried them away, 70\n And brought them to his mither's care,\n As fast as he cou'd fly.\n\n Thus he has staid in bower wi' her\n For twenty years and three;\n There came a lord o' high renown 75\n To court this fair ladie.\n\n But still his proffer she refused,\n And a' his presents too;\n Says, \"I'm content to live alane\n Wi' my bird, Cow-me-doo.\" 80\n\n Her father sware a solemn oath\n Amang the nobles all,\n \"The morn, or ere I eat or drink,\n This bird I will gar kill.\"\n\n The bird was sitting in his cage, 85\n And heard what they did say;\n And when he found they were dismist,\n Says, \"Waes me for this day!\n\n \"Before that I do langer stay,\n And thus to be forlorn, 90\n I'll gang unto my mither's bower,\n Where I was bred and born.\"\n\n Then Cow-me-doo took flight and flew\n Beyond the raging sea;\n And lighted near his mither's castle 95\n On a tower o' gowd sae hie.\n\n As his mither was wauking out,\n To see what she coud see,\n And there she saw her little son\n Set on the tower sae hie. 100\n\n \"Get dancer here to dance,\" she said,\n \"And minstrells for to play;\n For here's my young son, Florentine,\n Come here wi' me to stay.\"\n\n \"Get nae dancers to dance, mither, 105\n Nor minstrells for to play;\n For the mither o' my seven sons,\n The morn's her wedding-day.\"\n\n \"O tell me, tell me, Florentine,\n Tell me, and tell me true, 110\n Tell me this day without a flaw,\n What I will do for you.\"\n\n \"Instead of dancers to dance, mither,\n Or minstrells for to play,\n Turn four-and-twenty wall-wight men, 115\n Like storks, in feathers gray;\n\n \"My seven sons in seven swans,\n Aboon their heads to flee;\n And I, mysell, a gay gos-hawk,\n A bird o' high degree.\" 120\n\n Then sichin' said the queen hersell,\n \"That thing's too high for me;\"\n But she applied to an auld woman,\n Who had mair skill than she.\n\n Instead o' dancers to dance a dance, 125\n Or minstrells for to play,\n Four-and-twenty wall-wight men\n Turn'd birds o' feathers gray;\n\n Her seven sons in seven swans,\n Aboon their heads to flee; 130\n And he, himsell, a gay gos-hawk,\n A bird o' high degree.\n\n This flock o' birds took flight and flew\n Beyond the raging sea;\n And landed near the Earl Mar's castle, 135\n Took shelter in every tree.\n\n They were a flock o' pretty birds,\n Right comely to be seen;\n The people view'd them wi' surprise,\n As they danc'd on the green. 140\n\n These birds ascended frae the tree,\n And lighted on the ha';\n And at the last wi' force did flee\n Among the nobles a'.\n\n The storks there seized some o' the men, 145\n They cou'd neither fight nor flee;\n The swans they bound the bride's best man,\n Below a green aik tree.\n\n They lighted next on maidens fair,\n Then on the bride's own head; 150\n And wi' the twinkling o' an e'e,\n The bride and them were fled.\n\n There's ancient men at weddings been,\n For sixty years or more;\n But sic a curious wedding-day 155\n They never saw before.\n\n For naething cou'd the companie do,\n Nor naething cou'd they say;\n But they saw a flock o' pretty birds\n That took their bride away. 160\n\n When that Earl Mar he came to know\n Where his dochter did stay,\n He sign'd a bond o' unity,\n And visits now they pay.\n\n\n\n\nYOUNG AKIN.\n\n\nMr. Kinloch printed a fragment of this ballad under the title of\n_Hynde Etin_. (See Appendix.) The story was afterwards given\ncomplete by Buchan, (_Ballads of the North of Scotland_, i. 6,)\nas here follows. Buchan had previously communicated to Motherwell a\nmodernized version of the same tale, in which the Etin is changed to\na Groom. (See _post_.)\n\nThis ancient ballad has suffered severely in the course of its\ntransmission to our times. Still there can be no doubt that it was\noriginally the same as _The Maid and the Dwarf King_, which is\nstill sung in Denmark, Norway, Sweden, and the Faroe Islands. Numerous\ncopies of the Scandinavian ballad have been given to the world: seven\nDanish versions, more or less complete, four Norse, nine Swedish, one\nFaroish, and some other fragments (Grundtvig, ii. 37, and note, p.\n655). One of the Swedish ballads (_Bergkonungen_, Afzelius, No.\n35) is translated in Keightley's _Fairy Mythology_, 103, under the\ntitle of _Proud Margaret_. Closely related is _Agnete og Havmanden_,\nGrundtvig, ii. 48, 656, which is found in several forms in German (e.g.\n_Die schoene Hannele_ in Hoffmann von Fallersleben's _Schlesische\nVolkslieder_, No. 1), and two in Slavic.\n\n\n Lady Margaret sits in her bower door,\n Sewing at her silken seam;\n She heard a note in Elmond's-wood,\n And wish'd she there had been.\n\n She loot the seam fa' frae her side, 5\n And the needle to her tae;\n And she is on to Elmond-wood\n As fast as she coud gae.\n\n She hadna pu'd a nut, a nut,\n Nor broken a branch but ane, 10\n Till by it came a young hind chiel,\n Says, \"Lady, lat alane.\n\n \"O why pu' ye the nut, the nut,\n Or why brake ye the tree?\n For I am forester o' this wood: 15\n Ye shou'd spier leave at me.\"\n\n \"I'll ask leave at no living man,\n Nor yet will I at thee;\n My father is king o'er a' this realm,\n This wood belongs to me.\" 20\n\n She hadna pu'd a nut, a nut,\n Nor broken a branch but three,\n Till by it came him Young Akin,\n And gar'd her lat them be.\n\n The highest tree in Elmond's-wood, 25\n He's pu'd it by the reet;\n And he has built for her a bower\n Near by a hallow seat.\n\n He's built a bower, made it secure\n Wi' carbuncle and stane; 30\n Tho' travellers were never sae nigh,\n Appearance it had nane.\n\n He's kept her there in Elmond's-wood,\n For six lang years and one;\n Till six pretty sons to him she bear, 35\n And the seventh she's brought home.\n\n It fell ance upon a day,\n This guid lord went from home;\n And he is to the hunting gane,\n Took wi' him his eldest son. 40\n\n And when they were on a guid way,\n Wi' slowly pace did walk,\n The boy's heart being something wae,\n He thus began to talk:--\n\n \"A question I wou'd ask, father, 45\n Gin ye wou'dna angry be?\"\n \"Say on, say on, my bonny boy,\n Ye'se nae be quarrell'd by me.\"\n\n \"I see my mither's cheeks aye weet,\n I never can see them dry; 50\n And I wonder what aileth my mither,\n To mourn continually.\"\n\n \"Your mither was a king's daughter,\n Sprung frae a high degree;\n And she might hae wed some worthy prince, 55\n Had she nae been stown by me.\n\n \"I was her father's cup-bearer,\n Just at that fatal time;\n I catch'd her on a misty night,\n Whan summer was in prime. 60\n\n \"My luve to her was most sincere,\n Her luve was great for me;\n But when she hardships doth endure,\n Her folly she does see.\"\n\n \"I'll shoot the buntin' o' the bush, 65\n The linnet o' the tree,\n And bring them to my dear mither,\n See if she'll merrier be.\"\n\n It fell upo' another day,\n This guid lord he thought lang, 70\n And he is to the hunting gane,\n Took wi' him his dog and gun.\n\n Wi' bow and arrow by his side,\n He's aff, single, alane;\n And left his seven children to stay 75\n Wi' their mither at hame.\n\n \"O, I will tell to you, mither,\n Gin ye wadna angry be:\"\n \"Speak on, speak on, my little wee boy,\n Ye'se nae be quarrell'd by me.\" 80\n\n \"As we came frae the hynd hunting,\n We heard fine music ring:\"\n \"My blessings on you, my bonny boy,\n I wish I'd been there my lane.\"\n\n He's ta'en his mither by the hand, 85\n His six brithers also,\n And they are on thro' Elmond's-wood,\n As fast as they coud go.\n\n They wistna weel where they were gaen,\n Wi' the stratlins o' their feet; 90\n They wistna weel where they were gaen,\n Till at her father's yate.\n\n \"I hae nae money in my pocket,\n But royal rings hae three;\n I'll gie them you, my little young son, 95\n And ye'll walk there for me.\n\n \"Ye'll gi'e the first to the proud porter,[L97]\n And he will lat you in;\n Ye'll gi'e the next to the butler boy,\n And he will show you ben; 100\n\n \"Ye'll gi'e the third to the minstrel\n That plays before the king;\n He'll play success to the bonny boy\n Came thro' the wood him lane.\"\n\n He ga'e the first to the proud porter, 105\n And he open'd an' let him in;\n He ga'e the next to the butler boy,\n And he has shown him ben;\n\n He ga'e the third to the minstrel\n That play'd before the king; 110\n And he play'd success to the bonny boy\n Came thro' the wood him lane.\n\n Now when he came before the king,\n Fell low down on his knee:\n The king he turned round about, 115\n And the saut tear blinded his ee.\n\n \"Win up, win up, my bonny boy,\n Gang frae my companie;\n Ye look sae like my dear daughter,\n My heart will birst in three.\" 120\n\n \"If I look like your dear daughter,\n A wonder it is none;\n If I look like your dear daughter,\n I am her eldest son.\"\n\n \"Will ye tell me, ye little wee boy, 125\n Where may my Margaret be?\"\n \"She's just now standing at your yates,\n And my six brithers her wi'.\"\n\n \"O where are all my porter boys\n That I pay meat and fee, 130\n To open my yates baith wide and braid?\n Let her come in to me.\"\n\n When she came in before the king,\n Fell low down on her knee:\n \"Win up, win up, my daughter dear, 135\n This day ye'll dine wi me.\"\n\n \"Ae bit I canno' eat, father,\n Nor ae drop can I drink,\n Till I see my mither and sister dear,\n For lang for them I think.\" 140\n\n When she came before the queen,\n Fell low down on her knee:\n \"Win up, win up, my daughter dear,\n This day ye'se dine wi' me.\"\n\n \"Ae bit I canno' eat, mither, 145\n Nor ae drop can I drink,\n Until I see my dear sister,\n For lang for her I think.\"\n\n When that these two sisters met,\n She hail'd her courteouslie: 150\n \"Come ben, come ben, my sister dear,\n This day ye'se dine wi' me.\"\n\n \"Ae bit I canno' eat, sister,\n Nor ae drop can I drink,\n Until I see my dear husband, 155\n For lang for him I think.\"\n\n \"O where are all my rangers bold\n That I pay meat and fee,\n To search the forest far an' wide,\n And bring Akin to me?\" 160\n\n Out it speaks the wee little boy,--\n \"Na, na, this maunna be;\n Without ye grant a free pardon,\n I hope ye'll nae him see.\"\n\n \"O here I grant a free pardon, 165\n Well seal'd by my own han';\n Ye may make search for young Akin,\n As soon as ever you can.\"\n\n They search'd the country wide and braid,\n The forests far and near, 170\n And found him into Elmond's-wood,\n Tearing his yellow hair.\n\n \"Win up, win up, now young Akin.\n Win up, and boun wi' me;\n We're messengers come from the court; 175\n The king wants you to see.\"\n\n \"O lat him take frae me my head,\n Or hang me on a tree;\n For since I've lost my dear lady,\n Life's no pleasure to me.\" 180\n\n \"Your head will nae be touch'd, Akin,\n Nor hang'd upon a tree:\n Your lady's in her father's court,\n And all he wants is thee.\"\n\n When he came in before the king, 185\n Fell low down on his knee:\n \"Win up, win up now, young Akin,\n This day ye'se dine wi' me.\"\n\n But as they were at dinner set,\n The boy asked a boun; 190\n \"I wish we were in the good church,\n For to get christendoun.\n\n \"We ha'e lived in guid green wood\n This seven years and ane;\n But a' this time since e'er I mind, 195\n Was never a church within.\"\n\n \"Your asking 's nae sae great, my boy,\n But granted it shall be;\n This day to guid church ye shall gang,\n And your mither shall gang you wi'.\" 200\n\n When unto the guid church she came,\n She at the door did stan';\n She was sae sair sunk down wi' shame,\n She coudna come farer ben.\n\n Then out it speaks the parish priest, 205\n And a sweet smile gae he;---\n \"Come ben, come ben, my lily flower,\n Present your babes to me.\"\n\n Charles, Vincent, Sam, and Dick,\n And likewise James and John; 210\n They call'd the eldest Young Akin,\n Which was his father's name.\n\n Then they staid in the royal court,\n And liv'd wi' mirth and glee;\n And when her father was deceas'd, 215\n Heir of the crown was she.\n\n\n97. The regular propitiation for the \"proud porter\" of ballad poetry.\nSee, e.g. _King Arthur and the King of Cornwall_, in the Appendix, v.\n49: also the note to _King Estmere_, vol. iii. p. 172.\n\n\n\n\nYOUNG HASTINGS THE GROOM.\n\n(Motherwell's _Minstrelsy_, p. 287.)\n\n\n \"O well love I to ride in a mist,\n And shoot in a northern wind;\n And far better a lady to steal,\n That's come of a noble kind.\"\n\n Four-and-twenty fair ladies 5\n Put on that lady's sheen;\n And as many young gentlemen\n Did lead her o'er the green.\n\n Yet she preferred before them all\n Him, young Hastings the Groom; 10\n He's coosten a mist before them all,\n And away this lady has ta'en.\n\n He's taken the lady on him behind,\n Spared neither the grass nor corn,\n Till they came to the wood of Amonshaw, 15\n Where again their loves were sworn.\n\n And they have lived in that wood\n Full many a year and day,\n And were supported from time to time,\n By what he made of prey. 20\n\n And seven bairns, fair and fine,\n There she has born to him,\n And never was in good church door,\n Nor never gat good kirking.\n\n Once she took harp into her hand, 25\n And harped them asleep;\n Then she sat down at their couch side,\n And bitterly did weep.\n\n Said, \"Seven bairns have I born now\n To my lord in the ha'; 30\n I wish they were seven greedy rats,\n To run upon the wa',\n And I mysel' a great grey cat,\n To eat them ane an' a'.\n\n \"For ten long years now I have lived 35\n Within this cave of stane,\n And never was at good church door,\n Nor got no good churching.\"\n\n O then outspak her eldest child,\n And a fine boy was he,-- 40\n \"O hold your tongue, my mother dear;\n I'll tell you what to dee.\n\n \"Take you the youngest in your lap,\n The next youngest by the hand;\n Put all the rest of us you before, 45\n As you learnt us to gang.\n\n \"And go with us into some good kirk,--\n You say they are built of stane,--\n And let us all be christened,\n And you get good kirking.\" 50\n\n She took the youngest in her lap,\n The next youngest by the hand;\n Set all the rest of them her before,\n As she learnt them to gang.\n\n And she has left the wood with them, 55\n And to a kirk has gane;\n Where the good priest them christened,\n And gave her good kirking.\n\n\n\n\nCLERK COLVILL, OR THE MERMAID.\n\n\nThis ballad exemplifies a superstition deeply rooted in the belief of\nall the northern nations,--the desire of the Elves and Water-spirits for\nthe love of Christians, and the danger of being exposed to their\nfascination. The object of their fatal passion is generally a\nbridegroom, or a bride, on the eve of marriage. See, in the Appendix,\n_Sir Oluf and the Elf-King's Daughter_, for further illustrations; also\nthe two succeeding pieces.\n\n_Clerk Colvill_ was first printed in Herd's _Scottish Songs_,\n(i. 217,) and was inserted, in an altered shape, in Lewis's _Tales of\nWonder_, (No. 56.)\n\n\n Clerk Colvill and his lusty dame\n Were walking in the garden green;\n The belt around her stately waist\n Cost Clerk Colvill of pounds fifteen.\n\n \"O promise me now, Clerk Colvill, 5\n Or it will cost ye muckle strife,\n Ride never by the wells of Slane,\n If ye wad live and brook your life.\"\n\n \"Now speak nae mair, my lusty dame,\n Now speak nae mair of that to me: 10\n Did I ne'er see a fair woman,\n But I wad sin with her fair body?\"\n\n He's ta'en leave o' his gay lady,\n Nought minding what his lady said,\n And he's rode by the wells of Slane, 15\n Where washing was a bonny maid.\n\n \"Wash on, wash on, my bonny maid,\n That wash sae clean your sark of silk;\"\n \"And weel fa' you, fair gentleman,\n Your body's whiter than the milk.\" 20\n\n * * * * *\n\n Then loud, loud cry'd the Clerk Colvill,\n \"O my head it pains me sair;\"\n \"Then take, then take,\" the maiden said,\n \"And frae my sark you'll cut a gare.\" 25\n\n Then she's gi'ed him a little bane-knife,\n And frae her sark[L27] he cut a share;\n She's ty'd it round his whey-white face,\n But ay his head it aked mair.\n\n Then louder cry'd the Clerk Colvill, 30\n \"O sairer, sairer akes my head;\"\n \"And sairer, sairer ever will,\"\n The maiden crys, \"till you be dead.\"\n\n Out then he drew his shining blade,\n Thinking to stick her where she stood; 35\n But she was vanish'd to a fish,\n And swam far off, a fair mermaid.\n\n \"O mother, mother, braid my hair;\n My lusty lady, make my bed;\n O brother, take my sword and spear, 40\n For I have seen the false mermaid.\"\n\n\n27, his sark.\n\n\n\n\nLADY ISABEL AND THE ELF-KNIGHT.\n\nFrom Buchan's _Ballads of the North of Scotland_, i. 22, where it\nis entitled _The Gowans sae gay_, from the burden.\n\n\nThe hero of the first of the two following ballads would seem to be an\nElf, that of the second a Nix, or Merman, though the punishment\nawarded to each of them in the catastrophe, as the ballads now exist,\nis not consistent with their supernatural character. It is possible\nthat in both instances two independent stories have been blended: but\nit is curious that the same intermixture should occur in Norse and\nGerman also. See Grundtvig's preface to _Noekkens Svig_, ii. p. 57.\nThe conclusion in all these cases is derived from a ballad resembling\n_May Colvin_, vol. ii. p. 272.\n\nWe have had the Elf-Knight introduced under the same circumstances at\npage 128; indeed, the first three or four stanzas are common to both\npieces.\n\n\n Fair lady Isabel sits in her bower sewing,\n _Aye as the gowans grow gay_;\n There she heard an elf-knight blawing his horn,\n _The first morning in May_.\n\n \"If I had yon horn that I hear blawing,\" 5\n _Aye as the gowans grow gay_;\n \"And yon elf-knight to sleep in my bosom,\"\n _The first morning in May_.\n\n This maiden had scarcely these words spoken,\n _Aye as the gowans grow gay_; 10\n Till in at her window the elf-knight has luppen,\n _The first morning in May_.\n\n \"Its a very strange matter, fair maiden,\" said he,\n _Aye as the gowans grow gay_,\n \"I canna' blaw my horn, but ye call on me,\" 15\n _The first morning in May_.\n\n \"But will ye go to yon greenwood side,\"\n _Aye as the gowans grow gay_?\n \"If ye canna' gang, I will cause you to ride,\"\n _The first morning in May_. 20\n\n He leapt on a horse, and she on another,\n _Aye as the gowans grow gay_;\n And they rode on to the greenwood together,\n _The first morning in May_.\n\n \"Light down, light down, lady Isabel,\" said he, 25\n _Aye as the gowans grow gay_;\n \"We are come to the place where ye are to die,\"\n _The first morning in May_.\n\n \"Ha'e mercy, ha'e mercy, kind sir, on me,\"\n _Aye as the gowans grow gay_; 30\n \"Till ance my dear father and mother I see,\"\n _The first morning in May_.\n\n \"Seven king's-daughters here hae I slain,\"\n _Aye as the gowans grow gay_;\n \"And ye shall be the eight o' them,\" 35\n _The first morning in May_.\n\n \"O sit down a while, lay your head on my knee,\"\n _Aye as the gowans grow gay_;\n \"That we may hae some rest before that I die,\"\n _The first morning in May_. 40\n\n She stroak'd him sae fast, the nearer he did creep,\n _Aye as the gowans grow gay_;\n Wi' a sma' charm she lull'd him fast asleep,\n _The first morning in May_.\n\n \"Wi' his ain sword belt sae fast as she ban' him, 45\n _Aye as the gowans grow gay_;\n With his ain dag-durk sae sair as she dang him,\n _The first morning in May_.\n\n \"If seven kings' daughters here ye ha'e slain,\"\n _Aye as the gowans grow gay_, 50\n \"Lye ye here, a husband to them a',\"\n _The first morning in May_.\n\n\n\n\nTHE WATER O' WEARIE'S WELL.\n\nFrom Buchan's _Ballads of the North of Scotland_, ii. 201. Repeated\nin Scottish _Traditional Versions of Ancient Ballads_, Percy Society,\nxvii. 63.\n\n\nThe three ballads which follow, diverse as they may now appear, after\nundergoing successive corruptions, were primarily of the same type. In\nthe first (which may be a compound of two ballads, like the preceding,\nthe conclusion being taken from a story of the character of _May\nColvin_ in the next volume) the Merman or Nix may be easily\nrecognized: in the second he is metamorphosed into the Devil; and in\nthe third, into a ghost. Full details upon the corresponding\nScandinavian, German, and Slavic legends, are given by Grundtvig, in\nthe preface to _Noekkens Svig, Danmarks G. Folkeviser_, ii. 57:\ntranslated by Jamieson, i. 210, and by Monk Lewis, _Tales of Wonder_,\nNo. 11.\n\n\n There came a bird out o' a bush,\n On water for to dine;\n And sighing sair, says the king's daughter,\n \"O waes this heart o' mine!\"\n\n He's taen a harp into his hand, 5\n He's harped them all asleep;\n Except it was the king's daughter,\n Who ae wink cou'dna get.\n\n He's luppen on his berry-brown steed,\n Taen her on behind himsell; 10\n Then baith rade down to that water,\n That they ca' Wearie's well.\n\n \"Wide in, wide in, my lady fair,\n Nae harm shall thee befall;\n Aft times hae I water'd my steed, 15\n Wi' the water o' Wearie's well.\"\n\n The first step that she stepped in,\n She stepped to the knee;\n And sighing sair, says this lady fair,\n \"This water's nae for me.\" 20\n\n \"Wide in, wide in, my lady fair,\n Nae harm shall thee befall;\n Aft times hae I water'd my steed,\n Wi' the water o' Wearie's well.\"\n\n The next step that she stepped in, 25\n She stepped to the middle;\n And sighing, says, this lady fair,\n \"I've wat my gowden girdle.\"\n\n \"Wide in, wide in, my lady fair,\n Nae harm shall thee befall; 30\n Aft times hae I water'd my steed,\n Wi' the water o' Wearie's well.\"\n\n The niest step that she stepped in,\n She stepped to the chin;\n And sighing, says, this lady fair, 35\n \"They shou'd gar twa loves twine.\"\n\n \"Seven king's-daughters I've drown'd there,\n In the water o' Wearie's well;\n And I'll make you the eight o' them,\n And ring the common bell.\" 40\n\n \"Sin' I am standing here,\" she says,\n \"This dowie death to die;\n Ae kiss o' your comely mouth\n I'm sure wou'd comfort me.\"\n\n He louted him ower his saddle bow, 45\n To kiss her cheek and chin;\n She's taen him in her arms twa,\n And thrown him headlang in.\n\n \"Sin' seven king's daughters ye've drown'd there,\n In the water o' Wearie's well, 50\n I'll make you bridegroom to them a',\n An' ring the bell mysell.\"\n\n And aye she warsled, and aye she swam,\n Till she swam to dry land;\n Then thanked God most cheerfully, 55\n The dangers she'd ower came.\n\n\n\n\nTHE DAEMON LOVER.\n\n\nThis ballad was communicated to Sir Walter Scott, (_Minstrelsy_, iii.\n195,) by Mr. William Laidlaw, who took it down from recitation. A\nfragment of the same legend, recovered by Motherwell, is given in the\nAppendix to this volume, and another version, in which the hero is not\na daemon, but the ghost of an injured lover, is placed directly after\nthe present.\n\nThe Devil (Auld _Nick_) here takes the place of the Merman (Nix) of\nthe ancient ballad. See p. 198, and the same natural substitution\nnoted in _K.u.H._--_Maerchen_, 3d ed. iii. 253.\n\n\n \"O where have you been, my long, long love,\n This long seven years and more?\"--\n \"O I'm come to seek my former vows\n Ye granted me before.\"--\n\n \"O hold your tongue of your former vows, 5\n For they will breed sad strife;\n O hold your tongue of your former vows,\n For I am become a wife.\"\n\n He turn'd him right and round about,\n And the tear blinded his ee; 10\n \"I wad never hae trodden on Irish ground,\n If it had not been for thee.\n\n \"I might hae had a king's daughter,\n Far, far beyond the sea;\n I might have had a king's daughter, 15\n Had it not been for love o' thee.\"--\n\n \"If ye might have had a king's daughter,\n Yer sell ye had to blame;\n Ye might have taken the king's daughter,\n For ye kend that I was nane.\"-- 20\n\n \"O faulse are the vows of womankind,\n But fair is their faulse bodie;\n I never wad hae trodden on Irish ground,\n Had it not been for love o' thee.\"--\n\n \"If I was to leave my husband dear, 25\n And my two babes also,\n O what have you to take me to,\n If with you I should go?\"--\n\n \"I hae seven ships upon the sea,\n The eighth brought me to land; 30\n With four-and-twenty bold mariners,\n And music on every hand.\"\n\n She has taken up her two little babes,\n Kiss'd them baith cheek and chin;\n \"O fair ye weel, my ain two babes, 35\n For I'll never see you again.\"\n\n She set her foot upon the ship,\n No mariners could she behold;\n But the sails were o' the taffetie,\n And the masts o' the beaten gold. 40\n\n She had not sail'd a league, a league,\n A league but barely three,\n When dismal grew his countenance,\n And drumlie grew his ee.\n\n The masts that were like the beaten gold, 45\n Bent not on the heaving seas;\n But the sails, that were o' the taffetie,\n Fill'd not in the east land breeze.--\n\n They had not sailed a league, a league,\n A league but barely three, 50\n Until she espied his cloven foot,\n And she wept right bitterlie.\n\n \"O hold your tongue of your weeping,\" says he,\n \"Of your weeping now let me be;\n I will show you how the lilies grow 55\n On the banks of Italy.\"--\n\n \"O what hills are yon, yon pleasant hills,\n That the sun shines sweetly on?\"--\n \"O yon are the hills of heaven,\" he said,\n \"Where you will never win.\"-- 60\n\n \"O whaten a mountain is yon,\" she said,\n \"All so dreary wi' frost and snow?\"--\n \"O yon is the mountain of hell,\" he cried,\n \"Where you and I will go.\"\n\n And aye when she turn'd her round about, 65\n Aye taller he seem'd for to be;\n Until that the tops o' that gallant ship\n Nae taller were than he.\n\n The clouds grew dark, and the wind grew loud,\n And the levin fill'd her ee; 70\n And waesome wail'd the snaw-white sprites\n Upon the gurlie sea.\n\n He strack the tap-mast wi' his hand,\n The fore-mast wi' his knee;\n And he brake that gallant ship in twain, 75\n And sank her in the sea.\n\n\n\n\nJAMES HERRIES.\n\nFrom Buchan's _Ballads of the North of Scotland_, (i. 214.)\n\n(See the preface to the last ballad but one.)\n\n\n \"O are ye my father, or are ye my mother?\n Or are ye my brother John?\n Or are ye James Herries, my first true love,\n Come back to Scotland again?\"\n\n \"I am not your father, I am not your mother, 5\n Nor am I your brother John;\n But I'm James Herries, your first true love,\n Come back to Scotland again.\"\n\n \"Awa', awa', ye former lovers,\n Had far awa' frae me; 10\n For now I am another man's wife,\n Ye'll ne'er see joy o' me.\"\n\n \"Had I kent that ere I came here,\n I ne'er had come to thee;\n For I might hae married the king's daughter, 15\n Sae fain she wou'd had me.\n\n \"I despised the crown o' gold,\n The yellow silk also;\n And I am come to my true love,\n But with me she'll not go.\" 20\n\n \"My husband he is a carpenter,\n Makes his bread on dry land,\n And I hae born him a young son,--\n Wi' you I will not gang.\"\n\n \"You must forsake your dear husband, 25\n Your little young son also,\n Wi' me to sail the raging seas,\n Where the stormy winds do blow.\"\n\n \"O what hae you to keep me wi',\n If I should with you go? 30\n If I'd forsake my dear husband,\n My little young son also?\"\n\n \"See ye not yon seven pretty ships,\n The eighth brought me to land;\n With merchandize and mariners, 35\n And wealth in every hand?\"\n\n She turn'd her round upon the shore,\n Her love's ships to behold;\n Their topmasts and their mainyards\n Were cover'd o'er wi' gold. 40\n\n Then she's gane to her little young son,\n And kiss'd him cheek and chin;\n Sae has she to her sleeping husband,\n And dune the same to him.\n\n \"O sleep ye, wake ye, my husband, 45\n I wish ye wake in time;\n I woudna for ten thousand pounds,\n This night ye knew my mind.\"\n\n She's drawn the slippers on her feet,\n Were cover'd o'er wi' gold; 50\n Well lined within wi' velvet fine,\n To had her frae the cold.\n\n She hadna sailed upon the sea\n A league but barely three,\n Till she minded on her dear husband, 55\n Her little young son tee.\n\n \"O gin I were at land again,\n At land where I wou'd be,\n The woman ne'er shou'd bear the son,\n Shou'd gar me sail the sea.\" 60\n\n \"O hold your tongue, my sprightly flower,\n Let a' your mourning be;\n I'll show you how the lilies grow\n On the banks o' Italy.\"\n\n She hadna sailed on the sea 65\n A day but barely ane,\n Till the thoughts o' grief came in her mind,\n And she lang'd for to be hame.\n\n \"O gentle death, come cut my breath,\n I may be dead ere morn; 70\n I may be buried in Scottish ground,\n Where I was bred and born.\"\n\n \"O hold your tongue, my lily leesome thing,\n Let a' your mourning be;\n But for a while we'll stay at Rose Isle, 75\n Then see a far countrie.\n\n \"Ye'se ne'er be buried in Scottish ground,\n Nor land ye's nae mair see;\n I brought you away to punish you,\n For the breaking your vows to me. 80\n\n \"I said ye shou'd see the lilies grow\n On the banks o' Italy;\n But I'll let you see the fishes swim,\n In the bottom o' the sea.\"\n\n He reached his band to the topmast, 85\n Made a' the sails gae down;\n And in the twinkling o' an e'e,\n Baith ship and crew did drown.\n\n The fatal flight o' this wretched maid\n Did reach her ain countrie; 90\n Her husband then distracted ran,\n And this lament made he:--\n\n \"O wae be to the ship, the ship,\n And wae be to the sea,\n And wae be to the mariners, 95\n Took Jeanie Douglas frae me!\n\n \"O bonny, bonny was my love,\n A pleasure to behold;\n The very hair o' my love's head\n Was like the threads o' gold. 100\n\n \"O bonny was her cheek, her cheek,\n And bonny was her chin;\n And bonny was the bride she was,\n The day she was made mine!\"\n\n * * * * *\n\n*** The following stanzas from a version of this ballad printed at\nPhiladelphia (and called _The House Carpenter_) are given in Graham's\n_Illustrated Magazine_, Sept. 1858.\n\n \"I might have married the king's daughter dear;\"\n \"You might have married her,\" cried she,\n \"For I am married to a House Carpenter,\n And a fine young man is he.\"\n\n \"Oh dry up your tears, my own true love,\n And cease your weeping,\" cried he;\n \"For soon you'll see your own happy home,\n On the banks of old Tennessee.\"\n\n\n\n\nTHE KNIGHT'S GHOST.\n\nFrom _Buchan's ballads of the North of Scotland_, (i. 227.)\n\n\n \"There is a fashion in this land,\n And even come to this country,\n That every lady should meet her lord,\n When he is newly come frae sea:\n\n \"Some wi' hawks, and some wi' hounds, 5\n And other some wi' gay monie;\n But I will gae myself alone,\n And set his young son on his knee.\"\n\n She's ta'en her young son in her arms,\n And nimbly walk'd by yon sea strand; 10\n And there she spy'd her father's ship,\n As she was sailing to dry land.\n\n \"Where hae ye put my ain gude lord,\n This day he stays sae far frae me?\"\n \"If ye be wanting your ain gude lord, 15\n A sight o' him ye'll never see.\"\n\n \"Was he brunt, or was he shot?\n Or was he drowned in the sea?\n Or what's become o' my ain gude lord,\n That he will ne'er appear to me?\" 20\n\n \"He wasna brunt, nor was he shot,\n Nor was he drowned in the sea;\n He was slain in Dumfermling,\n A fatal day to you and me.\"\n\n \"Come in, come in, my merry young men, 25\n Come in and drink the wine wi' me;\n And a' the better ye shall fare,\n For this gude news ye tell to me.\"\n\n She's brought them down to yon cellar,\n She brought them fifty steps and three; 30\n She birled wi' them the beer and wine,\n Till they were as drunk as drunk could be.\n\n Then she has lock'd her cellar door,\n For there were fifty steps and three;\n \"Lie there wi' my sad malison, 35\n For this bad news ye've tauld to me.\"\n\n She's ta'en the keys intill her hand,\n And threw them deep, deep in the sea;\n \"Lie there wi' my sad malison,\n Till my gude lord return to me.\" 40\n\n Then she sat down in her own room,\n And sorrow lull'd her fast asleep;\n And up it starts her own gude lord,\n And even at that lady's feet.\n\n \"Take here the keys, Janet,\" he says, 45\n \"That ye threw deep, deep in the sea;\n And ye'll relieve my merry young men,\n For they've nane o' the swick o' me.\n\n \"They shot the shot, and drew the stroke,\n And wad in red bluid to the knee; 50\n Nae sailors mair for their lord coud do,\n Nor my young men they did for me.\"\n\n \"I hae a question at you to ask,\n Before that ye depart frae me;\n You'll tell to me what day I'll die, 55\n And what day will my burial be?\"\n\n \"I hae nae mair o' God's power\n Than he has granted unto me;\n But come to heaven when ye will,\n There porter to you I will be. 60\n\n \"But ye'll be wed to a finer knight\n Than ever was in my degree;\n Unto him ye'll hae children nine,\n And six o' them will be ladies free.\n\n \"The other three will be bold young men, 65\n To fight for king and countrie;\n The ane a duke, the second a knight,\n And third a laird o' lands sae free.\"\n\n\n\n\nTHE WIFE OF USHER'S WELL.\n\n_Minstrelsy of the Scottish Border_, iii. 258.\n\n\nThat the repose of the dead is disturbed by the immoderate grief of\nthose they have left behind them, is a belief which finds frequent\nexpression in popular ballads. Obstinate sorrow rouses them from their\ngrateful slumber; every tear that is shed for them wets their shroud;\nthey can get no rest, and are compelled to revisit the world they\nwould fain forget, to rebuke and forbid the mourning that destroys\ntheir peace.\n\n \"Ice-cold and bloody, a lead-weight of sorrow, falls on my\n breast each tear that you shed,\"\n\nsays the ghost of Helgi in the _Edda_ to his lamenting wife (_Helgak.\nHundingsb._ II.) The same idea is found in the German ballad, _Der\nVorwirth_, Erk's _Liederhort_, No. 46, 46 a, and in various tales, as\n_Das Todtenhemdchen_, (_K.u.H. Maerchen_, No. 109, and note), etc. In\nlike manner Sir Aage, in a well-known Danish ballad (Grundtvig, No.\n90), and the corresponding _Sorgens Magt, Svenska F.V._, No. 6.\n\n \"Every time thou weepest for me,\n Thy heart makest sad,\n Then all within, my coffin stands full\n Of clotted blood.\"\n\nRarely is the silence of the grave broken for purposes of consolation.\nYet some cases there are, as in a Lithuanian ballad cited by\nWackernagel, _Altd. Blaetter_, i. 176, and a Spanish ballad noticed by\nTalvj, _Versuch_, p. 141. The present ballad seems to belong to the\nlatter class rather than the former, but it is so imperfect that its\ntrue character cannot be determined.\n\nChambers maintains, we think erroneously, that this ballad is a\nfragment of _The Clerk's Twa Sons o' Owsenford_. See the second volume\nof this collection, page 63.\n\n\n There lived a wife at Usher's Well,\n And a wealthy wife was she,\n She had three stout and stalwart sons,\n And sent them o'er the sea.\n\n They hadna been a week from her, 5\n A week but barely ane,\n When word came to the carline wife,\n That her three sons were gane.\n\n They hadna been a week from her,\n A week but barely three, 10\n When word came to the carline wife,\n That her sons she'd never see.\n\n \"I wish the wind may never cease,\n Nor fishes[L14] in the flood,\n Till my three sons come hame to me, 15\n In earthly flesh and blood.\"--\n\n It fell about the Martinmas,\n When nights are lang and mirk,\n The carline wife's three sons came hame,\n And their hats were o' the birk. 20\n\n It neither grew in syke nor ditch,\n Nor yet in ony sheugh;\n But at the gates o' Paradise,\n That birk grew fair eneugh.\n\n * * * * *\n\n \"Blow up the fire, my maidens! 25\n Bring water from the well!\n For a' my house shall feast this night,\n Since my three sons are well.\"--\n\n And she has made to them a bed,\n She's made it large and wide; 30\n And she's ta'en her mantle her about,\n Sat down at the bed-side.\n\n * * * * *\n\n Up then crew the red red cock, 35\n And up and crew the gray;\n The eldest to the youngest said,\n \"'Tis time we were away.\"--\n\n The cock he hadna craw'd but once,\n And clapp'd his wings at a', 40\n Whan the youngest to the eldest said,\n \"Brother, we must awa.--\n\n \"The cock doth craw, the day doth daw,\n The channerin' worm doth chide;\n Gin we be mist out o' our place, 45\n A sair pain we maun bide.\n\n \"Fare ye weel, my mother dear!\n Fareweel to barn and byre!\n And fare ye weel, the bonny lass,\n That kindles my mother's fire.\" 50\n\n\n14. Should we not read, for _fishes_ here, _fashes_-- i. e.\ntroubles?--LOCKHART.\n\n\n\n\nTHE SUFFOLK MIRACLE:\n\n_Or, a relation of a young man, who, a month after his death, appeared\nto his sweetheart, and carried her on horseback behind him for forty\nmiles in two hours, and was never seen after but in his grave._\n\n\nFrom _A Collection of Old Ballads_, i. 266. In Moore's _Pictorial Book\nof Ancient Ballad Poetry_ (p. 463) is a copy from a broadside in the\nRoxburghe collection.\n\n_The Suffolk Miracle_ has an external resemblance to several noble\nballads, but the likeness does not extend below the surface. It is\npossible that we have here the residuum of an old poem, from which all\nthe beauty and spirit have been exhaled in the course of tradition;\nbut as the ballad now exists, it is a vulgar ghost-story, without any\nmotive. Regarding the external form alone, we may place by its side\nthe Breton ballad, _Le Frere de Lait_, in Villemarque's _Chants\nPopulaires de la Bretagne_, vol. i. No. 22 (translated by Miss\nCostello, _Quart. Review_, vol. 68, p. 75), the Romaic ballad of\n_Constantine and Arete_, in Fauriel's _Chants Populaires de la Grece\nModerne_, p. 406 (see Appendix), and the Servian ballad (related to\nthe Romaic, and perhaps derived from it), _Jelitza and her Brothers_,\nTalvj, _Volkslieder der Serben_, i. 160, all of them among the most\nbeautiful specimens in this kind of literature; and also Buerger's\n_Lenore_. It has been once or twice most absurdly suggested that\n_Lenore_ owed its existence to this _Suffolk Miracle_. The difference,\nindeed, is not greater than between a \"Chronicle History\" and\n_Macbeth_; it is however certain that Buerger's ballad is all his own,\nexcept the hint of the ghostly horseman and one or two phrases, which\nhe took from the description of a Low German ballad. The editors of\nthe _Wunderhorn_ claim to give this ballad, vol. ii. p. 19. An\nequivalent prose tradition is well known in Germany. Most of the\nballads relating to the return of departed spirits are brought\ntogether in an excellent article by Wackernagel in the _Altdeutsche\nBlaetter_, i. 174.\n\n\n A wonder stranger ne'er was known\n Than what I now shall treat upon.\n In Suffolk there did lately dwell\n A farmer rich and known full well.\n\n He had a daughter fair and bright, 5\n On whom he placed his chief delight;\n Her beauty was beyond compare,\n She was both virtuous and fair.\n\n There was a young man living by,\n Who was so charmed with her eye, 10\n That he could never be at rest;\n He was by love so much possest.\n\n He made address to her, and she\n Did grant him love immediately;\n But when her father came to hear, 15\n He parted her and her poor dear.\n\n Forty miles distant was she sent,\n Unto his brother's, with intent\n That she should there so long remain,\n Till she had changed her mind again. 20\n\n Hereat this young man sadly grieved,\n But knew not how to be relieved;\n He sighed and sobbed continually\n That his true love he could not see.\n\n She by no means could to him send, 25\n Who was her heart's espoused friend;\n He sighed, he grieved, but all in vain,\n For she confined must still remain.\n\n He mourned so much, that doctor's art\n Could give no ease unto his heart, 30\n Who was so strangely terrified,\n That in short time for love he died.\n\n She that from him was sent away\n Knew nothing of his dying day,\n But constant still she did remain, 35\n And loved the dead, although in vain.\n\n After he had in grave been laid\n A month or more, unto this maid\n He came in middle of the night,\n Who joyed to see her heart's delight. 40\n\n Her father's horse, which well she knew,\n Her mother's hood and safe-guard too,\n He brought with him to testify\n Her parents order he came by.\n\n Which when her uncle understood, 45\n He hoped it would be for her good,\n And gave consent to her straightway,\n That with him she should come away.\n\n When she was got her love behind,\n They passed as swift as any wind, 50\n That in two hours, or little more,\n He brought her to her father's door.\n\n But as they did this great haste make,\n He did complain his head did ake;\n Her handkerchief she then took out, 55\n And tied the same his head about.\n\n And unto him she thus did say:\n \"Thou art as cold as any clay;\n When we come home a fire we'll have;\"\n But little dreamed he went to grave. 60\n\n Soon were they at her father's door,\n And after she ne'er saw him more;\n \"I'll set the horse up,\" then he said,\n And there he left this harmless maid.\n\n She knocked, and straight a man he cried, 65\n \"Who's there?\" \"'Tis I,\" she then replied;\n Who wondred much her voice to hear,\n And was possessed with dread and fear.\n\n Her father he did tell, and then\n He stared like an affrighted man: 70\n Down stairs he ran, and when he see her,\n Cried out, \"My child, how cam'st thou here?\"\n\n \"Pray, sir, did you not send for me,\n By such a messenger?\" said she:\n Which made his hair stare on his head, 75\n As knowing well that he was dead.\n\n \"Where is he?\" then to her he said;\n \"He's in the stable,\" quoth the maid.\n \"Go in,\" said he, \"and go to bed;\n I'll see the horse well littered.\" 80\n\n He stared about, and there could he\n No shape of any mankind see,\n But found his horse all on a sweat;\n Which made him in a deadly fret.\n\n His daughter he said nothing to, 85\n Nor none else, (though full well they knew\n That he was dead a month before,)\n For fear of grieving her full sore.\n\n Her father to the father went\n Of the deceased, with full intent 90\n To tell him what his daughter said;\n So both came back unto this maid.\n\n They ask'd her, and she still did say\n 'Twas he that then brought her away;\n Which when they heard they were amazed, 95\n And on each other strangely gazed.\n\n A handkerchief she said she tied\n About his head, and that they tried;\n The sexton they did speak unto,\n That he the grave would then undo. 100\n\n Affrighted then they did behold\n His body turning into mould,\n And though he had a month been dead,\n This handkerchief was about his head.\n\n This thing unto her then they told, 105\n And the whole truth they did unfold;\n She was thereat so terrified\n And grieved, that she quickly died.\n\n Part not true love, you rich men, then;\n But, if they be right honest men 110\n Your daughters love, give them their way,\n For force oft breeds their lives decay.\n\n\n\n\nSIR ROLAND.\n\nFrom Motherwell's _Minstrelsy_, p. 124.\n\n\nThis fragment, Motherwell tells us, was communicated to him by an\ningenious friend, who remembered having heard it sung in his youth. He\ndoes not vouch for its antiquity, and we have little or no hesitation\nin pronouncing it a modern composition.\n\n\n Whan he cam to his ain luve's bouir,\n He tirled at the pin,\n And sae ready was his fair fause luve\n To rise and let him in.\n\n \"O welcome, welcome, Sir Roland,\" she says, 5\n \"Thrice welcome thou art to me;\n For this night thou wilt feast in my secret bouir,\n And to-morrow we'll wedded be.\"\n\n \"This night is hallow-eve,\" he said,\n \"And to-morrow is hallow-day; 10\n And I dreamed a drearie dream yestreen,\n That has made my heart fu' wae.\n\n \"I dreamed a drearie dream yestreen,\n And I wish it may cum to gude:\n I dreamed that ye slew my best grew hound, 15\n And gied me his lappered blude.\"\n\n * * * * *\n\n \"Unbuckle your belt, Sir Roland,\" she said,\n \"And set you safely down.\"\n \"O your chamber is very dark, fair maid,\n And the night is wondrous lown.\" 20\n\n \"Yes, dark, dark is my secret bowir,\n And lown the midnight may be;\n For there is none waking in a' this tower,\n But thou, my true love, and me.\"\n\n * * * * *\n\n She has mounted on her true love's steed, 25\n By the ae light o' the moon;\n She has whipped him and spurred him,\n And roundly she rade frae the toun.\n\n She hadna ridden a mile o' gate,\n Never a mile but ane, 30\n Whan she was aware of a tall young man,\n Slow riding o'er the plain.\n\n She turned her to the right about,\n Then to the left turn'd she;\n But aye, 'tween her and the wan moonlight, 35\n That tall knight did she see.\n\n And he was riding burd alane,\n On a horse as black as jet;\n But tho' she followed him fast and fell,\n No nearer could she get. 40\n\n \"O stop! O stop! young man,\" she said,\n \"For I in dule am dight;\n O stop, and win a fair lady's luve,\n If you be a leal true knight.\"\n\n But nothing did the tall knight say, 45\n And nothing did he blin;\n Still slowly rode he on before,\n And fast she rade behind.\n\n She whipped her steed, she spurred her steed,\n Till his breast was all a foam; 50\n But nearer unto that tall young knight,\n By Our Ladye, she could not come.\n\n \"O if you be a gay young knight,\n As well I trow you be,\n Pull tight your bridle reins, and stay 55\n Till I come up to thee.\"\n\n But nothing did that tall knight say,\n And no whit did he blin,\n Until he reached a broad river's side,\n And there he drew his rein. 60\n\n \"O is this water deep,\" he said,\n \"As it is wondrous dun?\n Or it is sic as a saikless maid\n And a leal true knight may swim?\"\n\n \"The water it is deep,\" she said, 65\n \"As it is wondrous dun;\n But it is sic as a saikless maid\n And a leal true knight may swim.\"\n\n The knight spurred on his tall black steed,\n The lady spurred on her brown; 70\n And fast they rade unto the flood,\n And fast they baith swam down.\n\n \"The water weets my tae,\" she said,\n \"The water weets my knee;\n And hold up my bridle reins, sir knight, 75\n For the sake of Our Ladye.\"\n\n \"If I would help thee now,\" he said,\n \"It were a deadly sin;\n For I've sworn neir to trust a fair may's word,\n Till the water weets her chin.\" 80\n\n \"O the water weets my waist,\" she said,\n \"Sae does it weet my skin;\n And my aching heart rins round about,\n The burn maks sic a din.\n\n \"The water is waxing deeper still, 85\n Sae does it wax mair wide;\n And aye the farther that we ride on,\n Farther off is the other side.\n\n \"O help me now, thou false, false knight,\n Have pity on my youth; 90\n For now the water jawes owre my head,\n And it gurgles in my mouth.\"\n\n The knight turned right and round about,\n All in the middle stream,\n And he stretched out his head to that lady, 95\n But loudly she did scream.\n\n \"O this is hallow-morn,\" he said,\n \"And it is your bridal day;\n But sad would be that gay wedding,\n If bridegroom and bride were away. 100\n\n \"And ride on, ride on, proud Margaret!\n Till the water comes o'er your bree;\n For the bride maun ride deep, and deeper yet,\n Wha rides this ford wi' me.\n\n \"Turn round, turn round, proud Margaret! 105\n Turn ye round, and look on me;\n Thou hast killed a true knight under trust,\n And his ghost now links on with thee.\"\n\n\n\n\nAPPENDIX.\n\n\n\n\nFRAGMENT OF THE BALLAD OF KING ARTHUR AND THE KING OF CORNWALL.\n\nPrinted from the celebrated Percy MS. in Madden's _Syr Gawayne_, p. 275.\nThe editor has added the following note.\n\n\n\"It has no title, and the first line has been cut away by the ignorant\nbinder to whom the volume was intrusted, but both are supplied from\nthe notice given of the ballad in the Dissertation prefixed to vol.\niii. of the _Reliques_, p. xxxvii. Dr. Percy has added in the margin\nof the MS. these words: \"To the best of my remembrance, this was the\nfirst line, before the binder cut it.\" The poem is very imperfect,\nowing to the leaves having been half torn away to light fires (!) as\nthe Bishop tells us, but I am bound to add, previous to its coming\ninto his possession. The story is so singular, that it is to be hoped\nan earlier and complete copy of it may yet be recovered. On no account\nperhaps is it more remarkable, than the fact of its close imitation of\nthe famous _gabs_ made by Charlemagne and his companions at the court\nof King Hugon, which are first met with in a romance of the twelfth\ncentury, published by M. Michel from a MS. in the British Museum,\n12mo., London, 1836, and transferred at a later period to the prose\nromance of _Galien Rethore_, printed by Verard, fol., 1500, and often\nafterwards. In the absence of other evidence, it is to be presumed\nthat the author of the ballad borrowed from the printed work,\nsubstituting Arthur for Charlemagne, Gawayne for Oliver, Tristram for\nRoland, etc., and embellishing his story by converting King Hugon's\nspy into a \"lodly feend,\" by whose agency the _gabs_ are accomplished.\nIt is further worthy of notice, that the writer seems to regard Arthur\nas the sovereign of Little Britain, and alludes to an intrigue between\nthe King of Cornwall and Queen Guenever, which is nowhere, as far as I\nrecollect, hinted at in the romances of the Round Table.\"\n\n\n \"Come here my cozen, Gawain, so gay;\n My sisters sonne be yee;\n For you shall see one of the fairest Round Tables,\n That ever you see with your eye.\"\n\n Then bespake [the] Lady Queen Guenever, 5\n And these were the words said shee:\n \"I know where a Round Table is, thou noble king,\n Is worth thy Round Table and other such three.\n\n \"The trestle that stands under this Round Table,\" she said,\n \"Lowe downe to the mould, 10\n It is worth thy Round Table, thou worthy king,\n Thy halls, and all thy gold.\n\n \"The place where this Round Table stands in,\n It is worth thy castle, thy gold, thy fee;\n And all good Litle Britaine,\"-- 15\n \"Where may that table be, lady?\" quoth hee,\n\n \"Or where may all that goodly building be?\"\n \"You shall it seeke,\" shee sayd, \"till you it find,\n For you shall never gett more of me.\"\n\n Then bespake him noble King Arthur, 20\n These were the words said hee;\n \"Ile make mine avow to God,\n And alsoe to the Trinity,\n\n \"Ile never sleepe one night, there as I doe another,\n Till that Round Table I see; 25\n Sir Marramiles and Sir Tristeram,\n Fellowes that ye shall bee.\n\n \"Weele be clad in palmers weede,\n Five palmers we will bee;\n There is noe outlandish man will us abide, 30\n Nor will us come nye.\"\n Then they rived east and they rived west,[L32]\n In many a strange country.\n\n Then they travelled[L34] a litle further,\n They saw a battle new sett; 35\n \"Now, by my faith,\" saies noble King Arthur,\n\n [_Half a page is here torn away._]\n\n But when he came that castle to,\n And to the palace gate,\n Soe ready was ther a proud porter,\n And met him soone therat. 40\n\n Shooes of gold the porter had on,\n And all his other rayment was unto the same;\n \"Now, by my faith,\" saies noble King Arthur,\n \"Yonder is a minion swaine.\"\n\n Then bespake noble King Arthur, 45\n These were the words says hee:\n \"Come hither, thou proud porter,\n I pray thee come hither to me.\n\n \"I have two poor rings of my finger,\n The better[L50] of them Ile give to thee; 50\n [To] tell who may be lord of this castle,\" he saies,\n \"Or who is lord in this cuntry?\"\n\n \"Cornewall King,\" the porter sayes,\n \"There is none soe rich as hee;\n Neither in Christendome, nor yet in heathennest, 55\n None hath soe much gold as he.\"\n\n And then bespake him noble King Arthur,\n These were the words sayes hee:\n \"I have two poore rings of my finger,\n The better of them Ile give thee, 60\n If thou wilt greete him well, Cornewall King,\n And greete him well from me.\n\n \"Pray him for one nights lodging, and two meales meate,\n For his love that dyed uppon a tree;\n A bue[L65] ghesting, and two meales meate, 65\n For his love that dyed uppon a tree.\n\n \"A bue[L67] ghesting, and two meales meate,\n For his love that was of virgin borne,\n And in the morning that we may scape away,\n Either without scath or scorne.\" 70\n\n Then forth is gone[L71] this proud porter,\n As fast as he cold hye;\n And when he came befor Cornewall King,\n He kneeled downe on his knee.\n\n Sayes, \"I have beene porter, man, at thy gate, 75\n\n [_Half a page is wanting._]\n\n ... our Lady was borne,\n Then thought Cornewall King these palmers had beene in Britt.\n\n Then bespake him Cornewall King,\n These were the words he said there:\n \"Did you ever know a comely King, 80\n His name was King Arthur?\"\n\n And then bespake him noble King Arthur,\n These were the words said hee:\n \"I doe not know that comly King,\n But once my selfe I did him see.\" 85\n Then bespake Cornwall King againe,\n These were the words said he.\n\n Sayes, \"Seven yeere I was clad and fed,\n In Litle Brittaine, in a bower;\n I had a daughter by King Arthurs wife, 90\n It now is called my flower;\n For King Arthur, that kindly cockward,\n Hath none such in his bower.\n\n \"For I durst sweare, and save my othe,\n That same lady soe bright, 95\n That a man that were laid on his death-bed\n Wold open his eyes on her to have sight.\"\n \"Now, by my faith,\" sayes noble King Arthur,\n \"And thats a full faire wight!\"\n\n And then bespoke Cornewall [King] againe, 100\n And these were the words he said:[L101]\n \"Come hither, five or three of my knights,\n And feitch me downe my steed;\n King Arthur, that foule cockeward,\n Hath none such, if he had need. 105\n\n \"For I can ryde him as far on a day,\n As King Arthur can doe any of his on three.\n And is it not a pleasure for a King,\n When he shall ryde forth on his journey?\n\n \"For the eyes that beene in his head, 110\n They[L111] glister as doth the gleed;\"--\n \"Now, by my faith,\" says noble King Arthur,\n\n [_Half a page is wanting._]\n\n No body....\n But one thats learned to speake.\n\n Then King Arthur to his bed was brought, 115\n A greeived man was hee;\n And soe were all his fellowes with him,\n From him they[L118] thought never to flee.\n\n Then take they did that lodly boome,[L119]\n And under thrubchandler[L120] closed was hee; 120\n And he was set by King Arthurs bed-side,\n To heere theire talke, and theire com'nye;\n\n That he might come forth, and make proclamation,\n Long before it was day;\n It was more for King Cornwalls pleasure, 125\n Then it was for King Arthurs pay.\n\n And when King Arthur on his bed was laid,\n These were the words said hee:\n \"Ile make mine avow to God,\n And alsoe to the Trinity, 130\n That Ile be the bane of Cornwall Kinge\n Litle Brittaine or ever I see!\"\n\n \"It is an unadvised vow,\" saies Gawaine the gay,\n \"As ever king hard make I;\n But wee that beene five christian men, 135\n Of the christen faith are wee;\n And we shall fight against anoynted King,\n And all his armorie.\"\n\n And then he spake him noble Arthur,\n And these were the words said he: 140\n \"Why, if thou be afraid, Sir Gawaine the gay,\n Goe home, and drinke wine in thine owne country.\"\n\n\n32, the rived west.\n\n34, tranckled.\n\n50, They better.\n\n65, bue, _sic_.\n\n67, bue, _sic_; of two.\n\n71, his gone.\n\n101, said he.\n\n111, The.\n\n118, the.\n\n119, goome?\n\n120, thrubchadler.\n\n\nTHE THIRD PARTE.\n\n And then bespake Sir Gawaine the gay,\n And these were the words said hee:\n \"Nay, seeing you have made such a hearty vow, 145\n Here another vow make will I.\n\n \"Ile make mine avow to God,\n And alsoe to the Trinity,\n That I will have yonder faire lady\n To Litle Brittaine with mee. 150\n\n \"Ile hose her hourly to my hart,[L151]\n And with her Ile worke my will;\n\n [_Half a page is wanting._]\n\n These were the words sayd hee:\n \"Befor I wold wrestle with yonder feend,\n It is better be drowned in the sea.\" 155\n\n And then bespake Sir Bredbeddle,\n And these were the words said he:\n \"Why, I will wrestle with yon lodly feend,\n God! my governor thou shalt bee.\"\n\n Then bespake him noble Arthur, 160\n And these were the[L161] words said he:\n \"What weapons wilt thou have, thou gentle knight?\n I pray thee tell to me.\"\n\n He sayes, \"Collen brand Ile have in my hand,\n And a Millaine knife fast be my knee; 165\n And a Danish axe fast in my hands,\n That a sure weapon I thinke wilbe.\"\n\n Then with his Collen brand, that he had in his hand,\n The bunge of the trubchandler he burst in three.\n What that start out a lodly feend, 170\n With seven heads, and one body.\n\n The fyer towards the element flew,\n Out of his mouth, where was great plentie;\n The knight stoode in the middle, and fought,\n That it was great joy to see. 175\n\n Till his Collaine brand brake in his hand,\n And his Millaine knife burst on his knee;\n And then the Danish axe burst in his hand first,\n That a sur weapon he thought shold be.\n\n But now is the knight left without any weapone, 180\n And alacke! it was the more pitty;\n But a surer weapon then had he one,\n Had never Lord in Christentye:\n And all was but one litle booke,\n He found it by the side of the sea. 185\n\n He found it at the sea-side,\n Wrucked upp in a floode;\n Our Lord had written it with his hands,\n And sealed it with his bloode.\n\n [_Half a page is wanting._]\n\n \"That thou doe.... 190\n But ly still in that wall of stone;\n Till I have beene with noble King Arthur,\n And told him what I have done.\"\n\n And when he came to the King's chamber,\n He cold of his curtesie 195\n Saye, \"Sleep you, wake you, noble King Arthur?\n And ever Jesus watch yee!\"\n\n \"Nay, I am not sleeping, I am waking,\"\n These were the words said hee:\n \"For thee I have car'd; how hast thou fared? 200\n O gentle knight, let me see.\"\n\n The knight wrought the King his booke,\n Bad him behold, reede, and see;\n And ever he found it on the backside of the leafe,\n As noble Arthur wold wish it to be. 205\n\n And then bespake him King Arthur,\n \"Alas! thou gentle knight, how may this be,\n That I might see him in the same licknesse,\n That he stood unto thee?\"\n\n And then bespake him the Greene Knight,[L210] 210\n These were the words said hee:\n \"If youle stand stifly in the battell stronge,\n For I have won all the victory.\"\n\n Then bespake him the King againe,\n And these were the words said hee: 215\n \"If we stand not stifly in this battell strong,\n Wee are worthy to be hanged all on a tree.\"\n\n Then bespake him the Greene Knight,\n These were the words said hee:\n Saies, \"I doe coniure thee, thou fowle feend, 220\n In the same licknesse thou stood unto me.\"\n\n With that start out a lodly feend,\n With seven heads, and one body;\n The fier towarde the element flaugh,\n Out of his mouth, where was great plenty. 225\n\n The knight stood in the middle....\n\n [_Half a page is wanting._]\n\n ... the space of an houre,\n I know not what they did.\n\n And then bespake him the Greene Knight,\n And these were the words said he: 230\n Saith, \"I coniure thee, thou fowle feend,\n That thou feitch downe the steed that we see.\"\n\n And then forth is gone Burlow-beanie,\n As fast as he cold hie;\n And feitch he did that faire steed, 235\n And came againe by and by.\n\n Then bespake him Sir Marramile,\n And these were the words said hee:\n \"Riding of this steed, brother Bredbeddle,\n The mastery belongs to me.\" 240\n\n Marramiles tooke the steed to his hand,\n To ryd him he was full bold;\n He cold noe more make him goe,\n Then a child of three yeere old.\n\n He laid[L245] uppon him with heele and hand, 245\n With yard that was soe fell;\n \"Helpe! brother Bredbeddle,\" says Marramile,\n \"For I thinke he be the devill of hell.\n\n \"Helpe! brother Bredbeddle,\" says Marramile.\n \"Helpe! for Christs pittye; 250\n For without thy help, brother Bredbeddle,\n He will never be rydden for me.\"[L252]\n\n Then bespake him Sir Bredbeddle,\n These were the words said he:\n \"I coniure thee, thou Burlow-beane,[L255] 255\n Thou tell me how this steed was riddin in his country.\"\n He saith, \"There is a gold wand,\n Stands in King Cornwalls study windowe.\n\n \"Let him take that wand in that window,\n And strike three strokes on that steed; 260\n And then he will spring forth of his hand,\n As sparke doth out of gleede.\"\n\n Then bespake him the Greene Knight,\n\n [_Half a page is wanting._]\n\n A lowd blast....\n\n And then bespake Sir Bredbeddle, 265\n To the feend these words said hee:\n Says, \"I coniure thee, thou Burlow-beanie,\n The powder-box thou feitch me.\"\n\n Then forth is gone Burlow-beanie,\n As fast as he cold hie; 270\n And feich he did the powder-box,\n And came againe by and by.\n\n Then Sir Tristeram tooke powder forth of that box,\n And blent it with warme sweet milke;\n And there put it unto the horne, 275\n And swilled it about in that ilke.\n\n Then he tooke the horne in his hand,\n And a lowd blast he blew;\n He rent the horne up to the midst,\n All his fellowes this they knew.[L280] 280\n\n Then bespake him the Greene Knight,\n These were the words said he:\n Saies. \"I coniure thee, thou Burlow-beanie,\n That thou feitch me the sword that I see.\"\n\n Then forth is gone Burlow-beanie, 285\n As fast as he cold hie;\n And feitch he did that faire sword,\n And came againe by and by.\n\n Then bespake him Sir Bredbeddle,\n To the king these words said he: 290\n \"Take this sword in thy hand, thou noble King,\n For the vowes sake that thou made Ile give it thee;\n And goe strike off King Cornewalls head,\n In bed where he doth lye.\"[L294]\n\n Then forth is gone noble King Arthur, 295\n As fast as he cold hye;\n And strucken he hath King Cornwalls head,\n And came againe by and by.\n\n He put the head upon a swords point,\n\n [_The poem terminates here abruptly._]\n\n\n151, hurt.\n\n161, they words.\n\n210, The Greene Knight is Sir Bredbeddle.\n\n245, sayed.\n\n252, p' me, _i.e._ pro or per.\n\n255, Burlow-leane.\n\n280, the knew.\n\n294, were.\n\n\n\n\nFRAGMENT OF CHILD ROWLAND AND BURD ELLEN.\n\n\nIt is not impossible that this ballad should be the one quoted by\nEdgar in _King Lear_, (Act iii. sc. 4:)\n\n \"Child Rowland to the dark tower came.\"\n\nWe have extracted the fragment given by Jamieson, with the breaks in\nthe story filled out, from _Illustrations of Northern Antiquities_, p.\n397; and we have added his translation of the Danish ballad of _Rosmer\nHafmand_, which exhibits a striking similarity to _Child Rowland_,\nfrom _Popular Ballads and Songs_, ii. 202. The tale of the _Red Etin_,\nas given in Chamber's _Pop. Rhymes of Scotland_, p. 56, has much\nresemblance to Jamieson's story, and, like it, is interspersed with\nverse.\n\nThe occurrence of the name Merlin is by no means a sufficient ground\nfor connecting this tale, as Jamieson would do, with the cycle of King\nArthur. For Merlin, as Grundtvig has remarked (_Folkeviser_, ii. 79),\ndid not originally belong to that cycle, and again, his name seems to\nhave been given in Scotland to any sort of wizard or prophet.\n\n * * * * *\n\n\n [\"King Arthur's sons o' merry Carlisle]\n Were playing at the ba';\n And there was their sister Burd Ellen,\n I' the mids amang them a'.\n\n \"Child Rowland kick'd it wi' his foot, 5\n And keppit it wi' his knee;\n And ay, as he play'd out o'er them a',\n O'er the kirk he gar'd it flee.\n\n \"Burd Ellen round about the isle\n To seek the ba' is gane; 10\n But they bade lang and ay langer,\n And she camena back again.\n\n \"They sought her east, they sought her west,\n They sought her up and down;\n And wae were the hearts [in merry Carlisle,] 15\n For she was nae gait found!\"\n\nAt last her eldest brother went to the Warluck Merlin, (_Myrddin\nWyldt_,) and asked if he knew where his sister, the fair Burd Ellen,\nwas. \"The fair Burd Ellen,\" said the Warluck Merlin, \"is carried away\nby the fairies, and is now in the castle of the king of Elfland; and\nit were too bold an undertaking for the stoutest knight in Christendom\nto bring her back.\" \"Is it possible to bring her back?\" said her\nbrother, \"and I will do it, or perish in the attempt.\" \"Possible\nindeed it is,\" said the Warluck Merlin; \"but woe to the man or\nmother's son who attempts it, if he is not well instructed beforehand\nof what he is to do.\"\n\nInfluenced no less by the glory of such an enterprise, than by the\ndesire of rescuing his sister, the brother of the fair Burd Ellen\nresolved to undertake the adventure; and after proper instructions\nfrom Merlin, (which he failed in observing,) he set out on his\nperilous expedition.\n\n\n \"But they bade lang and ay langer,\n Wi' dout and mickle maen;\n And wae were the hearts [in merry Carlisle,]\n For he camena back again.\" 20\n\n\nThe second brother in like manner set out; but failed in observing the\ninstructions of the Warluck Merlin; and\n\n \"They bade lang and ay langer,\n Wi' mickle dout and maen;\n And wae were the hearts [in merry Carlisle,]\n For he camena back again.\"\n\nChild Rowland, the youngest brother of the fair Burd Ellen, then\nresolved to go; but was strenuously opposed by the good queen,\n[Gwenevra,] who was afraid of losing all her children.\n\nAt last the good queen [Gwenevra] gave him her consent and her\nblessing; he girt on (in great form, and with all due solemnity of\nsacerdotal consecration,) his father's good _claymore_, [Excalibar,]\nthat never struck in vain, and repaired to the cave of the Warluck\nMerlin. The Warluck Merlin gave him all necessary instructions for his\njourney and conduct, the most important of which were, that he should\nkill every person he met with after entering the land of Fairy, and\nshould neither eat nor drink of what was offered him in that country,\nwhatever his hunger or thirst might be; for if he tasted or touched in\nElfland, he must remain in the power of the Elves, and never see\n_middle eard_ again.\n\nSo Child Rowland set out on his journey, and travelled \"on and ay\nfarther on,\" till he came to where (as he had been forewarned by the\nWarluck Merlin,) he found the king of Elfland's horse-herd feeding his\nhorses.\n\n\"Canst thou tell me,\" said Child Rowland to the horse-herd, \"where\nthe king of Elfland's castle is?\"--\"I cannot tell thee,\" said the\nhorse-herd; \"but go on a little farther, and thou wilt come to the\ncow-herd, and he, perhaps, may tell thee.\" So Child Rowland drew the\ngood claymore, [Excalibar,] that never struck in vain, and hewed off\nthe head of the horse-herd. Child Rowland then went on a little\nfarther, till he came to the king of Elfland's cow-herd, who was\nfeeding his cows. \"Canst thou tell me,\" said Child Rowland to the\ncow-herd, \"where the king of Elfland's castle is?\"--\"I cannot tell\nthee,\" said the cow-herd; \"but go on a little farther, and thou wilt\ncome to the sheep-herd, and he perhaps may tell thee.\" So Child\nRowland drew the good claymore, [Excalibar,] that never struck in\nvain, and hewed off the head of the cow-herd. He then went on a little\nfarther, till he came to the sheep-herd. * * * * [_The sheep-herd,\ngoat-herd, and swine-herd are all, each in his turn, served in the\nsame manner; and lastly he is referred to the hen-wife._]\n\n\"Go on yet a little farther,\" said the hen-wife, \"till thou come to a\nround green hill surrounded with rings (_terraces_) from the bottom to\nthe top; go round it three times _widershins_, and every time say,\n\"Open, door! open, door! and let me come in; and the third time the\ndoor will open, and you may go in.\" So Child Rowland drew the good\nclaymore, [Excalibar,] that never struck in vain, and hewed off the\nhead of the hen-wife. Then went he three times _widershins_ round the\ngreen hill, crying, \"Open, door! open, door! and let me come in;\" and\nthe third time the door opened, and he went in.\n\nIt immediately closed behind him; and he proceeded through a long\npassage, where the air was soft and agreeably warm like a May\nevening, as is all the air of Elfland. The light was a sort of\ntwilight or gloaming; but there were neither windows nor candles, and\nhe knew not whence it came, if it was not from the walls and roof,\nwhich were rough, and arched like a grotto, and composed of a clear\ntransparent rock, incrusted with _sheeps-silver_ and spar, and various\nbright stones. At last he came to two wide and lofty folding-doors,\nwhich stood a-jar. He opened them, and entered a large and spacious\nhall, whose richness and brilliance no tongue can tell. It seemed to\nextend the whole length and height of the hill. The superb Gothic\npillars by which the roof was supported, were so large and so lofty,\n(said my seannachy,) that the pillars of the Chanry Kirk,[D] or of\nPluscardin Abbey, are no more to be compared to them, than the Knock\nof Alves is to be compared to Balrinnes or Ben-a-chi. They were of\ngold and silver, and were fretted like the west window of the Chanry\nKirk, with wreaths of flowers composed of diamonds and precious stones\nof all manner of beautiful colors. The key-stones of the arches above,\ninstead of coats of arms and other devices, were ornamented with\nclusters of diamonds in the same manner. And from the middle of the\nroof, where the principal arches met, was hung by a gold chain, an\nimmense lamp of one hollowed pearl, perfectly transparent, in the\nmidst of which was suspended a large carbuncle, that by the power of\nmagic continually turned round, and shed over all the hall a clear and\nmild light like the setting sun; but the hall was so large, and these\ndazzling objects so far removed, that their blended radiance cast no\nmore than a pleasing lustre, and excited no more than agreeable\nsensations in the eyes of Child Rowland.\n\n [D] The cathedral of Elgin naturally enough furnished similes to a\n man who had never in his life been twenty miles distant from it.\n\nThe furniture of the hall was suitable to its architecture; and at the\nfarther end, under a splendid canopy, seated on a gorgeous sofa of\nvelvet, silk, and gold, and \"kembing her yellow hair wi' a silver\nkemb,\"\n\n\n \"There was his sister burd Ellen; 25\n She stood up him before.\"\n\nSays,\n\n \"'God rue on thee, poor luckless fode!\n What has thou to do here?\n\n \"'And hear ye this, my youngest brither,\n Why badena ye at hame? 30\n Had ye a hundur and thousand lives,\n Ye canna brook ane o' them.\n\n \"'And sit thou down; and wae, O wae\n That ever thou was born;\n For come the King o' Elfland in, 35\n Thy leccam is forlorn!'\"\n\nA long conversation then takes place; Child Rowland tells her the news\n[of merry Carlisle,] and of his own expedition; and concludes with the\nobservation, that, after this long and fatiguing journey to the castle\nof the king of Elfland, he is _very hungry_.\n\nBurd Ellen looked wistfully and mournfully at him, and shook her head,\nbut said nothing. Acting under the influence of a magic which she\ncould not resist, she arose, and brought him a golden bowl full of\nbread and milk, which she presented to him with the same timid,\ntender, and anxious expression of solicitude.\n\nRemembering the instructions of the Warluck Merlin, \"Burd Ellen,\" said\nChild Rowland, \"I will neither taste nor touch till I have set thee\nfree!\" Immediately the folding-doors burst open with tremendous\nviolence, and in came the king of Elfland,\n\n\n \"With '_fi_, _fi_, _fo_, and _fum_!\n I smell the blood of a Christian man!\n Be he dead, be he living, wi' my brand\n I'll clash his harns frae his harn-pan!'\" 40\n\n\"Strike, then, Bogle of Hell, if thou darest!\" exclaimed the undaunted\nChild Rowland, starting up, and drawing the good claymore,\n[Excalibar,] that never struck in vain.\n\nA furious combat ensued, and the king of Elfland was felled to the\nground; but Child Rowland spared him on condition that he should\nrestore to him his two brothers, who lay in a trance in a corner of\nthe hall, and his sister, the fair burd Ellen. The king of Elfland\nthen produced a small crystal phial, containing a bright red liquor,\nwith which he anointed the lips, nostrils, eye-lids, ears, and\nfinger-ends of the two young men, who immediately awoke as from a\nprofound sleep, during which their souls had quitted their bodies, and\nthey had seen, &c., &c., &c. So they all four returned in triumph to\n[merry Carlisle.]\n\nSuch was the rude outline of the romance of Child Rowland, as it was\ntold to me when I was about seven or eight years old, by a country\ntailor then at work in my father's house. He was an ignorant and dull\ngood sort of honest man, who seemed never to have questioned the truth\nof what he related. Where the _et caeteras_ are put down, many curious\nparticulars have been omitted, because I was afraid of being deceived\nby my memory, and substituting one thing for another. It is right also\nto admonish the reader, that the Warluck Merlin, Child Rowland, and\nBurd Ellen, were the only _names_ introduced in _his_ recitation; and\nthat the others, inclosed within brackets, are assumed upon the\nauthority of the locality given to the story by the mention of\n_Merlin_. In every other respect I have been as faithful as possible.\n\n\n\n\nROSMER HAFMAND,\n\nOR,\n\nTHE MER-MAN ROSMER.\n\n\nThe ballad of _Rosmer_ is found in Danish, Swedish, Faroish, and\nNorse. All the questions bearing upon its origin, and the relations of\nthe various _forms_ in which the story exists, are amply discussed by\nGrundtvig, vol. ii. p. 72. Three versions of the Danish ballad are\ngiven by Vedel, all of which Jamieson has translated. The following is\nNo. 31 in Abrahamson.\n\n\n There dwalls a lady in Danmarck,\n Lady Hillers lyle men her ca';\n And she's gar'd bigg a new castell,\n That shines o'er Danmarck a'.\n\n Her dochter was stown awa frae her; 5\n She sought for her wide-whare;\n But the mair she sought, and the less she fand,--\n That wirks her sorrow and care.\n\n And she's gar'd bigg a new ship,\n Wi' vanes o' flaming goud, 10\n Wi' mony a knight and mariner,\n Sae stark in need bestow'd.\n\n She's followed her sons down to the strand,\n That chaste and noble fre;\n And wull and waif for eight lang years 15\n They sail'd upon the sea.\n\n And eight years wull and waif they sail'd,\n O' months that seem'd sae lang;\n Syne they sail'd afore a high castell,\n And to the land can gang. 20\n\n And the young lady Svane lyle,\n In the bower that was the best,\n Says, \"Wharfrae cam thir frem swains,\n Wi' us this night to guest?\"\n\n Then up and spak her youngest brither, 25\n Sae wisely ay spak he;\n \"We are a widow's three poor sons,\n Lang wilder'd on the sea.\n\n \"In Danmarck were we born and bred,\n Lady Hillers lyle was our mither; 30\n Our sister frae us was stown awa,\n We findna whare or whither.\"\n\n \"In Danmarck were ye born and bred?\n Was Lady Hillers your mither?\n I can nae langer heal frae thee, 35\n Thou art my youngest brither.\n\n \"And hear ye this, my youngest brither:\n Why bade na ye at hame?\n Had ye a hunder and thousand lives,\n Ye canna brook ane o' them.\" 40\n\n She's set him in the weiest nook\n She in the house can meet;\n She's bidden him for the high God's sake\n Nouther to laugh ne greet.\n\n Rosmer hame frae Zealand came, 45\n And he took on to bann:\n \"I smell fu' weel, by my right hand,\n That here is a Christian man.\"\n\n \"There flew a bird out o'er the house,\n Wi' a man's bane in his mouth; 50\n He coost it in, and I cast it out,\n As fast as e'er I couth.\"\n\n But wilyly she can Rosmer win;\n And clapping him tenderly,\n \"It's here is come my sister-son;-- 55\n Gin I lose him, I'll die.\n\n \"It's here is come, my sister-son,\n Frae baith our fathers' land;\n And I ha'e pledged him faith and troth,\n That ye will not him bann.\" 60\n\n \"And is he come, thy sister-son,\n Frae thy father's land to thee?\n Then I will swear my highest aith,\n He's dree nae skaith frae me.\"\n\n 'Twas then the high king Rosmer, 65\n He ca'd on younkers twae:\n \"Ye bid proud Svane lyle's sister-son\n To the chalmer afore me gae.\"\n\n It was Svane lyle's sister-son,\n Whan afore Rosmer he wan, 70\n His heart it quook, and his body shook,\n Sae fley'd, he scarce dow stand.\n\n Sae Rosmer took her sister-son,\n Set him upon his knee;\n He clappit him sae luifsomely, 75\n He turned baith blue and blae.\n\n And up and spak she, Svane lyle;\n \"Sir Rosmer, ye're nae to learn\n That your ten fingers arena sma,\n To clap sae little a bairn.\" 80\n\n There was he till, the fifthen year,\n He green'd for hame and land:\n \"Help me now, sister Svane lyle,\n To be set on the white sand.\"\n\n It was proud Lady Svane lyle, 85\n Afore Rosmer can stand:\n \"This younker sae lang in the sea has been,\n He greens for hame and land.\"\n\n \"Gin the younker sae lang in the sea has been,\n And greens for hame and land, 90\n Then I'll gie him a kist wi' goud,\n Sae fitting till his hand.\"\n\n \"And will ye gi'e him a kist wi' goud,\n Sae fitting till his hand?\n Then hear ye, my noble heartis dear, 95\n Ye bear them baith to land.\"\n\n Then wrought proud Lady Svane lyle\n What Rosmer little wist;\n For she's tane out the goud sae red,\n And laid hersel i' the kist. 100\n\n He's ta'en the man upon his back;\n The kist in his mouth took he;\n And he has gane the lang way up\n Frae the bottom o' the sea.\n\n \"Now I ha'e borne thee to the land; 105\n Thou seest baith sun and moon;\n Namena Lady Svane for thy highest God,\n I beg thee as a boon.\"\n\n Rosmer sprang i' the saut sea out,\n And jawp'd it up i' the sky; 110\n But whan he cam till the castell in,\n Nae Svane lyle could he spy.\n\n Whan he came till the castell in,\n His dearest awa was gane;\n Like wood he sprang the castell about, 115\n On the rock o' the black flintstane.\n\n Glad they were in proud Hillers lyle's house,\n Wi' welcome joy and glee;\n Hame to their friends her bairns were come,\n That had lang been in the sea. 120\n\n\n\n\nTAM-A-LINE, THE ELFIN KNIGHT. (See page 114.)\n\nFrom _Scottish Traditionary Versions of Ancient Ballads_, Percy\nSociety, xvii. p. 11.\n\n\n Take warnin', a' ye ladyes fair,\n That wear gowd on your hair;\n Come never unto Charter-woods,\n For Tam-a-line he's there.\n\n Even about that knicht's middle 5\n O' siller bells are nine;\n Nae ane comes to Charter-woods,\n And a may returns agen.\n\n Ladye Margaret sits in her bouir door,\n Sewing at her silken seam; 10\n And she lang'd to gang to Charter woods,\n To pou the roses green.\n\n She hadna pou'd a rose, a rose,\n Nor braken a branch but ane,\n Till by it came him true Tam-a-line, 15\n Says, \"Layde, lat alane.\n\n \"O why pou ye the rose, the rose?\n Or why brake ye the tree?\n Or why come ye to Charter-woods,\n Without leave ask'd of me?\" 20\n\n \"I will pou the rose, the rose,\n And I will brake the tree;\n Charter-woods are a' my ain,\n I'll ask nae leave o' thee.\"\n\n He's taen her by the milk-white hand, 25\n And by the grass-green sleeve;\n And laid her low on gude green wood,\n At her he spier'd nae leave.\n\n When he had got his will o' her,\n His will as he had ta'en, 30\n He's ta'en her by the middle sma',\n Set her to feet again.\n\n She turn'd her richt and round about,\n To spier her true love's name,\n But naething heard she, nor naething saw, 35\n As a' the woods grew dim.\n\n Seven days she tarried there,\n Saw neither sun nor muin;\n At length, by a sma' glimmerin' licht,\n Came thro' the wood her lane. 40\n\n When she came to her father's court,\n Was fine as ony queen;\n But when eight months were past and gane,\n Got on the gown o' green.\n\n Then out it speaks an eldren knicht, 45\n As he stood at the yett;\n \"Our king's dochter, she gaes wi' bairn,\n And we'll get a' the wyte.\"\n\n \"O haud your tongue, ye eldren man,\n And bring me not to shame; 50\n Although that I do gang wi' bairn,\n Yese naeways get the blame.\n\n \"Were my love but an earthly man,\n As he's an elfin knicht,\n I wadna gie my ain true luve, 55\n For a' that's in my sicht.\"\n\n Then out it speaks her brither dear,\n He meant to do her harm,\n \"There is an herb in Charter-woods\n Will twine you an' the bairn.\" 60\n\n She's taen her mantle her about,\n Her coiffer by the band;\n And she is on to Charter-woods,\n As fast as she coud gang.\n\n She hadna poud a rose, a rose, 65\n Nor braken a branch but ane,\n Till by it came him, Tam-a-Line,\n Says, \"Ladye, lat alane.\"\n\n \"O! why pou ye the pile, Margaret,\n The pile o' the gravil green, 70\n For to destroy the bonny bairn\n That we got us between?\n\n \"O! why pou ye the pile, Margaret,\n The pile o' the gravil gray,\n For to destroy the bonny bairn 75\n That we got in our play?\n\n \"For if it be a knave bairn,\n He's heir o' a' my land;\n But if it be a lass bairn,\n In red gowd she shall gang.\" 80\n\n \"If my luve were an earthly man,\n As he's an elfin grey,\n I coud gang bound, luve, for your sake,\n A twalmonth and a day.\"\n\n \"Indeed your luve's an earthly man, 85\n The same as well as thee;\n And lang I've haunted Charter-woods,\n A' for your fair bodie.\"\n\n \"O! tell me, tell me, Tam-a-Line,\n O! tell, an' tell me true; 90\n Tell me this nicht, an' mak' nae lee,\n What pedigree are you?\"\n\n \"O! I hae been at gude church-door,\n An' I've got christendom;\n I'm the Earl o' Forbes' eldest son, 95\n An' heir ower a' his land.\n\n \"When I was young, o' three years old,\n Muckle was made o' me;\n My stepmither put on my claithes,\n An' ill, ill, sained she me. 100\n\n \"Ae fatal morning I gaed out,\n Dreading nae injurie;\n And thinking lang, fell soun asleep,\n Beneath an apple tree.\n\n \"Then by it came the Elfin Queen, 105\n And laid her hand on me;\n And from that time since e'er I mind,\n I've been in her companie.\n\n \"O Elfin it's a bonny place,\n In it fain wad I dwell; 110\n But aye at ilka seven years' end,\n They pay a tiend to hell,\n And I'm sae fou o' flesh an blude,\n I'm sair fear'd for mysell.\"\n\n \"O tell me, tell me, Tam-a-Line, 115\n O tell, an' tell me true;\n Tell me this nicht, an' mak' nae lee,\n What way I'll borrow you?\"\n\n \"The morn is Hallowe'en nicht,\n The Elfin court will ride, 120\n Through England, and thro' a' Scotland,\n And through the warld wide.\n\n \"O they begin at sky sett in,\n Ride a' the evenin' tide;\n And she that will her true love borrow, 125\n At Miles-cross will him bide.\n\n \"Ye'll do ye down to Miles-cross,\n Between twall hours and ane;\n And full your hands o' holie water,\n And cast your compass roun'. 130\n\n \"Then the first ane court that comes you till,\n Is published king and queen;\n The neist ane court that comes you till,\n It is maidens mony ane.\n\n \"The neist ane court that comes you till, 135\n Is footmen, grooms, and squires;\n The neist ane court that comes you till,\n Is knichts; and I'll be there.\n\n \"I Tam-a-Line, on milk-white steed,\n A gowd star on my crown; 140\n Because I was an earthly knicht,\n Got that for a renown.\n\n \"And out at my steed's right nostril,\n He'll breathe a fiery flame;\n Ye'll loot you low, and sain yoursel, 145\n And ye'll be busy then.\n\n \"Ye'll tak' my horse then by the head,\n And lat the bridal fa';\n The Queen o' Elfin she'll cry out,\n 'True Tam-a-Line's awa'.' 150\n\n \"Then I'll appear into your arms\n Like the wolf that ne'er wad tame;\n Ye'll haud me fast, lat me not gae,\n Case we ne'er meet again.\n\n \"Then I'll appear into your arms 155\n Like fire that burns sae bauld;\n Ye'll haud me fast, lat me not gae,\n I'll be as iron cauld.\n\n \"Then I'll appear into your arms\n Like the adder an' the snake; 160\n Ye'll haud me fast, lat me not gae,\n I am your warld's maike.\n\n \"Then I'll appear into your arms\n Like to the deer sae wild;\n Ye'll haud me fast, lat me not gae, 165\n And I'll father your child.\n\n \"And I'll appear into your arms\n Like to a silken string;\n Ye'll haud me fast, lat me not gae,\n Till ye see the fair mornin'. 170\n\n \"And I'll appear into your arms\n Like to a naked man;\n Ye'll haud me fast, lat me not gae,\n And wi' you I'll gae hame.\"\n\n Then she has done her to Miles-cross, 175\n Between twal hours an' ane;\n And filled her hands o' holie water,\n And kiest her compass roun'.\n\n The first ane court that came her till,\n Was published king and queen; 180\n The niest ane court that came her till,\n Was maidens mony ane.\n\n The niest ane court that came her till,\n Was footmen, grooms, and squires;\n The niest ane court that came her till, 185\n Was knichts; and he was there!\n\n True Tam-a-Line, on milk-white steed,\n A gowd star on his crown;\n Because he was an earthly man,\n Got that for a renown. 190\n\n And out at the steed's right nostril,\n He breath'd a fiery flame;\n She loots her low, an' sains hersel,\n And she was busy then.\n\n She's taen the horse then by the head, 195\n And loot the bridle fa';\n The Queen o' Elfin she cried out,--\n \"True Tam-a-Line's awa'.\"\n\n \"Stay still, true Tam-a-Line,\" she says,\n \"Till I pay you your fee;\" 200\n \"His father wants not lands nor rents,\n He'll ask nae fee frae thee.\"\n\n \"Gin I had kent yestreen, yestreen,\n What I ken weel the day,\n I shou'd hae taen your fu' fause heart, 205\n Gien you a heart o' clay.\"\n\n Then he appeared into her arms\n Like the wolf that ne'er wad tame;\n She held him fast, lat him not gae,\n Case they ne'er met again. 210\n\n Then he appeared into her arms\n Like the fire burning bauld;\n She held him fast, lat him not gae,\n He was as iron cauld.\n\n And he appeared into her arms 215\n Like the adder an' the snake;\n She held him fast, lat him not gae,\n He was her warld's maike.\n\n And he appeared into her arms\n Like to the deer sae wild; 220\n She held him fast, lat him not gae,\n He's father o' her child.\n\n And he appeared into her arms\n Like to a silken string;\n She held him fast, lat him not gae, 225\n Till she saw fair mornin'.\n\n And he appeared into her arms\n Like to a naked man;\n She held him fast, lat him not gae,\n And wi' her he's gane hame. 230\n\n These news hae reach'd thro' a' Scotland,\n And far ayont the Tay,\n That ladye Margaret, our king's dochter,\n That nicht had gain'd her prey.\n\n She borrowed her love at mirk midnicht, 235\n Bare her young son ere day;\n And though ye'd search the warld wide,\n Ye'll nae find sic a may.\n\n\n\n\nTOM LINN. (See p. 114.)\n\nThis fragment was taken down from the recitation of an old woman.\nMaidment's _New Book of Old Ballads_, p. 54.\n\n\n O all you ladies young and gay,\n Who are so sweet and fair,\n Do not go into Chaster's wood,\n For Tomlinn will be there.\n\n * * * * *\n\n Fair Margaret sat in her bonny bower, 5\n Sewing her silken seam,\n And wished to be in Chaster's wood,\n Among the leaves so green.\n\n She let the seam fall to her foot,\n The needle to her toe, 10\n And she has gone to Chaster's wood,\n As fast as she could go.\n\n When she began to pull the flowers;\n She pull'd both red and green;\n Then by did come, and by did go, 15\n Said, \"Fair maid, let abene!\n\n \"O why pluck you the flowers, lady,\n Or why climb you the tree?\n Or why come ye to Chaster's wood,\n Without the leave of me?\" 20\n\n \"O I will pull the flowers,\" she said,\n \"Or I will break the tree;\n For Chaster's wood it is my own,\n I'll ask no leave at thee.\"\n\n He took her by the milk-white hand, 25\n And by the grass-green sleeve;\n And laid her down upon the flowers,\n At her he ask'd no leave.\n\n The lady blush'd and sourly frown'd,\n And she did think great shame; 30\n Says, \"If you are a gentleman,\n You will tell me your name.\"\n\n \"First they call me Jack,\" he said,\n \"And then they call'd me John;\n But since I liv'd in the Fairy court, 35\n Tomlinn has always been my name.\n\n \"So do not pluck that flower, lady,\n That has these pimples gray;\n They would destroy the bonny babe\n That we've gotten in our play.\" 40\n\n \"O tell to me, Tomlinn,\" she said,\n \"And tell it to me soon;\n Was you ever at a good church door,\n Or got you christendom?\"\n\n \"O I have been at good church door, 45\n And oft her yetts within;\n I was the Laird of Foulis's son,\n The heir of all his land.\n\n \"But it fell once upon a day,\n As hunting I did ride, 50\n As I rode east and west yon hill,\n Then woe did me betide.\n\n \"O drowsy, drowsy as I was,\n Dead sleep upon me fell;\n The Queen of Fairies she was there, 55\n And took me to hersel.\n\n \"The morn at even is Hallowe'en,\n Our Fairy court will ride,\n Through England and through Scotland both,\n Through all the world wide; 60\n And if that ye would me borrow,\n At Rides Cross ye may bide.\n\n \"You may go into the Miles Moss,\n Between twelve hours and one;\n Take holy water in your hand, 65\n And cast a compass round.\n\n \"The first court that comes along,\n You'll let them all pass by;\n The next court that comes along,\n Salute them reverently. 70\n\n \"The next court that comes along,\n Is clad in robes of green;\n And it's the head court of them all,\n For in it rides the Queen.\n\n \"And I upon a milk-white steed, 75\n With a gold star in my crown;\n Because I am an earthly man,\n I'm next the Queen in renown.\n\n \"Then seize upon me with a spring,\n Then to the ground I'll fa'; 80\n And then you'll hear a rueful cry,\n That Tomlinn is awa'.\n\n \"Then I'll grow in your arms two,\n Like to a savage wild;\n But hold me fast, let me not go, 85\n I'm father of your child.\n\n \"I'll grow into your arms two\n Like an adder, or a snake;\n But hold me fast, let me not go,\n I'll be your earthly maik. 90\n\n \"I'll grow into your arms two\n Like ice on frozen lake;\n But hold me fast, let me not go,\n Or from your goupen break.\n\n \"I'll grow into your arms two, 95\n Like iron in strong fire;\n But hold me fast, let me not go,\n Then you'll have your desire.\"\n\n And its next night into Miles Moss,\n Fair Margaret has gone; 100\n When lo she stands beside Rides Cross,\n Between twelve hours and one.\n\n There's holy water in her hand,\n She casts a compass round;\n And presently a Fairy band 105\n Comes riding o'er the mound.\n\n * * * * *\n\nThis seems to be the most appropriate connection for a short fragment\nfrom Maidment's _North Countrie Garland_, (p. 21.) It was taken down\nfrom the recitation of a lady who had heard it sung in her childhood.\n\n\n\n\nBURD ELLEN AND YOUNG TAMLANE.\n\n Burd Ellen sits in the bower windowe,\n _With a double laddy double, and for the double dow_,\n Twisting the red silk and the blue,\n _With the double rose and the May-hay_.\n\n And whiles she twisted, and whiles she twan, 5\n _With a double_, &c.\n And whiles the tears fell down amang,\n _With the double_, &c.\n\n Till once there by cam young Tamlane,\n _With a double_, &c. 10\n \"Come light, oh light, and rock your young son!\"\n _With the double_, &c.\n\n \"If you winna rock him, you may let him rair,\n _With a double_, &c.\n For I hae rockit my share and mair.\" 15\n _With the double_, &c.\n\n * * * * *\n\n Young Tamlane to the seas he's gane,\n _With a double laddy double, and for the double dow,_\n And a' women's curse in his company's gane,\n _With the double rose and the May-hay_. 20\n\n\n\n\nALS Y YOD ON AY MOUNDAY. (See p. 126.)\n\n\nIn the manuscript from which these verses are taken, they form the\npreface to a long strain of incomprehensible prophecies of the same\ndescription as those which are appended to _Thomas of Ersyldoune_.\nWhether the two portions belong together, or not, (and it will be seen\nthat they are ill enough joined,) the first alone requires to be cited\nhere for the purpose of comparison with the _Wee Wee Man_. The whole\npiece has been twice printed, first by Finlay, in his _Scottish\nBallads_, (ii. 163,) and afterwards, by a person who was not aware\nthat he had been anticipated, in the _Retrospective Review_, Second\nSeries, vol. ii. p. 326. Both texts are in places nearly\nunintelligible, and are evidently full of errors, part of which we\nmust ascribe to the incompetency of the editors. Finlay's is here\nadopted as on the whole the best, but it has received a few\ncorrections from the other, and one or two conjectural emendations.\n\n\n Als y yod on ay Mounday\n Bytwene Wyltinden and Wall,\n The ane after brade way,\n Ay litel man y mette with alle,\n The leste yat ever y, sathe to say, 5\n Oither in bowr, oither in halle;\n His robe was noither grene na gray,\n Bot alle yt was of riche palle.\n\n On me he cald, and bad me bide;\n Well stille y stode ay litel space; 10\n Fra Lanchestre the parke syde\n Yeen he come, wel fair his pase.\n He hailsed me with mikel pride;\n Ic haved wel mykel ferly wat he was;\n I saide,--\"Wel mote the betyde, 15\n That litel man with large face.\"\n\n I beheld that litel man\n Bi the strete als we gon gae;\n His berd was syde ay large span,\n And glided als the fether of pae; 20\n His heved was wyte als ony swan,\n His hegehen was gret and grai als so;\n Brues lange, wel I the can\n Merk it to fize inches and mae.\n\n Armes scort, for sothe I saye, 25\n Ay span seemed thaem to bee:\n Handes brade vytouten nay,\n And fingeres lange, he scheued me.\n Ay stane he tok op thar it lay,\n And castit forth that I moth see; 30\n Ay merk-soot of large way\n Bifore me strides he castit three.\n\n Wel stille I stod als did the stane,\n To loke him on thouth me nouth lang;\n His robe was alle gold begane, 35\n Wel craftelike[L36] maked, I understande;\n Botones asurd, everlk ane,\n Fra his elbouthe ontil his hande;\n Erdelik[L39] man was he nane;\n That in myn hert ich onderstande. 40\n\n Til him I sayde ful sone on ane,\n For forthirmar I wald him fraine,\n \"Gladli wald[L43] I wit thi name,\n And I wist wat me mouthe gaine;\n Thou ert so litel of fleshe and bane, 45\n And so mikel of mith and mayne,\n War vones thou, litel man, at hame?\n Wit of thee I wald ful faine.\"\n\n \"Thoth I be litel and lith,\n Am y noth wytouten wane; 50\n Ferli frained thou wat hi hith,\n That[L52] thou salt noth wit my name;\n My wonige stede ful wel es dyght,[L53]\n Nou sone thou salt se at hame.\"\n Til him I sayde, \"For Godes mith, 55\n Let me forth myn erand gane.\"\n\n \"The thar noth of thin erand lette,\n Thouth thou come ay stonde wit me,\n Forther salt thou noth bi sette,\n Bi miles twa noyther bi three.\" 60\n Na linger durst I for him lette,\n But forth y funded wyt that free;\n Stintid vs brok no beck;\n Ferlich me thouth hu so mouth bee.\n\n He vent forth, als y you say, 65\n In at ay yate, y vnderstande;\n In til ay yate wvndouten nay;\n It to se thouth me nouth[L68] lang.\n The bankers on the binkes lay,\n And fair lordes sett y fonde; 70\n In ilka ay hirn y herd ay lay,\n And leuedys soth meloude sange.\n\n[Here there seems to be a break, and a new start\nmade, with a tale told not on a _Monday_, but on a\n_Wednesday_.]\n\n Lithe, bothe zonge and alde:\n Of ay worde y will you saye,\n Ay litel tale that me was tald\n Erli on ay Wedenesdaye.\n A mody barn, that was ful bald,\n My friend that y frained aye,\n Al my gesing he me tald,\n And galid me als we went bi waye.\n\n \"Miri man, that es so wyth,\n Of ay thing gif me answere:\n For him that mensked man wyt mith,\n Wat sal worth of this were?\" &c.\n\n\nFinlay, 36, crustlike.\n\n39, Clidelik.\n\n43, Glalli wild.\n\n52, That, qy. Yat?; with.\n\n53, dygh.\n\n68, south.\n\n\n\n\nTHE ELPHIN KNIGHT. (See p. 128.)\n\n\n\"The following transcript is a literal copy from the original in the\nPepysian library, Cambridge.\" Motherwell's _Minstrelsy_, Appendix, p.\ni.\n\n\"A Proper New Ballad, entituled, _The Wind hath blown my Plaid away,\nor, A Discourse betwixt a young Maid and the Elphin-Knight_; To be\nsung with its own pleasant New Tune.\"\n\n\n The Elphin Knight site on yon hill,\n _Ba, ba, ba, lilli ba,_\n He blowes his horn both loud and shril,\n _The wind hath blown my plaid awa_.\n\n He blowes it East, he blowes it West, 5\n _Ba, ba_, &c.\n He blowes it where he lyketh best.\n _The wind_, &c.\n\n \"I wish that horn were in my kist,\n _Ba, ba_, &c. 10\n Yea, and the knight in my armes two.\"\n _The wind_, &c.\n\n She had no sooner these words said,\n _Ba, ba_, &c.\n When that the knight came to her bed. 15\n _The wind_, &c.\n\n \"Thou art over young a maid,\" quoth he,\n _Ba, ba_, &c.\n \"Married with me thou il wouldst be.\"\n _The wind_, &c. 20\n\n \"I have a sister younger than I,\n _Ba, ba_, &c.\n And she was married yesterday.\"\n _The wind_, &c.\n\n \"Married with me if thou wouldst be, 25\n _Ba, ba_, &c.\n A courtesie thou must do to me.\n _The wind_, &c.\n\n \"For thou must shape a sark to me,\n _Ba, ba_, &c. 30\n Without any cut or heme,\" quoth he.\n _The wind_, &c.\n\n \"Thou must shape it needle- and sheerlesse,\n _Ba, ba_, &c.\n And also sue it needle-threedlesse.\" 35\n _The wind_, &c.\n\n \"If that piece of courtesie I do to thee,\n _Ba, ba_, &c.\n Another thou must do to me.\n _The wind_, &c. 40\n\n \"I have an aiker of good ley-land,\n _Ba, ba_, &c.\n Which lyeth low by yon sea-strand.\n _The wind_, &c.\n\n \"For thou must cure it with thy horn, 45\n _Ba, ba_, &c.\n So thou must sow it with thy corn.\n _The wind_, &c.\n\n \"And bigg a cart of stone and lyme,\n _Ba, ba_, &c. 50\n Robin Redbreast he must trail it hame.\n _The wind_, &c.\n\n \"Thou must barn it in a mouse-holl,\n _Ba, ba_, &c.\n And thrash it into thy shoes' soll. 55\n _The wind_, &c.\n\n \"And thou must winnow it in thy looff,\n _Ba, ba_, &c.\n And also seck it in thy glove.\n _The wind_, &c. 60\n\n \"For thou must bring it over the sea,\n _Ba, ba_, &c.\n And thou must bring it dry home to me.\n _The wind_, &c.\n\n \"When thou hast gotten thy turns well done, 65\n _Ba, ba_, &c.\n Then come to me and get thy sark then.\n _The wind_, &c.\"\n\n \"I'l not quite my plaid for my life,\n _Ba, ba_, &c. 70\n It haps my seven bairns and my wife.\n _The wind shall not blow my plaid awa._\"\n\n \"My maidenhead I'l then keep still,\n _Ba, ba_, &c.\n Let the Elphin Knight do what he will. 75\n _The wind's not blown my plaid awa._\"\n\n \"_My plaid awa, my plaid awa,\n And o'er the hill and far awa,\n And far awa, to Norrowa,\n My plaid shall not be blown awa._\"\n\n\n\n\nTHE LAIDLEY WORM OF SPINDLESTON-HEUGH. See p. 137.\n\n\n\"A song above 500 years old, made by the old mountain-bard, Duncan\nFrasier, living on Cheviot, A.D. 1270.\"\n\nThis ballad, first published in Hutchinson's _History of\nNorthumberland_, was the composition of Mr. Robert Lambe, vicar of\nNorham. Several stanzas are, however, adopted from some ancient tale.\nIt has been often printed, and is now taken from Ritson's\n_Northumberland Garland_.\n\nThe similar story of _The Worme of Lambton_, versified by the Rev. J.\nWatson (compare _Ormekampen_ and the cognate legends, Grundtvig, i.\n343, also vol. viii. p. 128, of this collection), may be seen in\nRichardson's _Borderer's Table-Book_, viii. 129, or in Moore's\n_Pictorial Book of Ancient Ballad Poetry_, page 784. With the tale of\nthe _Lambton Worm of Durham_ agrees in many particulars that of the\n_Worm of Linton_ in Roxburghshire. (See Scott's introduction to\n_Kempion_, and Sir C. Sharpe's _Bishopric Garland_, p. 21.) It is\nhighly probable that the mere coincidence of sound with _Linden-Worm_\ncaused this last place to be selected as the scene of such a story.\n\n\n The king is gone from Bambrough Castle,\n Long may the princess mourn;\n Long may she stand on the castle wall,\n Looking for his return.\n\n She has knotted the keys upon a string, 5\n And with her she has them ta'en,\n She has cast them o'er her left shoulder,\n And to the gate she is gane.\n\n She tripped out, she tripped in,\n She tript into the yard; 10\n But it was more for the king's sake,\n Than for the queen's regard.\n\n It fell out on a day, the king\n Brought the queen with him home;\n And all the lords in our country 15\n To welcome them did come.\n\n \"O welcome father!\" the lady cries,\n \"Unto your halls and bowers;\n And so are you, my step-mother,\n For all that's here is yours.\" 20\n\n A lord said, wondering while she spake,[L21]\n \"This princess of the North\n Surpasses all of female kind\n In beauty, and in worth.\"\n\n The envious queen replied, \"At least, 25\n You might have excepted me;\n In a few hours, I will her bring\n Down to a low degree.\n\n \"I will her liken to a laidley worm,\n That warps about the stone, 30\n And not till Childy Wynd[L31] comes back,\n Shall she again be won.\"\n\n The princess stood at the bower door\n Laughing, who could her blame?\n But e'er the next day's sun went down, 35\n A long worm she became.\n\n For seven miles east, and seven miles west,\n And seven miles north, and south,\n No blade of grass or corn could grow,\n So venomous was her mouth. 40\n\n The milk of seven stately cows\n (It was costly her to keep)\n Was brought her daily, which she drank\n Before she went to sleep.\n\n At this day may be seen the cave 45\n Which held her folded up,\n And the stone trough, the very same\n Out of which she did sup.\n\n Word went east, and word went west,\n And word is gone over the sea, 50\n That a laidley worm in Spindleston-Heughs\n Would ruin the North Country.\n\n Word went east, and word went west,\n And over the sea did go;\n The Child of Wynd got wit of it, 55\n Which filled his heart with woe.\n\n He called straight his merry men all,\n They thirty were and three:\n \"I wish I were at Spindleston,\n This desperate worm to see. 60\n\n \"We have no time now here to waste,\n Hence quickly let us sail:\n My only sister Margaret,\n Something, I fear, doth ail.\"\n\n They built a ship without delay, 65\n With masts of the rown tree,\n With flutring sails of silk so fine,\n And set her on the sea.\n\n They went on board; the wind with speed,\n Blew them along the deep; 70\n At length they spied an huge square tower\n On a rock high and steep.\n\n The sea was smooth, the weather clear;\n When they approached nigher,\n King Ida's castle they well knew, 75\n And the banks of Bambroughshire.\n\n The queen look'd out at her bower window,\n To see what she could see;\n There she espied a gallant ship\n Sailing upon the sea. 80\n\n When she beheld the silken sails,\n Full glancing in the sun,\n To sink the ship she sent[L83] away\n Her witch wives every one.\n\n The spells were vain; the hags returned 85\n To the queen in sorrowful mood,\n Crying that witches have no power\n Where there is rown-tree wood.\n\n Her last effort, she sent a boat,\n Which in the haven lay, 90\n With armed men to board the ship,\n But they were driven away.\n\n The worm lept out, the worm lept down,\n She plaited round the stone;\n And ay as the ship came to the land 95\n She banged it off again.\n\n The Child then ran out of her reach\n The ship on Budley-sand,\n And jumping into the shallow sea,\n Securely got to land. 100\n\n And now he drew his berry-brown[L101] sword,\n And laid it on her head;\n And swore, if she did harm to him,\n That he would strike her dead.\n\n \"O quit thy sword, and bend thy bow, 105\n And give me kisses three;\n For though I am a poisonous worm,\n No hurt I'll do to thee.\n\n \"O quit thy sword, and bend thy bow,\n And give me kisses three; 110\n If I'm not won e'er the sun go down,\n Won I shall never be.\"\n\n He quitted his sword, and bent his bow,\n He gave her kisses three;\n She crept into a hole a worm, 115\n But out stept a lady.\n\n No clothing had this lady fine,\n To keep her from the cold;\n He took his mantle from him about,\n And round her did it fold. 120\n\n He has taken his mantle from him about,\n And in it he wrapt her in,\n And they are up to Bambrough castle,\n As fast as they can win.\n\n His absence, and her serpent shape, 125\n The king had long deplored;\n He now rejoyced to see them both\n Again to him restored.\n\n The queen they wanted, whom they found\n All pale, and sore afraid, 130\n Because she knew her power must yield\n To Childy Wynd's, who said,\n\n \"Woe be to thee, thou wicked witch;\n An ill death mayest thou dee;\n As thou my sister hast lik'ned, 135\n So lik'ned shalt thou be.\n\n \"I will turn you into a toad,\n That on the ground doth wend;\n And won, won shalt thou never be,\n Till this world hath an end.\" 140\n\n Now on the sand near Ida's tower,\n She crawls a loathsome toad,\n And venom spits on every maid\n She meets upon her road.\n\n The virgins all of Bambrough town 145\n Will swear that they have seen\n This spiteful toad, of monstrous size,\n Whilst walking they have been.\n\n All folks believe within the shire\n This story to be true, 150\n And they all run to Spindleston,\n The cave and trough to view.\n\n This fact now Duncan Frasier,\n Of Cheviot, sings in rhime,\n Lest Bambroughshire men should forget 155\n Some part of it in time.\n\n\nv. 21-28. Compare _Young Waters_, (iii. 90,) v. 21-28, and _Young\nBeichan and Susie Pye_, (iv. 7,) v. 118-124.\n\nv. 31. Childy Wynd is obviously a corruption of Child Owain.\n\n83, went.\n\n101, berry-broad.\n\n\n\n\nLORD DINGWALL. (See p. 152.)\n\nFrom Buchan's _Ancient Ballads and Songs of the North of Scotland_.\n(i. 204.)\n\n\n We were sisters, sisters seven,\n _Bowing down, bowing down_;\n The fairest women under heaven.\n _And aye the birks a-bowing._\n\n They kiest kevels them amang,\n Wha wou'd to the grenewood gang. 5\n\n The kevels they gied thro' the ha',\n And on the youngest it did fa'.\n\n Now she must to the grenewood gang,\n To pu' the nuts in grenewood hang.\n\n She hadna tarried an hour but ane,\n Till she met wi' a highlan' groom. 10\n\n He keeped her sae late and lang,\n Till the evening set, and birds they sang.\n\n He ga'e to her at their parting,\n A chain o' gold, and gay gold ring:\n\n And three locks o' his yellow hair: 15\n Bade her keep them for evermair.\n\n When six lang months were come and gane,\n A courtier to this lady came.\n\n Lord Dingwall courted this lady gay,\n And so he set their wedding-day. 20\n\n A little boy to the ha' was sent,\n To bring her horse was his intent.\n\n As she was riding the way along,\n She began to make a heavy moan.\n\n \"What ails you, lady,\" the boy said, 25\n \"That ye seem sae dissatisfied?\n\n \"Are the bridle reins for you too strong?\n Or the stirrups for you too long?\"\n\n \"But, little boy, will ye tell me,\n The fashions that are in your countrie?\" 30\n\n \"The fashions in our ha' I'll tell,\n And o' them a' I'll warn you well.\n\n \"When ye come in upon the floor,\n His mither will meet you wi' a golden chair.\n\n \"But be ye maid, or be ye nane, 35\n Unto the high seat make ye boun.\n\n \"Lord Dingwall aft has been beguil'd,\n By girls whom young men hae defiled.\n\n \"He's cutted the paps frae their breast bane,\n And sent them back to their ain hame.\" 40\n\n When she came in upon the floor,\n His mother met her wi' a golden chair.\n\n But to the high seat she made her boun':\n She knew that maiden she was nane.\n\n When night was come, they went to bed, 45\n And ower her breast his arm he laid.\n\n He quickly jumped upon the floor,\n And said, \"I've got a vile rank whore.\"\n\n Unto his mother he made his moan,\n Says, \"Mother dear, I am undone. 50\n\n \"Ye've aft tald, when I brought them hame,\n Whether they were maid or nane.\n\n \"I thought I'd gotten a maiden bright,\n I've gotten but a waefu' wight.\n\n \"I thought I'd gotten a maiden clear, 55\n But gotten but a vile rank whore.\"\n\n \"When she came in upon the floor,\n I met her wi' a golden chair.\n\n \"But to the high seat she made her boun',\n Because a maiden she was nane.\" 60\n\n \"I wonder wha's tauld that gay ladie,\n The fashion into our countrie.\"\n\n \"It is your little boy I blame,\n Whom ye did send to bring her hame.\"\n\n Then to the lady she did go, 65\n And said, \"O Lady, let me know\n\n \"Who has defiled your fair bodie?\n Ye're the first that has beguiled me.\"\n\n \"O we were sisters, sisters seven,\n The fairest women under heaven; 70\n\n \"And we kiest kevels us amang,\n Wha wou'd to the grenewood gang;\n\n \"For to pu' the finest flowers,\n To put around our summer bowers.\n\n \"I was the youngest o' them a', 75\n The hardest fortune did me befa'.\n\n \"Unto the grenewood I did gang,\n And pu'd the nuts as they down hang.\n\n \"I hadna stay'd an hour but ane,\n Till I met wi' a highlan' groom. 80\n\n \"He keeped me sae late and lang,\n Till the evening set, and birds they sang.\n\n \"He gae to me at our parting,\n A chain of gold, and gay gold ring:\n\n \"And three locks o' his yellow hair: 85\n Bade me keep them for evermair.\n\n \"Then for to show I make nae lie,\n Look ye my trunk, and ye will see.\"\n\n Unto the trunk then she did go,\n To see if that were true or no. 90\n\n And aye she sought, and aye she flang,\n Till these four things came to her hand.\n\n Then she did to her ain son go,\n And said, \"My son, ye'll let me know.\n\n \"Ye will tell to me this thing:-- 95\n What did yo wi' my wedding-ring?\"\n\n \"Mother dear, I'll tell nae lie:\n I gave it to a gay ladie.\n\n \"I would gie a' my ha's and towers,\n I had this bird within my bowers.\" 100\n\n \"Keep well, keep well, your lands and strands,\n Ye hae that bird within your hands.\n\n \"Now, my son, to your bower ye'll go:\n Comfort your ladie, she's full o' woe.\"\n\n Now when nine months were come and gane, 105\n The lady she brought hame a son.\n\n It was written on his breast-bane,\n Lord Dingwall was his father's name.\n\n He's ta'en his young son in his arms,\n And aye he prais'd his lovely charms. 110\n\n And he has gi'em him kisses three,\n And doubled them ower to his ladie.\n\n\n\n\nHYNDE ETIN. (See p. 179.)\n\nFrom Kinloch's _Ancient Scottish Ballads_, p. 228.\n\n\n May Marg'ret stood in her bouer door,\n Kaiming doun her yellow hair;\n She spied some nuts growin in the wud,\n And wish'd that she was there.\n\n She has plaited her yellow locks 5\n A little abune her bree;\n And she has kilted her petticoats\n A little below her knee;\n And she's aff to Mulberry wud,\n As fast as she could gae. 10\n\n She had na pu'd a nut, a nut,\n A nut but barely ane,\n Till up started the Hynde Etin,\n Says, \"Lady! let thae alane.\"\n\n \"Mulberry wuds are a' my ain; 15\n My father gied them me,\n To sport and play when I thought lang;\n And they sall na be tane by thee.\"\n\n And ae she pu'd the tither berrie,\n Na thinking o' the skaith; 20\n And said, \"To wrang ye, Hynde Etin,\n I wad be unco laith.\"\n\n But he has tane her by the yellow locks,\n And tied her till a tree,\n And said, \"For slichting my commands, 25\n An ill death shall ye dree.\"\n\n He pu'd a tree out o' the wud,\n The biggest that was there;\n And he howkit a cave monie fathoms deep,\n And put May Marg'ret there. 30\n\n \"Now rest ye there, ye saucie may;\n My wuds are free for thee;\n And gif I tak ye to mysell,\n The better ye'll like me.\"\n\n Na rest, na rest May Marg'ret took, 35\n Sleep she got never nane;\n Her back lay on the cauld, cauld floor,\n Her head upon a stane.\n\n \"O tak me out,\" May Marg'ret cried,\n \"O tak me hame to thee; 40\n And I sall be your bounden page\n Until the day I dee.\"\n\n He took her out o' the dungeon deep,\n And awa wi' him she's gane;\n But sad was the day an earl's dochter 45\n Gaed hame wi' Hynde Etin.\n\n * * * * *\n\n It fell out ance upon a day,\n Hynde Etin's to the hunting gane;\n And he has tane wi' him his eldest son,\n For to carry his game. 50\n\n \"O I wad ask you something, father,\n An ye wadna angry be;\"--\n \"Ask on, ask on, my eldest son,\n Ask onie thing at me.\"\n\n \"My mother's cheeks are aft times weet, 55\n Alas! they are seldom dry;\"--\n \"Na wonder, na wonder, my eldest son,\n Tho' she should brast and die.\n\n \"For your mother was an earl's dochter,\n Of noble birth and fame; 60\n And now she's wife o' Hynde Etin,\n Wha ne'er got christendame.\n\n \"But we'll shoot the laverock in the lift,\n The buntlin on the tree;\n And ye'll tak them hame to your mother, 65\n And see if she'll comforted be.\"\n\n * * * * *\n\n \"I wad ask ye something, mother,\n An' ye wadna angry be;\"--\n \"Ask on, ask on, my eldest son,\n Ask onie thing at me.\" 70\n\n \"Your cheeks they are aft times weet,\n Alas! they're seldom dry;\"--\n \"Na wonder, na wonder, my eldest son,\n Tho' I should brast and die.\n\n \"For I was ance an earl's dochter, 75\n Of noble birth and fame;\n And now I am the wife of Hynde Etin,\n Wha ne'er got christendame.\"\n\n\n\n\nSIR OLUF AND THE ELF-KING'S DAUGHTER. (See p. 192.)\n\n\nThis is a translation by Jamieson (_Popular Ballads and Songs_, i.\n219), of the Danish _Elveskud_ (Abrahamson, i. 237). Lewis has given a\nversion of the same in the _Tales of Wonder_, (No. 10.) The\ncorresponding Swedish ballad, _The Elf-Woman and Sir Olof_ (Afzelius,\niii. 165) is translated by Keightley, _Fairy Mythology_, p. 84. This\nballad occurs also in Norse, Faroish, and Icelandic.\n\nOf the same class are _Elfer Hill_, (from the Danish, Jamieson, i.\n225; from the Swedish, Keightley, 86; through the German, _Tales of\nWonder_, No. 6:) _Sir Olof in the Elve-Dance_, (Keightley, 82;\n_Literature and Romance of Northern Europe_, by William and Mary\nHowitt, i. 269:) _The Merman and Marstig's Daughter_, (from the\nDanish, Jamieson, i. 210; _Tales of Wonder_, No. 11:) the Breton tale\nof _Lord Nann and the Korrigan_, (Keightley, 433:) three Slavic\nballads referred to by Grundtvig, (_Elveskud_, ii. 111:) _Sir Peter of\nStauffenbergh and the Mermaid_, (from the German, Jamieson,\n_Illustrations of Northern Antiquities_, 257,) and the well-known\n_Fischer_ of Goethe.\n\n\n Sir Oluf the hend has ridden sae wide,\n All unto his bridal feast to bid.\n\n And lightly the elves, sae feat and free,\n They dance all under the greenwood tree!\n\n And there danced four, and there danced five; 5\n The Elf-King's daughter she reekit bilive.\n\n Her hand to Sir Oluf sae fair and free:\n \"O welcome, Sir Oluf, come dance wi' me!\n\n \"O welcome, Sir Oluf! now lat thy love gae,\n And tread wi' me in the dance sae gay.\" 10\n\n \"To dance wi' thee ne dare I, ne may;\n The morn it is my bridal day.\"\n\n \"O come, Sir Oluf, and dance wi' me;\n Twa buckskin boots I'll give to thee;\n\n \"Twa buckskin boots, that sit sae fair, 15\n Wi' gilded spurs sae rich and rare.\n\n \"And hear ye, Sir Oluf! come dance wi' me;\n And a silken sark I'll give to thee;\n\n \"A silken sark sae white and fine,\n That my mother bleached in the moonshine.\" 20\n\n \"I darena, I maunna come dance wi' thee;\n For the morn my bridal day maun be.\"\n\n \"O hear ye, Sir Oluf! come dance wi' me,\n And a helmet o' goud I'll give to thee.\"\n\n \"A helmet o' goud I well may ha'e; 25\n But dance wi' thee ne dare I, ne may.\"\n\n \"And winna thou dance, Sir Oluf, wi' me?\n Then sickness and pain shall follow thee!\"\n\n She's smitten Sir Oluf--it strak to his heart;\n He never before had kent sic a smart; 30\n\n Then lifted him up on his ambler red;\n \"And now, Sir Oluf, ride hame to thy bride.\"\n\n And whan he came till the castell yett,\n His mither she stood and leant thereat.\n\n \"O hear ye, Sir Oluf, my ain dear son, 35\n Whareto is your lire sae blae and wan?\"\n\n \"O well may my lire be wan and blae,\n For I ha'e been in the elf-womens' play.\"\n\n \"O hear ye, Sir Oluf, my son, my pride,\n And what shall I say to thy young bride?\" 40\n\n \"Ye'll say, that I've ridden but into the wood,\n To prieve gin my horse and hounds are good.\"\n\n Ear on the morn, whan night was gane,\n The bride she cam wi' the bridal train.\n\n They skinked the mead, and they skinked the wine: 45\n \"O whare is Sir Oluf, bridegroom mine?\"\n\n \"Sir Oluf has ridden but into the wood,\n To prieve gin his horse and hounds are good.\"\n\n And she took up the scarlet red,\n And there lay Sir Oluf, and he was dead! 50\n\n Ear on the morn, whan it was day,\n Three likes were ta'en frae the castle away;\n\n Sir Oluf the leal, and his bride sae fair,\n And his mither, that died wi' sorrow and care.\n\n And lightly the elves sae feat and free, 55\n They dance all under the greenwood tree!\n\n\n\n\nFRAGMENT OF THE DAEMON LOVER. (See p. 201.)\n\n(Motherwell's _Minstrelsy_, p. 92.)\n\n\n \"I have seven ships upon the sea,\n Laden with the finest gold,\n And mariners to wait us upon;--\n All these you may behold.\n\n \"And I have shoes for my love's feet, 5\n Beaten of the purest gold,\n And lined wi' the velvet soft,\n To keep my love's feet from the cold.\n\n \"O how do you love the ship,\" he said,\n \"Or how do you love the sea? 10\n And how do you love the bold mariners\n That wait upon thee and me?\"\n\n \"O I do love the ship,\" she said,\n \"And I do love the sea;\n But woe be to the dim mariners, 15\n That nowhere I can see.\"\n\n They had not sailed a mile awa',\n Never a mile but one,\n When she began to weep and mourn,\n And to think on her little wee son. 20\n\n \"O hold your tongue, my dear,\" he said,\n \"And let all your weeping abee,\n For I'll soon show to you how the lilies grow\n On the banks of Italy.\"\n\n They had not sailed a mile awa', 25\n Never a mile but two,\n Until she espied his cloven foot,\n From his gay robes sticking thro'.\n\n They had not sailed a mile awa',\n Never a mile but three, 30\n When dark, dark, grew his eerie looks,\n And raging grew the sea.\n\n They had not sailed a mile awa',\n Never a mile but four,\n When the little wee ship ran round about, 35\n And never was seen more!\n\n\n\n\nCONSTANTINE AND ARETE. See p. 217.\n\n\nWe are indebted for the following recension of _Constantine and Arete_\nto Mr. Sophocles of Harvard College. It is constructed from Fauriel's\ntext, combined with a copy in Zambelios's [Grk: Aismata Demotika], and\nwith a version taken down from the recitation of a Cretan woman. The\ntranslation is by the skilful hand of Professor Felton.\n\nWe may notice by the way that several versions of this piece are given\nby Tommaseo, in his _Canti Popolari Toscani_, etc. iii. 341.\n\n\n [Grk:\n Manna me tous ennia sou huious kai me te mia sou kore,\n Ten kore te monakribe ten polyagapemene,\n Ten eiches dodeka chronon k' helios den sou ten eide,\n 'S ta skoteina ten elouges, 's t' aphenga ten eplekes,\n 'S t' astre kai 's ton augerino to' ephkeianes ta sgoura tes. 5\n He geitonia den exere pos eiches thygatera,\n Kai proxenia sou pherane apo te Babylone.\n Hoi okto aderphoi den theloune, kai ho Kostantinos thelei;\n \"Dos tene, manna, dos tene ten 'Arete 's ta xena,\n Na 'cho k' ego paregoria 's te strata pou diabaino.\" 10\n \"Phrenimos eisai, Kostante, m' aschem' apilogethes;\n An tyche pikra ge chara, poios tha mou tene phere?\"\n To theo tes banei engyte kai tous hagious martyrous,\n An tyche pikra ge chara na pae na tes ten phere;\n Kai san ten epantrepsane ten Arete 's ta xena, 15\n Erchetai chronos disephtos kai hoi ennia pethanan.\n Emeine he manna monache san kalamia 's ton kampo.\n 'S ta ochto mnemata dernetai, 's ta ochto myrologaei,\n 'S tou Kostantinou to thaphtio anespa ta mallia tes;\n \"Sekou, Kostantinake mou, ten Arete mou thelo; 20\n To theo mou 'bales engyte kai tous hagious martyrous,\n An tyche pikra ge chara na pas na mou ten pheres.\"\n Kai mesa 's ta mesanychta ap' to kibouri bgainei.\n Kanei to sygnepho alogo, kai t' astro salibari,\n Kai to phengari syntrophia kai paei na tene phere. 25\n Briskei ten kai chtenizountai oxou 's to phengaraki.\n Apomakria ten chairetaei kai apomakria tes legei.\n \"Gia ela, Aretoula mou, kyrana mas se thelei.\"\n \"Alimono, aderphaki mou, kai ti 'ne tout' he hora!\n An en' chara 's to spiti mas, na balo ta chrysa mou, 30\n Kai an pikra, aderphaki mou, na 'rtho hos kathos eimai.\"\n \"Mede pikra mede chara; ela hos kathos eisai.\"\n 'S te strata pou diabainane, 's te strata pou pagainan,\n Akoun poulia kai kiladoun, akoun poulia kai lene;\n \"Gia des kopela omorphe na serne apethamenos!\" 35\n \"Akouses, Kostantake mou, ti lene ta poulakia?\"\n \"Poulakia 'ne kai as kiladoun, poulakia 'ne kai as lene.\"\n Kai parakei pou pagainan kai alla poulia tous legan;\n \"Ti blepoume ta thlibera ta paraponemena?\n Na perpatoun hoi zontanoi me tous apethamenous?\" 40\n \"Akouses, Kostantake mou, ti lene ta poulakia?\"\n \"Poulakia 'ne kai as kiladoun, poulakia 'ne kai as lene.\"\n \"Phoboumai s' aderphaki mou, kai libanies myrizeis.\"\n \"Echtes bradys epegame kato 's ton Haigianne,\n K' ethymiase mas ho papas me to poly libani.\" 45\n Kai parempros pou pegane, kai alla poulia tous lene;\n \"O the megalodyname, megalo thama kaneis!\n Tetoia panorea lygere na serne apethamenos!\"\n T' akouse pale he Arete k' erragis' he kardia tes;\n \"Akouses, Kostantake mou, ti lene ta poulakia? 50\n Pes mou pou 'n' ta mallakia sou, to pegouro moustaki?\"\n \"Megale arrostia m' heureke, m' errexe tou thanatou.\"\n Briskoun to spiti kleidoto kleidomantalomeno,\n Kai ta spitoparathyra pou 'tan arachniasmena;\n \"Anoixe, manna m', anoixe, kai na ten Arete sou.\" 55\n \"An esai Charos, diabaine, kai alla paidia den echo;\n He dolea Aretoula mou leipei makria 's ta xena.\"\n \"Anoixe, manna m', anoixe, k' ego' mai ho Kostantes sou.\n To thio sou 'bala engyte kai tous agious martyrous,\n An tyche pikra ge chara na pao na sou ten phero.\" 60\n Kai hoste na 'bge 's ten porta tes, ebgeke he psyche tes.]\n\n\nCONSTANTINE AND ARETE.\n\n O mother, thou with thy nine sons, and with one only daughter,\n Thine only daughter, well beloved, the dearest of thy children,\n For twelve years thou didst keep the maid, the sun did not behold her,\n Whom in the darkness thou didst bathe, in secret braid her tresses,\n And by the starlight and the dawn, didst wind her curling ringlets,\n Nor knew the neighborhood that thou didst have so fair a daughter,--\n When came to thee from Babylon a woer's soft entreaty:\n Eight of the brothers yielded not, but Constantine consented.\n \"O mother give thine Arete, bestow her on the stranger,\n That I may have her solace dear when far away I wander.\"\n \"Though thou art wise, my Constantine, thou hast unwisely spoken:\n Be woe my lot or be it joy, who will restore my daughter?\"\n He calls to witness God above, he calls the holy martyrs,\n Be woe her lot, or be it joy, he would restore her daughter:\n And when they wedded Arete, in that far distant country,\n Then comes the year of sorrowing, and all the nine did perish.\n All lonely was the mother left, like a reed alone in the meadow;\n O'er the eight graves she beats her breast, o'er eight is heard her\n wailing,\n And at the tomb of Constantine, she rends her hair in anguish.\n \"Arise, my Constantine, arise, for Arete I languish:\n On God to witness thou didst call, didst call the holy martyrs,\n Be woe my lot or be it joy, thou wouldst restore my daughter.\"\n And forth at midnight hour he fares, the silent tomb deserting,\n He makes the cloud his flying steed, he makes the star his bridle,\n And by the silver moon convoyed, to bring her home he journeys:\n And finds her combing down her locks, abroad by silvery moonlight,\n And greets the maiden from afar, and from afar bespeaks her.\n \"Arise, my Aretula dear, for thee our mother longeth.\"\n \"Alas! my brother, what is this? what wouldst at such an hour?\n If joy betide our distant home, I wear my golden raiment,\n If woe betide, dear brother mine, I go as now I'm standing.\"\n \"Think not of joy, think not of woe--return as here thou standest.\"\n And while they journey on the way, all on the way returning,\n They hear the Birds, and what they sing, and what the Birds are\n saying.\n \"Ho! see the maiden all so fair, a Ghost it is that bears her.\"\n \"Didst hear the Birds, my Constantine, didst list to what they're\n saying?\"\n \"Yes: they are Birds, and let them sing, they're Birds, and let\n them chatter:\"\n And yonder, as they journey on, still other Birds salute them.\n \"What do we see, unhappy ones, ah! woe is fallen on us;--\n Lo! there the living sweep along, and with the dead they travel.\"\n \"Didst hear, my brother Constantine, what yonder Birds are saying?\"\n \"Yes! Birds are they, and let them sing, they're Birds, and let them\n chatter.\"\n \"I fear for thee, my Brother dear, for thou dost breathe of\n incense.\"\n \"Last evening late we visited the church of Saint Johannes,\n And there the priest perfumed me o'er with clouds of fragrant\n incense.\"\n And onward as they hold their way, still other Birds bespeak them:\n\n \"O God, how wondrous is thy power, what miracles thou workest!\n A maid so gracious and so fair, a Ghost it is that bears her:\"\n 'Twas heard again by Arete, and now her heart was breaking;\n \"Didst hearken, brother Constantine, to what the Birds are saying?\n Say where are now thy waving locks, thy strong thick beard,\n where is it?\"\n \"A sickness sore has me befallen, and brought me near to dying.\"\n They find the house all locked and barred, they find it barred and\n bolted,\n And all the windows of the house with cobwebs covered over.\n \"Unlock, O mother mine, unlock, thine Arete thou seest.\"\n \"If thou art Charon, get thee gone--I have no other children:\n My hapless Arete afar, in stranger lands is dwelling.\"\n \"Unlock, O mother mine, unlock, thy Constantine entreats thee.\n I called to witness God above, I called the holy martyrs,\n Were woe thy lot, or were it joy, I would restore thy daughter.\"\n And when unto the door she came, her soul from her departed.\n\n\n\n\nTHE HAWTHORN TREE.\n\nRitson's _Ancient Songs_, ii. 44.\n\n\n_A Mery Ballet of the Hathorne Tre_, from a MS. in the Cotton Library,\nVespasian, A. xxv. The MS. has \"G. Peele\" appended to it, but in a\nhand more modern than the ballad. Mr. Dyce, with very good reason,\n\"doubts\" whether Peele is the author of the ballad, but has printed\nit, Peele's _Works_, ii. 256. It is given also by Evans, i. 342, and\npartly in Chappell's _Popular Music_, i. 64.\n\nThe true character of this piece would never be suspected by one\nreading it in English. The same is true of the German, where the\nballad is very common, and much prettier than in English, e.g. _Das\nMaedchen und die Hasel_, _Das Maedchen und der Sagebaum_, Erk's\n_Liederhort_, No. 33, five copies; Hoffmann, _Schlesische\nVolkslieder_, No. 100, three copies, etc. In Danish and Swedish we\nfind a circumstantial story: _Jomfruen i Linden_, Grundtvig, No. 66;\n_Linden, Svenska Folkvisor_, No. 87. The tree is an enchanted damsel,\none of eleven children transformed by a step-mother into various less\ntroublesome things, and the spell can be removed only by a kiss from\nthe king's son. By the intervention of the maiden, this rite is\nperformed, and the beautiful linden is changed to as beautiful a young\nwoman, who of course becomes the prince's bride. A Wendish ballad\nresembling the German is given by Haupt and Schmaler, and ballads akin\nto the Danish, are found in Slovensk and Lithuanian (see Grundtvig).\n\n\n It was a maide of my countre,\n As she came by a hathorne-tre,\n As full of flowers as might be seen,\n 'She' merveld to se the tree so grene.\n\n At last she asked of this tre, 5\n \"Howe came this freshness unto the,\n And every branche so faire and cleane?\n I mervaile that you growe so grene.\"\n\n The tre 'made' answere by and by:\n \"I have good causse to growe triumphantly; 10\n The swetest dewe that ever be sene\n Doth fall on me to kepe me grene.\"\n\n \"Yea,\" quoth the maid, \"but where you growe,\n You stande at hande for every blowe;\n Of every man for to be seen; 15\n I mervaile that you growe so grene.\"\n\n \"Though many one take flowers from me,\n And manye a branche out of my tre,\n I have suche store they wyll not be sene,\n For more and more my 'twegges'[L20] growe grene.\" 20\n\n \"But howe and they chaunce to cut the downe,\n And carry thie braunches into the towne?\n Then will they never no more be sene\n To growe againe so freshe and grene.\"\n\n \"Though that you do, yt ys no boote; 25\n Althoughe they cut me to the roote,\n Next yere againe I will be sene\n To bude my branches freshe and grene.\n\n \"And you, faire maide, canne not do so;\n For yf you let youre maid-hode goe, 30\n Then will yt never no more be sene,\n As I with my braunches can growe grene.\"\n\n The maide wyth that beganne to blushe,\n And turned her from the hathorne-bushe;\n She though[t]e herselffe so faire and clene, 35\n Her bewtie styll would ever growe grene.\n\n Whan that she harde this marvelous dowbte,\n She wandered styll then all aboute,\n Suspecting still what she would wene,\n Her maid-heade lost would never be seen. 40\n\n Wyth many a sighe, she went her waye,\n To se howe she made herselff so gay,\n To walke, to se, and to be sene,\n And so out-faced the hathorne grene.\n\n Besides all that, yt put her in feare 45\n To talke with companye anye where,\n For feare to losse the thinge that shuld be sene\n To growe as were the hathorne grene.\n\n But after this never could I here\n Of this faire mayden any where, 50\n That ever she was in forest sene\n To talke againe of the hathorne grene.\n\n\n20. twedges.\n\n\n\n\nST. STEPHEN AND HEROD.\n\nRitson's _Ancient Songs_, i. 141, Sandys's _Christmas Carols_, p. 4:\nfrom the Sloane MS., No. 2593 (temp. Hen. VI.)\n\n\nThis curious little ballad was sung as a carol for St. Stephen's Day.\nIts counterpart is found in Danish (though not in an ancient form),\nprinted in Erik Pontoppidan's book on the relics of Heathenism and\nPapistry in Denmark, 1736 (_Jesusbarnet, Stefan, og Herodes_\nGrundtvig, No. 96). There is also a similar ballad in Faroish. Only a\nslight trace of the story is now left in the Swedish _Staffans Visa_\n(_Svenska F.V._, No. 99), which is sung as a carol on St. Stephen's\nDay, as may very well have been the case with the Danish and Faroish\nballads too.\n\nThe miracle of the roasted cock occurs in many other legends. The\nearliest mention of it is in Vincent of Beauvais's _Speculum\nHistoriale_, L. xxv. c. 64. It is commonly ascribed to St. James,\nsometimes to the Virgin. (See the preface to the ballad in Grundtvig,\nand to Southey's _Pilgrim to Compostella_.) We meet with it in another\nEnglish carol called _The Carnal[E] and the Crane_, printed in\nSandys's collection, p. 152, from a broadside copy, corrupt and almost\nunintelligible in places. The stanzas which contain the miracle are\nthe following:\n\n\n There was a star in the West land,\n So bright it did appear\n Into King Herod's chamber,\n And where King Herod were.\n\n The Wise Men soon espied it,\n And told the king on high,\n A princely babe was born that night\n No king could e'er destroy.\n\n \"If this be true,\" King Herod said,\n \"As thou tellest unto me,\n This roasted cock that lies in the dish\n Shall crow full fences[F] three.\"\n\n The cock soon freshly feather'd was,\n By the work of God's own hand,\n And then three fences crowed he,\n In the dish where he did stand.\n\n \"Rise up, rise up, you merry men all,\n See that you ready be;\n All children under two years old\n Now slain they all shall be.\"\n\n [E] crow?\n\n [F] rounds?\n\n * * * * *\n\n Seynt Stevene was a clerk in kyng Herowdes halle,\n And servyd him of bred and cloth, as ever kyng befalle.[L2]\n\n Stevyn out of kechon cam, wyth boris hed on honde;\n He saw a sterr was fayr and bryght over Bedlem stonde.\n\n He kyst[L5] adoun the bores hed, and went into the halle: 5\n \"I forsake the, kyng Herowdes, and thi werkes alle.\n\n \"I forsak the, kyng Herowdes, and thi werkes alle:\n Ther is a chyld in Bedlem born is beter than we alle.\"\n\n \"Quhat eylyt[L9] the, Stevene? quhat is the befalle?\n Lakkyt the eyther mete or drynk in kyng Herowdes halle?\" 10\n\n \"Lakit me neyther mete ne drynk in kyng Herowdes halle:\n Ther is a chyld in Bedlem born is beter than we alle.\"\n\n \"Quhat eylyt the, Stevyn? art thu wod, or thu gynnyst to brede?[L13]\n Lakkyt the eythar gold or fe, or ony ryche wede?\"[L14]\n\n \"Lakyt 'me' neyther gold ne fe, ne non ryche wede;[L15] 15\n Ther is a chyld in Bedlem born xal[L16] helpen us at our nede.\"\n\n \"That is al so soth, Stevyn, al so soth, i-wys,[L17]\n As this capon crowe xal that lyth her in myn dysh.\"\n\n That word was not so sone seyd, that word in that halle,\n The capon crew, CHRISTUS NATUS EST! among the lordes alle. 20\n\n \"Rysyt up, myn turmentowres, be to[L21] and al be on,\n And ledyt Stevyn out of this town, and stonyt hym wyth ston.\"\n\n Tokyn he[L23] Stevene, and stonyd hym in the way;\n And therefor is his evyn on Crystes owyn day.\n\n\n2. befalle, _befell_.\n\n5. kyst, _cast_.\n\n9. eylyt, _aileth_.\n\n13. wod, _mad_: gynnyst to brede, _beginnest to entertain capricious\nfancies_, like a woman, &c.\n\n14. fe, _wages_: wede, _clothes_.\n\n15. ne, _nor_.\n\n16. xall, _shall_.\n\n17. soth, _true_: i-wys, _for a certainty_.\n\n21. be to, _by two_.\n\n23. he, _they_.\n\n\n\n\nGLOSSARY.\n\n\nN.B. Figures placed after words denote the pages in which they occur.\n\n a, _one_.\n a', _all_.\n abee, abene, _be_.\n aboon, abune, _above_.\n aby, _pay for_.\n ae, _only, sole_.\n ae, _aye, still_,\n ahin, _behind_.\n airn, _iron_.\n ald, _old_.\n all and some, _each and all_.\n als, _as_.\n als, _also_.\n ance, anes, _once_.\n appone, _upon_.\n araye, _order_.\n arblast-bow, _cross-bow_.\n are, _before_.\n arena, _are not_.\n arighte, _laid hold of_.\n armorie, 237, _band of armed men_.\n asey, _assay_.\n ask, _newt, a kind of lizard_.\n askryede, _described_.\n asurd, _azured, blue_.\n at, 296, _of_.\n atteynt, _seize_.\n aught, _owed_.\n avanse, _gain, succeed_.\n avow, _vow_.\n awa, _away_.\n awenn, _own_.\n ay, _a_.\n ayont, _beyond_.\n\n ba', _ball_.\n backefysyke, 22.\n bade, _prayed for_.\n bade, _abode, staid_.\n bairnly, _childlike_.\n bald, _bold_.\n bale, _blaze, fire_.\n bale, _harme, ruin, sorrow_.\n ban', _bound_.\n bane, _bone_.\n bankers, 276, _coverings for benches_.\n bann, _curse_.\n barn, _child, wight_.\n beck, _stream_.\n bedone, 8, _bedecked_.\n begane, _bedecked_.\n begynne the bord, _sit at the head of the table_.\n ben, _in_.\n ben, _prompt, ready_.\n bent, _plain, field_, (from the coarse grass growing on open lands);\n bentis, bents, _coarse grass_.\n beryde, 98, _cried, made a noise_.\n bese, _will_ or _shall be_.\n best man, bride's, 85, _bridesman_, (corresponding to the best maid,\n or bridesmaid).\n bestedde, _circumstanced_.\n bi, _be_.\n bierly, 148, _proper, becoming, comfortable_.\n bigg, _build_.\n bilive, _quickly_.\n Billy Blind, or Billy Blin, _a Brownie, or domestic fairy_.\n binkes, _benches_.\n bird, _lady_.\n birk, _birch_.\n birled, 211, _poured out drink_, or _drunk_.\n blae, _livid_.\n blee, _color, complexion_.\n blewe, 99, _sounded a horn_.\n blin, blyn, _stop, cease_.\n bogle, _spectre, goblin_.\n bone, _boon_.\n boome, 287. Qy. goome, _man_?\n bord, _table_.\n borrow, _stand surety for, ransom, rescue_.\n bouir, _chamber, dwelling_.\n boun, _boon_.\n boun, _ready_;\n make ye boun, 289, boun, 187, _go straightway_.\n bourdes, _jests_.\n boure, bower, _chamber_.\n bouted, _bolted_.\n bown, _ready, ready to go_.\n bowrd, _jest_.\n brade, _broad_.\n brae, _hill-side_.\n brast, _burst_.\n brayd, _started, turned_.\n braw, _brave, fine_.\n bree, _brow_.\n brening, _burning_.\n brent, _burnt_.\n brether, 26, _brethren_.\n bricht, _bright_.\n brimes, _water_.\n britled, 15, brittened, 106, _cut up, carved_.\n brok, _brook_.\n broom-cow, _bush of broom_.\n brook, _enjoy, preserve_.\n brues, _brows_.\n brunt, _burnt_.\n bryste, _burst_.\n bue, 234, 235, _fair_?\n bugyle, _horn_.\n bunge, 239?\n buntin, buntlin, _blackbird_; al. _wood-lark_.\n burd, _maid, lady_.\n burd-alane, _alone_.\n Burlow-beanie, 241, _name of a fiend or spirit_.\n burn, _brook_.\n busk, _dress, make ready_.\n but, 208, _and_;\n but and, _and also_.\n by and by, _straightway_.\n bydeene, 13, _continuously, in numbers_.\n byggis, _builds_.\n bygone, _bedecked_.\n byhouys, _behoves_.\n byleve, 98, _remain_.\n byrde, _lady_.\n byre, _cow-house_.\n byrnande, _burning_.\n byteche, _commit_.\n\n ca', _call_.\n can, (sometimes gan,) _used as an auxiliary with an infinitive\n mood, to express the past tense of a verb_.\n carknet, _necklace_.\n carline, _female of churl_, _old woman_.\n carlist, 37, _churlish_.\n carp, _talk_, _tell stories_.\n cast, _planned_.\n chalmer, _chamber_.\n channerin', _fretting_.\n chere, _countenance_.\n chese, _choose_.\n chess, _jess_, _strap_.\n chewys, _choosest_.\n chiel, _child_, _young man_.\n christendame, christendoun, _christening_.\n christentye, _christendom_.\n claes, _clothes_.\n clapping, _fondling_.\n clear, clere, _fair_, _morally pure_.\n cockward, _cuckold_.\n coft, _bought_.\n coiffer, 260, _coif_, _head-dress_, _cap?_\n cold, _could, knew_; _used as an auxiliary with the infinitive\n to express a past tense_; e.g. he cold fling, _he flung_.\n coleyne, Collen, _Cologne steel_.\n com'nye, 237, _communing_, _discourse_.\n compass, _circle_,\n compenabull, 21, _sociable_, _admitting to participation_.\n coost, coosten, _cast_.\n couth, _could_, _knew_, _understood_.\n covent, _convent_.\n cow-me-doo, 171, like curdoo, _name for a dove_, from its cooing.\n craftelike, _craftily_.\n crapote, 99. Qy. cramasee, _crimson?_\n cropoure, _crupper_.\n crowt, 12, _curl up_.\n crystiante, _christendom_.\n cure, 279, _till_.\n\n dag-durk, _dagger_, _dirk_.\n damasee, _damson_.\n dang, _beat_, _struck_.\n dasse, _dais_, _raised platform_.\n daunton, _daunt_.\n decay, _destruction_.\n dee, _die_.\n dee, _do_.\n deid, _death_.\n dele, dell, _part_.\n delle, 101, _dally_.\n dere, _harm_.\n derne, _secret_.\n des, dese, _dais_, _elevated platform_.\n devyse, _direction_.\n deynteous, _dainty_.\n dight, 225, _placed_, _involved_.\n dight (corn), _winnow_.\n dinne, 12, _trouble_, _circumstance_.\n distans, 23, _dissension_, _strife_.\n done, _do_.\n doo, _dove_.\n doubt, dout, _fear_.\n dought, _could_, _might_; 112, _may_, _am able_.\n dow, _could_.\n dowie, _mournful_, _doleful_.\n dree, _suffer_.\n drest, _arranged_.\n drumlie, _troubled_, _gloomy_.\n dryssynge, _dressing_.\n dule, _sorrow_, _trouble_.\n dullfull, _doleful_.\n dyght, dygzht, _adorned_, _arrayed_, _dressed_.\n\n ear, _soon_, _early_.\n eerie, eiry, _fearful_, _producing superstitious dread_.\n eghne, _eyes_.\n eglis, _eagle's_.\n elde, eldren, _old_.\n Elfin, 262, _Elf-land_.\n elritch, _elvish_.\n endres-daye, 98, _past day_? _other day_? See Halliwell's _Dictionary_.\n\n \"Of my fortune, how it ferde,\n This _endir_ day, as y forth ferde.\"\n\n erdelik, 275, _earthly_. (Finlay, \"clidelik.\")\n erlish, _elvish_.\n esk, _newt_.\n etin (Danish jette), _giant_.\n even cloth, 113, _fine cloth_?\n everlk, _every_.\n everychon, _every one_.\n\n faem, _foam_.\n faine, _desire_.\n faine, _glad_.\n fairest, _forest_.\n fand, _found_.\n fare, _go_.\n farer, _further_.\n fawte, _want_.\n fayrse, _fierce_.\n feat, _neat_, _dexterous_, _nimble_.\n fee, 100, _animals_, _deer_; 107, _rent_, _tribute_.\n feed, _same as_ food, fud, _creature_, _man_, _woman_, or _child_.\n feires, _companions_, _mates_.\n fele, _many_.\n fell, _hill_, _moor_.\n ferli, 275, _fairly?_\n ferlie, ferly, _wonder_.\n ferlich, _wondrous_.\n fernie, _covered with fern_.\n fet, fette, _fetched_.\n fethill, _fiddle_.\n fforthi, _therefore_.\n fifthen, _fifth_.\n fil, _fell_.\n first ane, _first_.\n firth, (frith,) _wood_.\n fize, 274, _five_.\n flang, _flung_.\n flaugh, _flew_.\n flaw, 175, _lie_.\n fleer, _floor_.\n fley'd, _frightened_.\n flone, _arrow_.\n fode, _creature_, _child_.\n fond, _try_, _make trial_.\n fonde, _found_.\n forbye, _aside_.\n fordoo, _destroy_.\n foremost man, 158, (like best man), _bridesman_.\n forowttyn, _without_.\n forteynd, _happened_.\n forther, _further_.\n forthi, _therefore_.\n fowles, _birds_.\n fraine, _question_.\n free, 275, _lord_, 253, _lady_.\n free, freely, _noble_, _lovely_.\n frem, _strange_.\n freyry, _fraternity_.\n frowte, _fruit_.\n fu', _full_.\n fundyd, 275, _went_.\n fytt, _canto_, _division of a song_.\n\n gad, _bar_.\n gae, _gave_.\n gae, _go_, _going_.\n gait, nae, _no way_, _no where_.\n galid, 276, _sang?_\n gangande, _going_.\n gar, _make_, _cause_.\n gare, 193, _strip_.\n garthes, _girths_.\n gate, 225, _way_.\n gesing, 276, _guessing_; or, _desire_, A. Sax. gitsung?\n getterne, _giitern_, _kind of harp_.\n ghesting, _lodging_, _hospitable reception_.\n gied, _went_.\n gien, _given_.\n gin, giue, _if_.\n gleed, _a burning coal_.\n glided, 274. Qy. _gilded?_\n glint, _gleam_.\n gon, _begun_, _performed_.\n gon, _went_.\n goud, _gold_.\n goupen, _the hollow of the hand contracted to receive anything_.\n gowan, _flower_.\n gowd, _gold_.\n gowden, _golden_.\n gown of green, got on the, 259, _was with child_.\n gravil, 260?\n gree, _favor_, _prize_.\n green'd, _longed_.\n greet, _weep_.\n grew, _gray_.\n groom, _man_, _young man_.\n gule, _red_.\n gurlie, _stormy_, _surly_.\n gyne, _device_.\n\n ha', _hall_.\n had, _hold_, _keep_.\n hailsed, _saluted_.\n halch, _salute_, _embrace_.\n hallow, _hollow_.\n Hallowe'en, 120, _the eve of All-Saints' day_, supposed to be\n peculiarly favorable for intercourse with the invisible world, all\n fairies, witches, and ghosts being then abroad.\n hals, halse, _neck_;\n halsed, _greeted_.\n haly, _holy_.\n hame, _home_.\n hap, _cover_.\n harde, _heard_.\n harns, _brains_;\n harn-pan, _skull_.\n hate, _hat_.\n hat, _hit_.\n hand, _hold_.\n haved, _had_.\n heal, _conceal_.\n heathennest, heathynesse, 234, _heathendom_.\n hegehen, _eyes_.\n hegh, _high_;\n heghere, _higher_.\n hem, _them_.\n hende, _handsome_, _gentle_.\n hent, _took_.\n herbere, _arbor_, _orchard_.\n herme, _harm_.\n hethyn, 107, _hence_.\n hett, _bid_.\n heved, _head_.\n hi, 275, _I_.\n high-coll'd, _high-cut_.\n hind, _gentle_.\n hind, 180, _stripling_.\n him lane, _alone_.\n hingers, _hangings_.\n hirn, _corner_.\n hith, _hight, is called_.\n hollen, _holly_.\n hore, _hoar_, _hoary_.\n hose, 238, _clasp_.\n howkit, _dug_.\n howm, _holm_; _level, low ground on the bank of a stream_.\n hunt's-ha', _hunting-lodge_.\n hye, in, _in haste_; 23, perhaps _aloud_.\n hyghte, _bid_; _was called_.\n hynde, _youth_, _stripling_, _swain_.\n hy[z]e, in, 20, _in haste_, _of a sudden_.\n\n ic, _I_.\n iknow, _known_.\n ilka, _each_.\n ilke, _same_.\n inow[z]e, _enough_.\n intill, _into_, _upon_.\n iralle, 99. Qu. rialle, _royal?_\n\n jawes, 227, _dashes_;\n jawp'd, 257, _dashed_, _spattered_.\n jelly, _jolly_, _pleasant_.\n jimp, _slender_, _neat_.\n jolly, _pretty_, _gay_.\n\n kaim, _comb_.\n kane, _rent_.\n karp, _talk_, _relate stories_.\n kemb, _comb_.\n ken, _know_.\n keppit, _caught_, _kept_.\n kevels, _lots_.\n kiest, _cast_.\n kilted, _tucked_.\n kin', _kind of_.\n kindly, 236, \"_good old_\"?\n kirk, _church_.\n kist, _chest_.\n knave-bairn, _male child_.\n knicht, _knight_.\n\n laidley, _loathly_, _loathsome_.\n laigh-coll'd, _low-cut_.\n laith, _loath_.\n lane, _alone_; joined with pronouns, as, my lane, his lane, her lane,\n their lane, _myself alone_, &c.\n lang, _to think_, originally, _to seem long_, then _to be weary_,\n _feel ennui_.\n lapande, _lapping_.\n lappered, _coagulated_, _clotted_.\n lat, latten, _let_.\n lauchters, _locks_.\n laverock, _lark_.\n leal, _loyal_, _chaste_.\n leccam, _body_.\n lede, _lead_.\n lee, _lie_.\n leesome, _pleasant_, _sweet_.\n lelfe, 22, _leave?_\n lere, _lore_, _doctrine_; _learn_.\n les, lesyng, _lying_, _lie_.\n lesse and more, _smaller and greater_.\n lett, lette, _hinder_, _hinderance_; _delay_;\n withouten lette, _for a certainty_.\n leuedys, _ladies_.\n leuer, _liefer_, _rather_.\n leu[z]e, _laughed_.\n leven, 111, _lawn_.\n levin, _lightning_.\n ley-land, _lea-land_, _not ploughed_.\n licht, _light_.\n lichted, _lighted_.\n lift, _air_.\n likes, _dead bodies_.\n lingcam, 148, _body_, =leccam?\n linger, _longer_.\n link, _walk briskly_; _arm in arm_.\n lire, _face_, _countenance_.\n lith, 275, _supple_, _limber_.\n lithe, _listen_.\n lodlye, _loathly_.\n loffe, _love_.\n loof, _hollow of the hand_.\n loot, _bow_.\n loot, _let_.\n loun, _loon_.\n louted, _bowed_.\n lown, _lone_.\n low[z]he, _laughed_, _smiled_.\n luifsomely, _lovingly_.\n luppen, _leapt_.\n lygge, _lay_\n lyggande, _lying_.\n lyle, _little_.\n lystnys, _listen_.\n lyth, _member_, _limb_.\n\n mae, _more_.\n maen, _moan_.\n maik, _mate_.\n makane, _making_.\n mane, _moan_.\n mansworn, _perjured_.\n marrow, _mate_.\n maste, _most_, _greatest_.\n maun, _must_.\n maunna, _may not_.\n mawys, mavis, _singing thrush_.\n may, _maid_.\n medill-erthe, _earth_, _the upper-world_.\n mekill, _great_, _large_.\n mell, _mallet_.\n meloude, _melody_.\n mensked, 276, _honored_.\n menyde, _moaned_.\n merks, _marks_.\n merk-soot, 274, _mark-shot_, _distance between bow-marks_.--Finlay.\n merrys, _marrest_.\n mese, _mess_, _meal_.\n micht, _might_.\n middle-eard, the _upper world_, placed between the nether regions and\n the sky.\n minded, _remembered_.\n minion, _fine_, _elegant_.\n mirk, _dark_.\n mith, _might_.\n mode, _passion_, _energy_.\n mody, _courageous_.\n mold, mould, _earth_, _ground_.\n montenans, _amount_.\n more, _greater_.\n most, _greatest_.\n moth, _might_.\n mother-naked, _naked as at one's birth_.\n mouthe, _might_.\n Mungo, St., _St. Kentigern_.\n my lane, _alone_.\n mykel, _much_.\n\n na, _not_;\n namena, _name not_, _&c._\n nay, _denial_.\n neist, _next_.\n newfangle, 9, (_trifling_, _inconstant_), _light_, _loose_.\n niest, _next_, _nearest_, _close_.\n noth, nouth, _not_.\n nouther, noyther, _neither_.\n\n on, _in_.\n on ane, _anon_.\n one, _on_, _in_.\n onie, _any_.\n or, _ere_, _before_.\n orfare, 99, _embroidery_.\n Oryence, _Orient_.\n oure, _over_.\n over one, 23, _in a company_, _together?_ See Jamieson's _Scottish\n Dictionary_, in v. ouer ane.\n owre, _over_, _too_.\n owreturn, _refrain_.\n\n pae, _peacock_.\n paines, _penance_.\n pall, _rich cloth_.\n palmer, _pilgrim_.\n papeioyes, _popinjays_.\n parde, _par dieu_.\n pautit, _paw_, _beat with the foot_.\n pay, 237, _pleasure_, _satisfaction_.\n paye, 104, _content_.\n payetrelle, 99, (otherwise, patrel, poitrail, pectorale, &c.)\n _a steel plate for the protection of a horse's chest_.\n payrelde, _apparelled_.\n perde, _par dieu_.\n perelle, _pearl_.\n pile, 260, _down_, sometimes _tender leaves_.\n plas, 19, _place_, _palace_.\n ply[z]t, _plight_, _promise_.\n poterner, 8, _pouch_, _purse_. _Rightly corrected by Percy from_\n poterver. _See_ pautonniere, pontonaria, _and_ pantonarius, _in\n Henschel's ed. of Ducange_.\n pou, _pull_.\n prest, _priest_.\n prieve, _prove_.\n prink'd, prinn'd, _adorned_, _drest up_, _made neat_.\n pristly, _earnestly_.\n propine, _gift_.\n\n raches, _scenting hounds_.\n radde, _quick_, _quickly_.\n rair, _roar_.\n rashing, _striking like a boar_.\n rathely, _quickly_.\n raught, _reached_.\n rauine, _beasts of chase_, _prey_.\n redd, 22, _explained_.\n rede, _counsel_.\n reekit, 299, _steamed_.\n reele bone, 99, _an unknown material, of which saddles, especially, are\n in the romances said to be made_; _called variously_, rewel-bone,\n (_Cant. Tales_, 13, 807,) rowel-bone, reuylle-bone, _and_\n (_Young Bekie_, vol. iv. 12) royal-bone.\n reet, _root_.\n reme, _kingdom_.\n renninge, _running_.\n repreve, _reprove_, _deride_.\n rewe, _take pity_.\n ridand, _riding_.\n rived, 233, (_arrived_,) _travelled_.\n rought, route, rowte, _rout_, _band_, _company_.\n routh, _plenty_.\n row, _roll_, _wrap_.\n rown-tree, _mountain-ash_.\n rudd, _complexion_.\n rybybe, _kind of fiddle_.\n ryn, _run_.\n rysse, _rise_.\n\n safe-guard, _a riding-skirt_.\n saghe, _saw_.\n saikless, _guiltless_.\n sained, _crossed_, _consecrated_.\n sall, _shall_.\n same, 25, _some_, _each_.\n sark, _shirt_.\n sathe, _sooth_, _truth_.\n saw, _saying_, _tale_.\n sawtrye, _psaltery_.\n scathe, _damage_.\n schane, _shone_.\n scho, _she_.\n schone, _shoes_.\n scort, _short_.\n sculd, _should_.\n seannachy, _genealogist, bard, or story-teller_.\n seck, _sack_.\n sekirlye, _truly_.\n selle, _saddle_.\n senne, _since_.\n sere, _sore_.\n seres, _sires_, _sirs_.\n sey, 18, v. 29, _saw_.\n share, 193, _slip_, _strip_.\n shathmont, 126, [A. Sax. scaeftmund,] _a measure from the top of the\n extended thumb to the utmost part of the palm, six inches_.\n shee, 166, _shoe_.\n sheede, _spill_.\n sheeld-bones, _blade-bones_, _shoulder-blades_.\n sheen, _bright_.\n sheen, _shoes_.\n sheep's-silver, _mica_.\n shent, _injured_, _abused_; 48, _shamed_.\n sheugh, _furrow_, _ditch_.\n sic, _such_.\n sichin', _sighing_.\n sicken, _such_.\n skaith, _harm_.\n skaith, [qy. skail?] 136, _save_, _keep innocent of_.\n skill, but a, 371, _only reasonable?_\n skinked, _poured out_.\n sky sett in, 262, for _sunset_ or _evening_.\n skyll, _reason_, _manner_, _matter_.\n slae, _sloe_.\n slawe, _slain_.\n slichting, _slighting_.\n smert, _quickly_.\n snell, _quick_, _keen_.\n solace, solas, _recreation_, _sport_.\n sooth, soth, _truth_;\n sothely, _truly_.\n soth, 276, _sweet_.\n soun, _sound_.\n speed, 11, _fare_.\n spier, _ask_.\n spylle, _destroy_.\n stappin', 148, _stopping_.\n stark, _strong_.\n start, _started_.\n stefly, _thickly_.\n stered, _guided_.\n stern light, 112, _light of stars_.\n stiffe, 29, _strong_, _stout_.\n stinted, _stopped_.\n store, _big_, _strong_.\n stown, _stolen_.\n stowre, _strong_, _brave_.\n straiked, _stroaked_.\n strak, _struck_.\n stratlins, 183, _straddlings?_\n streek, _stretch_.\n sture, 155, _big_, _strong_.\n stythe, _stead_, _place_.\n suire, _neck_.\n suld, _should_.\n swick, _blame_.\n swilled, 242, _shook, as in rinsing_.\n swoghyne, 103, _soughing_.\n swylke, _such_.\n syde, _long_.\n syen, _since_.\n syke, _rivulet_, _marshy bottom_.\n sykerly, sykerlyke, _certainly_, _truly_.\n syne, _then_.\n syth, _times_.\n sythen, _since_.\n\n tabull dormounte, 19, _standing table_, _the fixed table at the end\n of the hall_. (?)\n tae, _toe_.\n taiken, _token_.\n tee, _to_.\n teind, _tithe_.\n tene, _grief_, _sorrow_, _loss_, _harm_.\n tente, _attention_, _heed_;\n takis gude tente, _give good attention to_.\n tett, 109, _lock_ [_of hair._]\n thae, _those_.\n than, _then_\n thar, _where_.\n thar, 275, _it needs_.\n then, _than_.\n think lang, _to be weary_, _impatient_.\n thir, _these_, _those_.\n tho, _then_.\n thoghte, _seemed_.\n thoth, thouch, thouth, _though_.\n thought lang, _seemed long_; _grew weary_, _felt ennui_.\n thouth, 274, _seemed_.\n throw, _short time_, _while_.\n thrubchandler, 237?\n tide, _time_.\n till, _to_.\n tirled at the pin, _trilled, or rattled, at the door-pin, or latch,\n to obtain admission_.\n tither, _the other_.\n tod, _fox_.\n toute, 22. See Chaucer.\n touting, _tooting_.\n travayle, _labor_.\n traye, 104, _suffering_. [dree?]\n tree, _wood_, _staff_.\n trew, _trow_.\n tryst, _appointment_, _assignation_.\n twal, _twelve_.\n twan, _twined_.\n twine, _part_, _deprive of_.\n tyde, _time_.\n tyte, _promptly_, _quick_.\n\n unco, _strangely_, _very_.\n\n vanes, _flags_.\n venerye, _hunting_.\n vent, _went_.\n verament, _truly_.\n villanye, vilony, _disgrace_.\n vntill, _unto_.\n vones, (wones,) _dwellest_.\n vytouten, _without_.\n\n wa', _wall_.\n wace, _wax_.\n wad, _pledge_.\n wad, 212, _waded_.\n wadded, 9, _woad-colored_, _blue_.\n wadna, _would not_.\n wae, waefu', waesome, _sorrowful_, _sad_.\n waif, _straying_.\n wald, _would_.\n walker, 10, _fuller_.\n wall-wight men, 176, _picked_ (waled) _strong men_, _warriors_:\n see vol. vi., p. 220, v. 15.\n wan afore, 255, _came before_.\n wane, _dwelling_.\n war, _where_.\n ware of, to be, _to perceive_.\n warld's maike, 264, _companion for life_.\n warluck, _a wizard_, _a man in league with the devil_.\n warsled, _wrestled_, _struggled_.\n warwolf, _werwolf_, _manwolf_.\n wat, _wet_.\n waught, _draught_.\n wauking, _walking_.\n waylawaye, _alas_.\n wee, _little_.\n weiest, 254, [Jamieson,] _saddest_, _darkest_.\n weird, _fate_.\n weird, _destine_.\n wend, _weened_.\n wer, were, _war_.\n wern, _refuse_.\n werre, _worse_.\n werryed, _worried_.\n wesch, _wash_.\n wete, weten, _knowing_.\n whareto, _wherefore_.\n wharfrae, _whence_.\n whereas, _where_.\n wi, _with_.\n wicht, _strong_, _nimble_,\n wide, 199, _wade_.\n widershins, _the contrary way_, _the way contrary to the course\n of the sun_.\n wide-whare, _widely_, _far and near_.\n wierd, _fate_.\n wight, _strong_, _active_, _nimble_.\n wilder'd, _carried astray_.\n win, _go to_, _attain_;\n win up, _get up_.\n win, _rescue_.\n wind blows in your glove, 67?\n winna, _will not_.\n wistna, _knew not_.\n wit, _know_, _knowledge_.\n wittering, _information_.\n witti, _intelligible_.\n wodewale, _woodpecker_.\n woe, _sad_.\n won, _dwell_.\n wonige, 275, [adj. qy. woning?] _dwelling_.\n wood, _mad_.\n worth, 276, _become_, _be the result_.\n worthy, I were, 26, _it would become me_.\n wow, _exclamation of astonishment or grief_.\n wpe, _up_.\n wrebbe, 98; _wrebbe and wrye_, _turn and twist_?\n wrought, 240, for raught, _reached_.\n wrucked up, 240, _thrown up_.\n wrye, 98, _wrebbe and wrye_, _turn and twist_?\n wud, _wood_.\n wull, 253, _wandering in ignorance of one's course_, _lost in error_,\n _bewildered_.\n wylos, _willow_.\n wyndouten, _without_.\n wyne-berye, _grape_.\n wysse, _wise_.\n wyt, _with_.\n wyte, 136, _blame_.\n wyth, 276, _wight_, _agile_.\n wytouten, _without_.\n\n yard, _staff_.\n yat, _that_.\n yate, _gate_.\n y-born, _born_.\n y-doon, _done_.\n ychon, _each one_.\n yeen, 274, _against_, _towards_.\n ye'se, _ye shall_, _will_.\n yestreen, _yesterday_.\n yett, _gate_\n ylk, _each_.\n yod, _went_.\n yone, _yon_.\n yyng, _young_.\n\n zede, _went_.\n zonge, _young_. &c.\n\n [z]e, _ye_.\n [z]ede, _went_.\n [z]it, _yet_. &c.\n\n * * * * *\n\nTranscriber's Notes\n\nArchaic, unusual and inconsistent spelling or punctuation has\ngenerally been retained as in the original. Where changes have been made\nto the text these are listed below:\n\npage 47 (line 148) added missing close quotation mark:\n\n Nor keepe me lingering here in paine.\"\n\npage 221 (lines 73, 74) moved close quotation mark:\n\n \"Pray, sir, did you not send for me,\n By such a messenger?\" said she:\n\npage 221 (line 80) deleted extraneous open quotation mark:\n\n \"Go in,\" said he, \"and go to bed;\n I'll see the horse well littered.\"\n\npage 248: added missing open quotation mark (\"Go on yet a little\nfarther,\" said the hen-wife, \"till thou come to a round green hill ...\")\n\npage 250 (line 33) added missing single quotation mark:\n\n \"'And sit thou down; and wae, O wae\n That ever thou was born;\n\npage 259 (lines 47, 48) added missing open quotation mark:\n\n \"Our king's dochter, she gaes wi' bairn,\n And we'll get a' the wyte.\"\n\npage 263 (line 150) added missing closing single quotation mark:\n\n The Queen o' Elfin she'll cry out,\n 'True Tam-a-Line's awa'.'\n\npage 276 added missing closing quotation mark\n\n For him that mensked man wyt mith,\n Wat sal worth of this were?\" &c.\n\npage 288: the line numbering in Lord Dingwall is in error, but has been\nretained as per the original.\n\npage 295 (line 40) added missing open quotation mark:\n\n \"O tak me out,\" May Marg'ret cried,\n \"O tak me hame to thee;\n\n\n\n\n\n
","title":"English and Scottish Ballads, Volume I","tradition":"myth-cosmogony","translated_text":null,"word_count":60172}