{"collection":"myth-cosmogony","full_text_available":true,"graph_url":"https://unchartedknowledge.5gfusion.net/v2/api/page/gutenberg_53295/graph","html_url":"https://unchartedknowledge.5gfusion.net/v2/page/gutenberg_53295","id":"gutenberg_53295","license":"Public Domain (US)","rights_basis":"gutenberg_metadata_copyright_false","source":"gutenberg","source_url":"https://www.gutenberg.org/ebooks/53295","summary":null,"tags":["Category: Mythology, Legends & Folklore","Category: Poetry","Japanese literature -- To 1868"],"text":"Transcriber\u2019s Note: Some of the kanji characters in this book appear\nto have no modern equivalent and a close but not identical character--a\n\u201cbest guess\u201d--has been substituted. These are shown e.g. {\u8e44}.\nIllustrations of the characters are included in the HTML version.\n\nThe author\u2019s list of emendations has not been addressed: it seems more\nuseful to the reader left as it is.\n\n\n\n\n PRIMITIVE & MEDIAEVAL\n JAPANESE TEXTS\n\n TRANSLITERATED INTO ROMAN WITH INTRODUCTIONS\n NOTES AND GLOSSARIES\n\n BY\n\n FREDERICK VICTOR DICKINS, C.B.\n SOMETIME REGISTRAR OF THE UNIVERSITY OF LONDON\n\n WITH A COMPANION VOLUME OF TRANSLATIONS\n\n \u53cd\u4ee5\u5c07\u4e4b\u8aaa\u8a73\u800c\u5b78\u535a\n MENCIUS \u4e5f\u7d04\u8aaa\n\n OXFORD\n AT THE CLARENDON PRESS\n 1906\n\n HENRY FROWDE, M.A.\n PUBLISHER TO THE UNIVERSITY OF OXFORD\n LONDON, EDINBURGH\n NEW YORK AND TORONTO\n\n\n\n\n TO\n THE RIGHT HONOURABLE\n\n SIR ERNEST SATOW, G.C.M.G.\n\n MINISTER TO CHINA\n SOMETIME MINISTER TO JAPAN\n\n HI NI MUKAHI\n HI NO DE NO HIKARI\n HI NO IRI NO\n HINA NI I-WATASHITE\n HIZHIRI SHIRUSERI\n\n KASANE-GOHI [\u4e94\u3072] KA MO\n\n\n\n\nPREFACE\n\n\nThe following texts are exact transliterations of the _Kana yomi_ of\nthe Many\u00f4shiu, and of the _yomi_ of the mixed Japanese script of the\nTaketori Monogatari, the Preface to the Kokinwakashiu, and Takasago,\naccording to the system devised by Sir Ernest Satow and adopted by\nProfessor Chamberlain.\n\nThe translations of the texts are given in a companion volume, where\nfull explanatory introductions and notes will be found.\n\nThe following abbreviations are employed: (K.) Professor Chamberlain\u2019s\ntranslation of the Kojiki; (N.) Dr. Aston\u2019s translation of the Nihongi;\n(Fl.) Professor Florenz\u2019s part translation of the Nihongi; (Br.)\nCaptain Brinkley\u2019s Japanese-English Dictionary; (I.) Kotoba no Izumi;\n(T.A.S.J.) Transactions of the Asiatic Society of Japan.\n\nThe texts contained in the present volume are:--\n\n1. The _nagauta_ or _ch\u00f4ka_ (long lays) of the Many\u00f4shiu, the earliest\nof the Japanese Anthologies, compiled about 760 A.D., with their\n_kaheshi uta_ or _hanka_ (envoys). The text used is that of Kamochi\nMasazumi in his magnificent edition, Many\u00f4shiu Kogi, the Ancient\nMeaning of the Many\u00f4shiu, written during the first half of the\nnineteenth century but published in 1879.\n\n2. The Taketori Monogatari, Story of the Old Wicker-worker. The text\nused is that of Tanaka Daishiu, published about 1838.\n\n3. The Preface of Ki no Tsurayuki to his famous Anthology--the second\nof the old anthologies--known as Kokinwakashiu--Anthology of Japanese\nVerse Old and New--written about 922 A.D. The text is that of Kaneko\nGenshin in his edition of 1903.\n\n4. The _utahi_ of Takasago, perhaps the earliest of the medieval\nmiracle-plays (N\u00f4), composed in the fifteenth century. The text used is\nthat of the Y\u00f4kyoku Ts\u00fbge, edited by Ohowada Kenjiu, and published by\nthe Hakubunkwan in 22 Meiji (1889).\n\nAppended to 1. are some _tanka_ from the Kokinshiu and the Hyakunin\nIsshiu (1214 A.D.), and in the volume of translations examples of\n_hokku_ or the half-stanza, the so-called Japanese epigram, are given\nwith their translations.\n\nA careful perusal, twice or thrice repeated, of the short grammar\nand the following section on the Language of the Many\u00f4shiu comprised\nin the Introduction, with the aid of the List of Makura Kotoba, the\nGlossary, and the companion volume of translations, will meet nearly\nall the difficulties of the _romanized_ texts, and enable the reader to\nappreciate sufficiently the charm of these ancient lays, of which the\nmore unique elements escape translation.\n\n\n\n\nTABLE OF CONTENTS\n\n\n PAGE\n\n PREFACE v\n\n EMENDATIONS viii\n\n INTRODUCTION (Short Grammar, Language, Script) ix\n\n SPECIMEN OF SCRIPT xxxv\n\n MAP OF THE WORLD, AS KNOWN TO THE JAPANESE OF THE MYTHICAL ERA xxxvi\n (By kind permission of Professor Chamberlain, from his\n translation of the Kozhiki, being the Supplement to vol.\n x of the Transactions of the Asiatic Society of Japan.)\n\n MOTTO OF THE AUTHOR OF THE KOGI PREFIXED TO THAT WORK _to face page_ 1\n\n MANY\u00d4SHIU 1\n\n KOZHIKI UTA 194\n\n NIHONGI UTA 194\n\n KOKINSHIU UTA 195\n\n HIYAKUNIN UTA 196\n\n INTRODUCTION TO TAKETORI 198\n\n TAKETORI 200\n\n KOKINSHIU ZHIYO 240\n\n TAKASAGO 246\n\n MAKURA KOTOBA 257\n\n GLOSSARY 279\n\n APPENDIX I. 333\n\n \u201d II. ADDENDA TO MAKURA KOTOBA 334\n\n \u201d III. ADDENDA TO GLOSSARY 337\n\n\n\n\nEMENDATIONS\n\n\nFor the necessity of these emendations I am wholly responsible.\n\nIn a few of the earlier lays the lines are not properly indented.\nIn one or two cases the category is wrongly printed as part of the\n_dai_--as under Lay 1.\n\nIn a very few instances a capital letter is mistakenly used--thus\n_Tsuma_ for _tsuma_.\n\nIn the following instances it is better to print place-names with\ninitial capital--Kashihara, Ohotsu, Shirokane, Chitose, Kagu, Katsu,\nTagi, Kamu, Yuki.\n\nWhere _eta_ is found it should be read _eba_.\n\nSome few cases of _u_ for _a_, _u_ for _n_, _u_ for _i_, _a_ for\n_o_, _e_ for _i_, or the reverse, occur--they are quite obvious.\nOccasionally words are joined which on the whole are better separated,\nas _Kata nashi_, or the reverse.\n\nMANY\u00d4SHIU.\n\nLay 20, 4, _omi_, dele _o_.\n\n24, 62 n., for _yum ino_ read _yumi no_.\n\n26, 65, for _wo_ read _mo_.\n\n27, 52, for _imo gara_ read _imo ga na_.\n\n28, 56, for _no_ read _ni_.\n\n29, n. 3, dele (hauka I).\n\n36, 6, for _Fugi_ read _Fuji_.\n\n69, 20, for _kaha_ read _kuha_.\n\n100 (_dai_), read _i tsu tose_.\n\n104, 29, read _taharete_.\n\n105, 41, read _haha_.\n\n107 (_dai_), read _Naniha_.\n\n113, 8, read _kagahi_.\n\n123, 16, for _momo_ read _onomo_.\n\n124, 11, for _hitase_ read _hitasa_.\n\n124, 20, for _skikame_ read _shikame_.\n\n126, 12, for _aho_ read _ahi_.\n\n165, 7, for _afuteshi_, read _afubeshi_.\n\n166, 10, for _kimi_ read _kuni_.\n\n195, 4, for _mi_ read _nu_.\n\n 196, 33, } for _nakazu_ read _nakayu_.\n 180, 8, }\n\nPage 147 above 212 insert--MAKI XVII, KAMI. Same heading to pp. 149, 151.\n\nLay 221, 28, for _no_ read _mo_.\n\n223, 51, for _yoki_ read _yohi_.\n\n230, 17, for _hashike_ read _hashiki_.\n\n263, 53 n., for \u2018lightly\u2019 read \u2018gravely, seriously\u2019.\n\nPage 194, l. 5, for _no_ read _ni_.\n\n200, l. 7, for _to_ read _wo_.\n\n201, last line, for oha read oho.\n\n205, l. 13, read _notamahamu_.\n\n206, l. 5, read _nagareki_.\n\n207, l. 9, for _mi_ read _no_.\n\n224, n. 3, for \u2018right\u2019 read \u2018night\u2019.\n\n237, bottom line, read _Hitori_.\n\n238, l. 8, _mono hito goto_ is better.\n\n239, l. 8 (from bottom), read _gushite_.\n\n245, l. 6, for _niho_ read _nihohi_.\n\n\n\n\nINTRODUCTION\n\n\nSHORT GRAMMAR OF OLD JAPANESE\n\nThe pronunciation of Old Japanese follows a very simple scheme. There\nare the five vowels, _a_, _e_, _i_, _o_, _u_, and no diphthongs, and\nthe following consonants and digraphs _b_, _ch_, _d_, _dz_, _f_, _g_,\n_h_, _j_, _k_, _m_, _n_, _r_, _s_, _sh_, _t_, _ts_, _w_, _y_, _z_,\n_zh_. The syllables are all open, and consist of\n\n(1) The five vowels.\n\n(2) _b_, _k_, _m_, _n_, _r_, followed by all the vowels.\n\n(3) _s_, _y_, _z_, followed by _a_, _e_, _o_, _u_.\n\n(4) _h_, _w_, followed by _a_, _e_, _i_, _o_.\n\n(5) _d_, _t_, followed by _a_, _e_, _o_.\n\n(6) _f_, followed by _i_, _u_.\n\n(7) _ch_, _j_, _sh_, _zh_, followed by _i_.\n\n(8) _ts_, _dz_, followed by _u_.\n\nSixty-four open syllables in all, out of 105 possible ones, of which\nand their various agglutinations the whole language is made up.\n\nThe vowels are pronounced as in Italian, _a_ being the accented _a_,\n_e_ and _o_ the open sounds. The vowel _u_ is English _u_ in _put_,\nnever as in _rut_ or _lute_. The vowels _a_, _e_, _o_ are half-long,\n_i_ and _u_ are shorter, and _u_ shortest of all. Value is given\nto each syllable, subject as above, with scarcely any ictus (as in\nFrench), but the last syllable of a word, especially in _u_, is always\nweakest, and the penultimate rather the strongest.\n\nThe consonants are pronounced as in English, _h_ well aspirated, but\nrather forward, even between vowels, _z_ as in _zany_, _zh_ as the _s_\nin _pleasure_, _f_ may have descended from an original _p_, with _h_\nand _w_.\n\nThe scheme, according to that of the _Oxford Dictionary_, would be--\n\n a a\n e e\n i i\n o o\n u u\n b b\n ch t\u0283\n d d\n dz dz\n f f\n g g\n h h\n j d\u0292\n k k\n m m\n n n\n r r\n s s\n sh \u0283\n t t\n ts ts\n w w\n y y\n z z\n zh \u0292\n\nThe Chinese and Japanese languages differ from Aryan and Semitic forms\nof speech in the total absence of all concords dependent upon number,\nperson, case, and gender, in the like default of relative words, and\n(from Aryan speech) in the absence of _narratio obliqua_. They further\ndiffer in the almost complete absence of any morphological moods or\ntenses. Chinese has, broadly speaking, no accidence at all; the grammar\nis a syntax teaching the right order and use of vocables (used as\nwords), double vocables (constituting words), and the few form-words\n(empty words the Chinese call them) which serve as variously connective\nparticles. In Japanese there is a very scanty accidence of the few\nadjectives the language possesses, and a more complete one of the verb;\nbut the verbal forms are all (with an exception or two) resolvable\ninto locutions, more or less agglutinated, scarcely constituting true\ninflexions. Hence, morphologically, even in Japanese there is neither\nmood nor tense, but there is an approach to both of the highest value\nto the language, giving it, in conjunction with a goodly number of\nparticles, an articulation and plasticity wanting to Chinese. From the\nabove considerations it will be readily understood that the power of\nexpression even in Japanese is far inferior to that of Western speech.\nThe imagery is, of necessity, extremely limited in range and flat in\ntone. It seems to me, however, of greater range and higher quality than\nin Chinese. But neither Chinese nor Japanese possesses a tithe of the\ncapacity of Aryan and Semitic languages to express human thought and\nfeeling, and describe the works of man or the appearances of nature.\n\n\u1f6e \u03b4\u1fd6\u03bf\u03c2 \u03b1\u1f30\u03b8\u03ae\u03c1, &c., thought and words, are absolutely unintelligible to\nthe whole Far East.\n\nNevertheless the poetry of the two great Far Eastern languages has its\ncharm, especially the early poetry of Japan, but that charm, depending\nas it does largely upon suggestiveness rather than definite statement,\nand upon characteristic form and decoration rather than content, can\nonly be felt by those who are able to read the texts. The Japanese\ntexts, apart from the labour of decipherment, in themselves present no\ndifficulty, once their simple grammar and construction understood, and\nin their romanized dress, with the brief grammar that is now subjoined,\nand the other aids offered in the present volume and its accompanying\nvolume of translations are, it is hoped, made accessible to the\nEnglish reader who cannot give several years to the acquisition of\nthe complicated scripts which Dai Nippon has taken over, by necessity\nrather than choice, from the Middle Kingdom.\n\nThe following sketch of the grammar of Old Japanese is intended merely\nto elucidate the texts, principally those of the Many\u00f4shiu and the\nTaketori.[1] By Old Japanese is meant the unsinicized language of the\nKojiki and Nihongi (as read _japonic\u00e9_) and particularly of the _uta_\nquoted in those works, of the _norito_ or rituals, and of the texts\nabove mentioned. There are no texts illustrating earlier stages of the\nlanguage, and all etymologies are doubtful, both on that account and\nbecause the elements of Old Japanese are mere agglutinations (more or\nless contracted) of only sixty-four open syllables.\n\nJapanese (by which expression Old Japanese is here always intended)\nhas no affinity with Chinese, a language consisting of disconnected\nelements (simple or compound), for in it agglutination has to some\nextent contracted into inflexion or quasi-inflexion, and it possesses\nin addition a large number of particles which give it a plasticity\nnot found in Chinese. In my opinion, had the development of Japanese\nnot been arrested by Chinese influences about the middle of the first\nmillennium, it might have won a far higher place than it occupies in\nthe hierarchy of human speech.\n\nThis agglutinative inflexion is practically confined to the verb,\nand--to a slight extent--to nouns adjective, simple or verbalized. What\nmay be called the stem of the verb shows a pure vocalic inflexion in\n_a_, _e_, _i_, _o_ or _u_. The stem in _u_ is the form usually found in\nnative and foreign dictionaries--in Lemar\u00e9chal\u2019s it is the stem in _e_\nor _i_. To the stem the various locutions are suffixed to construct the\nforms representing, logically, moods and tenses as well as negative,\ncausative, and potential-passive \u2018voices\u2019.\n\nThe stems in _e_, _i_ and _o_ are used as imperatives; _koge_, row!,\n_mi_, look!, _ko_ come!, often with addition of the vocative particle\n_yo_ (or _ro_)--_miyo_, _koyo_. They are also used as \u2018indefinite\u2019\n(Chamberlain) forms, mood and tense being determined by that of the\nprincipal verb in the sentence. Before proceeding further it is well\nto state that in the regular Japanese sentence the principal verb is\nalways at the end, the object (if expressed) in the middle, and the\nsubject (if expressed) at the beginning of the sentence, while words\nof qualification precede the words qualified. In poetry however,\nespecially in the Many\u00f4shiu, inversions are common.\n\nAll syllables in Japanese are open, and the terminal syllables of the\nstems are the consonants _b_, _f_, _g_, _k_, _m_, _n_, _r_, _s_, the\ndigraph _ts_, _w_, _y_, and _z_ followed by the vowels _a_, _e_, _i_,\n_o_, _u_ (also _u_ without consonant as in _suu_, _e_ stem _suwe_,\nto place). Before _i_ _ts_ becomes _ch_, and before _e_ and _a_ _t_,\nbefore _i_ _s_ becomes _sh_ and _z_ _zh_; before every vowel except _u_\n_f_ becomes _h_. All verbs have the stem in _u_, most verbs have also\nthe stem in _a_ and _i_, some have also the stem in _e_ only, some in\n_i_ only. There are a very few irregular verbs. The following list of\nverbs and their stems will illustrate the above remarks:--\n\n _yerabu_, _yerabi_, _yerabe_, _yeraba_ choose\n _omofu_, _omohi_, _omohe_, _omoha_ think\n _kogu_, _kogi_, _koge_, _koga_ row\n _sugu_, _sugi_ pass\n _fuku_, _fuki_, _fuke_, _fuka_ blow\n _tomu_, _tome_ stop\n _tsukanu_, _tsukane_ bind\n _toru_, _tori_, _tore_, _tora_ take\n _watasu_, _watashi_, _watase_, _watasa_ pass over\n _tatsu_, _tachi_, _tate_, _tata_ stand\n _su[w]u_, _suwe_ place\n _suyu_, _suye_ be rancid\n _sufu_, _suhe_ suck\n _mazu_, _mazhi_, _maze_, _maza_ mix\n _miru_, _mi_ (_mire_) see\n _suru_, _shi_, _se_ (_sure_) do\n _kuru_, _ki_, _ko_, _kure_, _ke_, _kere_ come\n [_wu_] _woru_, _wi_, _wiru_, _wore_, _wora_ be in, at\n\nThe Japanese verb has neither number nor person, the forms that follow\ntherefore are indefinite as to number and person. The locutions--or\nmore strictly the complements that with the stem make up the\nlocution--are given below as suffixed to the stem.\n\nTwo moods may be distinguished. One I call Independent, in which form\nthe verb is unconnected with any other verb, the other Dependent, in\nwhich the verb is connected with some verb in the Independent mood.[2]\nMr. Chamberlain calls them Indicative and Oblique respectively.\n\nThere are in each mood three forms or quasi-tenses--a present,\ntemporally indefinite; a past denoting action or state completed at or\nbefore the present or some indicated past time; and a future denoting\naction, &c., that may or will be completed at a future (or past-future)\ntime. Each of these tenses in the Independent mood has a predicative\nor simpler form and a relative form--as relating to some noun. It is\nthe simpler form, identical with the stem in _u_, which is found in the\ndictionaries (in Lemar\u00e9chal\u2019s the stem in _a_, _i_, or _e_ is found).\nThe relative form ends in _uru_ (modern _iru_ or _eru_). Thus _toki\nsugu_, time passes; _suguru toki_, tempus quod fugit (some verbs in\n_uru_ are transitive as _tatsu_, stand, _tatsuru_, make stand, set\nup). Only those verbs which have _e_ or _i_ stems throughout appear to\npossess this relative form;[3] in verbs with _i_ and _a_ stems this\nmorphological distinction does not exist.\n\nThe Past has four forms, each double (P. predicative, R. relative).\n\n(1) P. _ki_, R. _-shi_.\n\n(2) P. _tari_ (_te-ari_), R. _-taru_ (_te-aru_).\n\n(3) P. _-tariki_, R. _-tarishi_ (composed of (2) and (1)).\n\n(4) P. _-nu_, R. _-nuru_.\n\n[_ki_ (_kuru_) = come (cp. Ital. _vien fatto_); _shi_ (_suru_) = do;\n_te_ = stem of _tsu_, _tsuru_, continue; _ari_ is an irr. P. form of\n_aru_, be; _nu_ is an old verb = be.] In _i a_ verbs there is a past in\nP. _-eri_, R. _-eru_ (see below).\n\nThe Future is formed by suffixing _mu_ (or _namu_) to stem or _naramu_\n(_ni [nu] aramu [aru]_) to R. form if any.\n\nSCHEMATIC EXAMPLES.\n\n _kogu_, row (with oars or sculls).\n\n Stems. Present. Past. Future.\n _kogu_ _kogu_, P. & R. _kogiki_, P. _kogamu_, P.\n _kogi_ _kogishi_, R. (_koginamu_)\n _koga_ _kogitari_, P. _kogu naramu_\n _kogitaru_, R. [_tomuru naramu_, R.]\n _kogitariki_, P.\n _kogitarishi_, R.\n _koginu_, P.\n _koginuru_, R.\n _kogeri_, P.\n _kogeru_, R.\n\n_tomu_, stop, and _sugu_, pass, are conjugated like _kogu_, except that\n_tomu_ replaces _i_ and _a_ of _kogu_ forms by _e_, and _sugu_ by _i_.\n\nIn the Dependent mood the forms are constructed with the help of _-ba_\n(the particle _ha_, voiced). _Shikaba_ (etym. of _shika_?), _tareba_,\n_taraba_ (_te areba_, _-araba_), _naba_ (_nu_) and _naraba_ (_ni\naraba_).\n\nSCHEMATIC EXAMPLES.\n\n _kogeba_, as, since, when, &c., row.\n\n _kogaba_, _koginaba_, _koginaraba_, if row.\n\n _kogishikaba_, _kogitareba_, as, since, when &c., rowed.\n\n _kogitaraba_, _kogishi naraba_, if rowed.\n\nOf _tomu_, _sugu_, the Dependent Mood is similarly conjugated\npreserving the _e_ and _i_ vowels, and for _tomeba_ using _tomureba_\nfor _tomaba_ _tomeba_, for _sugiba_ _sugureba_, for _sugaba_ _sugiba_.\n\nThe negative voice (there are no negative words = not, no, none). The\nPresent Independent is formed by changing the _-mu_ of future into\n_-zu_ or _-zaru_ (_zu aru_), P. and _-nu_, R. Thus _kogu_ (_kogamu_),\n_kogazu_, _kogazaru_, _koganu_; _sugu_, _sugimu_, _sugizu_, &c.\n\nIn the past _-zu_ becomes _zariki_, P., and _-zarishi_, R.; in the\nfuture _-zaramu_ or _-zhi_, P. and R. (_kogazaramu_, _kogazhi_).\n\nThere is a second future with sense of obligation exemplified as\nfollows:--_kogu_ (not _koga_) _-mazhiku_ (indefinite), _-mazhi_, P.,\n_-mazhiki_, R., _-mazhikariki_, P., past fut. _-mazhikarishi_, R.,\npast fut. _-mazhikereba_, conditional, when as, &c., and _-mazhikuba_,\nhypothetical, if, &c.\n\nIn the Dependent Mood we have:--\n\n _koganeba_, _kogazareba_, as, when, &c., not-row.\n\n _kogazuba_, if not-row.\n\n _kogazarishikaba_, as, when, &c., not-rowed.\n\n _kogazariseba_, _kogazarishi naraba_, if not-rowed.\n\nThe Imperatives are:--\n\n_Kogazare_ (_kogazu are_); _kogu nakare_ (_naku are_); _koguna_, _kogu\nkoto nakare_ (row-thing do-not), _na kogi so_, _yume kogu na_ (emphatic\nimperative). But _na_ with _i_ or _e_ stem is an affirmative imperative\n_kogi na_, do row!\n\nThere is another past in _tsu_[4], _tsuru_ as _kogitsu_, _kogitsuru_,\nand a continuative form in _tsutsu_, _kogitsutsu_, while rowing.\nAlso a form in _-keri_, P. and _-keru_, R. with a dependent _-kereba_\nas _kogikeru_, _kogikereba_. This _keri_ form seems equivalent to a\nperfect definite, have rowed. Its etymology must be _ki -ari_; of _tsu_\nthe stem would be _te_, which added to stem in _i_ or _e_ makes forms\nsuch as _kogite_, _tomete_, which are continuative indefinites almost\nequal to \u2018whilst\u2019, _kogite_, _yuku_, whilst-row-go, i.e. row to (a\nplace).\n\nThe negative form of _-te_ is _-de_, _kogade_, or _-zu_, _-zu ni_, _-zu\nshite_, as _kogazu_, not-row, _kogazu ni_, in, or by not-row, _kogazu\nshite_, not-row-do, all meaning essentially whilst-not-row.\n\nThe particles _mo_, too, _to mo_, that too (with variant _domo_)\n_keredomo_ (_ki-ari-to-mo_), following or suffixed to verb-forms, give\na concessive force, although, even though, &c., _beku_, with sense of\nmust, can, will, ought, is suffixed to the _u_ stem, thus _kogubeku_ is\nmust, or ought to row, or will row--the forms of _beku_ are _beshi_,\nP.; _beki_, R.; _bemi_, _bekariki_, P.; _-shi_, R.; _bekereba_,\n_bekuba_, _bekarazu_, &c.; _beku mazhiku_ almost = _bekarazu_.\n\nCausative verbs (often used as transitives or as honour-forms) are\neasily recognized. Thus _nageku_, sigh, lament, _nagekasu_; or forms\nderived from _su_ (_suru_), do, are added--_shimuru_, _seshimuru_,\n_sasuru_. Thus _yaku_, burn, _yakasu_, _yakashimuru_; _suru_ (_se_),\ndo, _sesasuru_, make-do.\n\n_Nu_ (_ni_) is an old verb \u2018be\u2019. _Ni_ + _aru_ = _naru_, become, be\nat, of, in. The future _namu_ is a common auxiliary suffix. _Namu_\nmay become _namashi_, by composition with _mashi_, more, a suffixed\noptative particle. Another optative is formed by adding the slight\ninterrogative particle _ya_ to the form in _-aba_ as _yukabaya_, should\nlike to go; sometimes the future form is in _-ramu_ (_aramu_?) added\nto the _u_-stem, as _aruramu_ for _aramu_, _kofuramu_ for _kohamu_\n(_kohimu_), will love. _Aru_, be, is peculiar in that its P.-form is\n_ari_ not _aru_.\n\nThe verb _miru_, see, keeps the _mi_ throughout, _miru_, _miki_,\n_mishi_, _mimu_, _miba_, _mitsu_ (past), _mizu_, _minu_, _mizhi_,\n_mide_, &c.; but _mireba_, _miredomo_, _miru_ or _miheku_, &c. So\n_hi(ru)_, dry, _i(ru)_, shoot, _(w)i(ru)_, be in or at, _ki(ru)_, wear\n_ni(ru)_, be like, _ni(ru)_, boil. See Chamberlain, p. 66. By adding\n_u_, _uru_ (get) with or without _aru_ (be) verbs passive and potential\nare obtained. Thus _yaku_ (burn) + _ari_ + _uru_ = _yakaruru_, so\nwe have _homeraruru_ (_homu_, praise), _sugiraruru_ (_sugu_, pass),\n_miraruru_ (_miru_, see). Or we have _miyuru_, see-get = seem, so\n_omoyuru_, _omoheru_ (from _omofu_, think), or _omoharuru_ (see\nGlossary, _omofu_, &c.), _iheru_ (_ihi-uru_), is said, &c. From _aru_\n(be) lengthened to _arafu_, we get _araharu_, _araharuru_, _arahaseru_,\nbe manifest or make manifest.\n\nOther passive-like forms are _iyu_ (_i_), shot, _oyu_ (_oi_), grown\nold, _omohoyu_ (_omofu_), thought. There is a form in _-aku_, thus\n_ifu_, say, _ihaku_--even the future has it, _kakemu_, will utter,\n_kakemaku_, and the past _omoheraku_, the morphological origin of which\nis unknown. It seems to give a substantival character to the verb;\n_ihaku_, the saying (is); _omoheraku_, what was thought (is): also a\nfrequentative (rare) in _mi_, _wemi-mi, wemazu mo_, smiling and not\nsmiling.\n\nUnder _koso_ will be found the verbal forms used with that particle.\n\nOf the verb _su_ _suru_, do, the principal forms are:--\n\nIndependent Mood.\n\n _shi_, _su_, _suru_, (_koso_) _sure_.\n _seri_, _seru_ (_koso_), _sere_.\n _shiki_, _seshi_ (_koso_), _seshika_.\n _shitari_, &c., _shitariki_, &c.\n _shitsu_, _shitsuru_ (_koso_), _shitsure_.\n _semu_, _suramu_ (_koso_), _-e_, _-e_.\n _shitaramu_, _shitsuramu_, &c.\n\nDependent Mood.\n\n _sureba_, _seshikaba_, _shitareba_.\n _seba_, _senaba_, _shitaraba_.\n _suredo_ (_mo_).\n _suru mo_, _shite mo_.\n _seshikado_, _shitaredo_, _seshi_ (_mo_).\n _sebaya_.\n _shitsutsu_, &c.\n\nNegative Voice.\n\n _sezu_, _senu_ (_koso_) _sene_.\n _sezhi_, _sezaru_, and derived forms.\n _sezuba_, _senedo_.\n _sezare_, _suna_, _na se so_, &c.\n\nOf the verb _ku_ _kuru_, come, the principal forms are:--\n\nIndependent Mood.\n\n _ki_, _ku_, _kuru_, _kure_.\n _kishi_, _koshi_ (_kiki_ not found), _kishika_, _koshika_.\n _kitari_, &c., _kitariki_, &c.\n _kinu_, _kinuru_, &c., _kitsu_, _kitsuru_, &c.\n _komu_, _kuramu_, _kinamu_, &c.\n _koyo_.\n _kubeku_.\n\nDependent Mood.\n\n _kureba_, _kishikaba_, &c.\n _koba_, _kinaba_.\n _kuredo_ (_mo_), &c.\n _kobaya_.\n _kitsutsu_.\n _kite_.\n\nNegative Voice.\n\n _kozu_, _konu_, &c.\n _kozhi_.\n _kozareba_.\n _koneba_.\n _kozare_.\n _kuna_.\n _kuruna_.\n _na ko so_.\n\nThe other forms of _kuru_ are easily formed from those of _suru_,\nreplacing _se_ and _su_ by _ko_ and _ku_.\n\nThere are not many true adjectives. Such have a sort of positional\ninflexion--a predicative form in _-shi_, _akashi_, be red, a form used\nchiefly with verbs (but also indefinitely) in _-ku_, _akaku naru_,\nbecome red, and a form in _-ki_, used mainly with nouns, _akaki mono_,\nred thing. There is also a form in _-mu_, _-mi_, which has a verbal\nforce denoting a state or condition.\n\nAdjectives may also be verbalized by the addition of _aru_, be, and\nmany of its forms with obvious contractions.\n\nLastly, adjectival expressions are formed by adding _naru_, be or\nbecome, to adjectival stems _yaharaka_, _yaharaka-naru_, soft, gentle.\n\nNouns substantive (and pronouns) are absolutely devoid of gender or\ncase, and only occasionally have a plural suffix _ra_ or _tachi_ or\n_nodo_ or _domo_.\n\nPronouns are few, and--the personal pronouns especially--are little\nused, the subject of the verb being generally unexpressed and left to\nbe gathered from the context.\n\n First person _a_, _wa_, _are_, _ware_, _waga_, _wago-_, _wagi-_.\n\n Second person _na_, _namuji_, _nase_, _imashi_, _imo_.\n\n Third person _a_, _are_, _kare_ (_is_, _ille_, Aston).\n _so_, _sore_ (_iste_, Aston).\n _ko_, _kore_ (_hic_, Aston).\n\nInterrogative Pronouns.\n\n _Ta_, _tare_, who?\n _na_, _nani_, what?\n _izure_, _izu_, which, what?\n _ika_, what manner? \u03c0\u03bf\u1fd6\u03bf\u03c2.\n _iku_, what number? &c., \u03c0\u03cc\u03c3\u03bf\u03c2.\n\nOther pronouns are _shi_, _onore_, _mi_, self, _onore_ and _mi_, often\nI _myself_, or I, _ono-ono_, every, _mina_, all. Other pronominal\nforms, chiefly indefinite, are explained in the glossary.\n\nOnly the principal particles need here be noticed. Others are explained\nin the glossary. The following are of special importance, and are found\nmainly in connexion with nouns as postpositions. They are _wa_ (_ha_),\n_ga_, _no_, _ni_, _he_ (_e_, _ye_) and _wo_.\n\n_ha_ (_wa_, _ba_) isolates and emphasizes the noun rather as apart\nfrom the verb--_chichi haha ha, uwe-samukaramu_, father and mother,\n_they_ will be hungry and cold; _kono toki ha, ika ni shitsutsuka_,\nthis time _then_ while doing what. This emphatic force explains its\noccurrence after verbs and sentences or clauses--_ihazu-ba_, not say\nindeed = should we not say \u2026; _Yamato ni ha_, it is in Yamato that \u2026;\n_yuki furu yo ha_, a night indeed on which snow falls: _a wo koso se to\nha_, it is I indeed whom (you should call) husband.\n\n_ga_ is a possessive particle, _wa-ga (warega) ohokimi_, my great\nlord; _Wazami ga hara_, plain of Wazami. It may be used before verbs,\n_tori ga naku_, the bird cries; or after, _nabiku ga gotoku_, like\nbending before. Sometimes it resembles _ha_ _kimi ga agari-ki-masamu_,\nmy lord, he will embark.\n\n_tsu_ is possessive, _amatsu kami_, gods of heaven, _kuni tsu kami_,\ngods of the land. It seems to follow names of things only.\n\n_no_ (originally _nu_, be?) is used as a genitive particle, like \u2018of\u2019.\nIt is more general than _ga_, which is special; _no_ sometimes almost\nequals _ha_ (_wa_). _Mi-torashi no adzusa no yumi no hazu no oto_,\nsound of the notch of the bow of whitewood of his royal grasp; _Uchi\nno ohonu_, the great moor of _Uchi_. This particle may connect other\nwords than nouns, _ari no kotogoto_, all one has, or, there is (_ari_);\n_miru no goto_, like _miru_ (seaweed); _ame tsuchi no wakareshi\ntoki_, heaven--earth\u2019s separated time (time of separation of heaven\nand earth). This connexion by _no_ of parts of a sentence--often wide\napart--other than nouns must be carefully kept in mind. Thus read _hito\nno [mono wo omofu]_, a man\u2019s thinking of things (regretfully): not\n_[hito no mono] wo omofu_, to think of a man-thing (or man\u2019s things,\n&c.)[5].\n\n_ni_ (perhaps a stem of _nu_, be) = in, to, at, for, with, by, on,\nnear; _Yamato ni_, in Yamato; _toki ni_, at time = when; _miya ni\namori_, descend from heaven to the palace; _te ni tori_, take in the\nhand; _ashita ni_, on the morrow; _asagari ni tatasu_, start for\nmorning-hunt; _tokoro ni yuku_, go to a place; also adverbially,\n_yasukaranaku ni_, in a not-restful way; _aya ni_, strangely;\n_kogi-yuku ni_, in or while rowing on; _tokoshihe ni_, everlastingly.\n_Ni_ sometimes transfers the action of a causative or transitive verb\nto the noun it follows.\n\n_wo_, after a noun indicates it as object of action or, sometimes, as\nsubject of state or condition; _unasaka wo sugite_, passing beyond\nbounds of ocean; _miyako wo tohomi_, _miyako_ (as to), be distant\n(Aston); _mikado wo sadame_, settle on a site for a palace; _kuni wo\nsadame_, terram debellare. In this sense _wo_ is often omitted, _oi\nmo sezu_, old-age even not-doing = never growing old. It may follow\na verb as an emphatic particle, or even a noun as such, but in these\ncases there is probably an ellipsis of _suru_ (do) _omofu_, (think) or\nthe like, or again it may follow a particle, _to bakari_, &c. (Aston).\nWhere it appears to have an adversative force there is probably\nellipsis of _omoheba_, _omohite_, &c. _Wo ba_ = _wo ha_, and singles\nout the noun as specially emphasized. _Wo_ sometimes almost equals _ni_.\n\n_he_ (lit. quarter, direction, locality, tract in space or time) =\ntowards (_ni_ = to). Rare in the texts in this volume, _yori_ (lit.\napproach, or be close to, or stop at), shortened often to _yo_, _yu_,\nmeans by extension \u2018from\u2019--in later language also \u2018than\u2019.\n\n_ya_, _yo_, is a vocative or exclamative interjection.\n\n_to_, that, is a connective particle = and, also after a phrase marks\nit as quotative; _toko miya to sadame_, establish as an everlasting\nshrine (or palace), _sugimu to omoheba_, thinking (intending) that it\nshould outlast. _Hikohoshi ha Tanabata tsu me to_, Hikohoshi and the\nWeaving Woman; _se to ha norame_ (see under _ha_); _kamusabu to_, in\na divinely awful manner; _hito wo yahase to \u2026 kuni wo osame to \u2026\nmakitamaheba_, as he was charged to subdue the people and pacify the\nland (people subdue that \u2026 land pacify that--as he was charged with).\nThe different uses of _to_ can always be made out by taking it as\n_that_.\n\nOther particles are:--\n\n_ya_, slight dubitative and interrogative, also exclamative. With\nnegative it gives an affirmative sense.\n\n_ka_, stronger than _ya_.\n\n_ya_ _ka_ with _ha_ (_yaha_ _kaha_) imply a certainty.\n\n_ka mo_, final interjectional expression = is it not even so? i.e.\nemphatically or admiringly, it is so!\n\n_kana_ (_gana_, _mo gana_), final interjection of emotion suited to\nwhat precedes.\n\n_mo_, also, too, even; _mo \u2026 mo_, both \u2026 and.\n\n_so_ (_zo_) perhaps, _sore_, this! emphasizes the preceding word.\n\n_koso_ (_ko[re], so[re]_) this-that (Aston), more emphatic than _so_\n(_zo_), commonly precedes the verb, expressed or understood. There is a\nquasi-conjugation with _koso_--\n\n_koso koge_;\n\n_koso kogere_;\n\n_koso kogishika_,--_kogitare_,--_kogitarishika_,--_koginure_,--\n_kogitsure_,--_kogame_,--_koginame_,--_kogurame,_ &c.\n\n_a wo koso se to ha norame_--in prose, _a wo se to ha koso norame_,\n_do_ call me husband!\n\n_namu_ (_nan_) is very like _koso_, but less emphatic.\n\n_goto_ = _gotoku_, like also sometimes _kotogotoku_, generally, all;\n_goto ni_ (after the noun), every, each.\n\n_dani_, even, at all events; _sura_, even (unexpected); _sahe_, even\n(additional).\n\n_shi_, _nomi_, _bakari_, just, only, precisely--in ascending degree\nof certainty. All of these, especially _shi_, are often not more than\nslightly emphatic expletives.\n\n_made_, up to; _gari_, direction of; _kara_, from; _kara_ (_gara_) =\n_nagara_ (_naru karada_ or _naru kara_), just as (applied to preceding\nnoun); after verbs, whilst, although.\n\n_kaku_, thus, _to mo kaku mo_, that way and this way, anyhow, somehow.\n\n_kashi_, be it thus, so be it, may it be so! (Aston).\n\n_mashi_ (_mase_, &c.), _mahoshiki_, verbal terminations expressing\ndesire or contingency.\n\n_meru_, verbal termination (derived from fut. in _mu_, _mu_ or _mi\naru_?), indicates some degree of likelihood.\n\n_ramu_, for _aramu_, _hana chiruramu_ = _hana chiru aramu_ = _hana\nchiramu_, the flowers will, wilt.\n\n_rashi_ = _ramu_, nearly; _natsu kitarurashi_, seemeth the summer to\nhave come (Aston). There is an adjectival ending, _rashiki_, of similar\nimport.\n\nOf the syntax of Old Japanese little need be said. It is simple owing\nto the absence of almost the whole apparatus of Western grammar. The\norder of words has already been mentioned, and in prose is rigid--in\npoetry inversions are common. In large measure it is the opposite of\nEnglish order, and this fact, together with the relegation of the verb\nto the end of the sentence, and the absence of expressed subject,\nconstitutes the initial and principal difficulty of Japanese, apart\nfrom that of the vocabulary, the elements of which have usually a\nconnotation different from that of their nearest representatives in\nany Western language. The absence of relatives and paucity of pronouns\nare additional difficulties, and the reader has to grow familiar by\npractice with the modes in which the more definite thought of the West\nis represented in the vaguer and looser language of Old Japan, where\nthe visual aids of later Sinico-Japanese are not present. Nevertheless\nif the real meanings of the words be attained, the logical subject\nkept in mind as gathered from the context, the relations of words and\nphrases in apposition rather than in accidental or strict syntactical\nconnexion be observed, the influence of the particles in edifying the\nsentence into a construction understood, and some facility gained in\nkeeping the mind in suspense until the principal verb--read with the\nrelations to it of the subordinate verbs--be reached, there is no great\ndifficulty, apart from the inevitable one of difference of circumstance\nand allusion, in arriving at a comprehension of the texts. And these\nwill be found, especially the Lays, to have preserved a peculiar beauty\nand charm, if not of the highest order, of their own, which no version\ncan hope to convey.\n\nThe opening of the first lay sufficiently exemplifies the reversed\norder of the Japanese sentence:--\n\n Ko mo yo\n mi ko mochi\n fukushi mo yo\n\n fukushi mochi\n kono woka ni\n na tsumasu ko--\n\nRead almost directly backwards, we get:--\n\n_Ko_ (maid) _tsumasu_ ([who] plucks) _na_ (salads) _ni_ (on) _kono\nwoka_ (this knoll), _mochi_ (holding) _fukushi_ (truel), _yo mo_ (oh\nthe) _fukushi_ (truel), _mochi_ (holding) _mi ko_ (fair basket), _mo\nyo_ (oh the) _ko_ (basket).\n\nMaid who pluckest salads on this knoll holding a truel--oh the\ntruel!--holding a fair basket--oh the basket!\u2026 _a wo se to norame_, me\nfor thy husband name!\n\nBut even rendered almost in Japanese order, the lay is quite\nintelligible, and perhaps better to be appreciated than in any\nimitative version:--\n\n Basket O! | fine basket bearing | truel O | fine truel bearing\n | this knoll upon | herb-plucking maid! | your home-place tell\n me | your name too tell me; | Yamato\u2019s land | everywhere | I\n hold rule over, | all where | I hold rule over, | me in sooth |\n as husband call me | your homeplace too, your name too, tell me!\n\nIn dealing with the less easy texts of the Many\u00f4shiu the following\nconsiderations must be kept in mind:--\n\nThe honour-forms (see below) indicate a (logical) second or third\nperson, or something connected with such a person, directly or\nindirectly.\n\nThe particle _wo_ may often be rendered as if _ni_, or as an\nexclamation, or as if followed by some form of _omofu_. I do not regard\nit as in itself a quasi-conjunction. The various functions of _no_ must\nbe kept in mind.\n\nThe frequency of inversion in order of words must not be forgotten.\nThe _makura kotoba_ may be ruled out, as well as prefaces, exordiums,\nintroductions, and the like--thus the kernel of meaning may be got at,\nand the decoration then added.\n\nIt must be recollected that of the elements of the vocabulary very few\ncan be exactly rendered by a single English word, their connotation\nfor the most part is more or less different from that of any possible\nEnglish equivalent. In the Glossary an exhaustive definition of\nthe meaning is not attempted, enough only is given to suggest the\ntranslation of the sentence in which the word appears. Hence since\nmeanings came to change in the course of time, those given being\nonly what are required for these texts sometimes differ from the\nmeanings found in the foreign dictionaries, all of which are very\nimperfect--very seldom, however, from those offered by that excellent\nnative dictionary the _Kotoba no Izumi_.\n\n\nTHE LANGUAGE OF THE MANY\u00d4SHIU\n\nI found the following remarks upon the somewhat lengthy, and--to\nme--not always very clear, observations of Masazumi concerning\nthe language of the Many\u00f4shiu contained in his _s\u00f4ron_ or General\nIntroduction.\n\nPHONETIC CONTRACTIONS. These are not uncommon, and are principally\nvocalic. Such are _wagimo_ (my sister) for _waga imo_; _ariso_ (wild\nshore) for _ara iso_; _kafuchi_ (within the rivers) for _kaha uchi_;\n_amori_ (descent from heaven) for _ame ori_; _kurenawi_ (a shade of\nred) _kure no awi_, lit. an indigo (i.e. a dye) brought from China;\n_konure_ (tree-top) _ko no ure_; _ke_ (come, pass) _ki he_--_ke nagaku\nkohishi_, long time loved; _ke no kono goro ha_, a time lately gone by;\n_arumi_ (wild sea) _ara umi_; _futsuma_ (stout horse) _futo uma_. The\nabove are substantival, others are adjectival or verbal, as:--\n\n_naru_ (be in, at, of), _ni aru_, as in _Yamato naru_, _ihe naru_, &c.\n\n_nari_--_ni ari_, as _oto su nari_ = _oto suru de ari_.\n\n_naru_--_no aru_, as _hana naru toki_ = _hana no aru toki_.\n\n_sareba_--_shi areba_, as _haru sareba_.\n\n_chifu_--_to ifu_ (they call, \u2019tis called).\n\n_ku_, _ki-yu_; _ke_, _ki-he_; _mesage_, _meshiage_; _kakage_, _kaki\nage_; _motage_, _mote age_, &c.\n\nPHONETIC EXTENSIONS. Such are:--\n\n_nagaru_--_nagarafu_, _nagarahi_, flow, flow in quantity, &c.\n\n_yobu_--_yobafu_, _yobahi_, call, invite, pay court to (girl).\n\n_nageku_--_nagekafu_, _nagekahi_, draw deep breath, lament, &c.\n\nSo causative forms exist used as honour-forms, _nagekasu_ for _nageku_,\nand a termination in _aku_ as _nagekaku_, _kakemaku_, _ihaku_, for\n_nageku_, _kakemu_, _ifu_ used substantively. _Ihafu_, bless, is\nperhaps an extension of _ifu_, speak, say.\n\nOf _yobahi_ (_yobu_ extended) a humorous explanation is sometimes\ngiven, _yo_ (by night) _hahi_ (creep), visit stealthily by night.\nEtymology of this kind is extremely easy in Japanese.\n\nAUXILIARY PARTICLES (_tasuke kotoba_):--\n\nSuch are _shi_ (emphatic), _kami-yo shi omohoyu_, _ihe shi shinubayu_.\n\n_wo_ (emphatic), as in _yatsu yo ni wo_, _tanushiku wo arana(mu)_,\nbut in phrases like _mitsutsu yukamu wo_, _wo_ = _mono wo_.\n\n_ya_, _ame shiru ya_, _ama tobu ya_, _kashikoki ya_, _Afumi no\nya_, _naku ya uguhisu_, &c.; but in _kimi ya komu_, _ya_ is\ndubitative--interrogative. In _kakusafubeshi ya_, _sugi nikerazu ya_,\n_ya_ = _ya ha_ = Lat. _num_.\n\n_nane_, term of address and endearment, must not be confused with\n_nane_ of _imonane_, _senane_, which are terms of relationship.\n\n_i_ suffixed as in _sekimori-i_, _Unahi-wotoki-i_ may be regarded as\nemphatic, or isolative (like _ha_, according to Chamberlain), or as\netymologically = the Korean postposition _i_ (Aston).\n\n_we_, a terminal interjection as _are ha sabushi we_.\n\n_ro ka mo_, _tafutoki ro ka mo_, here _ro ka mo_ = is it not so even!\n_ro_, according to Mr. Chamberlain, is a post-position equivalent to\n_te_ or _nite_.\n\n_mo_, _mo yo_, _mo ya_, _shi mo_, _ya shi_, _yo shi_, are all\ninterjectional expressions, not mere fill-gaps, variously emphasizing\nor calling attention to the meaning of the words, &c., they are\nattached to.\n\nHONOUR-WORDS. Such are _ohomi_ (exalted, grand), as _ohomi kami_,\n_ohomi uta_, _ohomi ma_; _mi_, as _mikokoro_, _miko_, _mi-hakashi_,\n_mi-keshi_, _mi-nemasu_ (His godship the God, His Majesty\u2019s song, His\nMajesty\u2019s horse, my lord\u2019s meaning, my lord the Son (Prince), girt by\nmy lord, my lord\u2019s garments, my lord sleeps).\n\nOther honour- (or praise-) words are:--\n\n_oho_ (great), _futo_ (stout), _toyo_ (rich), _o_ (for _oho_) as in\n_obito_, _omi_ (court officials); _mi_, _ma_, _mo_, _sa_, _oho_ also\ndenote excellence (\u03b5\u1f50), _wo_ may be antithetic to _oho_, or it may be a\nterm of intimacy, a sort of diminutive of endearment.\n\nThe following honour-verbs should be here noted. _Tamafu_, _tamaheru_,\n_tamahari_, _oboshimesu_, _kikoshimesu_, _shiroshimesu_, _takashiru_,\n_owasu_, _owashimasu_, _masu_, _mimakareru_; verbs in causative form,\n_-asu_, _-saseru_, _-seshimu_; verbs in quasi-passive or potential,\n_-uru_, _-ruru_, _raruru_.\n\nOther laudatory expressions are _tama_ (precious), _uma_ (delicious,\nfine), _midzu_ (brilliant, fine), _umashi_ (_uma_), _kuhashi_ (lovely).\nA curious gradation of honour-forms is seen in the following: _mi\nyomimaseru ohomi uta_ (where the lay is attributed to a mikado), _ohomi\nuta_, _mi uta_, _yomitamaheru uta_, _yomeru uta_ (when the author is\n_miko_, _ason_, or official of lower rank).\n\nAmong terms of affection may be noted:--\n\n_waga_ (mine) or _wago ohokimi_, _waga kimi_, _waga kuni_, _waga se_,\n_wagimo_, _a oto_, _ago_, _na_, _se na_, _na se nane_, _nanimo_, _imo\nnane_ (my great lord, my lord, our land, my husband, my younger sister\n(wife or mistress), my brother, my child, thou, thou elder brother,\nelder brother thou, thou elder sister, thou younger sister, &c.).\n\nWords of exclamation, hope, entreaty, wonder, &c.:--\n\n_Ana_, _ana ni_ (_ni_ is not a particle), _ya_ (= _yo!_), _ka_ (= ?),\n_kana_, _gana_, _mo gana_, _kamo_, _mo ga mo_, _moga_, _ga mo na_, _ya\nmo_, _shika_, _sane_, _ne_, _kose_, _kosene_, _na-so na-yume_, _ari\nkosenu ka mo_ (_ari-koso-ne_). These are explained in the notes to the\ntext or in the glossary--their meaning is obvious for the most part.\n\nRepetitive or cumulative expressions (_kasane kotoba_) are common\nin the Many\u00f4shiu and contain, mostly, a quibble in meaning or rhyme\nin sound. Such are _chichi no mi no chichi_ (father = _chichi_ =\nmaiden-hair tree--the quibble is on the two _chichi_, and the double\nmeaning of _mi_, fruit and person). _Hahasoba no haha_, mother\n(_haha_), as of the oak (_hahaso_ = Quercus dentata), &c. _Shiga\nno karasaki sakiku araba_ (here the rhyme is _Karasaki_ (Cape Kara\nin Shiga) and _sakiku araba_ (if flourish)). Such expressions are\nexplained in the notes or glossary.\n\nOther repetitive expressions are simply emphatic or poetic: _Tsudohi\ntsudohi imashite_, they (the gods) assembling, _kamu hafuri hafuri_,\nburying--burying him (a mikado or miko) as a god; _ake no sohobune\nsohobune_, a red red-stained red-stained-ship, &c.\n\nWORDS RELATING TO THE SOVRAN. _Sumeramikoto_ (Supreme Majesty) is\nfound only in the _dai_ (arguments), not in the _uta_. The commonest\nterm in the latter is _Ohokimi_ (great Lord, grand seigneur), but this\nexpression is not confined to the Sovran. Other terms are _sumeragi_\n(_sumerogi_, _suberogi_) and _sumerami_; _-gi_ = prince, _mi_ =\nprincess (conf. Izanagi and Izanami, Inviting Male and Inviting Female\n(K.)); but see Aston, _Shint\u00f4_. What _sume_ means is uncertain, it\nmay be connected with _sube_ (_shiru_), universally know, i.e. govern\nthe land. Other expressions are _kamuro kamu subera_ or _sumera_ or\n_sumero_, _kamu_ adding the notion of \u2018divine\u2019. _Ohokimi_, \u2018chief\u2019, I\ntake to be the oldest; the other forms smack of China. As to \u2018ro\u2019, see\nabove remarks on the particle \u2018ro\u2019. In the Kogi etymology _ro_ = the\n_re o_ of _are oya_ in _kamu are oya_ = god-born ancestry.\n\n_Mikado_ means grand gate or palace, and by metonymy came to signify\nits lord, just as at the present day _miya_ (grand mansion) denotes\nan imperial prince. _Mikado_ also means \u2018sovran dominion\u2019 as in\n_toho-mikado_, distant palace, that is, wide dominion, sometimes\napplied specially to the Tsukushi government, to Korea, or even to\nChina, as on the confines of, but still within, the authority of the\n_Ohokimi_ of Japan. The following phrases may be here noticed--_mikoto\nkashikomi_, dread majesty, _Ohokimi no make_ (or _hiki_) _no manimani_,\nin obeisance to the _Ohokimi\u2019s_ will or appointment.\n\n_Mi_ has several meanings which must be distinguished. They are (1) an\nhonour-prefix, grand, great; (2) prefix of praise, \u03b5\u1f50 = _ma_, true,\nreal; (3) self; (4) body, person; (5) a stem of _miru_, see (6) root\nof _midzu_; (7) fruit of tree or herb; (8) the numeral three; (9) as\na termination _se wo hayami_, swift the stream; _hiromi_, broad-like;\n_fukami_, deep.\n\nOf the intensive prefixes _i_, _ka_, and _ta_, no explanation has yet\nbeen given. They resemble Greek \u03b6\u03b1. Examples are _i-yuki_, _ka-guroki_,\n_ta-moto-horu_.\n\nFor the purposes of the present work, Dr. Aston\u2019s grammar of the\nwritten language (third edition) is much the most useful.\n\n\nTHE SCRIPT OF THE MANY\u00d4SHIU\n\nThe Lays are written wholly in Chinese characters. But these are\nemployed in several very peculiar ways, and the texts as they stand\nare completely unintelligible to a Chinese, even to a Japanese,\nwho has not specially studied them. In all the editions, however,\nexcept the Riyakuge, the columns of text are accompanied by a _kana_\ntransliteration--in the Riyakuge the _kana_ (_hira_) transliteration is\ngiven separately from the text.\n\nAt the date of the compilation of the Anthology--the middle of the\neighth century--neither of the existing Japanese syllabaries had been\ninvented. Their creation is ascribed to the learned priest _K\u00fbkai_\n(_K\u00f4b\u00f4 Daishi_), the Doctor Promulgator of the Law of Buddha, who died\nin 834, nearly a hundred years later than the date of the final _tanka_\nof the Many\u00f4shiu. The Chinese character had therefore, perforce, to\nbe employed in writing down the lays collected in the manner set\nforth in the volume of translations. The ideographs were used in part\nphonetically, in part lexicographically, as they had already been used\nin writing the Kojiki and the poems cited in that history, and in the\nalmost contemporaneous but very different Nihongi.\n\nThe ideographs used phonetically were not, however, always employed in\nthe same way. The forty-seven sounds of the syllabary--\n\n _a_ _i_ _u_ _e (ye)_ _o_\n _ka_ _ki_ _ku_ _ke_ _ko_\n _sa_ _shi_ _su_ _se_ _so_\n _ta_ _chi_ _tsu_ _te_ _to_\n _na_ _ni_ _nu_ _ne_ _no_\n _ha_ _hi_ _f(h.w.)u_ _he_ _ho_\n _ma_ _mi_ _mu_ _me_ _mo_\n _ya_ _yu_ _yo_\n _ra_ _ri_ _ru_ _re_ _ro_\n _wa_ _wi_ _we_ _wo_\n\n--were already recognized, and were represented by a sort of alphabet\ncomposed of several hundreds of Chinese ideographs, each pronounced\nexactly or approximately _sinice_--that is _japonico-sinice_, or\naccording to _on_ or Chinese sound. Thus a was represented by two\nideographs, \u963f (_a_ in Chinese) and \u5b89 (_an_ in Chinese), _shi_ by\ntwenty-five characters, such as \u5fd7 (_chih_ in Chinese), \u601d (_ssu_ in\nChinese), &c. The other sounds were represented by varying numbers of\ncharacters. According to this system, _ame_ (heaven or rain) would\nor might be written \u5b89\u7c73, _tsuchi_ (soil) \u90fd\u77e5 and so forth. A complete\nlist of these Chinese phonetic ideographs is given in the _S\u00f4ron_\n(Introductory) volume of the Kogi.\n\nA second method of using the ideographs was to employ them according to\ntheir _kun_ (reading i.e. in pure Japanese), thus _utate_ (extremely)\nwas represented by \u5f97\u7530\u624b, _chihahi_ (for _sachihafi_, bless) by \u5343\u7fbd\u65e5.\nSometimes two characters represented one sound, thus \u55da\u547c for _a_, \u4e94\u5341\n(_isozhi_) for _i_, \u725b\u9cf4, _ushi no naku_, \u2018moo\u2019 of cow, for _mu_. Some\nsounds (_ku_, _ri_, _ru_, _ro_, _wa_) are not found thus symbolized,\nthat is, _japonic\u00e9_. A curious double character is \u77f3\u82b1 for _se_, another\nis \u7f8a{\u8e44} (_hitsuzhi no ashi_) for _shi_. A third and very confused\nscript is exemplified in \u9084\u91d1 _kaherikomu_ (return), where _kaheri_ is\n_kun_ and _komu_ (kon) is _on_, and \u77e5\u4e09 _shirasamu_ (shall know), where\n_shira_ is _kun_ modified grammatically, and _samu_ (_san_ = three) is\n_on_ representing the inflexion.\n\nStill more confusingly, an ideograph may be used with an _on_ (Chinese)\nsound resembling a _kun_ (native) word, and the _kun_ word may be\nemployed, not in its natural sense, but as it were punningly, though\nmore often no quibble is intended. Thus \u517c of which the _on_ is _ken_,\nmay be used for the verbal termination _kemu_, as in \u8322\u517c (_karikemu_,\nwill have reaped), where \u8322 is employed lexicographically as _kemu_, as\njust explained. So \u4e0d\u6709\u541b does not mean _kimi arazu_ (lord is not) but\n_ari nakuni_, as there is not. Similar examples are _kaherikomu_ and\n_shirasamu_ cited above. So \u96e3 _nan_ (difficult) for _nani_, what?, {\u9ede}\n_ten_ for _-temu_; \u5fb3 _toku_ for _toko_, and so forth.\n\nOr the Japanese reading of a character may be taken, but in a\nsignification different from its true meaning, thus \u5ead _niha_, a court\nor yard, for the particles _ni ha_, \u7389 _tama_, jewel or pearl, for\n_tamashii_, soul, or even \u6e6f\u9f9c _yu-game_ = water-tortoise for _yukame_ =\nwill go, or the combination \u77f3\u4e8c = stone-two, which puzzled Shitagau so\nsorely, and finally turned out to mean _made_ = until, to which may be\nadded the commonest of all \u9d28 = _kamo_, a wild duck, used for _ka mo_,\nan expression of mingled entreaty and doubt.\n\nThe above devices were no doubt resorted to partly to supply the place\nof a syllabary, partly for purposes of abbreviation, the full writing\nof long Japanese words with a Chinese character for each syllable being\nfound too laborious.\n\nBut characters are often also used in a punning or humorous way. Thus\n\u4e8c\u4e8c = 2 \u00d7 2 are employed to represent the syllable _shi_ (which means\n4 in Japano-Chinese), but here is used phonetically to represent the\nemphatic particle _shi_ or the syllable _shi_ merely. So \u5c71\u4e0a\u5fa9\u6709\u5c71 =\nmountain \u5c71 upon mountain to represent \u51fa _idzuru_, go forth, out, &c.,\n\u4e09\u4f0f\u4e00\u5411\u8863 = three-prostrations-one-regard-night, i.e. a moonlight night\n(when one salutes the moon), \u516b\u5341\u4e00 (81) as equivalent to _ku ku_, nine\ntimes nine, part of the word _kukumeru_ (= _fukumeru_, hold in mouth,\nimply), and so forth. Characters used otherwise than to express their\ntrue meaning are called _kariji_, borrow-characters, i.e. characters\nborrowed to signify some other meaning than their own. Characters used\nin the orthodox manner are called _manaji_--true characters.\n\nThere are also _guji_, \u5177\u5b57 double characters used, where one would\nsuffice, thus \u4f55\u7269 for \u4f55 _nani_. This is probably a mere embellishment.\n\nContracted script is not uncommon; thus we find \u5c71\u4e0b for \u5c71\u4e0b\u51fa\u98a8 = _arashi_,\na violent wind (rushing down from the mountains).\n\nLastly, there are abbreviated characters--a full list of which is given\nin the Kogi, together with a few characters peculiar to the Anthology\nand contracted expressions such as _amori_ for _ame ori_, _Yamato naru_\nfor _Y. ni aru_, _haru sareba_ for _haru shi areba_, _chifu_ for _to\nifu_ (modern _tefu_ = _ch\u014d_ of Ky\u00f4to), and so forth.\n\nThe above system of scripts is known as Many\u00f4gaki and is sometimes\nimitated in modern productions as in a recently published play now\nbefore me.\n\nTexts preserved in such scripts could not fail to be corrupt or obscure\nin parts. Not only from the difficulty of reading the ideographs when\nthese came to be translated into _kana_, but from the fact that the\nmanuscripts were often in _cursive_ character, easily misread and\nmiswritten by the copyists. The text of the Many\u00f4shiu I have used is\nthroughout that of the Kogi, but I have not omitted in the notes to\nthe translations to give some attention to the various readings cited\nin that work. By far the best discussion of these seems to be that\nof Keichiu which with the Kogi is much superior in my opinion to the\ncommentary of either Mabuchi or Motowori[6]--the latter especially\nappears to be lacking in critical acumen.\n\nThe following additional remarks on the script are important. According\nto Amano Nobukage (died 1734), in the Many\u00f4 script the Chinese\ncharacters are read _japonic\u00e9_ in four ways:--\n\n1. _mana_, as \u5fc3 _kokoro_ (heart, mind, &c.), where single characters\nare read as true Japanese words.\n\n2. Where combined characters are read true, as \u6625\u971e _harukasumi_\n(spring-mist); \u79cb\u98a8 _aki-kaze_ (autumn-wind).\n\n3. Where combined characters are read in full, but the meaning of\nthe whole is not the sum of the meanings of the parts, as \u57a3\u6d25{\u65d7}\n_kakitsubata_ (Iris laevigata)--the characters separately mean--_kaki_\n(fence), _tsu_ (place), _hata_ (flag).\n\n4. Where combined characters are read together as a whole, as \u6625\u9ce5\n_uguhisu_ (Cettia cantans), lit. spring-bird; \u4e09\u4e94\u591c _mochidzuki_\n(full-moon), lit. three-five-night = fifteenth night of a lunar month,\nwhen the moon is full.\n\nTo these categories must be added that of humorous combinations, thus\n\u5341\u516d (sixteen) = _shi shi_ (4 \u00d7 4), and is used for _shishi_ (flesh);\n\u9751\u982d\u9dc4 _kamo_ (wild-duck), lit. green-head-fowl.\n\nIn the Kogi text the characters are used in the following modes, all of\nwhich are fully illustrated by examples in a section of the _s\u014dron_ or\nGeneral Introduction to the Edition.\n\nA. According to the _on_ or Chinese sound (Japano-Chinese).\n\n 1. Full, as \u963f _a_, \u4f0a _i_; so in Chinese.\n\n 2. Contracted, as \u5b89 _a_, \u5370 _i_; in Chinese _an_, _in_.\n\nB. According to the _kun_ (_yomi_) or Japanese reading.\n\n 1. \u5929 _ame_ (heaven), \u5730 _tsuchi_ (earth), \u5927\u5730 _ohotokoro_ (great\n place). Each character is here read with one of its ordinary\n Japanese pronunciations and meanings.\n\n 2. Combined characters of similar meaning read as one word\n (Japanese)--\u660e\u6df8 _akirakeku_ (bright).\n\n 3. Combined characters of different meaning read as one\n word--\u6d77\u58eb _ama_ (fisherman), \u873b\u86c9 _akitsu_ [or _seirei_]\n (dragon-fly).\n\n 4. The characters are read as = a Chinese translation of the\n Japanese word--\u884c\u77e5\u6240 _shiroshimeshi_ (govern).\n\n 5. The character or combination is read according to an ancient\n meaning--\u4e0d\u77e5 _isa_ (no, not so), \u670d _hada_ (naked skin).\n\n 6. The character is read specially--\u7e35 _kadzura_ (chaplet), \u68df\n _kura_ (saddle).\n\n 7. The character is abbreviated--\u5efa for \u5065, \u5df2 for \u8d77.\n\nIn addition the Kogi gives the following categories:--\n\n_gikun_, combinations not literally translated into Japanese--\u7384{\u9ec4}\n_ametsuchi_ (heaven and earth), lit. dark-blue (of sky) and\nyellow-brown (of earth), \u89aa\u89aa _chichi-haha_ (parents, father and mother),\nlit. love-love. A great many of these are given; many would scarcely\nsuggest the meaning of the combination; sometimes, as when \u84cb _futa_\n(lid), is used to express \u4e8c _futa_ (two), a word-play is involved.\n\n_kariji_ or borrowed characters which have been already\nexemplified. But one curious expression may be added, {\u559a}\u72ac{\u8ffd}\u99ac\u93e1\n_masokagami_ (true-pure-mirror), the characters mean call (or\nbark?)-dog-follow-horse (_ma_) mirror; call-dog-follow is a humorous\n(?) description of _ma_, meaning horse, but here used for the homophon\n_ma_, true, \u03b5\u1f50, part of _ma so_, which has the same meaning.\n\nSubjoined is the script of the text of Lay 118 which well exemplifies\nthe peculiarities of Many\u00f4gaki. The columnar transliteration represents\nthe similar transliteration into syllabic _kana_ in the usual editions\ninclusive of the Kogi.\n\n\nFOOTNOTES\n\n[1] For a more complete account the grammars of Aston and Chamberlain\nmust be consulted.\n\n[2] For the purposes of Old Japanese the grammatical nomenclature of\nAryan grammar seems to me misleading and I use it therefore as little\nas possible.\n\n[3] See _miru_ below.\n\n[4] _tsu_ is usually taken as = complete, finished, but it may be =\n_nu_ (be). Like _nu_ (_no_) it is used as a genitive postposition or\nparticle. See _infra_.\n\n[5] So in _Sasagani no (koromo ni kakari, ware wo) tanomuru_\n(Aston) the sentence is read, _S. ha waga koromo ni kakarite ware wo\ntanomu_.\n\n[6] In the volume of translations the texts of the Many\u00f4shiu and\nTaketori are further considered and some account given of the various\neditions of them published by the principal commentators.\n\n[Illustration:\n\n 1. UTSU SEMI no. \u865b\u87ec\u4e43\u3002\n 2. YO [NO] HITO NAREBA. \u4e16\u4eba\u6709\u8005\u3002\n 3. OHO KIMI no. \u5927\u738b\u4e4b\u3002\n 4. MI KOTO KASHIKOmi. \u5fa1\u547d\u6050\u5f4c\u3002\n 5. shiki SHIMAno. \u7912\u57ce\u5cf6\u80fd\u3002\n 6. YAMATO [NO] KUNI no. \u65e5\u672c\u570b\u4e43\u3002\n 7. ISO[NO]KAMI. \u77f3\u4e0a\u3002\n 8. _Furu_ [NO] SATO ni. \u632f\u91cc\u723e\u3002\n 9. HIMO TOKAZU. \u7d10\u4e0d\u89e3\u3002\n 10. MARONE WO SUREBA. \u4e38\u5bd0\u4e4e\u7232\u8005\u3002\n 11. AGA KESERU. \u543e\u8863\u6709\u3002\n 12. KOROMO HA narenu. \u670d\u8005\u5948\u79ae\u5974\u3002\n 13. MIRUGOTO [NI]. \u6bce\u898b\u3002\n 14. KOHI HA MASAREDO. \u6200\u8005\u96d6\u76ca\u3002\n 15. IRO ni =ideba=. \u8272\u4e8c\u5c71\u4e0a\u5fa9\u6709\u5c71\u8005\u3002\n 16. =hito= SHIRINUBEMI. \u4e00\u53ef\u77e5\u7f8e\u3002\n 17. FUYU [_no_] YO (NO). \u5404\u591c\u4e4b\u3002\n 18. AKE _mo_ KANE_tsutsu_. \u660e\u6bdb\u4e0d\u5f97\u547c\u9dc4\u3002\n 19. =i mo= NEZU ni. \u4e94\u5341\u6bcb\u4e0d\u5bbf\u4e8c\u3002\n 20. ARE _ha_ so KOFUru. \u543e\u9f52\u66fe\u6200\u6d41\u3002\n 21. IMO GA =tadaka= ni. \u59b9\u4e4b\u76f4\u9999\u4ec1\u3002\n\nRoman = Chinese phonetic.\n\nItalic = Japanese phonetic.\n\n=Clarendon= = _Kariji_ or rebus characters.\n\nSmall capitals = Japanese translation of characters.]\n\n[Illustration: THE WORLD as known to the JAPANESE OF THE MYTHICAL ERA\n\n(i.e. previous to the end of the 4th century after Christ. CHINA was\nheard of towards the end of the mythical era under the name of GO.)]\n\n[Illustration: kikedo akanu\n\nshizen onky\u00f4\n\nVOX VERA NATURAE]\n\n\n\n\nMANY\u00d4SHIU TEXT\n\nTRANSLITERATED\n\n\nMAKI I KAMI\n\nKusagusa no uta. Hatsuse no Asakura no miya ni amenoshita\nshiroshimeshishi Sumeramikoto no mi-yo.\n\n\n1\n\n Ko mo yo 1\n mi ko mochi\n fukushi mo yo\n fukushi mochi\n kono woka ni 5\n na tsumasu ko\n ihe norase\n na norasane\n soramitsu\n Yamato no kuni ha 10\n oshinabete\n are koso wore\n shikinabete\n are koso mase\n a wo koso 15\n se to ha norame\n ihe wo mo na wo mo!\n\n1 _mo yo_, interjectional phrase of mingled admiration and entreaty.\n\n6 _na_, herbs. _ko_, girl, _ko_ in 1, 2 = basket or satchel.\n\n7 _norase_, honour-causative imperative.\n\n8 _norasane_, hortative form of honour-causative with particle _ne_; it\nimplies some degree of respect.\n\n9 A _makura kotoba_ (m. k.) applied to _yama_ (Yamato).\n\n12 _are_ = _ware_; _koso wore_, emphatic declarative of _woru_, be, be\nin, at, &c.\n\n13 Almost equivalent to 11 _oshinabete_ = _oshi nabikasete_, causing\nall to acknowledge my power and protection.\n\n16 _se_ = brother, husband, lover.\n\n17 _na_ here and in 8 = name.\n\nvv. 1-6 lead up to _ko_ the first climax; 7-14 to the second climax;\n15-17 to the final climax. 1-6 furnish a good instance of the reversed\norder of words in the Japanese sentence.\n\nFor _soramitsu_ see List m. k.\n\n\nTakechi no Woka no miya ni amenoshita shiroshimeshishi Sumera mikoto no\nmi yo.\n\n\n2\n\nSumera mikoto no Kagu yama ni noborimashite kunimi shitamaheru toki mi\nyomimaseru ohomi uta.\n\n Yamato ni ha 1\n mura yama aredo\n tori-yorofu\n Ame-no-kagu-yama\n nobori-tachi 5\n kuni-mi wo sureba\n kuni hara ha\n keburi tachi-tatsu\n unabara ha\n kamome tachi-tatsu 10\n umashi kuni so\n Akitsushima\n Yamato no kuni ha!\n\n6 The logical subject is, I the Mikado.\n\n11 _so_ is, perhaps, oftener written _zo_.\n\nFor _Akitsushima_ see List m. k.\n\n\n3\n\nSumeramikoto no Uchi no nu mi kari shitamaheru toki Nakachi Himemiko no\nHashihito no Muraji Oyu wo shite tatematsurase tamafu uta.\n\n Yasumishishi 1\n waga ohokimi no\n ashita ni ha\n tori-nade-tamahi\n yufube ni ha 5\n i-yori-tatashishi\n mi torashi no\n adzusa no yumi no\n nari hazu no\n oto su nari 10\n asa-kari ni\n ima tatasurashi\n yufu-kari ni\n ima tatasurashi\n mi torashi no 15\n adzusa no yumi no\n nari hazu no\n oto su nari!\n\n Tamakiharu 1\n Uchi no ohonu ni\n uma namete\n asa fumasuramu\n sono fukakusa nu. 5\n\n6 _i_, a prefix of which the value is lost.\n\n9 _nari_ here means sound, twang.\n\n12 _tatasurashi_ = _tatsuramu_.\n\n2 _Uchi_ may = _utsutsu_, or possibly _ude_, arm.\n\nFor _yasumishishi_, _mi torashi no_, _adzusa no yumi_ and _tamakiharu_\nsee List of m. k. The m. k. it must be remembered are epithets, or\nexpressions in the nature of epithets, only. Thus 7, 8 and 15, 16 are\nsimply double m. k. of _nari_, indeed _nari hazu no_ is almost another\nm. k. of _oto_.\n\n4 _fumasuramu_ = _fumamu_.\n\n\n4\n\nSanuki no kuni Aya no kohori ni idemaseru toki Ikusa no Ohokimi no yama\nwo mite yomitamaheru uta.\n\n Kasumitatsu 1\n nagaki haru hi no\n kure ni keru\n wadzuki mo shirazu\n murakimono 5\n kokoro wo itami\n nuye no tori\n uranage woreba\n tamatasuki\n kake no yoroshiku 10\n tohotsu kami\n waga ohokimi no\n idemashi no\n yama koshi no kaze no\n hitori woru 15\n waga koromode ni\n asa yohi ni\n kaherahinureba\n masurawo to\n omoheru are mo 20\n kusamakura\n tabi nishi areba\n omohi-yaru\n tadzuki wo shirani\n Tsunu no ura no 25\n ama wotomera ga\n yakushiho no\n omohi so yakuru\n aga shita-gokoro.\n\n Yama koshi ni 1\n kaze wo tokizhi ni\n nuru yo ochizu\n ihe naru imo wo\n kakete shinubitsu. 5\n\nIn the _dai_ the _no_ after _Ohokimi_ is read with _yomi \u2026 uta_. In 3\nand 22 _ni_ is rather a verbal form (_nu_) than a postposition.\n\n8 _uranage_ = _uchi ni nageki_, inwardly, profoundly, lamenting.\n\n10 _kake_ (_kakuru_) a verb of wide connotation, fundamentally, hang on\nor over, suspend, put to, forth or on, _[kotoba wo] kake_, utter, as\nhere.\n\n18 _kaherahinureba_ = _kaherinureba_.\n\n19 _masurawo_ is said to be _ma-ara shi-wo_, right-bold-man, or better\n(more grammatically) _masa_ (or _masu_)_-ara-wo_, which has the same\nmeaning.\n\n22 _shi_ is a particle of emphasis.\n\n23 _omohi-yaru_, thought-send-away, get rid of (unpleasing) thoughts;\n_omohi_, common throughout the Lays, means think, think affectionately\nor regretfully of, &c.\n\n3 _nuru yo ochizu_, without missing a sleeping night.\n\n5 _kakete_ = _kokoro ni kakete_, bearing in mind. _shinubu_ is to love,\nyearn for, regret. _omohi_ is the more general term, _shinubu_ more\nspecial, _shitahi_, affection, _kofuru_, _kohi_, &c., love of men and\nwomen. But these connotations are not strictly adhered to.\n\n\n5\n\nNakachi no Ohoye no [Afumi no miya ni shiroshimeshishi Sumera mikoto]\nMitsu yama no mi uta.\n\n Takayama ha 1\n Unebi wo yeshi to\n Miminashi to\n ahi-arisohiki\n kamiyo yori 5\n kaku narurashi\n inishihe mo\n shika nare koso\n utsusemi mo\n Tsuma wo 10\n arasofurashiki.\n\n Takayama to 1\n Miminashi yama to\n ahishi toki\n tachite mi ni koshi\n Inami kuni hara. 5\n\nIn the _dai_ _\u2026 meshishi_ is the participial past form of _mesu_.\nCare must be taken to distinguish between this _shi_ and such a\nterminational _shi_ as _narurashi_ (6), _koshi_ (4).\n\n1 Read _Kaguyama ha Unebi wo yeshi to_ (_te_) _Miminashi to ahi\narisohi_.\n\n4 Observe the past form in _ki_.\n\n6 _narurashi_ = _naramu_, nearly.\n\n7 _inishi-he_ = passed away period, i.e. ancient.\n\n10 A three-syllable verse.\n\n11 supply _mono nari_.\n\n1 A mistake in the script, it should be _Kaguyama_.\n\n4 _mi_, see.\n\n\nAfumi no Ohotsu no miya ni amenoshita shiroshimeshishi Sumera mikoto no\nmi yo.\n\n\n6\n\nSumera mikoto uchi no ohomahetsu kimi Fujihara no Asomi ni\nmikotonori shite haru yama no hana no iro aki yama no momichi no\nnihohi wo arasohashimetamafu toki Nukata no Ohokimi no uta mochite\nkotowaritamaheru sono uta.\n\n Fuyukomori 1\n haru sarikureba\n nakazarishi\n tori mo ki-nakinu\n sakazarishi 5\n hana mo sakeredo\n yama mo shimi\n irite mo [kikazu]\n kusa fukami\n torite mo mizu 10\n aki yama no\n ko no ha wo mite ha\n momitsu wo ba\n torite so shinubu\n awoki wo ba 15\n okite so nageku\n soko shi tanushi\n aki yama are ha!\n\n4 _ki-nakinu_, come-sing-finished, the past in _nu_.\n\n6, 7 Read as if _hana mo sake yama mo shigedo_.\n\n10 _toramu to mo mizu_.\n\n12 _ko_ = _ki_, tree.\n\n13 _momitsu_, _momi_, is red.\n\n16 _nageku_, _naga-iki_, sigh, with pleasure or pain.\n\n17 _tanushi_, _tanoshiki_.\n\n18 _are_, _ware_.\n\nFor _fuyukomori_ see List m. k.\n\n\n7\n\nNukata no Ohokimi no Afumi no kuni ni kudaritamaheru toki yomitamaheru\nuta.\n\n Umasake\n Miwa no yama\n awoniyoshi\n Nara no yama no\n yama no ma yu 5\n i-kakuru made\n michi no kuma\n i-tsumoru made ni\n tsubaraka ni\n mitsutsu yukamu wo 10\n shibashiba mo\n misakamu yama wo\n kokoro naku\n kumo no\n kakusafubeshi ya. 15\n\n6 _kakuru_, to be hidden.\n\n10 _yukamu [mono] wo [omohite]_.\n\n15 _kakusubeshi_.\n\nFor _umasake_ and _awoniyoshi_ see List m. k.\n\n\nMAKI I NAKA\n\nAsuka no Kiyomihara no miya ni amenoshita shiroshimeshishi Sumera\nmikoto no mi-yo.\n\n\n8\n\nSumera mikoto no mi-yomimaseru ohomi uta.\n\n Mi-Yoshinu no 1\n Mikane no take ni\n tokinaku so\n yuki ha furikeru\n ma naku so 5\n ame ha furikeru\n sono yuki no\n tokinaki ga goto\n sono ame no\n ma naki ga goto 10\n kuma mo ochizu\n omohitsutsu so kuru\n sono yama michi wo.\n\n1 _mi_ = _ma_, true, excellent, almost Greek \u03b5\u1f50-.\n\n13 Read _michi wo_ with _kuru_.\n\n\nFujihara no miya ni amenoshita shiroshimeshishi Sumera mikoto no mi-yo.\n\n\n9\n\nAfumi no aretaru miyako wo yuku Kakinomoto no Asomi Hitomaro ga yomeru\nuta.\n\n Tamatasuki 1\n Unebi no yama no\n kashihara no\n hizhiri no mi-yo yo\n aremashishi 5\n kami no kotogoto\n tsuganokino\n iya tsugitsugi ni\n amenoshita\n shiroshimeshishi wo 10\n soramitsu\n Yamato wo okite\n awoniyoshi\n Nara yama koyete\n ikasama ni 15\n omohoshikeme ka\n amazakaru\n hina ni ha aranedo\n ihabashiru\n Afumi no kuni no 20\n sasanami no\n ohotsu no miya ni\n amenoshita\n shiroshimeshikemu\n Sumerogi no 25\n kami no mikoto no\n ohomiya ha\n koko to kikedomo\n ohotono ha\n kaku to ihedomo 30\n kasumitatsu\n haru hi ka kireru\n natsu kusa ka\n shigeru narinuru\n momoshiki no 35\n ohomiya tokoro\n mireba kanashi mo.\n\n Sasanami no 1\n Shiga no Karasaki\n sakiku aredo\n ohomiya hito no\n fune machikanetsu. 5\n\n Sasanami no 1\n Shiga no Ohowada\n yodomu tomo\n mukashi no hito ni\n mata mo ahame ya mo. 5\n\nSee vol. of translations.\n\nThe m. k. apply to the words following them, but (1) to _Une[bi]_, (19)\nto _aha_ of _Afumi_.\n\nFor _tamatasuki_, _tsuganokino_, _soramitsu_, _awoniyoshi_,\n_amazakaru_, _ihabashiru_, _sasanami_, _kasumitatsu_, _momoshiki_ see\nList m. k.\n\n2 Note the jingle _Karasaki_ | _sakiku_.\n\n\n10\n\nYoshinu no miya ni idemaseru toki Hitomaro ga yomeru uta (futatsu)\nkaheshi uta (hitotsu).\n\n Yasumishishi 1\n waga ohokimi no\n kikoshiwosu\n amenoshita ni\n kuni ha shimo 5\n saha ni aredomo\n yama kaha no\n kiyoki Kafuchi to\n mikokorowo\n Yoshinu no kuni no 10\n hana chirafu\n Akidzu no nu he ni\n miya hashira\n futoshikimaseba\n momoshikino 15\n ohomiya hito ha\n fune namete\n asa kaha watari\n fune kihohi\n yufu kaha watari 20\n kono kaha no\n tayuru koto naku\n kono yama no\n iya takakarashi\n ochi-tagitsu 25\n taki no miyako ha\n miredo akanu ka mo.\n\n miredo akanu 1\n Yoshinu no kaha no\n toko name no\n tayurukoto naku\n mata kaherimimu. 5\n\n3 _kikoshiwosu_; _wosu_ is to eat; _kikoshi_, honour-causative\nintensitive of _kiku_, hear, have sensation of, taste, judge, &c.; the\nwhole = _kikoshimesu_, to be supreme over, govern. The idea, perhaps,\nwas that of the chief having complete control of all the wealth of the\ntribe originally for the subsistence of himself and his _gesyth_.\n\n5 _shi mo_, a pair of emphatic particles. _Shi_ perhaps was originally\nthis or that, or this or that self (or it may be root of _suru_, to do,\nact); _mo_ is merely, also, too. _Shi mo_ almost = _naho_.\n\n6 _saha_, abundant. The homonym _saha_ also means a marshy\nvalley-bottom, in Japano-Chinese _taku_. Hence by a rebus-wise use of\nthe Chinese character _taku_ continued with _san_ mountain (_yama_)\ncame to be _takusan_, a common word for much, many.\n\n11 For _hana-chiru_.\n\n19 _kihohi_ = _kisohi_ (_gihohi_).\n\n26 _taki_ or _tagi_ = cascade, rapids, descriptive of neighbourhood of\nthe _miyako_.\n\n27 _ka mo_, an elliptical expression, _omofu_ being understood, almost\n= _mo gana_.\n\nFor _yasumishishi_, _mikokorowo_, _momoshikino_ see List m. k.\n\n\n11\n\n Yasumishishi 1\n Waga ohokimi\n kamu nagara\n kamusabisesu to\n Yoshinu-gaha 5\n tagitsu Kafuchi ni\n takatono wo\n takashirimashite\n nobori-tachi\n kunimi wo sureba 10\n tatanadzuku\n awokaki yama\n yamatsumi no\n matsuru mitsugi to\n haru he ha 15\n hana kazashi mochi\n aki tateba\n momichi-ba kazashi\n Yufu-gaha no\n kami mo 20\n ohomike ni\n tsukahematsuru to\n kamitsu se ni\n u-kaha wo tate\n shimotsu se ni 25\n sade sashiwatashi\n yama kaha mo\n yorite tsukafuru\n kami no mi-yo ka mo.\n\n Yama kaha mo 1\n yorite tsukafuru\n kamu nagara\n tagitsu Kafuchi ni\n funade sesu ka mo! 5\n\n3 _kamu_ = _kami_.\n\n4 _kamu sabi sesu_, _sabi_ is viewed in the Kogi as contraction of\n_shika-buri_. More likely _sabi_ is connected with _sabu_ (_shiki_) and\n_samushi_.\n\n8 _takashiri \u2026_, to exercise high rule.\n\n13 _yamatsumi_, compare _watatsumi_ (_yama-wata-tsu [ka] mi_), mountain\ngods. I prefer this to Dr. Florenz\u2019s etymology (F. I. 39).\n\n16 _kazashi_ = _kami-sashi_, stick in, or wear on, the hair.\n\n24 to set up a cormorant-stream, i.e. provide cormorants and their\nkeepers.\n\n5 _desesu_ = _idasu_, i.e. _funade wo seshimu_.\n\nThe m. k. (11) applies rather to _yama_.\n\nFor _yasumishishi_ and _tatanadzuku_ see List m. k.\n\n\n12\n\nKaru no miko no Aki no nu ni yadorimaseru toki Hitomaro ga yomeru uta.\n\n Yasumishishi 1\n waga ohokimi\n takahikaru\n hi no miko\n kamu nagara 5\n kamusabisesu to\n futoshikasu\n miyako wo okite\n komorikuno\n Hatsuse no yama ha 10\n makitatsu\n arayama michi wo\n iha ga ne no\n shimoto oshinabe\n sakatorino 15\n asa koyemashite\n kagirohino\n yufu sarikureba\n mi-yaki furu\n Aki no ohonu ni 20\n hatasusuki\n shinu ni oshinabe\n kusamakura\n tabi-yadorisesu\n inishihe \u2019mohoshite. 25\n\n1, 2, 3 are introductory to _hi no miko_.\n\n12 Supply _yukuni_ after _wo_.\n\n14 _shimoto_, brushwood, bushes.\n\n14, 22 _oshinabe_ = _oshinabikasu_, push-bend-down. _shinu_ =\n_shinaheru_, intensifies the meaning; _shinu_, _shinubu_, _shinaheru_,\n_shinahi_, _shinadaru_ are all etymologically and logically connected.\n\n19 _mi_ = _utsukushii_.\n\n21 A tall full-spiked grass, probably an Arundo or Miscanthus.\n\n22 _shita ni oshi-fuse-nabikasu sama_, _shinu_ connected with\n_shinahe_, _shinubu._\n\n25 _omohoshite._\n\nThe m. k. (9) applies to _Hatsuse no yama_.\n\nFor _yasumishishi_, _takahikaru_, _komorikuno_, _makitatsu_,\n_sakatorino_, _kagirohino_, _kusamakura_ see List m. k.\n\n\nMAKI I SHIMO\n\n\n13\n\nFujihara no miya tsukuri ni tateru tami no yomeru uta.\n\n Yasumishishi 1\n waga ohokimi\n takahikaru\n hi no miko\n arataheno 5\n Fujihara ga uhe ni\n wosu kuni wo\n meshitamahamu to\n ohomiya ha\n takashirasamu to 10\n kamu nagara\n omohosu nabe ni\n ame tsuchi mo\n yorite are koso\n ihabashiru 15\n Afumi no kuni no\n koromodeno\n Tanakami yama\n makisaku\n hi no tsumade wo 20\n mononofuno\n yaso Uji-kaha ni\n tamamonasu\n ukabe nagasere\n so wo toru to 25\n sawaku mi-tami mo\n ihe wasure\n mi wo tanashirani\n kamo zhi mono\n midzu ni uki-wite 30\n aga tsukuru\n hi no mikado ni\n shiranu kuni\n yori Kose-ji yori\n waga kuni ha 35\n tokoyo ni naramu\n fumi oheru\n ayashiki kame mo\n arata yo to\n Idzumi no kaha ha 40\n mochi koseru\n maki no tsumade wo\n momotarazu\n ikada ni tsukuri\n nobosuramu 45\n isohaku mireba\n kamu nagara narashi.\n\n8 _meshi_, _mishi_ (_miru_).\n\n8, 10 Supply _omote_ after _to_.\n\n10 Equivalent to _shiroshimesu_ = here, to give high command for.\n\n12 _omohosu nabe_; _nabe_ has force of _tsurete_ (together with).\n\n12, 13, 14 to be read together.\n\n14 _are_ = _areba_.\n\n25 _so_ = _sore_ (_tsumade_).\n\n26 Or _sawagu_.\n\n31 _aga_ = _tami_.\n\n34 The meaning is made clear by passing to v. 40, and reading the\nintervening verses as a parenthesis.\n\n47 _narashi_, I take = _naramu_, nearly.\n\nThe m. k. (5) applies to _Fuji[hara]_, (17) to _Ta[nakami]_, (43) to\n_i[kada]_; _i_ = 50.\n\nFor _yasumishishi_, _takahikaru,_ _arataheno_, _ihabashiru_,\n_koromodeno_, _makisaku_, _mononofuno_, _tamamonasu_, _momotarazu_ see\nList m. k.\n\n\n14\n\nFujihara no miya no mi-wi no uta.\n\n Yasumishishi 1\n waga ohokimi\n takahikaru\n hi no miko\n arataheno 5\n Fujiwi ga hara ni\n ohomikado\n hazhimetamahite\n Haniyasu no\n tsutsumi no uhe ni 10\n aritatashi\n meshitamaheba\n Yamato no\n awokagu yama ha\n hi no tate no 15\n ohomikado ni\n awoyama to\n shimi sabitateni\n Unebi no\n kono midzu yama ha 20\n hi no yoko no\n ohomikado ni\n midzu yama to\n yama sabi-imasu\n Miminashi no 25\n awosuga yama ha\n sotomo no\n ohomikado ni\n yoroshi nabe\n kamusabitateru 30\n naguhashi\n Yoshinu no yama ha\n kagetomo ni\n ohomikado yo\n kumowi ni so 35\n tohoku arikeru\n takashiru ya\n ame no mi kage\n ameshiruya\n hi no mi kage no 40\n midzu koso ha\n tokiha ni arame\n mi-wi no mashi midzu.\n\n Fujihara no 1\n ohomiya tsukahe\n aretsugu ya\n wotome ga tomo ha\n tomoshiki ro ka mo. 5\n\n4 _hi no miko_ is the Queen-Regnant Jito, the subject of all the verbs\ndown to _tamaheba_ (v. 12).\n\n15 _hi no tate_ must here mean the East, and _hi no yoko_ (21), lit.\nthe noon-sun direction, must mean the West.\n\n27 _sotomo_, hinder, shady, or north face.\n\n33 _kagetomo_, light or south face. The exact distribution, however,\nof the meaning of these terms is not quite clear; _hinotate_, _hi no\nyoke_, _sotomo_, _kagetomo_.\n\n37, 39 I take the _ya_ as interjectional.\n\n39 _ame-shiru_, heaven-rule.\n\n40 I take the _no_ as connecting 37-40 with _midzu_ in 41. The text\nis not easy, and the Kogi seems to me rather to shirk the main\ndifficulties.\n\n3 _are-tsugu_ = _arahare-tsugu_, be manifest, i.e. follow in succession.\n\nFor _yasumishishi_, _takahikaru_, _arataheno_, _ameshiruya_ see List m.\nk.\n\n\n[Nara no miya ni amenoshita shiroshimeshishi Sumera mikoto no mi-yo.]\n\n\n15\n\n[Aru hon] Fujihara no miyako yori Nara no miya ni utsurimaseru toki no\nuta.\n\n Ohokimi no 1\n mikoto kashikomi\n nikibinishi\n ihe wo oki\n komorikuno 5\n Hatsuse no kaha ni\n fune ukete\n aga yuku kaha no\n kaha kuma no\n yaso kuma ochizu 10\n yorodzu tabi\n kaherimishitsutsu\n tamahokono\n michi yuki-kurashi\n awoniyoshi 15\n Nara no miyako no\n Saho-gaha ni\n i-yuki itarite\n aga netaru\n koromo no uhe yo 20\n asadzuku yo\n sayaka ni mireba\n tahe no ho ni\n yoru no shimo furi\n ihatoko to 25\n kaha no hikohori\n sayuru yo wo\n yasumu koto naku\n kayohitsutsu\n tsukureru ihe ni 30\n chi yo made ni\n imasamu kimi to\n are mo kayohamu.\n\n Awoniyoshi 1\n Nara no ihe ni ha\n yorodzu yo ni\n are mo kayohamu\n wasuru to \u2019mofu na. 5\n\n32 _kimi_ is the friend who has removed to the new capital.\n\n5 _omofu_.\n\nFor _komorikuno_, _tamahokono_, _awoniyoshi_ see List m. k.\n\n\nMAKI II KAMI\n\nShitashimi uta. Asuka no Kiyomihara no miya ni amenoshita\nshiroshimeshishi Sumera mikoto no mi-yo.\n\n\n16, 17\n\nHitomaro ga Ihami no kuni yori me ni wakarete mawinoboru toki uta\nfutatsu.\n\n\n16\n\n Ihami no mi 1\n Tsunu no ura-mi wo\n ura nashi to\n hito koso mirame\n katanashi to 5\n hito koso mirame\n yoshiweyashi\n ura ha naku tomo\n yoshiweyashi\n kata ha naku tomo 10\n isanatori\n umi he wo sashite\n Watadzu no\n ariso no uhe ni\n ka-awo naru 15\n tamamo okitsu mo\n asa ha furu\n kaze koso ki-yose\n yufu ha furu\n nami koso ki-yose 20\n nami no muta\n ka yori kaku yoru\n tamamonasu\n yori-neshi imo wo\n tsuyushimono 25\n okite shi kureba\n kono michi no\n yasokuma goto ni\n yorodzu tabi\n kaherimi suredo 30\n iya toho ni\n sato ha sakarinu\n iya taka ni\n yama wa koyekinu\n natsukusano 35\n omohishi nayete\n shinubaramu\n imo ga kado mimu\n nabike kono yama.\n\n Ihami no ya 1\n Takatsunu yama no\n ko no ma yori\n aga furu sode wo\n imo mitsuramu ka. 5\n\n Sasa ga ha ha 1\n mi-yama mo saya ni\n midaredomo\n are ha imo omofu\n wakare kinureba. 5\n\n1 _mi_, _umi_, sea.\n\n2 _mi_, neighbourhood, tract.\n\n5 _kata_, land dry at low tide.\n\n21 with the motion of the waves.\n\n28 _yaso_, lit. 80 = many, all.\n\n35 Read with _nayete_.\n\n39 _nabike_, has imperative meaning.\n\n3 _ko_ is tree.\n\n5 _mitsuramu_ = shall have seen?\n\n2 _mi-yama_ = great hills. _saya ni_, murmurously.\n\n5 Read before 4. The m. k. (35) applies to _nayete_.\n\nFor _isanatori_, _tamamonasu_, _tsuyushimono_, _natsukusano_ see List\nm. k.\n\n\n17\n\n Tsunusahafu 1\n Ihami no umi no\n kotosaheku\n Kara no saki naru\n ikuri ni so 5\n fukamiru ofuru\n ariso ni so\n tamamo ha ofuru\n tamamonasu\n nabiki-neshi ko wo 10\n fukamiruno\n fukamete \u2019mohedo\n sa-neshi yo ha\n ikuda mo arazu\n hafu-tsuta no 15\n wakareshi kureba\n kimomukafu\n kokoro wo itami\n omohitsutsu\n kaherimi suredo 20\n ohobuneno\n Watari no yama no\n momiji-ba no\n chiri no midari ni\n imo ga sode 25\n saya ni mo miyezu\n tsumagomoru\n Yakami no yama no\n kumo ma yori\n watarafu tsuki no 30\n woshikedomo\n kakurohi kitsutsu\n amatsutafu\n irihi sashinure\n masurawo to 35\n omoheru are no\n shikitaheno\n koromo no sode ha\n tohorite nurenu.\n\n Awo koma ga 1\n agaki wo hayami\n kumowi ni so\n imo ga atari wo\n sugite ki ni keru. 5\n\n Akiyama ni 1\n chirafu momiji-ba\n shimashiku ha\n na chiri-midari so\n imo ga atari mimu. 5\n\n1 ivy-grown.\n\n3 to utter words indistinctly. There is a word-fancy here, Kara being\nthe name of a division of Korea. At this period of Japanese history\nKorean immigrations were frequent. See Aston\u2019s _Nihongi_.\n\n5 _ikuri_ = black mud at bottom of sea or pool. (K. 285, LXXIV, N. 269,\nwhere it is translated \u2018rocks\u2019.)\n\n6 _fukamiru_ = deep-sea _miru_ (a kind of sea-weed).\n\n11, 12 A word-fancy on _fukamiru_ and _fukamete_.\n\n15 Parting is likened to stripping ivy from its rock.\n\n16, 17 A combination of heart and liver to express mind and feeling.\n\n27 The m. k. _tsumagomoru_ (wife-secluding) applied to the homophon\n_ya_ (house) of Yakami cannot be rendered.\n\n31 Must be read parenthetically.\n\nThe m. k. (1) is applied to _Iha[mi]_, of (33) to _hi_.\n\nFor _tsunusahafu_, _kotosaheku_, _tamamonasu_, _fukamiruno_,\n_kimomukafu_, _ohobuneno_, _amatsutafu_, _shikitaheno_ see List m. k.\n\n\nMAKI II NAKA\n\nAfumi no Ohotsu no miya ni amenoshita shiroshimeshishi Sumera mikoto no\nmi-yo.\n\n\n18\n\nSumera mikoto kamuagarimaseru toki wominame ga yomeru uta hitotsu.\n\n Utsusemi shi 1\n kami ni taheneba\n sakari-wite\n asa nageku kimi\n hanare-wite 5\n aga kofuru kimi\n tama naraba\n te ni maki-mochite\n kinu naraba\n nuku toki mo naku 10\n aga kohimu\n kimi so kiso no yo\n ime ni miyetsuru.\n\nThere are no m. k.\n\n1 _shi_ is the usual emphatic or slightly illative form-word.\n_Utsusemi_, _utsusomi_ = _utsutsu_ or _wotsutsu mi_.\n\n2 _taheneba_, _taheru_, be able to, capable of, &c.\n\n4 For _asa_, _mawi_ may be read.\n\n13 Observe force of _tsuru_ implying that the vision is still in part\nexistent, unforgotten.\n\n12 _kiso_ = _kisu_ = _sakujitsu_.\n\nFor _utsusemi_ see List m. k.\n\n\n19\n\nSumera mikoto no oho-araki no toki no uta yotsu [sono uchi] Ohokisaki\nno mi-uta hitotsu.\n\n Isanatori 1\n Afumi no umi wo\n oki sakete\n kogi-kuru fune\n he tsukite 5\n kogi-kuru fune\n okitsu kai\n itaku na hane so\n hetsu kai\n itaku na hane so 10\n wakakusano\n tsuma no mikoto no\n omofu tori tatsu.\n\n12 _tsuma_ = _otto_.\n\n1-5 are introductory, 6-10 hortatory, 11-13 give the motive, 13 being\nthe climax.\n\nFor _isanatori_ and _wakakusano_ see List m. k.\n\n\n20\n\nYamashina no mi-sasagi yori agareru toki Nukata no Ohokimi yomitamaheru\nuta hitotsu.\n\n Yasumishishi 1\n wago ohokimi no\n kashikoki ya\n omi-haka tsukafuru\n Yamashina 5\n Kagami no yama ni\n yoru ha mo\n yo no kotogoto\n hiru ha mo\n hi no kotogoto 10\n ne nomi wo\n nakitsutsu arite ya\n momoshiki no\n ohomiya hito ha\n yuki wakarenamu. 15\n\n2 _wago_ = _waga_.\n\n3 _ya_ = _yo_.\n\n4 Read this line in connexion with 13, 14, 15.\n\nFor _yasumishishi_ and _momoshiki_ see List m. k.\n\n\nAsuka no Kiyomihara no miya ni amenoshita shiroshimeshishi Sumera\nmikoto no mi-yo.\n\n\n21\n\nSumera mikoto no kamuagarimaseru toki Ohokisaki no yomimaseru mi-uta\nhitotsu.\n\n Yasumishishi 1\n waga ohokimi no\n yufu sareba\n meshitamafurashi\n akekureba 5\n tohitamafurashi\n Kamiwoka no\n yama no momichi wo\n kefu mo ka mo\n tohitamahamashi 10\n asu mo ka mo\n meshitamahamashi\n sono yama wo\n furisake mitsutsu\n yufu sareba 15\n aya ni kanashimi\n akekureba\n urasabi kurashi\n arataheno\n koromo no sode ha 20\n hiru toki mo nashi.\n\nThere are pauses after each of the forms in _rashi_ and _mashi_.\n\n4 _meshi_ = _mishi_, hon. caus.\n\n1-12 form an introduction to 13 ff.\n\nFor _yasumishishi_ and _arataheno_ see List m. k.\n\n\nFujihara no miya ni amenoshita shiroshimeshishi Sumera mikoto no mi-yo.\n\n\n22\n\nHinami no miko no mikoto no araki no miya no toki Hitomaro ga yomeru\nuta hitotsu.\n\n Ame tsuchi no 1\n hazhime no toki shi\n hisakatano\n ama no kahara ni\n yahoyorodzu 5\n chi yorodzu kami no\n kamu-tsudohi\n tsudohi imashite\n kamu agachi\n agachi shi toki ni 10\n Amaterasu\n Hirume no mikoto\n ame wo ba\n shiroshimesu to\n Ashihara no 15\n Midzuho no kuni wo\n ame tsuchi no\n yori-ahi no kihami\n shiroshimesu\n kami no mikoto to 20\n amakumono\n ya he kaki wakete\n kami kudari\n imase matsurishi\n takahikaru 25\n hi no miko ha\n Asuka no\n Kiyomi no miya ni\n kamu nagara\n futoshikimashite 30\n Sumerogi no\n shikimasu kuni to\n ama no hara\n ihato wo hiraki\n kamu nobori 35\n nobori imashinu\n waga ohokimi\n miko no mikoto no\n amenoshita\n shiroshimeshiseba 40\n haru hana no\n tafutokaramu to\n mochi-tsuki no\n tatahashikemu to\n amenoshita 45\n yomo no hito no\n ohobuneno\n omohi tanomite\n amatsumidzu\n afugite matsu ni 50\n ikasama ni\n omohoshimese ka\n tsuremonaki\n Mayumi no woka ni\n miya hashira 55\n futoshiki imashi\n mi araka no\n takashirimashite\n asa goto ni\n mi koto tohasazu 60\n tsuki-hi no\n maneku narinure\n soko yuwe ni\n miko no miyabito\n yuku-he shirazu mo! 65\n\n5 _yaho_, eight hundred, i.e. countless.\n\n9 _agachi_ = _wakachi_ (_tsu_).\n\n18 _kihami_, in sense of _kagiri_, extent.\n\n46 _yomo_, the four quarters, in or from every quarter.\n\n53 _tsuremonaki_, alone, unattended.\n\n57 _mi araka_ seems to mean here a new royal palace.\n\n60 _mi koto_, royal words or commands. _tohasazu_; _tohasu_ = _tofu_,\nconverse, speak with.\n\n62 _maneku_ = many.\n\nLine 23 refers to _Ninigi no mikoto_, line 30 to _Temmu tenn\u00f4_, 37\n_ohokimi_ is _Hinami no miko_ (see XIX, notes).\n\nFor _hisakata_, _amakumono_, _takahikaru_, _ohobuneno_, _amatsumidzu_\nsee List m. k.\n\n\n23\n\n[Kahashima no miko no araki no miya no toki] Hitomaro ga Hatsusebe no\nhime miko to [Osakabe no miko] tatematsureru uta hitotsu.\n\n Tobutorino 1\n Asuka no kaha no\n kamitsu se ni\n ofuru tamamo ha\n shimotsu se ni 5\n nagare-furafu\n tamamonasu\n ka yori kaku yori\n nabikahishi\n tsuma no mikoto no 10\n tatanadzuku\n niki-hada sura wo\n tsurugitachi\n mi ni sohe-neneba\n nubatamano 15\n yo toko mo aruramu\n soko yuwe ni\n nagusame-kanete\n kedashiku mo\n afu ya to \u2019mohoshite 20\n tamatareno\n Wochi no ohonu no\n asa tsuyu ni\n tamamo ha hidzuchi\n yufu-giri ni 25\n koromo ha nurete\n kusamakura\n tabi-ne ka mo suru\n ahanu kimi yuwe.\n\n6 _furafu_ = _furu_.\n\n9 = _nabiku_.\n\n10 _tsuma_, karizhi for _otto_.\n\n11 _nikihada_ = _nikoyaka_, _yaharaku naru hada_.\n\n16 _aruramu_ = _areru_, to waste, desolate.\n\n19 _kedashiku_ = _moshi_.\n\nFor _tobutorino_, _tamamonasu_, _tatanadzuku_, _tsurugitachi_,\n_nubatamano_, _tamatareno_, _kusamakura_ see List m. k.\n\n\n24\n\nTakechi no miko no mikoto no Kinohe no araki no miya no toki Hitomaro\nga yomeru uta hitotsu.\n\n Kakemaku mo 1\n yuyushiki ka mo\n ihamaku mo\n aya ni kashikoki\n Asuka no 5\n Makami no hara ni\n hisakatano\n amatsu mikado wo\n kashikoku mo\n sadame-tamahite 10\n kamusabu to\n iha kakurimasu\n yasumishishi\n waga ohokimi no\n kikoshimesu 15\n sotomo no kuni no\n makitatsu\n Fuhayama koyete\n komatsurugi\n Wazami ga hara no 20\n kari-miya ni\n amori imashite\n amenoshita\n osame-tamahi\n wosu-kuni wo 25\n sadame-tamafu to\n toriganaku\n Adzuma no kuni no\n mi ikusa wo\n meshitamahite 30\n chihayaburu\n hito wo yahase to\n matsurohanu\n kuni wo osame to\n miko nagara 35\n makitamaheba\n ohomi mi ni\n tachi tori-obashi\n ohomi te ni\n yumi tori-motashite 40\n mi ikusa wo\n adomohi-tamahi\n totonofuru\n tsutsumi no oto ha\n ikatsuchi no 45\n kowe wo kiku made\n fuki-naseru\n kuda no oto mo\n atamitaru\n tora ka hoyuru to 50\n moro hito no\n obiyuru made ni\n sasagetaru\n hata no nabiki ha\n fuyukomori 55\n haru sarikureba\n nu goto ni\n tsukite aru hi no\n kaze no muta\n nabiku ga gotoku 60\n tori-motaru\n yu hazu no sawaki\n mi yuki\n furu\n fuyu no hayashi ni 65\n tsumushi ka mo\n i-maki wataru to\n omofu made\n kiki no kashikoku\n hiki-hanatsu 70\n ya no shigekeku\n ohoyuki no\n midarete kitare\n matsurohazu\n tachi-mukahishi mo 75\n tsuyu shimo no\n kenaba kesubeku\n yukutori no\n arasofu hashi ni\n Watarahi no 80\n ihahi no miya yu\n kamu kaze ni\n i-fuki-madohashi\n amakumo wo\n hinomemomisezu 85\n tokoyami ni\n ohohi-tamahite\n sadameteshi--\n Midzuho no kuni wo\n kamu nagara 90\n futoshiki imashi[te]\n yasumishishi\n waga ohokimi no\n amenoshita\n mawoshi tamaheba 95\n yorodzu yo ni\n shikashi mo aramu to\n yufuhanano\n sakayuru toki ni\n waga ohokimi 100\n miko no mikado wo\n kamu miya ni\n yosohi matsurite\n tsukahashishi\n mikado no hito mo 105\n shirotaheno\n asa koromo kite\n Haniyasu no\n mikado no hara ni\n akanesasu 110\n hi no kotogoto\n shishi zhi mono\n ihahi fushitsutsu\n nubatamano\n yufuhe ni nareba 115\n ohotono wo\n furisake mitsutsu\n udzuranasu\n ihahi motohori\n samorahedo 120\n samorahi kanete\n harutorino\n samayohinureba\n nageki mo\n imada suginu ni 125\n omohi mo\n imada tsukineba\n kotosaheku\n Kudara no hara yu\n kamu hafuri 130\n hafuri-i mashite\n asamoyoshi\n Kinohe no miya wo\n toko miya to\n sadame-matsurite 135\n kamu nagara\n shidzumarimashinu\n shikaredomo\n waga ohokimi no\n yorodzu yo to 140\n omohoshimeshite\n tsukurashishi\n Kagu yama no miya\n yorodzu yo ni\n sugimu to \u2019mohe ya 145\n ame no goto\n furisake mitsutsu\n tamatasuki\n kakete shinubamu\n kashikokaredomo! 150\n\n Hisakata no 1\n ame shirashinuru\n kimi yuwe ni\n tsuki hi mo shirani\n kohi-wataru ka mo! 5\n\n Haniyasu no 1\n ike no tsutsumi no\n komorinu no\n yukuhe wo shirani\n toneri ha madofu! 5\n\n1 _kakemaku_ = _kakemu_ (_koto_), about to utter.\n\n5 _ihamaku_ = _ihemu_ (_koto_), about to say.\n\n8 _amatsu mikado_, heavenly palace, tomb or mortuary chapel or barrow\nof Temmu at Ohouchi (N. II. 387).\n\n14 _ohokimi_ = Temmu.\n\n16 _sotomo_, outer or back face, i.e. north (Mino).\n\n19 _komatsurugi_ is m. k. of Wa(zami).\n\n22 _amori_, _ama ori_, descend from heaven.\n\n27 The m. k. applies to A(dzuma).\n\n35 The _miko_ is Takechi.\n\n36 _maki_ = _makase_, charge with.\n\n37 _ohomi mi_, great self.\n\n42 Pause at end of this line.\n\n59 under force of the wind.\n\n60 Another pause.\n\n62 _yumi no hadzu_.\n\n66 _ka_ = _kaze_.\n\n69 Another pause.\n\n73 Pause.\n\n84 Read this line after 86.\n\n88 Pause, but taken as a sort of pivot, may be connected with _Midzuho\nno kuni_ in the next line.\n\n90 A god, as god.\n\n93 _ohokimi_ is Jit\u00f4.\n\n95 The indirect object of _mawoshi \u2026_ is not expressed, it is Jit\u00f4 (A.D.\n690-6).\n\n98 A quibble is seen by some commentators in _yufu_ (_ifu_).\n\n101 _miko no mikado_, the mortuary chapel of Takechi.\n\n102 _kamu miya_, as a god-shrine.\n\n105 the watchers.\n\n108-9 The _hara_ before the _Kagu yama no miya_ (143).\n\n116 _ohotono_, the _mikado_ already mentioned.\n\n129 _yu_ = _yori_.\n\n130 _hafuri_, officials at funerals and interments; _hafuru_, to\nconduct obsequies.\n\n132 m. k. of Ki[nohe].\n\n137 pause.\n\n139 _ohokimi_ must be Takechi.\n\n142 _tsukurishi_.\n\n145 would outlast, they think belike.\n\n149 _[kokoro ni] kakete._\n\n150 Read before 148.\n\nThe syntax of this lay is not always clear. The _Kogi_ in its explanation\ndoes not refer to Jit\u00f4, and almost seems to regard the _mawoshi_ of 95 as\naddressed to Temmu.\n\nFor _hisakatano_, _yasumishishi_, _komatsurugi_, _toriganaku_,\n_chihayaburu_, _fuyukomori_, _tsuyushimono_, _yukatorino_, _yufuhanano_,\n_shirotaheno_, _akanesasu_, _nubatamano_, _udzuranasu_, _harutorino_,\n_kotosaheku_, _asamoyoshi_, _tamatasuki_ see List m. k.\n\n\nMAKI II SHIMO\n\n\n25\n\nYuge no miko no sugimaseru toki Okisome no Adzuma-hito ga yomeru uta\nhitotsu.\n\n Yasumishishi 1\n waga ohokimi\n takahikaru\n hi no miko\n hisakatano 5\n ama tsu miya ni\n kamu nagara\n kami to imaseba,\n soko wo shi mo\n aya ni kashikomi 10\n hiru ha mo\n hi no kotogoto\n yoru ha mo\n yo no kotogoto\n fushi-wi nagekedo 15\n aki-taranu ka mo!\n\n ohokimi ha 1\n kami nishimaseba\n amakumono\n iho he ga shita ni\n kakuri-tamahinu! 5\n\n4 _iho he_, 500 folds, countless folds or layers; _shita_ = _ura_, within\nor behind.\n\nFor _yasumishishi_, _takahikaru_, _hisakatano_, _amakumono_ see List m. k.\n\n\n26\n\nAsuka no himemiko no Kinohe no araki no miya no toki Hitomaro ga yomeru\nuta hitotsu.\n\n Tobutorino 1\n Asuka no kaha no\n kamitsu se ni\n iha-hashi watari\n shimotsu se ni 5\n uchi-hashi watasu\n ihahashi ni\n ohi-nabikeru\n tamamo mo so\n tayureba ofuru 10\n uchi-hashi ni\n ohi-wowoheru\n kahamo mo so\n karureba hayaru\n nani shi ka mo 15\n waga ohokimi no\n tataseba\n tamamo no gotoku\n koro-fuseba\n kahamo no gotoku 20\n nabikahishi\n yoroshiki kimi ga\n asa miya wo\n wasuretamafu ya\n yufu miya wo 25\n somukitamafu ya\n utsusomi to\n omohishi toki ni\n haru he ha\n hana wori-kazashi 30\n aki tateba\n momiji-ba kazashi\n shikitaheno\n sode tadzusahari\n kagaminasu 35\n miredomo akani\n mochi-dzuki no\n iya medzurashimi\n omohoshishi\n kimi to tokidoki 40\n idemashite\n asobitamahishi\n mikemukafu\n Kinohe no miya wo\n toko miya to 45\n sadametamahite\n ajisahafu\n me koto mo tahenu\n soko wo shi mo\n aya ni kanashimi 50\n nuyetori no\n katakohishitsutsu\n asatorino\n kayohasu kimi ga\n natsukusano 55\n omohishi nayete\n yufudzudzuno\n ka yuki kaku yuki\n ohobuneno\n tayutafu mireba 60\n nagusamuru\n kokoro mo arazu\n soko yuwe ni\n semusube shirani\n oto nomi wo 65\n na nomi mo tayezu\n ame tsuchi no\n iya tohonagaku\n shinubi yukamu\n mi-na ni kakaseru 70\n Asuka-gaha\n yorodzu yo made ni\n hashikiyoshi\n waga ohokimi no\n katami ni koko wo. 75\n\nvv. 1-14 compare the Princess with the _mo_ and hint at her death, the\nwater-weeds will be renewed in due course, but she will not come back\nto life; 15 is best understood by being read in connexion with 24;\n16-21 describe the grace of the Princess; 22-26 suggest the fault of\nthe Prince which interrupted the relations of the pair; 27-42 describe\nthe happiness of the pair during the Princess\u2019 life; 43-60 picture the\ngrief of the Prince at her loss, and 61 to end add the reflections of\nthe poet.\n\nThe m. k. (1) applies to Asu[ka], of (43) to Ki[nohe], of (47) to\n_me_ (taken as contraction of _mure_), of (55) to _nayete_.\n\nFor _tobutorino_, _utsusomi_, _shikitaheno_, _kagaminasu_, _mikemukafu_,\n_ajisahafu_, _asatorino_, _natsukusano_, _yufudzudzuno_, _ohobuneno_\nsee List m. k.\n\n\n27-28\n\nHitomaro ga me no mi-makarishi nochi kanashimi yomeru uta futatsu.\n\n Amatobuya 1\n Karu no michi ha\n wagimoko ga\n sato ni shi areba\n nemokoro ni 5\n mimakuhoshikedo\n yamazu yukaba\n hito me wo ohomi\n maneku yukaba\n hito shirinubemi 10\n sanekadzura\n nochi wo ahamu to\n ohobuneno\n omohi tanomite\n kagirohi no 15\n ihakaki fuchi no\n komori nomi\n kohitsutsu aru ni\n wataru hi no\n kure yuku ga goto 20\n teru tsuki no\n kumo kakuru goto\n okitsu mo no\n nabikishi imo ha\n momiji-ba no 25\n sugite inishi to\n tamadzusano\n tsukahi no iheba\n adzusa-yumi\n oto nomi wo kikite 30\n ihamu sube\n semusubeshirani\n oto nomi wo\n kikite ariyeneba\n waga kofuru 35\n chihe no hitohe mo\n nagusamuru\n kokoro mo ari ya to\n wagimoko ga\n yamazu idemishi 40\n Karu no ichi ni\n waga tachi-kikeba\n tamatasuki\n Unebi no yama ni\n nakutorino 45\n kowe mo kikoye\n tamahokono\n michi yuku hito mo\n hitori dani\n niteshi yukaneba 50\n sube wo nami\n imo-gara yobite\n sode so furitsutsu.\n\n Akiyama no 1\n momiji wo shigemi\n madohaseru\n imo mo motomemu\n yama-ji shirazu mo. 5\n\n Momiji-ba no 1\n chirinuru nabe ni\n tamadzusano\n tsukahi wo mireba\n ahishi hi omohoyu. 5\n\n1 _ya_ = _yo_.\n\n3 _waga imoko_.\n\n6 _miru koto wo hoshiku omohedo_.\n\n8 = _hito me ga ohoki_, _wo_ often thus used with forms in _mi_.\n\n9 _tabitabi yukaba_.\n\n13, 14 A word-quibble may, possibly, be intended, _omohi omoki_.\n\n15, 16 These form a sort of m. k. of _komori_.\n\n26 has passed away (died).\n\n36 _chihe no hitohe_, one plait of a thousand plaits (or layers or\nparts) = one thousandth.\n\n40 _imo ga kimi wo yamazu idemishi_ Kami, &c.\n\n51 _sube wo nami_, cp. 8, _hito me wo ohomi_.\n\n2 (second _hanka_) _nabe_ has force of together with, upon.\n\nFor _amatobuya_, _sanekadzura_, _ohobuneno_, _tamadzusano_,\n_tamatasuki_, _nakutorino_, _tamahokono_ see List m. k.\n\n\n28\n\n Utsusemi to 1\n omohishi toki ni\n tadzusahete\n aga futari mishi\n washiri-de no 5\n tsutsumi ni tateru\n tsuki no ki no\n kochi-gochi no ye no\n haru no ha no\n shigeki ga gotoku 10\n omoherishi\n imo ni ha aredo\n tanomerishi\n kora ni ha aredo\n yo no naka wo 15\n somukishi yeneba\n kagirohino\n moyuru ara-nu ni\n shirotahe no\n amahire kakuri 20\n tori zhi mono\n asa tachi-i-mashite\n irihinasu\n kakuri ni shikaba\n wagimoko ga 25\n katami ni okeru\n wakaki ko no\n kohi-naku goto ni\n tori atafu\n mono shi nakereba 30\n wotoko mono zhi\n waki hasami mochi\n wagimoko to\n futari aga neshi\n makuradzuku 35\n tsumaya no uchi ni\n hiru ha mo\n urasabi kurashi\n yoru ha mo\n iki-dzuki akashi 40\n nagekedomo\n semu subeshirami\n kofuredomo\n afu yoshi wo nami\n ohotori no 45\n Hakahi no yama ni\n aga kofuru\n imo ha imasu to\n hito no iheba\n ihane sakumite 50\n nadzumi koshi\n yokeku mo so naki\n utsusemi to\n omohishi imo ga\n kagirohino 55\n honoka no dani mo\n miyenu omoheba.\n\n Kozo miteshi 1\n aki no tsukuyo ha\n teraseredo\n ahimishi imo ha\n iya toshi sakaru. 5\n\n Ihe ni kite 1\n tsumaya wo mireba\n tamatokono\n to ni mukahikeri\n imo ga ko-makura. 5\n\nvv. 1-11 are introductory to _imo_; 12-16 declare impossibility of\nescaping the fate of all mankind; 17-20 refer to the funeral of the\n_imo_; 21-24 to her burial; 25-32 to the father\u2019s endeavour to comfort\nthe child; 33-42 to the desolation of his home; 43 to end to the ascent\nof the hill of interment in the vain hope of seeing her spirit.\n\n2 _omohishi_, here, as often, is little more than _narishi_.\n\n22 _i-mashite_, _i_ is here merely a prefix.\n\n30 _shi_ is an emphatic particle.\n\n31 _zhi_ = _nasu_ (so in 21).\n\n34 A past of _neru_.\n\n42 A common phrase = _shikata ga nai_.\n\n52 = _yoki, koto naki_.\n\n55 Note the application of the m. k. to _ho_(_noka_). Read the latter\nverses as _honoka ni sahe mo imo ga miyenu wo omoheba kurushiku\nhatarakite koshi kahi mo naku yoki koto so naki_.\n\n5 Written wooden (_ko_) pillow--I venture to read it as (_ko_) little\npillow.\n\nFor _utsusemi_, _kagirohino_, _shirotaheno_, _irihinasu_,\n_makuradzuku_, _ohotorino_, _tamahokono_ see List m. k.\n\n\n29\n\nShinatsu no unebe ga mi-makareru toki Hitomaro ga yomeru uta hitotsu.\n\n Akiyama no 1\n shitaberu imo\n nayotakeno\n towoyoru kora ha\n ikasama ni 5\n omohimase ka\n takunahano\n nagaki inochi wo\n tsuyu koso ha\n ashita ni okite 10\n yufube ha\n kenu to ihe\n kiri koso ha\n yufube ni tachite\n ashita ha 15\n usu to ihe\n adzusayumi\n oto kiku are mo\n oho ni mishi\n koto kuyashiki wo 20\n shikitaheno\n ta-makura makite\n tsurugitachi\n mi ni sohenekemu\n wakakusano 25\n sono tsuma no ko ha\n sabushimi ka\n omohite nuramu\n kuyashimi ka\n omohikofuramu 30\n toki narazu\n suginishi kora ga\n asa tsuyu no goto\n yufu giri no goto.\n\n Sasanamino 1\n Shigatsu no kora ga\n makari nishi\n kaha se no michi wo\n mireba sabushi mo. 5\n\nvv. 1-6 introduction; 7-16 impermanence of life; 17-20 regret of\npoet at news of death (hinted at rather than directly stated) of the\n_uneme_; 21 to end climatic lament over an untimely death.\n\n2 _shitaberu_ = wilt, wither, droop; _akiyama no shitaberu imo_,\ndrooping as the flaccid leafage in autumn on the hills: but see\ntranslation.\n\n1, 2 and 3, 4 are parallelisms reminding one of Hebrew and Chinese\npoetry, there are several other examples in this _uta_.\n\n4 _kora_ seems to be a plural form of honour.\n\n8 The _wo_ at the end, which has a stray look, may be understood here\n(as often elsewhere in the Anthology) by supplying _omoheba_ or some\nform of the verb _omofu_. The various _ha_ in this _uta_ exemplify the\neffect of the particle as suggesting a predicate of the isolated word\nor expression.\n\n18 The news has come to me who only slightly knew her by sight yet am\nfull of regret.\u2026\n\n22 making mutually pillows of each other\u2019s arms.\n\n26 _tsuma_ = _otto_; _ko_ is honour-title.\n\n31 _toki narazu_, untimely.\n\n1 _Sasanami_ involves the homophonous m. k. _sasanami_.\n\n3 (_hanka_ I) _makari nishi_ = _makari-inishi_, gone away, died.\n\nFor _nayotakeno_, _takunahano_, _adzusayumi_, _shikitaheno_,\n_tsurugitachi_, _wakakusano_ see List m. k.\n\n\n30\n\nSanuki no [kuni] ni Samine no shima nite isobe no shinihito wo mite\nHitomaro ga yomeru uta hitotsu.\n\n Tamamoyoshi 1\n Sanuki no kuni ha\n kuni kara ka\n miredomo akanu\n kami kara ka 5\n kokoda tafutoki\n ame tsuchi\n hi tsuki to tomo ni\n tari-yukamu\n kami no mi omo to 10\n ihi tsugeru\n Naka no minato yu\n fune ukete\n aga kogi kureba\n tokitsu kaze 15\n kumowi ni fuku ni\n oki mireba\n shiki nami tachi\n he mireba\n shiranami sawaku 20\n isanatori\n umi wo kashikomi\n yukufune no\n kaji hiki orite\n wochikochi no 25\n shima ha ohokedo\n naguhashi\n Samine no shima no\n ariso mi ni\n ihorite mireba 30\n nami no \u2019to no\n shigeki hama he wo\n shikitaheno\n makura ni nashite\n aratoko ni 35\n korofusu kimi ga\n ihe shiraba\n yukite mo tsugemu\n tsuma shiraba\n ki mo tohamashi wo 40\n tamahokono\n michi dani shirazu\n ohohoshiku\n machi ka kofuramu\n hashiki tsumara ha. 45\n\n Tsuma mo araba 1\n tsumite tagemashi\n Samine yama\n nu no he no uhagi\n suginikerazuya! 5\n\n Okitsu nami 1\n ki-yoru ariso wo\n shikitaheno\n makura to makite\n naseru kimi kamo! 5\n\nvv. 3, 5 _kara_ must be so read, not _gara_--it is perhaps a form of\n_nagara_.\n\n9 _tari-yukamu_, be perfect; read this line after next.\n\n11 Read with Naka.\n\n15 lit. time-wind or seasonable or fair wind, but probably also seaward\nand landward winds more or less accompanying morning and evening tides.\n\n24 _hiki-ori_ = draw-break, i.e. by moving the steering oar right or\nleft break the straight course of the vessel.\n\n30 _ihori_, _iho-wori_.\n\n31 _\u2019to_ for _oto_.\n\n40 may be read as = _kimashi mo taha-mashi_ (_koto wo omohite_).\n\n43 gloomily, wretchedly.\n\n45 Plural of _tsuma_ (used as honour-plural?).\n\n2 _tagemashi_ = _tabe mashi_, goes with _uhagi_.\n\n5 Equivalent to _sugi nikeri_, affirmatively.\n\n5 _naseru_ is read assumptively with _kimi_.\n\nFor _tamamoyoshi_, _isanatori_, _shikitaheno_, _tamahokono_ see List m.\nk.\n\n\nNara no miya ni [amenoshita] shiroshimeshishi Sumera mikoto no mi-yo.\n\n\n31\n\nRiyauki hazhime no toshi ki no to no u nagatsuki Shiki no miko no\nsugimaseru toki yomeru uta hitotsu.\n\n Adzusayumi 1\n te ni tori-mochite\n masurawo ga\n satsu-ya da-hasami\n tachimukafu 5\n Takamado yama ni\n haru nu yaku\n nu hi to miru made\n moyuru hi wo\n ika ni to to eba 10\n tamahokono\n michi kuru hito no\n naku namida\n hisame ni fureba\n shirotaheno 15\n koromo hidzuchite\n tachi-tomari\n are ni kataraku\n nani shi ka mo\n motona iheru 20\n kikeba\n ne nomi shi nakayu\n katareba\n kokoro so itami\n Sumerogi no 25\n kami no miko no\n idemashi no\n ta-hi no hikari so\n kokoda teritaru.\n\n10 _toheba_, subject is _are_ of 18.\n\n18 _kataraku_, subject is _hito_ of 12; so of _katareba_ 23.\n\n20 _iheru_ refers to _toheba_ of 10.\n\nFor _adzusayumi_, _tamahokono_, _shirotaheno_ see List m. k.\n\n\nMAKI III KAMI\n\nKusagusa no uta.\n\n\n32\n\nNaga no miko no Kariji nu ni mikari shitamaheru toki Hitomaro ga yomeru\nuta hitotsu.\n\n Yasumishishi 1\n waga ohokimi\n takahikaru\n waga hi no miko no\n uma namete 5\n mi kari tataseru\n wakakomo no\n Kariji no wo-nu ni\n shishi koso ha\n i-hahi worogame 10\n udzura koso\n i-hahi motohori\n shishi zhi mono\n i-hahi worogame\n udzura nasu 15\n i-hahi motohori\n kashikomi to\n tsukahematsurite\n hisakata no\n ame miru gotoku 20\n masokagami\n afugite miredo\n haru kusa no\n iya medzurashiki\n waga ohokimi ka mo. 25\n\n Hisakata no 1\n ame yuku tsuki no\n tsuna ni sashi\n waga ohokimi ha\n kinugasa ni seri. 5\n\n7 A m. k. applied to Kari[ji] as = _kari_, mow, reap.\n\nFor _yasumishishi_, _takahikaru_, _wakakomono_, _hisakatano_,\n_masokagami_ see List m. k.\n\n\n33\n\nKamo no Kimitari-hito ga Kaguyama no uta hitotsu.\n\n Amoritsuku 1\n Ame no kaguyama\n kasumitatsu\n haru ni itareba\n matsu kaze ni 5\n ike nami tachite\n sakura hana\n ko no kure shigemi\n okibe ni ha\n kamo tsuma yobahi 10\n hetsu he ni\n aji mura sawaki\n momoshiki\n ohomiya hito no\n makari-dete 15\n asobu fune ni ha\n kaji sawo mo\n nakute sabushi mo\n kogu hito nashi ni.\n\n Hito kogazu 1\n araku mo shirushi\n kadzuki suru\n woshi to takabe to\n fune no he ni sumu. 5\n\n Itsu ma mo 1\n kami sabigeru ka\n Kagu yama no\n hokosugi nomoto ni\n koke musu made ni. 5\n\n11 _he_ seems here to be simply apocopated _uhe_.\n\n2 _araku_ is verbal subst. of _aru_.\n\nFor _amoritsuku_, _kasumitatsu_, _momoshiki_ see List m. k.\n\n\n34\n\nHitomaro ga Nihitabe no miko ni tatematsureru uta hitotsu.\n\n Yasumishishi 1\n waga ohokimi\n takahikaru\n hi no miko\n shikimasu 5\n ohotono no he ni\n hisakatano\n amadzutahikeru\n yuki zhi mono\n yuki kayohitsutsu 10\n iya shiki imase!\n\n Yatsuri yama 1\n ko-tachi mo miyezu\n furi-midasu\n yuki ni sawakite\n mawiraku yoshi mo. 5\n\n9 Here _yuki_ is \u2018snow,\u2019 as in 4; in 10 it is \u2018go, come.\u2019\n\nFor _yasumishishi_, _takahikaru_, _hisakatano_ see List m. k.\n\n\n35\n\nYayohi bakari Yoshinu no totsu-miya ni idemaseru toki naka no\nmono-mawosu tsukasa Ohotomo no mahetsukimi (Ohotomo no kiyau)\nmikotonori wo uketamaharite yomitamaheru uta hitotsu.\n\n Mi Yoshinu no 1\n Yoshinu no miya ha\n yama kara shi\n tafutoku arashi\n kaha kara shi 5\n sayakeku arashi\n ame tsuchi to\n nagaku hisashiku\n yorodzu yo ni\n kaharadzu aramu 10\n idemashi no miya!\n\n Mukashi mishi 1\n Kisa no wo-gaha wo\n ima mireba\n iyo-iyo sayakeku\n nari nikeru ka mo! 5\n\n5 _kara_, cp. _nagara_; also _kare_, reason, cause.\n\n6 _arashi_ = _arurashi_.\n\n\n36\n\nYamabe no Sukune Akahito ga Fujinoyama wo mite [yomeru] uta hitotsu.\n\n Ame tsuchi no 1\n wakareshi toki yu\n kamusabite\n takaku tafutoki\n Suruga naru 5\n Fugi no takane wo\n ama no hara\n furisake mireba\n wataru hi no\n kage mo kakurohi 10\n teru tsuki no\n hikari mo miyezu\n shirakumo mo\n i-yuki habakari\n tokizhiku 15\n yuki ha furikeru\n katari-tsugi\n ihi-tsugi yukamu\n Fuji no takane ha!\n\n Tago no ura yu 1\n uchi-dete mireba\n ma-shiroku so\n Fuji no takane ni\n yuki ha furikeru! 5\n\n\n37\n\nFuji no yama wo yomeru uta hitotsu.\n\n Namayomino 1\n Kahi no kuni\n uchi-yosuru\n Suruga no kuni to\n kochigochi ni 5\n kuni no mi naka yu\n ide-tateru\n Fuji no takane ha\n amakumono\n i-yuki habakari 10\n tobutori mo\n tobi mo nobarazu\n moyuru hi wo\n yuki mochi-kechi\n furu yuki wo 15\n hi mochi-kechitsutsu\n ihi mo kane\n nadzuke mo shirani\n kusushiku mo\n imasu kami ka mo 20\n Se no umi to\n nadzukete aru mo\n sono yama no\n tsutsumeru umi so\n Fuji kaha to 25\n hito no wataru mo\n sono yama no\n midzu no tagichi so\n Hinomoto no\n Yamato no kuni no 30\n shidzume to mo\n imasu kami ka mo\n takara to mo\n nareru yama ka mo\n Suruga naru 35\n Fuji no takane ha\n miredo akanu ka mo.\n\n Fuji no ne ni 1\n furi-okeru yuki ha\n minadzuki no\n mochi ni kenureba\n sono yo furikeri. 5\n\n18 lit. one can give no adequate name to Fuji.\n\n21 Read with 24.\n\nFor _namayomino_, _amakumono_ see List m. k.\n\n\n38\n\nAkahito ga Iyo no yu ni yukite yomeru uta hitotsu.\n\n Sumerogi no 1\n Kami no mikoto no\n shikimasu\n kuni no kotogoto\n yu ha shi mo 5\n saha ni aredomo\n shima yama no\n yoroshiki kuni to\n kogoshi ka mo\n Iyo no takane no 10\n Izaniha no\n woka ni tatashite\n uta omohi\n koto omohashishi\n mi yu no he no 15\n ko-mura wo mireba\n Omi no ki mo\n ohi-tsugi ni keri\n naku tori no\n kowe mo kaharazu 20\n tohoki yo ni\n kamusabi yukamu\n idemashi tokoro.\n\n1-14 refer to _Uhe no miya_ (Sh\u00f4toku Taishi).\n\n4 All the provinces or lands.\n\n9 _kogoshi_ applies to _Iyo no takane_.\n\n\n39\n\nKamiwoka ni noborite Akahito ga yomeru uta hitotsu.\n\n Mimoro no 1\n Kaminabi yama ni\n iho ye sashi\n shizhi ni ohitaru\n tsuganokino 5\n iya tsugitsugi ni\n tamakadzura\n tayuru koto naku\n aritsutsu mo\n yamazu kayohamu 10\n Asuka no\n furuki miyako ha\n yama takami\n kaha tohoshiroshi\n haru no hi ha 15\n yama shi migahoshi\n aki no yo ha\n kaha shi sayakeshi\n asa-kumo ni\n tadzu ha midare 20\n yufu-giri ni\n kahadzu ha sawaku\n miru goto ni\n ne nomi shi nakayu\n inishihe omoheba. 25\n\n Asuka-gaha 1\n kaha yodo sarazu\n tatsukirino\n omohi-sugubeki\n kohi ni aranaku ni. 5\n\n1-10 are introductory to _Asuka no furuki miyako_.\n\n13-22 describe the _miyako_.\n\n23-25 express the poet\u2019s regret.\n\n1-3 are introductory to 4.\n\n5 lit. there is no _kohi_ (affection) from which may be chased thoughts\n(of the past).\n\nFor _tsuganokino_, _tamakadzura_, _tatsukirino_ see List m. k.\n\n\nMAKI III, NAKA\n\n\n40\n\nTsunuga no tsu nite fune ni noreru toki Kasa no Asomi Kanamura ga\nyomeru uta hitotsu.\n\n Koshi no umi no 1\n Tsunuga no hama yu\n ohobune ni\n ma kaji nuki-oroshi\n isanatori 5\n umiji ni idete\n abekitsutsu\n waga kogi-yukeba\n masurawono\n Tayuhi ga ura ni 10\n ama wotome\n shiho yaku keburi\n kusamakura\n tabi nishi areba\n hitori shite 15\n miru shiru shi nami\n watatsumi no\n te ni makashitaru\n tamatasuki\n kakete shinubitsu 20\n Yamato shima-ne wo.\n\n12 After _keburi_ supply _areba_.\n\n16 _nami_ is _nashi_, not--_miru_-(_koto_) _shiru_ (_koto_) _shi\nnashi_. Another reading, however, is possible.\n\n17-19 are introductory to _kakete_ (20), as the arm-bands are set to\nthe arms of the sea-god (or arm-bands to those who serve the god?), to\nmy heart is set regret for Yamato. The m. k. (9) applies to Ta(yuhi);\n17, 18 are epithetical of _tama_, part of the m. k. _tamatasuki_\napplied to _kakete_ (20).\n\n21 _shimane_ is a designation of Yamato.\n\nFor _isanatori_, _masurawono_, _kusamakura_, and _tamatasuki_ see List\nm. k.\n\n\n41\n\nAkahito ga Kasuga nu ni noborite yomeru uta hitotsu.\n\n Haruhiwo 1\n Kasuka no yama no\n takakurano\n Mikasa no yama ni\n asa sarazu 5\n kumowi tanabiku\n kaho tori no\n ma naku shiba naku\n kumowinasu\n kokoro isayohi 10\n sono tori no\n kata-kohi nomi ni\n hiru ha mo\n hi no kotogoto\n yoru ha mo 15\n yo no kotogoto\n tachite wite\n omohi so aga suru\n ahanu ko yuwe ni.\n\n1 See N. i. 402, the second lay. Perhaps _wo_ should be, as there, _no_.\n\n5 not missing a morning.\n\n17 standing or lying down, i.e. continually. The m. k. (3) applies to\nMi[kasa] taken as _mi_, person.\n\nFor _haruhiwo_, _takakurano_, _kumowinasu_ see List m. k.\n\n\n42\n\nOhotomo no Sakanohe no Iratsume ga kami matsuri no uta hitotsu.\n\n Hisakatano 1\n ama no hara yori\n are koshi\n kami no mikoto\n okuyama no 5\n sakaki no yeda ni\n shiraga tsuku\n yufu tori-tsukete\n ihahi-he wo\n ihahi hori suwe 10\n takatama wo\n shizhi ni nukitari\n shishi zhi mono\n hiza ori-fuse\n tawayame no 15\n osuhi tori-kake\n kaku dani mo\n are ha kohinamu\n kimi ni ahanu ka mo.\n\n3 _are_, _arahare_, _koshi_ past of _ki_(_kuru_).\n\n6 Cleyera japonica.\n\n7 _shiraga_ (_shirage_) might mean white, or pure tresses.\n\n18 _are_, _ware_.\n\nFor _hisakata_ see List m. k.\n\n\n43\n\nTsukubane ni noborite Tajihi no Mabito Kunihito ga yomeru uta hitotsu.\n\n Tori ga naku 1\n Adzuma no kuni ni\n takayama ha\n saha ni aredomo\n Futakami no 5\n tafutoki yama no\n nami-tachi no\n migahoshi yama to\n kami-yo yori\n hito no ihi-tsugi 10\n kuni-mi suru\n Tsukuba no yama wo\n fuyukomori\n haru sari-kuredo\n shira-yuki no 15\n tokizhiku toki to\n mizute yukaba\n mashite kohishimi\n yuki-ke suru\n yama michi sura wo 20\n nadzumi are koshi.\n\n1-11 are introductory to 12, after _wo_ supply _omohite_ or _omoheba_.\n\n7 double-peaked.\n\n14, 15 are interpolations of Keichiu.\n\n16 Explained by Kogi as = _toki naranu toki tote_--the snow is lasting\nlater than usual down to the second month where the ascent is made.\n\nFor _toriganaku_, _fuyukomori_ see List m. k.\n\n\n44\n\nTabi no uta hitotsu.\n\n Watatsumi ha 1\n ayashiki mono ka\n Ahaji shima\n naka ni tate-okite\n shiranami no 5\n Iyo ni motohoshi\n wimachitsuki\n Akashi no to yu ha\n yufu sareba\n shiho ni mitashime 10\n ake sareba\n shiho wo hishimu\n shiwo sawi no\n nami wo kashikomi\n Ahaji shima 15\n iso-gakuri-wite\n itsushika mo\n kono yo no akemu\n to samorafu ni\n i no ne kateneba 20\n Tagi no he no\n Asanu no kigishi\n akenu to shi\n tachi-toyomurashi\n iza kodomo 25\n ahete kogidemu\n niha mo shidzukeshi.\n\n Shima-dzutahi 1\n Minume no saki wo\n kogi-tameba\n Yamato kohoshiku\n tadzu saha ni naku. 5\n\n7 See notes translation.\n\n13 _shiho-sawi_, _shiho-saki_, flood-tide.\n\n19 _samorafu_ (_saburafu_) here means _haberu_.\n\n22 _kigishi [ha yo] akenu_ (past of _akuru_).\n\n4 _kohoshiku_, _kohishiku_.\n\n5 _saha ni_, in flocks or flights, numerous.\n\nFor _wimachitsuki_ see List m. k.\n\n\nMAKI III, SHIMO\n\nKanashimi uta.\n\n\n45\n\nIhata no Ohokimi usetamaheru toki Nifu no Ohokimi no yomitamaheru uta\nhitotsu.\n\n Nayutakeno 1\n towoyoru miko\n sanidzurafu\n waga ohokimi ha\n komorikuno 5\n Hatsuse no yama ni\n kamusabite\n itsuki imasu to\n tamadzusano\n hito so ihitsuru 10\n oyodzure ka\n waga kikitsuru\n tahagoto ka\n waga kikitsuru mo\n ame tsuchi ni 15\n kuyashiki koto no\n yo no naka no\n kuyashiki koto ha\n amakumono\n sokuhe no kihami 20\n ame tsuchi no\n itareru made ni\n tsuwe tsuki mo\n tsukazu mo yukite\n yufuke tohi 25\n ishi-ura mochite\n waga yado ni\n mi moro wo tatete\n makura he ni\n ihahihe wo suwe 30\n takatama wo\n shizhi ni nukitari\n yufu tasuki\n kahina ni kakete\n ame naru 35\n Sasara no wo-nu no\n ihahi suge\n te ni tori-mochite\n hisakatano\n ame no kahara ni 40\n ide-tatete\n misogite mashi wo\n Takayama no\n ihaho no uhe ni\n imasetsuru ka mo! 45\n\n Oyodzure no 1\n tahagoto to ka mo\n Takayama no\n Ihaho no uhe ni\n kimi ga koyaseru. 5\n\n Isonokami 1\n Furu no yama naru\n sugimura no\n omohi sugubeku\n kimi ni aranaku ni. 5\n\n1 _oyodzure_ and _tahagoto_ seem nearly synonymous, the former rather\n\u2018false\u2019, the latter \u2018vain\u2019 news.\n\nFor _nayutakeno_, _sanidzurafu_, _komorikuno_, _tamadzusano_,\n_amakumono_, _hisakatano_, _Isonokami_ see List m. k.\n\n\n46\n\nOyazhi [Ihata no Ohokimi use-tamaheru] toki Yamakuma no Ohokimi\nkanashimi yomimaseru uta hitotsu.\n\n Tsunusahafu 1\n Ihare no michi wo\n asa sarazu\n yukikemu hito no\n omohitsutsu 5\n kayohikemaku ha\n hototogisu\n ki naku sa-tsuki ha\n ayame-gusa\n hana tachibana wo 10\n tama ni nuki\n kadzura ni semu to\n naga tsuki no\n shigure no toki ha\n momichi ba wo 15\n ori-kazasamu to\n hafukudzuno\n iya toho-nagaku\n yorodzu yo ni\n tayezhi to omohite 20\n kayohikemu\n kimi wo asu yo ha\n yoso ni ka mo mimu.\n\n[In _dai_] _oyazhi_ = _onazhi_.\n\n4 _hito_ is Ihata.\n\n6 The subject is the poet.\n\nFor _tsunusahafu_ (m. k. of _iha_ in Ihare) _hafukudzuno_ see List m.\nk.\n\n\n47\n\nKatsushika no Mama wotome ga haka wo tohoreru toki Akahito ga yomeru\nuta hitotsu.\n\n Inishihe ni 1\n arikemu hito no\n shidzuhata no\n obi toki-kahete\n fuseya tate 5\n tsuma-dohi shikemu\n katsushika no\n Mama no tekona ga\n okutsuki wo\n koko to ha kikedo 10\n maki no ha ya\n shigemitaruramu\n matsuganeno\n tohoku hisashiki\n koto nomi mo 15\n na nomi mo ware ha\n wasuraye naku ni.\n\n Katsushika no 1\n Mama no iriye ni\n uchi nabiku\n tamamo karikemu\n tekona shi omohoyu. 5\n\n2 _hito_ = a suitor.\n\n5 The translation is based on the Kogi explanation.\n\nFor _matsuganeno_ see List m. k.\n\n\n48\n\nTemuhiyau (Tempy\u00f4) hazhime no toshi tsuchi no to mi Tsu no kuni no\nAgachi-da no Fumihito Hasetsukabe no Tatsumaro ga wanakishi toki\nmatsurigoto hito (Hanguwan) Ohotomo no Sukune Minaka ga yomeru uta\nhitotsu.\n\n Amakumono 1\n muka-fusu kuni no\n masurawo to\n ihayeshi hito ha\n Sumerogi no 5\n kami no mikado ni\n to no he ni\n tachi-samorahi\n uchi no he ni\n tsukahe matsuri 10\n tamakadzura\n iya toho-nagaku\n oya no na mo\n tsugi-yuku mono to\n omo chichi ni 15\n tsuma ni kodomo ni\n katarahite\n tachi nishi hi yori\n tarachineno\n haha no mikoto ha 20\n ihahi-he wo\n mahe ni suwe-okite\n hito te ni ha\n yufu tori-mochi\n hito te ni ha 25\n nikitahe matsuri\n tahirakeku\n masakiku mase to\n ame tsuchi no\n kami ni kohi nomi 30\n ikani aramu\n toshi tsuki hi ni ka\n tsutsuzhihana\n nihoheru kimi ga\n nihodorino 35\n nadzusahi komu to\n tachite wite\n machikemu hito ha\n ohokimino\n mikoto kashikomi 40\n oshiteru\n Naniha no kuni ni\n aratamano\n toshi furu made ni\n shirotahe no 45\n koromode hosazu\n asa yohi ni\n aritsuru kimi ha\n ikasama ni\n omohi-mase ka 50\n utsusemino\n woshiki kono yo wo\n tsuyushimono\n okite inikemu\n toki-narazu shite! 55\n\n Kinofu koso 1\n kimi ha arishi ka\n omohanu ni\n hama-matsu no he no\n kumo ni tanabiku. 5\n\n4 _hito_ = Tatsumaro.\n\n7 _to_, _soto_.\n\n28 _mase_, _koso mase_.\n\n38 _hito_, household of Tatsumaro.\n\n48 _aritsuru_, goes on or went on being.\n\n50 = _omohimaseba_.\n\n51 m. k. of _yo_.\n\n52 m. k. of _okite_.\n\nFor _amakumono_, _tamakadzura_, _tarachineno_, _tsutsuzhihana_,\n_nihodorino_, _ohokimino_, _oshiteru_, _aratamano_, _shirotaheno_,\n_tsuyushimono_ see List m. k.\n\n\n49\n\n[Temuhiyau (Tempy\u00f4)] nana tose to ifu toshi kinoto no wi Ohotomo no\nSakanohe no Iratsume ga ama no Riguwamu (Rigwan) no mi-makareru wo\nkanashimi yomeru uta hitotsu.\n\n Takutsunu no 1\n Shiraki no kuni yu\n hito goto wo\n yoshi to kikashite\n tohi-sakuru 5\n ugara haragara\n naki kuni ni\n watari-kimashite\n ohokimi no\n shikimasu kuni ni 10\n uchihisasu\n Miyako shimimi ni\n sato ihe ha\n saha ni aredomo\n ikasama ni 15\n omohikeme ka mo\n tsure mo naki\n Saho no yama he ni\n nakukonasu\n shitahi kimashite 20\n shikitaheno\n ihe wo mo tsukuri\n aratamano\n toshi no wo nagaku\n sumahitsutsu 25\n imashishi mono wo\n umarureba\n shinu chifu koto ni\n nogaroyenu\n mono ni shi areba 30\n tanomarishi\n hito no kotogoto\n kusamakura\n tabi naru hodoni\n Saho kaha wo 35\n asa kaha watari\n Kasuga nu wo\n so-gahi ni mitsutsu\n ashihikino\n yamabe wo sashite 40\n kura-yami to\n kakuri mashinure\n ihamu sube\n semusubeshirani\n tamotohori 45\n tada hitori shite\n shirotaheno\n koromo-de hosazu\n nagekitsutsu\n aga naku namida 50\n Arima yama\n kumo wi tanabiku\n ame ni furiki ya!\n\n5 Converse, utter, talk with.\n\n8 The subject is Rigwan, also of verbs in 25, 26.\n\n26 After _mono_ supply _omohite_ or _omoheba_.\n\n34 _hodoni_ = whilst.\n\n36 sqq. The subject of the verbs is the party of mourners who accompany\nthe corpse of Rigwan.\n\n44 Subject of _tamotohori_ (go up and down, to and fro) is Sakanohe.\n\nFor _takutsunu_, _uchihisasu_, _nakukonasu_, _shikitaheno_,\n_aratamano_, _kusamakura_, _ashihikino_ see List m. k.\n\n\n50\n\nMata Yakamochi ga yomeru uta hitotsu mata mizhika uta.\n\n Waga yado ni 1\n hana so sakitaru\n so wo miredo\n kokoro mo yukazu\n hashikiyashi 5\n imo ga ariseba\n mikamonasu\n futari narabi-wi\n taworite mo\n misemashi mono wo 10\n utsusemino\n kareru mi nareba\n tsuyushimono\n kesuru ga gotoku\n ashihikino 15\n yamaji wo sashite\n irihinasu\n kakuri ni shikaba\n soko \u2019mofu ni\n mune koso itame 20\n ihi mo kane\n nadzuke mo shirani\n atomonaki\n yo no naka nareba\n semu sube mo nashi. 25\n\n Toki ha shimo 1\n itsu mo aramu wo\n kokoro itaku\n i-yuku wagimo ka\n wakaki ko wo \u2019kite. 5\n\n Ide-yukasu 1\n michi shiramaseba\n arakazhime\n imo wo todomemu\n seki wo okamashi wo. 5\n\n Imo ga mishi 1\n yado ni hana saku\n toki ha henu\n aga naku namida\n imada hi naku ni. 5\n\n3 _so_ = _sore_.\n\n10 Supply _omohite_ (_oheba_).\n\n4 _i_ is prefix.\n\n5 _\u2019kite_ = _okite_.\n\n1 Read _mishi_ with _hana_.\n\nFor _mikamonasu_, _utsusemino_, _tsuyushimono_, _ashihikino_,\n_irihinasu_, _atomonaki_ see List m. k.\n\n\n51-52\n\n(Oyazhi) to tose amari mu tose to ifu toshi kinoye saru kisaragi Asaka\nno miko no sugitamaheru toki uchi-toneri Ohotomo no Sukune Yakamochi\nyomeru uta mutsu.\n\n Kakemaku mo\n aya ni kashikoshi\n ihamaku mo\n yuyushiki ka mo\n waga ohokimi 5\n miko no mikoto\n yorodzu yo ni\n woshi-tamahamashi\n Oho-Yamato\n Kuni no miyako ha 10\n uchinabiku\n haru sarinareba\n yama he ni ha\n hana-saki wowori\n kaha se ni ha 15\n ayu-ko sa-hashiri\n iya hi ke ni\n sakayuru toki ni\n oyodzure no\n tawagoto to ka mo 20\n shirotahe ni\n toneri yosohite\n Wadzuka yama\n mi koshi tatashite\n hisakatano 25\n ame shirashinure\n koi-marobi\n hidzuchi nakedomo\n semu sube mo nashi.\n\n Waga ohokimi 1\n ame shirasamu to\n omohaneba\n oho ni so mikeru\n Wadzuka soma yama. 5\n\n Ashihikino 1\n yama sahe hikari\n saku hana no\n chirinuru gotoki\n waga ohokimi ka mo. 5\n\n24 _koshi_, coffin.\n\nFor _uchinabiku_, _hisakatano_, _ashihikino_ see List m. k.\n\n\n52\n\n Kakemaku mo 1\n aya ni kashikoshi\n waga ohokimi\n miko no mikoto\n mononofuno 5\n yaso tomo no wo wo\n meshitsudohe\n adomohi-tamahi\n asa-kari ni\n shishi fumi-okoshi 10\n yufu-kari ni\n tori fumi-tate\n oho mi ma no\n kuchi osahe-tome\n mi kokoro wo 15\n meshi akirameshi\n Ikuji yama\n ko-dachi no shizhi ni\n saku hana mo\n utsurohi ni keri 20\n yo no naka ha\n kaku nomi narashi\n masurawono\n kokoro furi-okoshi\n tsurugitachi 25\n koshi ni tori-haki\n adzusayumi\n yuki tori-ohite\n ame tsuchi to\n iya tohonaga ni 30\n yorodzu yo ni\n kaku shi mo ka mo to\n tanomerishi\n Miko no Mikado no\n sabahenasu 35\n sawaku toneri ha\n shirotahe ni\n koromo tori-kite\n tsune narishi\n wemahi furumahi 40\n iya hi ke ni\n kaharafu mireba\n kanashiki ro ka mo.\n\nFor _mononofuno_, _masurawono_, _tsurugitachi_, _sabahenasu_,\n_shirotaheni_ (equiv. _shirotaheno_) see List m. k.\n\n\n53\n\nUsetaru me wo kanashimi Takahashi no Asomi ga yomeru uta hitotsu.\n\n Shirotaheno 1\n sode sashi-kahete\n nabiki-neshi\n waga kurokami no\n ma-shiraga ni 5\n kaharamu kihami\n arata yo ni\n tomo ni aramu to\n tamanowono\n tayezhi i-imo to 10\n musubiteshi\n koto ha hatasazu\n omoherishi\n kokoro ha togedzu\n shirotaheno 15\n tamoto wo wakare\n nikibi ni shi\n ihe yu mo idete\n midori-ko no\n naku wo mo okite 20\n asa-kiri no\n oho ni naritsutsu\n Yamashiro no\n Sagaraka yama no\n yama no ma yu 25\n yuki-suginureba\n ihamu sube\n semusubeshirani\n wagimoko to\n sa-neshi tsuma-ya ni 30\n asa niha ni\n ide-tachi shinubi\n yufube ni ha\n iri-wi nagekahi\n waki-hasamu 35\n ko no naku goto ni\n wotoko-zhi mono\n ohi-mi udaki-mi\n asatorino\n ne nomi naki-tsutsu 40\n kofuredomo\n shirushi wo nami to\n koto tohanu\n mono ni ha aredo\n wagimoko ga 45\n iri ni shi yama wo\n yosuka to so \u2019mofu.\n\n47 _yosuka_ is better than _yosuga_.\n\nFor _shirotaheno_, _tamanowono_ see List m. k.\n\n\nMAKI IV, KAMI\n\nShitashimi uta.\n\n\n54\n\nWokamoto no Sumera mikoto no mi-yomimaseru [ohomi] uta hitotsu.\n\n Kami-yo yori 1\n are tsugitareba\n hito saha ni\n kuni ni ha michite\n ajimurano 5\n sawaki ha yukedo\n aga kofuru\n kimi nishi araneba\n hiru ha\n hi no kururu made 10\n yoru ha\n yo no akuru kihami\n omohitsutsu\n ine kate ni nomi\n akashitsuraku mo 15\n nagaki kono yo wo\n\n Yama no ha ni 1\n ajimura sawaki\n yuku naredo\n are ha sabushi we\n kimi ni shi araneba. 5\n\n Afumi-ji no 1\n Toko no yama naru\n Isaya kaha\n ke no kono goro ha\n kohitsutsu mo aramu. 5\n\n2 _are_ = _arahare_.\n\n15 _akashitsuru_.\n\n4 _we_, an exclamation of pain or regret.\n\nFor _ajimurano_ see List m. k.\n\n\n55\n\nTajihi no Mabito Kasamaro ga Tsukushi no kuni ni kudaru toki yomeru uta\nhitotsu.\n\n Omi no me no 1\n kushige ni itsuku\n kagaminasu\n Mitsu no hamabe ni\n sanidzurafu 5\n himo toki-sakezu\n wagimoko ni\n kohitsutsu woreba\n ake-gure no\n asa-kiri kakuri 10\n nakutadzuno\n ne nomi shi nakayu\n aga kofuru\n chihe no hitohe mo\n nagusamuru 15\n kohoro mo are ya to\n ihe no atari\n aga tachi-mireba\n awohatano\n Kadzura-ki yama ni 20\n tanabikeru\n shira-kumo kakuri\n amazakaru\n hina no kuni-he ni\n tada-mukafu 25\n Ahaji wo sugi\n Ahashima wo\n sogahi ni mitsutsu\n asa nagi ni\n kako no kowe yobi 30\n yufu nagi ni\n kaji no \u2019to shitsutsu\n nami no he wo\n i-yuki sa-gukumi\n iha no ma wo 35\n i-yuki motohori\n Inabitsuma\n ura mi wo sugite\n tori zhi mono\n nadzusahi yukeba 40\n Ihe no shima\n ariso no uhe ni\n uchi-nabiki\n shizhi ni ohitaru\n nanori-so no 45\n nado ka mo imo ni\n norazu ki ni kemu.\n\n Shirotahe no 1\n sode toki-kahete\n kaheri-komu\n tsuki hi wo yomite\n yukite komashi wo. 5\n\n1-3 are introductory to _mi_ (Mitsu).\n\n45 _nanori-so_ involves a word-play with _norazu_ (47).\n\nFor _kagaminasu_, _sanidzurafu_, _nakutadzuno_, _awohatano_,\n_amazakaru_, _shirotahe_ see List m. k.\n\n\n56\n\nAki no Obokimi no uta hitotsu.\n\n Toho-dzuma no 1\n koko ni araneba\n tamahokono\n michi wo tadohomi\n omofu sora 5\n yasukaranaku ni\n nageku sora\n yasukaranu mono wo\n mi-sora yuku\n kumo ni mo ga mo 10\n takatobu\n tori ni mo ga mo\n asu yukite\n imo ni kototohi\n aga tame ni 15\n imo mo kotonaku\n imo ga tame\n are mo kotonaku\n ima mo mishi goto\n taguhite mo ga mo. 20\n\n5-7 _sora_, metaphorical for state, condition.\n\n9 _sora_, atmosphere, what exists between heaven and earth.\n\n19 _ima_ = _tadaima_ (nuper).\n\n20 _mo ga mo_ = _mo gana_?\n\nFor _tamahokono_ see List m. k.\n\n\n57\n\nZhimuki (Jinki) hazhime no toshi kinoye ne kaminadzuki Ki no kuni ni\nidemaseru toki mi-tomo no hito ni okuramu tame wotome ni atsuraherayete\nKasa no Asomi Kanamura ga yomeru uta hitotsu.\n\n Ohokimi no 1\n idemashi no ma ni\n mononofuno\n yaso tomo no wo to\n ide-yukishi 5\n utsukushi tsuma ha\n amatobuya\n Karu no michi yori\n tamatasuki\n Unebi wo mitsutsu 10\n asamoyoshi\n Ki-ji ni iritachi\n Matsuchi yama\n koyuramu kimi ha\n momiji-ba no 15\n chiri-tobu mitsutsu\n shitashikeku\n a wo ba omohazu\n kusamakura\n tabi wo yoroshi to 20\n omohitsutsu\n kimi ha aramu to\n asoso ni ha\n katsu ha shiredomo\n shikasu ga ni 25\n moda mo ye araneba\n aga \u2019seko ga\n yuki no ma ni ma ni\n ohamu to ha\n chi tabi omohedomo 30\n tawayame no\n aga mi ni shi areba\n michi-mori no\n tohamu kotahe wo\n ihi-yaramu 35\n sube wo shirani to\n tachite tsumadzuku!\n\n12 _Ki-ji_ = _Kii no michi_.\n\n17, 18 Read _a wo ba shitashikeku omohazu_.\n\n23 _asoso_ or _azoso_ = _usu-usu_ = _wadzukani_--_asoso ni ha shire \u2026\nkatsu ha_ \u2026 but the text here appears corrupt.\n\nFor _mononofuno_, _amatobuya_, _tamatasuki_, _asamoyoshi_, _kusamakura_\nsee List m. k.\n\n\n58\n\nFutatose to ifu toshi (Zhimuki = Jinki) kinoto no ushi yayohi Mika no\nhara no totsumiya idemaseru toki wotome wo yete Kanamura ga yomeru uta\nhitotsu.\n\n Mika no hara 1\n tabi no yadori ni\n tamahokono\n michi no yukiahi ni\n amakumono 5\n yoso nomi mitsutsu\n koto-tohamu\n yoshi no nakereba\n kokoro nomi\n muse-tsutsu aru ni 10\n ame tsuchi no\n kami koto-yosete\n shikitaheno\n koromo-de kahete\n ono tsuma to 15\n tanomeru ko-yohi\n aki no yo no\n momo yo no nagaku\n arikosenu ka mo.\n\n Amakumo no 1\n yoso ni mishi yori\n wagimoko ni\n kokoro mo mi sahe\n yori nishi mono wo. 5\n\n12 _kotoyoseru_ strictly means to pretend, but I take it as involving a\ncommittal (of the lover\u2019s fortunes) to the gods.\n\n19 _ari koso ne_ (_kib\u00f4 no kotoba_), Oh, that it might or may be so!\n\nFor _tamahokono_, _amakumono_, _shikitaheno_ see List m. k.\n\n\n59\n\nSakanohe no Iratsume ga urami no uta hitotsu.\n\n Oshiteru 1\n Naniha no suge no\n nemokoro ni\n kimi ga kikoshite\n toshi fukaku 5\n nagaku shi iheba\n masokagami\n togishi kokoro wo\n yurushiteshi\n sono hi no kihami 10\n nami no muta\n nabiku tamamo no\n ka ni kaku ni\n kokoro ha motazu\n ohobuneno 15\n tanomeru toki ni\n chihayaburu\n kami ya sakekemu\n utsusemino\n hito ka safuramu 20\n kayohashishi\n kimi mo kimasazu\n tamadzusano\n tsukahi mo miyezu\n narinureba 25\n ita mo sube nami\n nubatamano\n yoru ha sugara ni\n akarabiku\n hi mo kururu made 30\n nagekedomo\n shirushi wo nami\n omohedomo\n ta-dzuki wo shirani\n tawayame to 35\n ihaku mo shiruku\n tawarahano\n ne nomi nakitsutsu\n tamotohori\n kimi ga tsukahi wo 40\n machi ya kanetemu.\n\n1, 2 Introductory to _nemokoro_.\n\n4 _kikoshite_ = _notamahite_.\n\n12 This line serves as m. k. to the next.\n\n13 swerving neither this nor that way.\n\n29 _akarabiku_, the _ra_ is of unknown value, perhaps = _akarashiki wo\nhiku_, lead in earliest dawn.\n\nFor _oshiteru_, _masokagami_, _ohobuneno_, _chihayaburu_, _utsusemino_,\n_tamadzusano_, _nubatamano_, _akarabiku_, _tawarahano_ see List m. k.\n\n\nMAKI IV, SHIMO\n\n\n60\n\nSakanohe no Iratsume ga Tomi no todokoro yori ihe ni todomareru musume\nno Oho Iratsume ni okureru uta hitotsu mata mizhika uta.\n\n Toko-yo ni to 1\n aga yukanaku ni\n wo-kanato ni\n mono kanashirani\n omoherishi 5\n aga ko no tozhi wo\n nubatamano\n yoru hiru to ihazu\n omofu nishi\n aga mi ha yasenu 10\n nageku nishi\n sode sahe nurenu\n kaku bakari\n motona shi kohiba\n furu sato ni 15\n kono tsuki-goro mo\n ari katemashi wo.\n\n Asakamino 1\n omohi midarete\n kaku bakari\n nane ga kofure so\n ime ni miyekeru. 5\n\n1 though \u2019tis not as though I went to the Eternal Land, yet on parting\nwith thee at the door overcome with grief was I, &c.\n\n14 as \u2019tis of no avail to love thee.\n\n17 _ari katemashi wo_ = _ari-katai koto kana!_\n\n4 _nane_ = _nanzhi ane_, a term of endearment and respect.\n\n5 Read _kofureba so nane ga_ &c.\n\nFor _nubatamano_, _asakamino_ see List m. k.\n\n\nMAKI V, KAMI\n\n\n61\n\nKanashimi no Yamato-uta hitotsu.\n\n Ohokimi no 1\n toho no Mikado to\n shiranuhi\n Tsukushi no kuni ni\n nakukonasu 5\n shitahi kimashite\n iki dani mo\n imada yasumezu\n toshi tsuki mo\n ikuda mo araneba 10\n kokoro yu mo\n omohanu ahida ni\n uchi-nabiki\n koyashinure\n ihamu sube 15\n semu sube shirani\n iha ki wo mo\n tohi-sake shirazu\n ihe naraba\n katachi ha aramu wo 20\n urameshiki\n imo no mikoto no\n are wo ba mo\n ika ni seyo to ka\n nihotorino 25\n futari narabi-wi\n katarahishi\n kokoro somukite\n ihe-zakari imasu.\n\nFor _shiranuhi_, _nakukonasu_, _nihotorino_ see List m. k.\n\n\n62\n\nMadoheru kokoro wo kahesashimuru uta hitotsu mata mizhika uta.\n\n Chichi haha wo 1\n mireba tafutoshi\n me ko mireba\n megushi utsukushi\n nogaroyenu 5\n haakara ukara\n nogaroyenu\n oimi itokemi\n tomo kaki mo\n koto-tohi kahasu 10\n yo no naka ha\n kaku so kotowari\n mochitorino\n kakarahashi mo yo\n [haya kaha no 15\n yuku he shiraneba]\n uke-gutsu wo\n nukitsuru gotoku\n fumi-nukite\n yuku chifu hito ha 20\n iha ki yori\n nariteshi hito ka\n na ga na norasane\n ame he yukaba\n na ga ma ni ma ni 25\n tsuchi nareba\n ohokimi imasu\n kono terasu\n hi tsuki no shita ha\n amakumono 30\n mukafusu kihami\n taniguku no\n sa-wataru kihami\n kikoshiwosu\n kuni no mahora so 35\n kani kaku ni\n hoshiki ma ni ma ni\n shika ni ha arazhi ka.\n\n Hisakatano 1\n ama-ji ha tohoshi\n naho naho ni\n ihe ni kaherite\n nari wo shimasani. 5\n\n5 Supply _koto_, must not be avoided or shirked.\n\n6, 8, 9, 10 The relations indicated are meant.\n\n15 A sort of proverb.\n\n19 i.e. trampling on the ethical rules (of Confucianism).\n\n22, 23 are heptasyllabic, they conclude the first part of the lay.\n\n23 _nanji ga na wo na-norasane_.\n\n25 _na_ = _nanji_.\n\n35 _mahora, kuni no_ is an emphatic expression for _kuni_, land;\n_mahora_ seems to mean mountain-secluded, central, or recessed portion\nof land.\n\n5 _nari_, occupation, duty in life; _shimasani_ = _shimasane_.\n\nFor _mochitorino_, _amakumono_, _hisakatano_ see List m. k.\n\n\n63\n\nKora wo shinubu uta hitotsu.\n\n Urihameba 1\n kodomo omohoyu\n kuri hameba\n mashite shinubayu\n idzuku yori 5\n kitarishi mono\n manakahi ni\n motona kakarite\n yasu-i shi nasanu.\n\n shirokane mo 1\n kugane mo tama mo\n nani semu ni\n masareru takara\n ko ni shikame ya mo. 5\n\n7 _manakahi_ = _ma na kahi_ = _me no ahida ni sono omokage no musamusa\nto kakarite_.\n\n\n64\n\nYo no naka no todomarigataki wo kanashimeru uta hitotsu mata mizhika\nuta.\n\n Yo no naka no 1\n sube naki mono ha\n toshi tsuki ha\n nagaruru gotoshi\n tori-tsudzuki 5\n ohi-kuru mono ha\n momokusani\n seme-yori-kitaru\n wotomera ga\n wotome sabi su to 10\n Kara tama wo\n tamoto ni makashi\n shirotaheno\n sode furi-kahashi\n kurenawino 15\n aka mo susobiki\n yochi kora to\n te tadzusaharite\n asobikemu\n toki no sakari wo 20\n todomi kane\n sugushi-yaretsure\n minanowata\n ka-guroki kami ni\n itsu no ma ka 25\n shimo no furikemu\n ni no ho nasu\n omote no\n uhe ni\n idzuku yu ka 30\n shiha kakitarishi\n masurawono\n wotoko sabi su to\n tsurugitachi\n koshi ni tori-haki 35\n satsu yumi wo\n ta-nigiri mochite\n aka koma ni\n shitsu kura uchi-oki\n hahi-norite 40\n asobi arukishi\n yo no naka ga\n tsune ni arikeru\n wotomera ga\n sa nasu itato wo 45\n oshi-hiraki\n i-tadori yorite\n matamadeno\n tama-de sashikahe\n sa neshi yo no 50\n ikuda mo araneba\n ta-tsukadzuwe\n koshi ni taganete\n kayukeba\n hito ni itohaye 55\n kaku yukeba\n hito ni nikumaye\n oyoshiwo ha\n kaku nomi narishi\n tamakiharu 60\n inochi woshikedo\n semu sube mo nashi.\n\n Tokihanasu 1\n kaku shi mo ka mo\n omohedomo\n yo no koto nareba\n todomi-kanetsu mo. 5\n\n8 _seme_.\n\n10 _sabi_, _shika buri_, wont, wonted art or fashion.\n\n14 _furi-kahashi_, flutter their sleeves together.\n\n17 _yochi_, of like age.\n\n22 pass away.\n\n24 _ka_ is intensitive prefix.\n\n25 at some time or other.\n\n27 _ni no ho_, ruddy-ear (of grain) like.\n\n39 _shitsu kura_, saddle of patterned &c. Japanese stuff.\n\n40 mount and ride.\n\n45 close-shut wooden doors.\n\n47 grope.\n\n49 _tama-de_, fine arms.\n\n52 hand-supporting-staff.\n\n58 = _oyoso_.\n\n1-8 this fleeting world.\n\n9-31 passing character of woman\u2019s charms.\n\n32-62 impermanence of man\u2019s strength and joys.\n\nFor _momokusani_, _shirotaheno_, _kurenawino_, _minanowata_,\n_masurawono_, _matamadeno_, _tamakiharu_, _tokihanasu_, see List m. k.\n\n\n65\n\nYamanohe no Omi Okura ga Chinkwai-seki wo yomeru uta hitotsu.\n\n Kakemaku ha 1\n aya ni kashikoshi\n Tarashi hime\n kami no mikoto\n Karakuni wo 5\n muke-tahiragete\n mi-kokoro wo\n shidzume-tamafu to\n i-torashite\n ihahi-tamahishi 10\n ma-tama nasu\n futatsu no ishi wo\n yo no hito ni\n shimeshi-tamahite\n yorodzu yo ni 15\n ihi-tsugu to gane\n watanosoko\n oki tsu no Fukaye no\n unakami no\n Kofu no hara ni 20\n mi tetsukara\n okashi tamahite\n kamu nagara\n kamu sabi imasu\n kushi mitama 25\n ima no otsutsu ni\n tafutoki ro ka mo!\n\n16 _gane_ = _gani_ = _y\u00f4_.\n\n17, 18 Epithetical of _Fuka_(_ye_).\n\n19 _umi no kami_ = _umibe_.\n\n21 her own royal hand.\n\n22 = _oku_.\n\n25 _kushi_, wondrous; _mitama_, _matama_, right precious jewels, or\nright-soul.\n\n27 _ro_, see grammar.\n\nFor _watanosoko_ see List m. k.\n\n\nMAKI V, SHIMO\n\n\n66\n\nTsukushi no michi no kuchi (Chikuzen) no mikoto mochi no kami Yamanohe\nno Okura ga Kumagori ni kaharite sono kokorozashi wo noburu uta ni\ntsutsushimite nazorafuru uta mutsu mata zho.\n\n Uchihisasu 1\n Miya he noboru to\n tarachishino\n haha ga te hanare\n tsune shiranu 5\n kuni no oku-ka wo\n momo he yama\n koyete sugi-yuki\n itsushikamo\n miyako wo mimu to 10\n omohitsutsu\n katarahi woredo\n ono ga mi shi\n itahashikereba\n tamahokono 15\n michi no kuma mi ni\n kusa ta-wori\n shiba tori-shikite\n toko-zhi mono\n uchi-koi-fushite 20\n omohitsutsu\n nageki-fuseraku\n kuni ni araba\n chichi tori-mimashi\n ihe ni araba 25\n haha tori-mimashi\n yo no naka ha\n kaku nomi narashi\n inu zhi mono\n michi ni fushite ya 30\n inochi suginamu.\n\n Hito yo ni ha 1\n futatabi miyenu\n chichi haha wo\n okite ya nagaku\n aga wakarenamu! 5\n\n16 _mi_ = _mahari_, or tract, vicinity.\n\nFor _uchihisasu_, _tarachishino_, _tamahokono_ see List m. k.\n\n\n67\n\nHinkiu mondou no uta.\n\n Kaze mazhiri 1\n ame furu yo no\n ame mazhiri\n yuki furu yo ha\n sube mo naku 5\n samuku shi areba\n kata shiho wo\n tori-tsudzushirohi\n kasu-yu sake\n uchi-susurohite 10\n shihabukahi\n hana bishi bishi ni\n shikato aranu\n hige kaki-nadete\n are wo okite 15\n hito ha arazhi to\n hokorohedo\n samuku shi areba\n asa fusuma\n hiki kagafuri 20\n nuno katakinu\n ari no kotogoto\n kisohedomo\n samuki yo sura wo\n ware yori mo 25\n madzushiki hito no\n chichi haha ha\n uwe-samukaramu\n me kodomo ha\n kohite nakuramu 30\n kono toki ha\n ika ni shitsutsu ka\n na ga yo ha wataru\n ametsuchi ha\n hiroshi to ihedo 35\n aga tame ha\n saku ya narinuru\n hi-tsuki ha\n akashi to ihedo\n aga tame ha 40\n teri ya tamahanu\n hito mina ka\n a nomi ya shikaru\n wakuraba ni\n hito to ha aru wo 45\n hitonami ni\n are mo tsukuru wo\n wata mo naki\n nuno katakinu no\n miru no goto 50\n wawake sagareru\n kakafu nomi\n kata ni uchi-kake\n fuse-iho no\n mage iho no uchi ni 55\n hita tsuchi ni\n wara toki-shikite\n chichi haha ha\n makura no kata ni\n me kodomo ha 60\n ato no kata ni\n kakumi-wite\n urehi samayohi\n kamado ni ha\n keburi fuki-tatezu 65\n koshiki ni ha\n kumo no su kakite\n ihi-kashiku\n koto mo wasurete\n nuye tori no 70\n nodo yobi woru ni\n itonokite\n mizhikaki monowo\n hashikiru to\n iheru ga goto ku 75\n shimoto toru\n sato wosa ga kowe ha\n neya-do made\n ki tachi yobahinu\n kaku bakari 80\n subenaki mono ka\n yo no naka no michi.\n\n\n68\n\nYamanohe no Okura tonzhiu tsutsushimite tatematsuru [k\u00f4-kyo-k\u00f4rai] no\nuta hitotsu.\n\n Kamiyo yori 1\n ihitsutekeraku\n soramitsu\n Yamato no kuni ha\n sume kami no 5\n itsukushiki kuni\n kototama no\n sakihafu kuni to\n katari-tsugi\n ihitsukahikeri 10\n ima no yo no\n hito mo kotogoto\n me no mahe ni\n mitari shiritari\n hito saha ni 15\n michite ha aredomo\n takahikaru\n hi no mikado\n kamu nagara\n mede no sakari ni 20\n ame no shita\n mawoshi-tamahishi\n ihe no koto\n yerabi-tamahite\n ohomikoto 25\n itadaki mochite\n Morokoshi no\n tohoki sakahi ni\n tsukahasare\n makari-imase 30\n unahara no\n he ni mo oki ni mo\n kamu tsumari\n ushi-haki imasu\n moromoro no 35\n ohomi kami-tachi\n funa no he ni\n michibiki mawoshi\n ametsuchi no\n ohomi kami-tachi 40\n Yamato no\n ohokuni mitama\n hisakatano\n ama no mi sora yu\n ama kakeri 45\n mi-watashi-tamahi\n koto wohari\n kaheramu hi ni ha\n mata sara ni\n ohomi kami-tachi 50\n funa no he ni\n mi-te uchi kakete\n sumi-naha wo\n hahetaru gotoku\n [ajinosumu] 55\n Chika no saki yori\n ohotomo no\n Mitsu no hamabi ni\n tada hate ni\n mi fune ha hatemu 60\n tsutsumi naku\n sakiku imashite\n haya kaherimase!\n\n7 the spirit or genius of language.\n\n22 _mawoshi_, govern, administer.\n\n23 Cp. the Spanish _hidalgo_.\n\n34 _ushi-haki_ (_nushi-haki_) = girt with dominion.\n\n61 = _tsutsuganaku_, free from trouble or anxiety.\n\nFor _soramitsu_, _takahikaru_, _hisakatano_, _ajinosumu_ see List m. k.\n\n\n69\n\n(R\u014dshin jiuby\u00f4) toshi wo hete kurushimi mata kora wo omofu uta itsutsu\n(nagauta hitotsu).\n\n Tamakiharu 1\n uchi no kagiri ha\n tahirakeku\n yasuku mo aramu wo\n koto mo naku 5\n mo naku mo aramu wo\n yo no naka no\n ukeku tsurakeku\n itonokite\n itaki kidzu ni ha 10\n karashiho wo\n sosogu chifu gotoku\n masumasu mo\n omoki umani ni\n uhani utsu to 15\n ifu koto no goto\n oi nite aru\n aga mi no uhe ni\n yamahi wo ra\n kahahete shi areba 20\n hiru ha mo\n nagekahi kurashi\n yoru ha mo\n ikidzuki akashi\n toshi nagaku 25\n ya mishi watareba\n tsuki kasane\n urehi samayohi\n kotogoto ha\n shinana to \u2019mohedo 30\n sabahenasu\n sawaku kodomo wo\n utsutete ha\n shini ha shirazu\n mitsutsu areba 35\n kokoro ha moyenu\n ka ni kaku ni\n omohi-wadzurahi\n ne nomi shi nakayu!\n\n5 _mo_ here is mourning.\n\n9 = _itodoshiku_.\n\n19 _ra_, a separated plural affix (rare).\n\n26 _ya_ = _yoru_.\n\n30 _shinamu_.\n\n33 _sutsuru_.\n\nFor _tamakiharu_, _sabahenasu_ see List m. k.\n\n\n70\n\nFuruhi wo kofuru uta mitsu (naga uta hitotsu mizhika-uta futatsu).\n\n Yo no hito no 1\n tafuto mi negafu\n nanakusa no\n takara mo areba\n nani semu ni 5\n negahi-hori semu\n waga naka no\n umare idetaru\n shiratamano\n waga ko Furuhi ha 10\n aka-hoshi no\n akuru ashita ha\n shikitaheno\n toko no be sarazu\n tateredomo 15\n woredomo tomo ni\n kaki-nadete\n koto-tohi tahare\n yufu-dzudzu no\n yufube ni nareba 20\n iza neyo to\n te wo tadzusahari\n chichi haha mo\n uhe ha na sakari\n sakikusano 25\n naka ni wo nemu to\n uruhashiku\n shiga kataraheba\n itsushika mo\n hito to nari idete 30\n ashikeku mo\n yokeku mo mimu to\n ohobuneno\n omohi-tanomu ni\n omohanu ni 35\n yokoshima kaze no\n nihaka ni mo\n ohohi kitareba\n semu sube no\n tadoki wo shirani 40\n shirotaheno\n tasuki wo kake\n maso-kagami\n te ni torimochite\n amatsukami 45\n afugi kohi nomi\n kunitsukami\n fushite nukadzuki\n kakarazu mo\n kakari mo yoshiwe 50\n ame tsuchi no\n kami no mani-mani to\n tachi-azari\n waga kohi-nomedo\n shimashiku mo 55\n yokeku ha nashi ni\n yauyau ni\n katachi tsukuhori\n asanasana\n ifukoto yami 60\n tamakiharu\n inochi tahenure\n tachi-wodori\n ashi suri sakebi\n fushi afugi 65\n mune uchinageki\n te ni motaru\n aga ko tobashitsu\n yo no naka no michi.\n\n48 _nuka_ = _hitai_.\n\n53 _tachi-azari_, wander about distractedly.\n\n55 = _shibashiku_.\n\n57 An old form of _ya-ya_.\n\n65 to lie supine.\n\n68 = _tobitsu_. Here read _\u2019aga ko \u2026 michi wo tobashitsu_.\n\nvv. 1-10 are introductory to Furuhi--they form a pre-adjunct.\n\n11-28 _shiga_--describes Furuhi\u2019s manner--the words _iza neyo \u2026 nemu_\nbeing his; 28-34 the father\u2019s hopes; 35-40 suggest the boy\u2019s illness;\n41-54 the prayers and despair of the father; 55-62 the gradual decline\nand death of Furuhi; 63 to end, the father\u2019s grief at his loss.\n\nThis lay repays close study as an example of the language of the\nMany\u00f4shiu.\n\nFor _shiratamano_, _shikitaheno_, _sakikusano_, _ohobuneno_,\n_shirotaheno_, _tamakiharu_ see List m. k.\n\n\nMAKI VI, KAMI\n\nKusagusa no uta.\n\n\n71\n\nRauyau (R\u00f4y\u00f4) nanatose to ifu toshi midzunoto wi satsuki Yoshinu no\ntotsumiya ni idemaseru toki Kanamura ga yomeru uta hitotsu.\n\n Tagi no he no 1\n Mifune no yama ni\n midzu-ye sashi\n shizhi ni ohitaru\n tsuganokino 5\n iya tsugitsugi ni\n yorodzu yo ni\n kaku shi shirasamu\n Mi-Yoshinu no\n Akidzu no miya ha 10\n kami kara ka\n tafutokaruramu\n kuni kara ka\n migahoshikaramu\n yama kaha wo 15\n atsumi-sayakemi\n ohomiya to\n ube shi kami-yo yu\n sadamekerashi mo.\n\n Yama takami 1\n shira-yufu hana ni\n ochitagitsu\n tagi no kafuchi ha\n miredo akanu ka mo. 5\n\n1-9 lead up to 10.\n\nFor _tsuganokino_, _ochitagitsu_ see List m. k.\n\n\n72\n\nKuramochi no Asomi Chitose ga yomeru uta hitotsu.\n\n Umakori 1\n aya ni tomoshiki\n narukamino\n oto nomi kikishi\n Mi-Yoshinu no 5\n maki tatsu yama yu\n mi-kudaseba\n kaha no se goto ni\n ake-kureba\n asa-giri tachi 10\n yufu sareba\n kahadzu naku nari\n himo tokanu\n tabi ni shi areba\n a nomi shite 15\n kiyoki kahara wo\n miraku shi woshi mo.\n\n1 _umakori_ = _umaki ori_, pretty-woven.\n\n1-5 introductory to Yoshinu; 6-12 descriptive; 13 to end, the poet\u2019s\nreflections.\n\nFor _umakori_, _narukamino_ see List m. k.\n\n\n73\n\nZhimuki (Jinki) hazhime toshi kinoye ne kaminadzuki itsuka no hi Ki no\nkuni ni idemaseru toki Akahito ga yomeru uta hitotsu.\n\n Yasumishishi 1\n wago ohokimi no\n totsu-miya to\n tsukahematsureru\n Sahika nu yu 5\n so-gahi ni miyuru\n oki tsu shima\n kiyoki nagisa ni\n kaze fukeba\n shiranami sawaki 10\n shiho hireba\n tamamo karitsutsu\n kami yo yori\n shika so tafutoki\n Tamatsushima yama. 15\n\n\n74\n\n(Jinki) futatose satsuki Yoshinu no totsu miya ni idemaseru toki Kasa\nno Asomi Kanamura ga yomeru uta hitotsu.\n\n Ashihikino 1\n mi yama mo saya ni\n ochi tagitsu\n Yoshinu no kaha no\n kaha no se no 5\n kiyoki wo mireba\n kami-he ni ha\n chidori shiba-naki\n shimo-he ni ha\n kahadzu tsumayobu 10\n momoshikino\n oho-miya hito mo\n wochi-kochi ni\n shizhi ni shi areba\n miru goto ni 15\n aya ni tomoshimi\n tamakadzura\n tayuru koto naku\n yorodzu yo ni\n kaku shi mo ga mo to 20\n ame-tsuchi no\n kami wo so inoru\n kashikokaredomo.\n\nFor _ashihikino_, _momoshikino_, _tamakadzura_ see List m. k.\n\n\n75\n\nYamabe no Sukune Akahito ga yomeru uta.\n\n Yasumishishi 1\n wago ohokimi no\n takashirasu\n Yoshinu no miya ha\n tatanadzuku 5\n awo-kaki-gomori\n kaha nami no\n kiyoki Kafuchi so\n haru he ha\n hana saki wowori 10\n aki sareba\n kiri tachi-wataru\n sono yama no\n iya masu-masu ni\n kono kaha no 15\n tayuru koto naku\n momoshikino\n ohomiya hito ha\n tsune ni kayohamu.\n\nFor _yasumishishi_, _tatanadzuku_, _momoshikino_ see List m. k.\n\n\n76\n\n Yasumishishi 1\n waga ohokimi ha\n Mi-Yoshinu no\n Akidzu no wo-nu no\n nu no he ni ha 5\n tomi suwe-okite\n nu yama ni ha\n i-me tate-watashi\n asa-gari ni\n shishi fumi-okoshi 10\n yufu-gari ni\n tori fumi-tate\n uma namete\n mi-kari so tatasu\n haru no shige nu ni. 15\n\n\n77\n\n[Jinki futatose] kaminadzuki Naniha no miya ni idemaseru toki Kanamura\nga yomeru uta.\n\n Oshiteru 1\n Naniha no kuni ha\n ashikakino\n furinishi sato to\n hito mina no 5\n omohi-yasumite\n tsure mo naku\n arishi ahida ni\n umiwonasu\n Nagara no miya ni 10\n maki-hashira\n futo taka shikite\n wosu kuni wo\n wosame-tamaheba\n okitsutori 15\n Ajifu no hara ni\n mononofuno\n yaso tomo no wo ha\n ihori shite\n miyako to nareri 20\n tabi ni ha aredomo.\n\n1-7 introductory to 8.\n\n9-14 erection of country-palace.\n\n15 to end, the _yasotomono wo_ build their abodes round about the\npalace, and so a City-Royal is established.\n\nFor _oshiteru_, _ashikakino_, _umiwonasu_, _okitsutori_, _mononofuno_\nsee List m. k.\n\n\n78\n\nKuramochi no Asomi chitose ga yomeru uta.\n\n Isanatori 1\n hama he wo kiyomi\n uchi-nabiki\n ofuru tamamo ni\n asa-nagi ni 5\n chihe nami yori\n yufu-nagi ni\n ihohe nami yoru\n oki tsu nami\n iya masu-masu ni 10\n he tsu nami no\n iya shiku-shiku ni\n tsuki ni ke ni\n hihi ni migahoshi\n ima nomi ni 15\n aki-darame ya mo\n shiranami no\n i-saki-motoheru\n Suminoye no hama.\n\n16 _aki-darame_: _aki_ is written \u2018autumn\u2019, but the homophon meaning\n\u2018satiety\u2019 is intended.\n\nFor _isanatori_ see List m. k.\n\n\n79\n\nAkahito ga yomeru uta hitotsu.\n\n Ame tsuchi no 1\n tohoki ga gotoku\n hi tsuki no\n nagaki ga gotoku\n oshiteru 5\n Naniha no miya ni\n wago ohokimi\n kuni shirasurashi\n mi-ke tsu kuni\n hi-hi no mi-tsuki to 10\n Ahaji no\n Nushima no ama no\n watanosoko\n okitsu ikuri ni\n ahabi tama 15\n saha ni kadzuki-de\n fune namete\n tsukahematsuru ka\n tafutoshi mireba.\n\n16 _kadzuki_ (_kami tsuku_), dive.\n\n19 Read _mireba tafutoshi_.\n\nFor _oshiteru_, _watanosoko_ see List m. k.\n\n\n80\n\n[Jinki] mitose to ifu toshi hinoye tora nagatsuki towoka mari itsuka\nno hi Harima no kuni Inami-nu ni idemaseru toki Kanamura ga yomeru uta\nhitotsu.\n\n Nakisumi no 1\n Funase yu miyuru\n Ahaji shima\n Matsuho no ura ni\n asanagi ni 5\n tamamo karitsutsu\n yufunagi ni\n mo shiho-yakitsutsu\n ama wotome\n ari to ha kikedo 10\n mi ni yukamu\n yoshi no nakereba\n masurawono\n kokoro ha nashi ni\n tawayame no 15\n omohi-tawamite\n tamotohori\n are haso kofuru\n fune kaji wo nami.\n\nFor _masurawono_ see List m. k.\n\n\n81\n\nAkahito ga yomeru uta hitotsu [migi ni onazhi miyuki no toki].\n\n Yasumishishi 1\n waga ohokimi no\n kamu nagara\n takashiraseru\n Inami-nu no 5\n Oho-umi no hara no\n arataheno\n Fujiye no ura ni\n shibi tsuru to\n ama-bune sawaki 10\n shiho-yaku to\n hito so saha naru\n ura wo yomi\n ube mo tsuri ha su\n hama wo yomi 15\n ube mo shiho yaku\n ari-gayohi\n mesaku mo shirushi\n kiyoki shirahama.\n\n Inami-nu no 1\n asaji oshi-nabe\n sanuru yo no\n ke nagashiku areba\n ihe shi shinubayu. 5\n\n17-19 Read _arigayohi mishitamafu mo ichishiruku kiyokute omoshiroki\nshirahama zo to nari_.\n\n3 _sanuru_ = _yadori suru_.\n\n4 _ke_ = _ki-he_.\n\n5 _shinubayeru_.\n\nFor _yasumishishi_, _arataheno_ see List m. k.\n\n\n82\n\nKarani no shima wo suguru toki Akahito ga yomeru uta.\n\n Umasahafu 1\n imo ga mekarete\n shikitaheno\n makura mo akazu [makazu]\n kaniha maki 5\n tsukureru fune ni\n ma kaji nuki\n aga kogi-kureba\n Ahaji no\n Nushima wo sugi 10\n Inamitsuma\n Karani no shima no\n shima no ma yu\n wagihe wo mireba\n awoyama no 15\n soko to mo miyezu\n shirakumo mo\n chihe ni narikinu\n kogi-tamuru\n ura no kotogoto 20\n yuki-kakuru\n shima no saki-zaki\n kuma mo okazu\n omohi so aga kuru\n tabi no ke nagake! 25\n\n Tamamokaru 1\n Karani no shima ni\n shima mi suru\n u ni shi mo are ya\n ihe \u2019mohazaramu! 5\n\n2 _imo ga mekarete_ = _me hanuru_, the eye (features, i.e. person)\nbeing separated from me.\n\n4 _akazu_ probably should be _makazu_.\n\n5 _kaniha_ = _kaba_, birch.\n\n7 _nuki_, place oars in position, on thole or between rowlocks.\n\n11 _Inamitsuma_, of _tsuma_, the meaning is uncertain, perhaps tract or\nneighbourhood; _tsuma_, border.\n\n19 _tamuru_, a weak form of _tamotohoru_.\n\n22 cape after cape: see K. 80. 345, _shima no sakizaki_.\n\n23 _kuma mo okazu_ = _kuma (sumi) mo ochizu_, a not infrequent\nexpression in the Many\u00f4shiu.\n\n24 _omohite so aga kuru tabi ga ki-he nagashi_.\n\n25 _ke_ = _ki-he_ (_kuru-henuru_).\n\n1, 2 _karu_ _kara_, probably a designed jingle.\n\n4, 5 would I were but a cormorant, then I should be free from\nhomesickness.\n\nAs to the m. k. _shikitahe_ and _umasahafu_: _shikitahe_, spread-cloth,\nseems originally to have meant a garment worn to sleep in, or a\ncoverlet. It is applied to night, sleeping, night garments, pillows, &c.\n\n_Umasahafu_ is the reading preferred by the Kogi to that in the text,\n_ajisahafu_. Of neither can any certain explanation be given. On the\nwhole I am inclined to prefer the one suggested of _umasahafu_ under\nthat word in the Kogi\u2019s list of _makura kotoba_.--_umashi-aha-fu_,\nfield of sweet millet; _ahafu_ = millet-field in K. 143, n. 2, _fu_\nis perhaps an original form of _hafu_ or _hae_. The ancient Japanese\n_f_ (perhaps derived from a lost _p_) was something like the Highland\n\u2018fwh\u2019 in \u2018fwhat\u2019 of which the different elements were prominent in\nconnexion with particular vowel sounds. As significant of numerousness,\nit is applied to _mure_ (flock, crowd) contracted into _me_ (to which\nthrough a homophon meaning \u2018woman\u2019 it is applied in the text) as well\nas sometimes to _yoru_, night (homophon of _yoru_, gather together,\ncollect). There are parallel etymologies quoted by the Kogi, but\nit is needless to detail them here. _Umashiahafu_ would contract\ninto _umasahafu_; _umashi_ may be written with a character _aji_,\nmeaning taste, savour--hence _ajisahafu_, and of this the _aji_ might\nbe confounded with its homonym _aji_ (a kind of teal or widgeon),\nexplaining a common way of writing the expression--teal-marsh-abundant.\n\nFor _umasahafu_, _shikitaheno_ see List m. k.\n\n\n83\n\nMinume no ura wo suguru toki Akahito ga yomeru uta hitotsu.\n\n Mikemukafu 1\n Ahaji no shima ni\n tada mukafu\n Minume no ura no\n oki he ni ha 5\n fukamiru tsumi\n urami ni ha\n nanori-so kari\n fukamiruno\n mimaku hoshikedo 10\n nanorisono\n onoga na woshimi\n ma tsukahi mo\n yarazute are ha\n ikeru to mo nashi. 15\n\n Suma no ama no 1\n shiho-yaki kinu no\n narenaba ka\n hito hi mo kimi wo\n wasurete omohamu. 5\n\nFor _mikemukafu_, _fukamiruno_, _nanorisono_ see List m. k.\n\n\n84\n\n(Jinki) yotose to ifu toshi hinoto no u mutsuki ohokimitachi omitachi\nni mikotonori shite Jint\u00f4ry\u00f4 ni hanachi imashime tamaheru toki ni\nyomeru uta hitotsu.\n\n Makuzuhafu 1\n Kasuka no yama ha\n uchinabiku\n haru sari yuku to\n yama no he ni 5\n kasumi tachibiki\n Takamato ni\n uguisu nakinu\n mononofuno\n yaso tomo no wo ha 10\n karigane no\n ki-tsugi konogoro\n kaku tsukite\n tsune ni ariseba\n tomo namete 15\n asobamu mono wo\n uma namete\n yukamashi sato wo\n machi-kate ni\n aga seshi haru wo 20\n kakemaku mo\n aya ni kashikoshi\n ihamaku mo\n yuyushikaramu to\n arakazhime 25\n kanete shiriseba\n chidori naku\n sono Saho-gaha ni\n iso ni ofuru\n suga no ne torite 30\n shinubu-gusa\n harahite mashi wo\n yuku midzu ni\n misogite mashi wo\n ohokimino 35\n mikoto kashikomi\n momoshikino\n ohomiya hito no\n tamahokono\n michi ni mo idezu 40\n kofuru kono goro.\n\n10-14 the Kogi text is followed.\n\n11 a species of wild goose; also _kari ga ne_, the scream of the wild\ngeese.\n\n19-20 the spring we have made vain to wait for.\n\n40-41 _sankin ni ahite midari ni michi ni idzuru koto dani yezushite_.\n\nFor _makuzuhafu_, _uchinabiku_, _mononofuno_, _momoshikino_,\n_ohokimino_, _tamahokono_ see List m. k.\n\nOf the above lay the text is more or less uncertain, the syntax is\nconfused, and the meaning in part obscure.\n\n\n85\n\n(Tempy\u00f4) futatose shimotsuki Sakanohe no Iratsume ga Kami no ihe\nyori michi-dachi shite Tsukushi no michi no kuchi no kuni (Chikuzen)\nMunakata no kohori Nagoyama wo koyuru toki yomeru uta hitotsu.\n\n Ohonamuji 1\n Sukunabikona no\n kami koso ha\n nadzuke somekeme\n na nomi wo 5\n Nagoyama to ohite\n aga kohi no\n chihe no hito he mo\n nagusame naku ni.\n\n7 _kohi_ = _[miyako wo] kohishiku omofu_.\n\n\n86\n\n(Tempy\u00f4) yotose to ifu toshi midzunoye saru Fujihara no Umakahi no\nmahetsukimi nishi no umi tsu ji no setsudoshi ni tsukahasaruru toki\nTakahashi no Murazhi Mushimaro ga yomeru uta hitotsu.\n\n Shirakumono 1\n Tatsuta no yama no\n tsuyu shimo ni\n iro-dzuku toki ni\n uchi-koyete 5\n tabi-yuku kimi ha\n ihohe yama\n i-yuki sakumi\n ata-mamoru\n Tsukushi ni itari 10\n yama no soki\n nu no soki mesedo\n tomo no be wo\n agachi tsukahashi\n yamabikoni 15\n kotahemu kihami\n taniguku no\n sa wataru kihami\n kuni-gata wo\n meshi-tamahite 20\n fuyukomori\n haru sari-yukaba\n tobutorino\n haya kaheri-kone\n Tatsuta-ji no 25\n Wokabe no michi ni\n ni-tsutsuzhi no\n nihohamu toki no\n sakura-bana\n sakinamu toki ni 30\n yamatadzuno\n mukahe-mawi demu\n kimi ga kimasaba.\n\n Chiyorodzu no 1\n ikusa naritomo\n koto agesezu\n torite kinubeki\n wotoko to so \u2019mofu. 5\n\n3 _tsuyu shimo ni_, by the rime and dew (which cause the ruddy leafage\nof autumn). But see Glossary. Other explanations are possible, but the\nabove seems most suitable.\n\n3 _koto agesezu_ = _ihitatsuru koto naku_.\n\nFor _shirakumono_, _yamabikoni_, _fuyukomori_, _tobutorino_,\n_yamatadzuno_ (not rendered in the translation) see List m. k.\n\n\n87\n\nSumera mikoto no setsudoshi no mahetsukimitachi ni ohomiki tamaheru\nohomi-uta hitotsu.\n\n Wosukuni no 1\n toho no mikado ni\n imashira shi\n kaku makarinaba\n tahirakeku 5\n are ha asobamu\n te udakite\n are ha imasamu\n sumera waga\n udzu no mite mochi 10\n kaki-nade so\n negi-tamafu\n uchi-nade so\n negi-tamafu\n kaheri-komu hi 15\n ahi nomamu ki so\n kono toyomiki ha\n\n10 _udzu_, precious or sacred; _mi-te_ = _mi tahe_.\n\n11, 13 _kaki_ and _uchi_ are prefix verbs having an emphatic value;\n_nade_ = propitiate, _negi_ (_negafu_), intreat.\n\n\nMAKI VI, SHIMO\n\n\n88\n\n(Tempy\u00f4) yatose to ifu toshi hinoye ne minadzuki Yoshinu no totsumiya\nni idemaseru toki Akahito ga mikotonori wo uketamaharite yomeru uta\nhitotsu.\n\n Yasumishishi 1\n waga ohokimi no\n meshi-tamafu\n Yoshinu no miya ha\n yama-takami 5\n kumo so tanabiku\n kaha hayami\n se no to so kiyoki\n kamusabite\n mireba tafutoku 10\n yoroshi nabe\n mireba sayakeshi\n konoyama no\n tsukiba nomi koso\n kono kaha no 15\n tayeba nomi koso\n momoshikino\n ohomiya tokoro\n yamu toki mo arame!\n\n3 _meshi_ = _mishi_.\n\n11 _yoroshi nabe_, and likewise excellent.\n\n14 _tsukiba_ and 16 _tayeba_ have much the same value.\n\n16 _nomi koso_, the _koso_ emphasizes the two _nomi_.\n\n\n89, 90, 91\n\nIsonokami no Otomaro no mahetsukimi (ky\u00f4) Tosa no kuni ni hanatayeshi\ntoki uta mitsu.\n\n\n89\n\n Isonokami 1\n Furu no mikoto ha\n tawayame no\n sadohi ni yorite\n uma-zhi mono 5\n naha tori-tsuke\n shishi zhi mono\n yumi-ya kakumite\n ohokimi no\n mikoto kashikomi 10\n amazakaru\n hina he ni makaru\n furukoromo\n Matsuchi no yama yu\n kaheri-konu ka mo. 15\n\nFor _amazakaru_, _furukoromo_ see List m. k.\n\n\n90\n\n Ohokimi no 1\n mikoto kashikomi\n sashinamino\n kuni ni idemasu\n hashikiyashi 5\n waga se no kimi wo\n kakemaku mo\n yuyushiki kashikoshi\n Suminoye no\n ara hito kami 10\n funa no he ni\n ushi-haki-tamahi\n tsuki-tamahamu\n shima no saki-zaki\n yori tamahamu 15\n iso no saki-zaki\n araki nami\n kaze ni ahasezu\n tsutsumi naku\n mi yamahi arazu 20\n sumuyakeku\n kaheshi-tamahane\n moto no kuni he ni.\n\n3-4 perhaps should run _sashinamino_ | _Tosa no kuni ni_ | _idemasu ya_.\n\n10 _ara_ = _arahareru_--but see Aston, _Shint\u00f4_.\n\n12 _ushi_ = _mushi_ (_ni shite hakasu_).\n\n13, 15 _tsuki_ rather refers to direction, _yori_ to approach.\n\n19 = _tsutsuga naku_, untroubled.\n\n21 = _sumiyaka ni_. Motowori says _sumu_ = _susumu_.\n\nFor _sashinamino_ see List m. k.\n\n\n91\n\n Chichi kimi ni 1\n are ha manago so\n omo tozhi ni\n are ha manago so\n mawi-nobori 5\n yaso uji hito no\n tamuke suru\n Kashiko no saka ni\n nusa matsuri\n are ha so makaru 10\n tohoki Tosa-ji wo.\n\n5, 6, 7 introduce _kashiko_ (Kashiko). Motowori considers the subject\nof 5 to be Isonokami.\n\n\n92\n\nNara no miyako no aretaru wo kanashimi yomeru uta hitotsu.\n\n Yasumishishi 1\n waga ohokimi no\n takashikasu\n Yamato kuni ha\n sumerogi no 5\n kami no mi yo yori\n shikimaseru\n kuni nishi areba\n aremasamu\n miko no tsugi tsugi 10\n amenoshita\n shiroshimesamu to\n ya ho yorodzu\n chi-tose wo kanete\n sadamekemu 15\n Nara no miyako ha\n kagirohino\n haru nishi areba\n Kasuga yama\n Mikasa no nu-he ni 20\n sakura hana\n ko no kure-gakure\n kaho-tori ha\n ma naku shiba naku\n tsuyushimono 25\n aki sari-kureba\n Hakahi yama\n Tobuhi ga take ni\n hagi no ye wo\n shigarami chirashi 30\n sawoshika ha\n tsuma yobi-toyome\n yama mireba\n yama mo migahoshi\n sato mireba 35\n sato mo sumiyoshi\n mononofuno\n yaso tomo no wo no\n uchi-hahete\n sato namishikeba 40\n ametsuchi no\n yori-ahi no kihami\n yorodzu no yo ni\n sakaye yukamu to\n omohi nishi 45\n ohomiya sura wo\n tanomerishi\n Nara no miyako wo\n arata yo no\n koto nishi areba 50\n ohokimi no\n hiki no manimani\n haruhanano\n utsurohi kahari\n muratorino 55\n asa tachi yukeba\n sasudakeno\n ohomiya hito no\n fumi narashi\n kayohishi michi ha 60\n uma mo yukazu\n hito mo yukaneba\n are ni keru ka mo!\n\n3 _takashikasu_ = _takashirasu_.\n\n9 _araharemasamu_.\n\n24 The first _naku_ = not-be, the second, cry, sing.\n\n39 _uchi-hahete_, _hafu_, extend.\n\n41-42 set forth men\u2019s hopes. Nara would long endure--a sort of common\nform in lays of this character. 53 to end describe the impermanence of\nthings and the desolation of the abandoned Capital.\n\nFor _yasumishishi_, _kagirohino_, _tsuyushimono_, _mononofuno_,\n_haruhanano_, _muratorino_, _sasudakeno_ see List m. k. Most of these\ncan only be rendered indirectly.\n\n\n93, 94\n\nKuni no nihimiyako wo tatafuru uta futatsu.\n\n\n93\n\n Akitsukami 1\n waga ohokimi no\n ame no shita\n Yashima no uchi ni\n kuni ha shi mo 5\n ohoku aredomo\n sato ha shi mo\n saha ni aredomo\n yama nami no\n yoroshiki kuni to 10\n kaha nami no\n tachi-afu sato to\n Yamashiro no\n Kase-yama no ma ni\n miya-hashira 15\n futoshiki matsuri\n takashirasu\n Futagi no miya ha\n kaha chikami\n se no to so kiyoki 20\n yama chikami\n tori ga ne-doyomu\n aki sareba\n yama mo todoro ni\n sawoshika ha 25\n tsuma yobi-doyome\n haru sareba\n woka be no shizhi ni\n ihaho ni ha\n hana saki-wowori 30\n ana omoshiro\n Futagi no hara\n ito tafuto\n ohomiya tokoro\n ubeshi koso 35\n waga ohokimi ha\n kimi no mani\n kikashitamahite\n sasudakeno\n ohomiya koko to 40\n sadamekerashi mo.\n\nFor _akitsukami_, _sasudakeno_ see List m. k.\n\n\n94\n\n Waga ohokimi 1\n kami no mikoto no\n takashirasu\n Futagi no miya ha\n momo ki moru 5\n yama ha ko-dakashi\n ochi-tagitsu\n se no \u2019to mo kiyoshi\n uguhisu no\n ki naku haru he ha 10\n ihaho ni ha\n yama shita-hikari\n nishiki nasu\n hana saki wowori\n sawoshika no 15\n tsuma yobu aki ha\n ama-girafu\n shigure wo itami\n sanidzurafu\n momichi chiritsutsu 20\n yachi tose ni\n are tsukashitsutsu\n ame no shita\n shiroshimesamu to\n momo yo ni mo 25\n kaharubekaranu\n ohomiya tokoro.\n\n Wotomera ga 1\n umi wo kaku chifu\n Kase no yama\n toki shi yukereba\n miyako to narinu. 5\n\n5 The meaning of _moru_ is disputed. The Kogi follows Motowori, taking\n_moru_ as equivalent to _shigeru_.\n\n22 = _ch\u00f4tei ni tsukahematsuru wo_. _are_ = _arahare_.\n\n3 _kase_, homophon of _Kase_, means skein or spool.\n\nFor _sanidzurafu_, see List m. k.\n\n\n95\n\nHaru no koro Mika no hara no miyako no aretaru wo kanashimi yomeru uta\nhitotsu.\n\n Mika no hara 1\n Kuni no miyako ha\n yama takami\n kaha no se kiyomi\n ari yoshi to 5\n hito ha ihedomo\n sumi yoshi to\n are ha omohedo\n furi nishi\n sato nishi areba 10\n kuni miredo\n hito mo kayohazu\n sato mireba\n ihe no aretari\n hashikeyashi 15\n kaku arikeru ka\n mi moro tsuku\n Kase yama no ma ni\n saku hana ni\n iro medzurashiku 20\n momotorino\n kowe natsukashiki\n ari-gahoshi\n sumi yoki sato no\n aruraku woshi mo! 25\n\n2 _Kuni_, is City-Royal; in 11 _kuni_ is \u2018land\u2019 or \u2018country.\u2019\n\n15 must be read, though indirectly, with 18, 16 being parenthetical.\n\n17 Motowori prefers _umi wo kaku_ (see 94).\n\n_tsuku_ = _tsukuru_.\n\n25 _aruraku_ = _aruru_, lie desolate, waste.\n\nFor _momotorino_ see List m. k.\n\n\n96\n\nNaniha no miya nite yomeru uta hitotsu.\n\n Yasumishishi 1\n waga ohokimi no\n ari-gayofu\n Naniha no miya ha\n isanatori 5\n umi katatsukite\n tama hirifu\n hama he wo chikami\n asa ha furu\n nami no \u2019to sawaki 10\n yufu nagi ni\n kaji no \u2019to kikoyu\n akatoki no\n ne-same ni kikeba\n umi chikami 15\n shihohi no muta\n urasu ni ha\n chidori tsuma yobi\n ashi-he ni ha\n tadzu ga ne-doyomu 20\n miru hito no\n katari ni sureba\n kiku hito no\n mimakuhori suru\n mikemukafu 25\n Ajifu no miya ha\n miredo akanu ka wo.\n\n16 _muta_ = _tomo ni_.\n\n22 _ni_ = _wo_.\n\n24 _migahoshiku_.\n\n27 _akanu_, unwearied of.\n\nFor _yasumishishi_, _isanatori_, _mikemukafu_ see List m. k.\n\n\n97\n\nMinume no ura wo suguru toki yomeru uta hitotsu.\n\n Yachihokono 1\n kami no mi yo yori\n momofuneno\n hatsuru tomari to\n Yashima kuni 5\n momo funa hito no\n sadameteshi\n Minume no ura ha\n asa kaze ni\n ura nami sawaki 10\n yufu nami ni\n tamamo ha ki-yoru\n shira manago\n kiyoki hama-he ha\n yuki kaheri 15\n miredomo akazu\n ubeshi koso\n miru hito goto ni\n katari-tsugi\n shinubikerashiki 20\n momoyo hete\n shinubaye yukamu\n kiyoki shira hama.\n\n1-7 introductory to 8. 9 to end descriptive and eulogistic.\n\n13 _manago_ = _masago_, sand, pebbles.\n\nFor _yachihokono_, _momofuneno_ see List m. k.\n\n\nMAKI VIII, KAMI\n\nHaru no kusagusa no uta.\n\n\n98\n\nKusaka yama no uta.\n\n Oshiteru 1\n Naniha wo sugite\n uchi nabiku\n Kusaka no yama wo\n yufu-gure ni 5\n aga koye-kureba\n yama mo se ni\n sakeru ashibi no\n ashikaranu\n kimi wo itsushika 10\n yukite haya mimu.\n\n7 _se ni_, crowdedly, thickly.\n\n8, 9 sound-quibble, _ashibi_ and _ashikaranu_.\n\n10, 11 There is inversion here.\n\nFor _oshiteru_ and _uchinabiku_ see List m. k.\n\n\n99\n\nSakura no hana no uta.\n\n Wotomera ga 1\n kazashi no tame ni\n miyabi-wo no\n katsura no tame to\n shikimaseru 5\n kuni no hatate ni\n saki nikeru\n sakura no hana no\n nihohi ha mo ana ni!\n\n\nHaru no shitashimi uta.\n\n\n100\n\n(Tempy\u00f4) itsutose to ifu toshi midzunoto tori nochi no yayohi Kanamura\nga Morokoshi ni tsukahasu tsukahi ni okureru uta.\n\n Tamatasuki 1\n kakenu toki naku\n iki no wo ni\n aga \u2019mofu kimi ha\n utsusemino 5\n [yo no hito nareba\n ohokimi no]\n mikoto kashikomi\n yufu sareba\n tadzu ga tsuma yobu 10\n Naniha-gata\n Mitsu no saki yori\n ohobune ni\n ma kaji shizhi nuki\n shira-nami no 15\n takaki arumi wo\n shima-dzutahi\n i-wakare yukeba\n todomareru\n are ha nusa tori 20\n ihahitsutsu\n kimi wo ba matamu\n haya kaherimase!\n\n1-8 are a preface.\n\n2 without breach of truce.\n\n3 _iki no wo_, thread of life.\n\n6, 7 Interpolated on the authority of Keichiu.\n\n16 _arumi_ = _aruru umi_.\n\nFor _tamatasuki_, _utsusemino_ see List m. k.\n\n\nNatsu no shitashimi uta.\n\n\n101\n\nOhotomo no Yakamochi ga tachibana wo yojite Sakanohe no Oho-Iratsume ni\nokureru uta.\n\n Itsushika to 1\n matsu waga yado ni\n momo-ye-zashi\n ofuru tachibana\n tama ni nuku 5\n sa-tsuki wo chikami\n ayenu gani\n hana saki ni keri\n asa ni ke ni\n ide-miru goto ni 10\n iki no wo ni\n aga \u2019mofu imo ni\n masokagami\n kiyoki tsuki-yo ni\n tada hito me 15\n misemu made ni ha\n chiri-kosu na\n yume to ihitsutsu\n kokodaku mo\n aga moru mono wo 20\n uretaki ya\n shiko hototogisu\n akatoki no\n urakanashiki ni\n ohedo ohedo 25\n naho shi ki-nakite\n itadzura ni\n tsuchi ni chiraseba\n sube wo nami\n yojite ta-woritsu 30\n mimase wagimoko!\n\n Mochi kudachi 1\n kiyoki tsuku yo ni\n wagimoko ni\n misemu to \u2019mohishi\n yado no tachibana! 5\n\n7 _ayenu_ = _ayenuru_, ready to set for fruit?\n\n_gani_ = _y\u00f4_, _sama_.\n\n19 _kokodaku_ = _ikubaku_.\n\n1 _mochi kudachi_ = _michikudari_ = full and on the turn.\n\nFor _masokagami_ see List m. k.\n\n\nMAKI VIII, SHIMO\n\nAki no kusagusa no uta.\n\n\n102\n\nYamanohe no Omi Okura ya nanuka no yo [Tanabata] no uta towo amari\nfutatsu (naga-uta hitotsu).\n\n (5)\n\n Hisakatano 1\n ama no kaha se ni\n fune ukete\n koyohi ka kimi ga\n agari ki-masamu. 5\n\n (6)\n\n Hiko-hoshi ha 1\n Tanabata tsu me to\n ame tsuchi no\n wakareshi toki yu\n inamushiro 5\n kaha ni mukitachi\n omofu sora\n yasukaranaku ni\n nageku sora\n yasukaranaku ni 10\n awo nami ni\n nozomi ha tayenu\n shira kumo ni\n namida ha tsukinu\n kaku nomi ya 15\n ikidzuke woramu\n kaku nomi ya\n kohitsutsu aramu\n sa ni-nuri no\n wo bune mo ga mo 20\n tama-maki no\n ma kai mo ga mo\n asa nagi ni\n i-kaki-watari\n yufu shiho ni 25\n i-kogi-watari\n hisakatano\n ama no kahara ni\n amatobuya\n hire katashiki 30\n matamadeno\n tama-de sashikahe\n amata tabi\n imo neteshi ka mo\n aki ni arazu to mo! 35\n\n3 _ukete_, float, launch.\n\n6 _muki-tachi_, stand by.\n\n8, 10 _ni_ is adverbial, in 11, 13 postpositional.\n\n13 Supply _furisake mireba_.\n\n15, 17 _ya_ is dubitative, with a tinge of regret.\n\n24 beat (the water with oar or scull) and cross.\n\n24, 26 _i_ is a prefix of which the original value is lost.\n\n30 _katashiki_, spread out to one side.\n\nFor _hisakatano_, _inamushiro_, _amatobuya_, _matamadeno_ see List m. k.\n\n\nAki no shitashimi uta.\n\n\n103\n\nYakamochi ga Sakanohe no Oho-Iratsume ni okureru uta.\n\n Nemokoro ni 1\n mono wo omoheba\n ihamu sube\n semu sube mo nashi\n imo to aga 5\n te tadzusaharite\n ashita ni ha\n niha ni idetachi\n yufuhe ni ha\n toko uchi-harahi 10\n shirotaheno\n sode sashikahete\n sa-neshi yo ya\n tsune ni arikeru\n ashihikino 15\n yamadori koso ha\n wo mukahi ni\n tsuma-dohi su to ihe\n utsusemino\n hito naru are ya 20\n nani su to ka\n hito hi hito yo mo\n sakari-wite\n nageki kofuramu\n koko \u2019moheba 25\n mune koso itame\n soko yuwe ni\n kokoro nagu ya to\n Takamato no\n yama ni mo nu ni mo 30\n uchi-yukite\n asobi arukedo\n hana nomi shi\n nihohite areba\n miru goto ni 35\n mashite shinubayu\n ika ni shite\n wasuremu mono so\n kohi chifu mono wo.\n\n17 _wo mukahi_, over the hills.\n\n28 _nagu_ = _nagusamuru_.\n\n3-9 inversion.\n\nFor _shirotaheno_, _ashihikino_, _utsusemino_ see List m. k.\n\n\nMAKI IX, KAMI\n\nKusagusa no uta.\n\n\n104\n\nKamitsufusa (Kadzusa) Suwe no Tamana no wotome wo yomeru uta\nhitotsu-mata mizhika uta.\n\n Shinagatori 1\n Aha ni tsukitaru\n adzusayumi\n Suwe no Tamana ha\n muna wake no 5\n hirokeki wagimo\n koshi hoso no\n sugaru wotome no\n sono kaho no\n kirakirashiki ni 10\n hana no goto\n wemite tatereba\n tamahokono\n michi yuku hito ha\n ono ga yuku 15\n michi ha yukazute\n yobanaku ni\n kado ni itarinu\n sashinarabu\n tonari no kimi ha 20\n tachimachi ni\n ono tsuma \u2019karete\n kohanaku ni\n kagi sahe matsuru\n hito no mina 25\n kaku madohereba\n uchi-shinahi\n yorite so imo ha\n tahasete arikeru.\n\n Kanado ni shi 1\n hito no ki-tateba\n yo naka ni mo\n mi ha tanashirazu\n idete so ahikeru. 5\n\n22 _\u2019karete_ = _wakarete_.\n\n24 _kagi_, for the treasure it locks up.\n\n27 seems to be equivalent to _tori-yosofu_ or _katachi tsukurofu_.\n\nThe m. k. (1) applies to A[ha], (3) to Suwe (read homophonously as\nbow-end).\n\nFor _shinagatori_, _adzusayumi_, _tamahokono_ see List m. k.\n\n\n105\n\nMidzunoye no Urashima no ko wo yomeru uta.\n\n Haru no hi no 1\n kasumetaru toki ni\n Suminoye no\n kishi ni idekite\n tsuri-bune no 5\n tayutafu mireba\n inishihe no\n koto so omohoyu\n Midzunoye no\n Urashima no ko ga 10\n katsuwo tsuri\n tahi tsuri hokori\n nanuka made\n ihe ni mo kozute\n unasaka wo 15\n sugite kogi-yuku ni\n watatsumi no\n kami no wotome ni\n tamasaka ni\n i-kogi mukahi 20\n ahi-katarahi\n koto narishikaba\n kaki-musubi\n toko yo ni itari\n watatsumi no 25\n kami no miya no\n uchi no he no\n tahenaru tono ni\n tadzusahari\n futari iri-wite 30\n oi mo sezu\n shini mo sezushite\n tokoshihe ni\n arikeru mono wo\n yo no naka no 35\n katakuna hito no\n wagimoko ni\n norite kataraku\n shimashiku ha\n ihe ni kaherite 40\n chichi haba ni\n koto wo mo norahi\n asu no goto\n are ha kinamu to\n ihikereba 45\n imo ga iheraku\n tokoyo he ni\n mata kaheri-kite\n ima no goto\n ahamu to naraba 50\n kono kushige\n hiraku na yume to\n sokoraku ni\n katameshi koto wo\n Suminoye ni 55\n kaheri-kitarite\n ihe miredo\n ihe mo mi-kanete\n sato miredo\n sato mo mi-kanete 60\n ayashimi to\n soko ni omohaku\n ihe yo dete\n mi tose no hodo ni\n kaki mo naku 65\n ihe useme ya mo\n kono hako wo\n hirakite miteba\n moto no goto\n ihe ha aramu to 70\n tama kushige\n sukoshi hiraku ni\n shirakumo no\n hako yori idete\n tokoyo he ni 75\n tanabikinureba\n tachi-washiri\n sakebi sode furi\n koi-marobi\n ashi-zuri shitsutsu 80\n tachimachi ni\n kokoro ke usenu\n wakakarishi\n hada wo shihaminu\n kurokarishi 85\n kami mo shirakenu\n yuri-yuri ha\n iki sahe tayete\n nochi tsuhi ni\n inochi shini keru 90\n Midzunoye no\n Urashima no ko ga\n ihe tokoro miyu.\n\n Tokoyo he ni 1\n sumubeki mono wo\n tsurugitachi\n shi ga kokoro-gara\n oso ya kono kimi. 5\n\n5 _oso_ = _orosoka_.\n\nThe m. k. (3) is applied to _shi_ = _sono_.\n\nFor _tsurugitachi_ see List m. k.\n\n\n106\n\nKafuchi no Ohohashi wo hitori yuku wotome wo mite [yomeru] uta.\n\n Shinateru 1\n Kata-asuha kaha no\n sa-ni nuri no\n ohohashi no he yo\n kurenawino 5\n aka mo suso-biki\n yama-wi mochi\n sureru kinu kite\n tada hitori\n i-watarasu ko ha 10\n wakakusano\n tsuma ka aruramu\n kashinomino\n hitori ka nuramu\n tohamaku no 15\n hoshiki wagimo ga\n ihe no shiranaku.\n\n1 Epithet of _kata_ (Kata-asuha).\n\n3 fine red-stained.\n\n7, 8 rubbed, i.e. dyed with the _yama-wi_ (Polygonum tinctorium).\n\n12 _tsuma_ here = _otto_.\n\n13, 14 Confer translation.\n\nFor _shinateru_, _kurenawino_, _wakakusano_, _kashinomino_ see List m.\nk.\n\n\n107\n\n(Ky\u00f4un) mitose to ifu toshi hinoye uma yayohi moromoro no\nmahetsukimitachi Namiha ni kudareru toki no uta futatsu.\n\n Shirakumono 1\n Tatsuta no yama no\n Tagi no he no\n Wokura no mine ni\n saki-woworu 5\n sakura no hana ha\n yama takami\n kaze no yamaneba\n haru-same no\n tsugite furereba 10\n ho tsu ye ha\n chiri sugite keri\n shi tsu ye ni\n nokoreru hana ha\n shimashiku ha 15\n chiri na midari so\n kusamakura\n tabi yuku kimi ga\n kaheri-komu made.\n\n5 blossoming in falling masses, festoons of flowers.\n\n11 _ho_ is upper part--13 _shi_ is lower part of the tree-mass.\n\nFor _shirakumono_, _kusamakura_ see List m. k.\n\n\n108\n\n Shirakumono 1\n Tatsuta no yama wo\n yufu-gure ni\n uchi-koye yukeba\n Tagi no he no 5\n sakura no hana ha\n sakitaru ha\n chiri sugi ni keri\n fukumeru ha\n saki tsuginubeshi 10\n kochi-gochi no\n hana no sakari ni\n misezu tomo\n ka ni kaku ni\n kimi no mi yuki ha 15\n ima ni shi arubeshi.\n\n13 After this line the Kogi would interpolate--_chiri na midari so_.\n\n14 may = whenever it may be, sooner or later.\n\n15 _ima_, presently, ere long.\n\nFor _shirakumono_ see List m. k.\n\n\n109\n\nNaniha ni yadorite akuru hi kaheru toki no uta.\n\n Shima yama wo 1\n i-yuki motohoru\n kaha sohi no\n woka he no michi yo\n kinofu koso 5\n aga koye-koshi ka\n hito yo nomi\n netarishi kara ni\n wo no uhe no\n sakura no hana ha 10\n tagi no se yo\n tagi-chite nagaru\n kimi ga mimu\n sono hi made ni ha\n arashi no 15\n kaze na fuki so to\n uchi-koyete\n na ni oheru mori ni\n kaza-matsurisena!\n\n4 _yo_ = _yori_, so in 11 where it is to be understood as _ni_.\n\n8 _kara_ = _nagara_ (?).\n\n9 _wo_, summit or ridge.\n\n19 = _kaze [no kami wo] matsurisemu (matsuramu)_.\n\n\nMAKI IX, SHIMO\n\n\n110\n\nKemuzeishi (kenzeishi) Ohotomo no mahetsukimi no Tsukuba yama ni\nnoboritamaheru toki no uta.\n\n Koromode 1\n Hitachi no kuni\n futa-narabu\n Tsukuba no yama wo\n mimakuhori 5\n kimi kimaseri to\n atsukeku ni\n ase-kaki-nage [ki]\n ko no ne tori\n uso-muki nobori 10\n wo no uhe wo\n kimi ni misureba\n wo no kami mo\n yurushitamahi\n me no kami mo 15\n chihahitamahite\n toki to naku\n kumo-wi ame furu\n Tsukubane wo\n saya ni terashite 20\n ifukarishi\n kuni no mabora wo\n tsubaraka ni\n shimeshitamaheba\n ureshimi to 25\n himo no wo tokite\n ihe no goto\n tokete so asobu\n uchinabiku\n haru mimashi yo ha 30\n natsu kusa no\n shigeku ha aredo\n kefu no tanushisa.\n\n6 sweating and panting.\n\n17 suddenly, unexpectedly, untimely.\n\n30 Or _mimaku_--_yo_ = _yori_.\n\nFor _koromode_, _uchinabiku_ see List m. k.\n\n\n111\n\nHototogisu wo yomeru uta.\n\n Uguhisu no 1\n kahi-ko no naka ni\n hototogisu\n hitori umarete\n shi ga chichi ni 5\n nite ha nakazu\n shiga haha ni\n nite wa nakazu\n u no hana no\n sakitaru nu he yo 10\n tobi kakeri\n ki naki toyomoshi\n tachibana no\n hana wo wi-chirashi\n hinemosu ni 15\n nakedo kiki yoshi\n mahi ha semu\n tohoku na yuki so\n waga yado no\n hana tachibana ni 20\n sumi watari nake.\n\n5 _sore ga_.\n\n6, 8 _nite_, like, resembling.\n\n11 fly high.\n\n\n112\n\nTsukuba yama ni noboru uta.\n\n Kusamakura 1\n tabi no ukeku wo\n nagusamuru\n koto mo are ya to\n Tsukuba ne ni 5\n noborite mireba\n wobana chiru\n Shidzuku no ta-wi ni\n karigane mo\n samuku ki-nakinu 10\n Nihibari no\n Toba no afumi mo\n aki kaze ni\n shira-nami tachinu\n Tsukuba ne no 15\n yokeku wo mireba\n nagaki ke ni\n omohi tsumi-koshi\n ukeku ha yaminu.\n\n7 _wobana_ is Miscanthus sinensis.\n\n8 _ta-wi_ = _ta-winaka_ or _inaka_.\n\n9 Either _karigane_ or _kari-ga-ne_, a sort of quibble.\n\n17 _nagaki kihe_.\n\n18 _koshi_, a past of _kuru_, here auxiliary, read with _ukeku_.\n_omohi-tsumi_, piled up thoughts (i.e. sorrows of travel).\n\nFor _kusamakura_ see List m. k.\n\n\n113\n\nTsukubane ni noborite kagahi suru toki yomeru uta hitotsu mata mizhika\nuta.\n\n Washinosumu 1\n Tsukuba no yama no\n Mohakitsu no\n sono tsu no uhe ni\n adomohite 5\n wotome wotoko no\n yuki tsudohi\n kagafu kagaki ni\n hito-dzuma ni\n are mo ahamu 10\n aga tsuma ni\n hito mo koto-tohe\n kono yama wo\n ushi-haku kami no\n inishihe yo 15\n isamenu waza zo\n kefu nomi ha\n megushi mo nami so\n koto mo togamuna\n\n Wo no kami ni 1\n kumo tachi nobori\n shigure furi\n nure-tohoru tomo\n are kaherame ya. 5\n\n18 Either _me-gurushiku na mi so_ or _megushi nami so_--the sense is\nmuch the same.\n\n19 _koto togame wo mo suna_.\n\nFor _washinosumu_ see List m. k.\n\n\n114\n\nShika wo yomeru uta hitotsu mata mizhika uta.\n\n Mimoro no 1\n Kamunabi yama ni\n tachi-mukafu\n Mikaki no yama ni\n aki-hagi no 5\n tsuma wo makamu to\n asa-dzuku-yo\n akemaku woshimu\n ashihiki no\n yamabiko-doyome 10\n yobitate naku mo.\n\n\n115\n\nNanuka no yo no uta hitotsu mata mizhika uta.\n\n Hisakatano 1\n ama no kahara ni\n kamitsu se ni\n tama-hashi watashi\n shimotsu se ni 5\n fune ukesuwe\n ame furite\n kaze ha fuku to mo\n kaze fukite\n ame ha furu to mo 10\n mo nurasazu\n yamazu kimase to\n tama-hashi watasu.\n\n11 _mo_ = skirt, dress.\n\nFor _hisakatano_ see List m. k.\n\n\n116\n\nKashima no kohori Karunu no hashi nite Ohotomo no mahetsukimi ni\nwakaruru uta hitotsu mata mizkiha uta.\n\n Kotohiushi 1\n Miyake no ura ni\n sashimukafu\n Kashima no saki ni\n sa ni-nuri no 5\n wobune wo make\n tama maki no\n wo-kaji shizhi nuki\n yufu shiho no\n michi no todomi ni 10\n mi funa ko wo\n adomohi tatete\n yobitatete\n mi fune idenaba\n hama mo se ni 15\n okure nami wite\n koi-marobi\n kohi ka mo woramu\n ashi-zurishi\n ne nomi ya nakamu 20\n Unakami no\n sono tsu wo sashite\n kimi ga kogi-yukeba.\n\n6 _make_ = _m\u00f4ke_.\n\n15 _se ni_ = _semaki hodo ni_.\n\nThe m. k. (1) applies to Miyake (= _miyake_, a government granary or\ngrange), see translation.\n\nFor _kotohiushi_ see List m. k.\n\n\n117\n\nZhimuki (Jinki) itsutose to ifu toshi tsuchinoye tatsu hatsu tsuki ni\n[yomeru] uta hitotsu mata mizhika.\n\n Hito to naru 1\n koto ha kataki wo\n wakuraba ni\n nareru aga mi ha\n shinu mo iki mo 5\n kimi ga ma ni ma to\n omohitsutsu\n arishi ahida ni\n utsusemino\n yo no hito nareba 10\n ohokimino\n mikoto kashikomu\n amazakaru\n hina wosame ni to\n asatorino 15\n asa tatashitsutsu\n muratorino\n mure tachi-yukeba\n tomari-wite\n are ha kohimu na 20\n mizu hisa naraba.\n\n Mi Koshi ji no 1\n yuki furu yama wo\n koyemu hi ha\n tomareru are wo\n kakete shinubase. 5\n\n19 I read--_are ha tomari wite_, &c.\n\nFor _utsusemino_, _ohokimino_, _amazakaru_, _muratorino_ see List m. k.\n\n\n118\n\nTempy\u00f4 hazhime no toshi \u2026 shihasu ni yomeru uta hitotsu mata mizhika\nuta futatsu.\n\n Utsusemino 1\n yo no hito nareba\n ohokimi no\n mikoto kashikomi\n Shikishimano 5\n Yamato no kuni no\n Iso no kami\n Furu no sato ni\n himo tokazu\n maro-ne wo sureba 10\n aga keseru\n koromo ha narenu\n miru goto ni\n kohi ha masaredo\n iro ni ideba 15\n hito shirisubemi\n fuyu no yo no\n ake mo kanetsutsu\n i mo nezu ni\n are ha so kofuru 20\n imo ga tadaka ni.\n\n10 A quasi m. k. of _maro-ne_, round-sleep, that is sleeping alone or\ntaking a careless or hasty sleep in one\u2019s ordinary clothes.\n\n12 _narenu_ is a past, not negative form; the meaning is soiled,\ntumbled, disordered, according to Keichiu.\n\nFor _utsusemino_, _shikishimano_ see List m. k.\n\n\n119\n\n[Tempy\u00f4] itsutose to ifu toshi \u2026 Morokoshi ni tsukahasu tsukahi no fune\nNaniha yori idzuru toki haha ga ko ni okureru uta hitotsu mata mizhika\nuta.\n\n Akihagiwo 1\n tsuma-tofu ga koso\n hitori ko wo\n motari to ihe\n kako-zhi mono 5\n aga hitori ko mo\n kusamakura\n tabi nishi yukeba\n takatama wo\n shizhi ni nukitari 10\n ihahihe ni\n yufu torishidete\n ihahitsutsu\n aga omofu ago\n masakiku ari koso. 15\n\n3 I have followed the Kogi reading of the curiously involved script of\nthis passage, _hitori ko [ni ko] wo_ = _hitori ko [wo ko] wo_.\n\n4 _ihe_ written _i-ho-he_ (500 houses) for _ihe_ (_iheru_).\n\n11 _ihahihe_ is here a jar, not _he_ a place, _ni_ = together with.\n\n12 _[tori] shidete_ = _shidare_, hang down.\n\nFor _akihagiwo_, _kusamakura_ see List m. k.\n\n\n120\n\nWotome wo shinubite yomeru uta hitotsu mata mizhika uta (futatsu).\n\n Shiratamano 1\n hito no sono na wo\n nakanaka ni\n koto no wo hayezu\n ahanu hi no 5\n maneku sugureba\n kofuru hi no\n kasanari yukeba\n omohi-yaru\n tadoki wo shirani 10\n kimomukafu\n kokoro kudakete\n tamatasuki\n kakenu toki naku\n kuchi yamazu 15\n aga kofuru ko wo\n tamakushiro\n te ni maki-mochite\n masokagami\n tada me ni mineba 20\n Shitahi yama\n shita yuku midzu no\n uhe ni idezu\n aga \u2019mohi kokoro\n yasukaranu ka mo. 25\n\n Kakihonasu 1\n hito no yokokoto\n shigemi ka mo\n ahanu hi maneku\n tsuki no henuramu. 5\n\n3 _nakanaka ni_, probably = _namanaka_.\n\n4 _hayezu_, not extend thread of language--give utterance to one\u2019s\nthoughts.\n\nThe m. k. (19) applies to _me_ (20).\n\nFor _shiratamano_, _kimomukafu_, _tamatasuki_, _tamakushiro_,\n_masokagami_, _kakihonasu_ see List m. k.\n\n\n121\n\nAshigara no saka wo suguru toki mi-makareru hito wo mite yomeru uta.\n\n Wokaki tsu no 1\n asa wo hiki hoshi\n imo nane ga\n tsukuri kisekemu\n shirotaheno 5\n himo wo mo tokazu\n hito-he yufu\n obi wo mi-he yuhi\n kurushiki ni\n tsukahematsurite 10\n ima dani mo\n kuni ni makarite\n chichi haha mo\n tsuma wo mo mimu to\n omohitsutsu 15\n yukikemu kimi ha\n toriganaku\n Adzuma no kuni no\n kashikoki ya\n Kami no mi saka ni 20\n nigitahe no\n koromo samura ni\n nubatamano\n kami ha midarete\n kuni tohedo 25\n kuni wo mo norazu\n ihe tohedo\n ihe wo mo ihazu\n masurawono\n yuki no susumi ni 30\n koko ni koyaseru.\n\n1, 2 form a preface applying to _imo_, (17) to A[dzuma], (29) to _yuki_\nor perhaps the whole of 30.\n\n1 _wo_ is not exactly = small, it is a diminutive prefix of intimacy or\nendearment; _wokaki tsu_ = _wokaki no uchi_.\n\n3 _nane_ = term of endearment or respect; _na-se_ = _na[-n-imo]\nse[-na]_, &c.\n\n25-30 may be regarded as parenthetic.\n\nFor _shirotaheno_, _toriganaku_, _nubatamano_, _masurawono_ see List m.\nk.\n\n\n122\n\nAshiya wotome ga haka wo suguru toki yomeru uta.\n\n Inishihe no 1\n masurawo no ko no\n ahi-kihohi\n tsuma-dohi shikemu\n Ashinoya no 5\n Unahi wotome no\n okutsuki wo\n aga tachi-mireba\n nagaki yo no\n katari ni shitsutsu 10\n nochi hito no\n shinubi ni semu to\n tamahokono\n michi no-he chikaku\n iha-kamahe 15\n tsukureru haka wo\n amakumono\n soku he no kagiri\n kono michi wo\n yuku hito goto ni 20\n yuki-yorite\n i-tachi nagekahi\n sato-hito ha\n ne ni mo nakitsutsu\n katari-tsugi 25\n shinubi tsugi koshi\n wotomera ga\n okutsuki tokoro\n are sahe ni\n mireba kanashi mo 30\n inishihe omoheba!\n\n1-12 introductory, 10 being continuative with 11 \u2026 13-26 declare the\nlasting sadness attaching to grave and story. 27 to end, the feelings\nof the poet on hearing the story.\n\n7 _okutsuki_, secluded-mound tomb, or grave-place.\n\nFor _tamahokono_, _amakumono_ see List m. k.\n\n\n123\n\nOto no mimakareru wo kanashimite yomeru uta.\n\n Chichihaha ga 1\n nashi no manimani\n hashimukafu\n oto no mikoto ha\n asatsuyuno 5\n ke-yasuki inochi\n kami no muta\n arasohi kanete\n Ashihara no\n Midzuho no kuni ni 10\n ihe nami ya\n mata kaheri-konu\n tohotsu kuni\n yomi no sakahi ni\n hafutsutano 15\n momo ono mo\n amakumono\n wakareshi yuketa\n yamiyonasu\n omohi madohahi 20\n iyushishino\n kokoro wo itami\n ashikakino\n omohi midarete\n haru tori no 25\n ne nomi nakitsutsu\n umasahafu\n [me goto no tayete\n nubatamano]\n yoru hiru to ihazu\n kagirohino\n kokoro moyetsutsu 30\n nageki so aga suru!\n\nThe m. k. are: _hashi-mukafu_ (of _oto_), lit. as like as the members\nof a pair of chop-sticks = fraternal relation (of affection);\n_asa-tsuyuno_ (of _ke-_ or _kihe-yasuki_), [evanescent as] morning dew;\n_hafu-tsutano_ (cling-ivy--of _wakareshi_), parted as reluctantly as\nivy parts from its stem; _amakumono_ (also of _wakareshi_); _yami-yo\nnasu_ (of _omohi madohahi_); _iyushishino_ (wounded deer) of _kokoro_;\n_ashikakino_ (reed-fence) of _midarete_; _haru-torino_ (of _ne_);\n_umasahafu_ (see List m. k.).\n\n2 _nashi_ = bring up.\n\n6 _ke_ = _kihe_.\n\n11 _ihe_ means a place of residence. _nami_ is _nasa_, not-being-ness.\n\n21 _iyu_ = passive of _i_, aim at, shoot; like _miyu_ from _mi_, see;\n_kikoyu_ from _kiku_, hear.\n\n27 The Kogi interpolates the verses _me goto mo tayete_ | _nubatama\nno_--_nubatama_ being itself a m. k. _Kagirohino_ is a m. k. of\n_moyetsuru_, see List m. k., also K. 288.\n\nThe construction of the _uta_ offers no particular difficulty.\n\nFor _hashimukafu_, _hafutsutano_, _amakumono_, _yamiyonasu_,\n_ashikakino_, _umasahafu_, _nubatamano_, _kagirohino_ see List m. k.\n\n\n124\n\nKatsushika no Mama no wotome wo yomeru uta.\n\n Toriganaku 1\n Adzuma no kuni ni\n inishihe ni\n arikeru koto to\n ima made ni 5\n tayezu ihitaru\n Katsushika no\n Mama no tekona ga\n asakinu ni\n awoyeri tsuke 10\n hitase-wo wo\n mo ni ha orikite\n kami dani mo\n kaki ha kedzurazu\n katsu wo dani 15\n hakazu arukedo\n nishiki aya no\n naka ni kukumeru\n ihahi ko mo\n imo ni shikame ya 20\n mochi-tsuki no\n tareru omowa ni\n hana no goto\n wemite tatareba\n natsu mushi no 25\n hi ni iru ga goto\n minato iri ni\n fune kogu gotoku\n yuki-kagahi\n hito no tofu toki 30\n ikubaku mo\n ikerazhi mono wo\n nani su to ka\n mi wo tanashirite\n nami no \u2019to mo 35\n sawaku minato no\n okutsuki ni\n imo ga koyaseru\n tohoki yo ni\n arikeru koto wo 40\n kinofu shi mo\n mikemu ga goto mo\n omohoyuru ka mo!\n\n Katsushika no 1\n Mama no wi mireba\n tachi narashi\n midzu kumashikeru\n tekona shi omohoyu. 5\n\n23 This reading differs from Motowori\u2019s, which is _yori-kagure_, _yuki_\n= _yuki-kaheri_, involving frequency of the action denoted by _kagahi_\n= _kake-ahi_, i.e. the meeting of both sexes.\n\n33, 34 are more intelligible if _ka_ is read after _tanashirite_.\n\n3 to stand treading on the ground, stand awhile there--or to stand as\nusual there or stand often there?\n\nFor _toriganaku_ see List m. k.\n\n\n125\n\nUnahi wotome ga haka wo mite [yomeru].\n\n Ashinoya no 1\n Unahi wotome no\n ya tose ko mo\n kata-ohi no toki yo\n wo-hanari ni 5\n kami taku made ni\n narabi woru\n ihe ni mo miyezu\n utsuyufuno\n komorite maseba 10\n miteshikado\n ifusemi toki no\n kakihonasu\n hito no tofu toki\n Chinu wotoko 15\n Unahi wotoko no\n fuseyataki\n susushiki kihohi\n ahi-yobahi\n shikeru toki ni 20\n yaki-tachi no\n takami oshineri\n shira mayumi\n yuki tori ohite\n midzu ni iri 25\n hi ni mo iramu to\n tachi-mukahi\n kihoheru toki ni\n wagimoko ga\n haha ni kataraku 30\n shidzu ta-maki\n iyashiki a ga yuwe\n masurawono\n arasofu mireba\n ikeritomo 35\n afubeku arame ya\n shishikushiro\n yomi ni matamu to\n komorinuno\n shitabahe okite 40\n uchi nageki\n imo ga yukereba\n Chinu wotoko\n sono yo ime ni mi\n tori tsudzuki 45\n ohi yukereba\n okuretaru\n Unahi wotoko-i\n ame afugi\n sakebi orabi 50\n tsuchi ni fushi\n kikamu takebite\n mokoro wo ni\n makete ha arazhi to\n kakihaki no 55\n wo-tachi tori-haki\n tokorotsura\n tadzune yukereba\n ya gara dochi\n i-yuki tsudohi 60\n nagaki yo ni\n shirushi ni semu to\n to hoki yo ni\n katari tsugamu to\n wotome haka 65\n naka ni tsukuri oki\n wotoko haka\n konata kanata ni\n tsukuri okeru\n yuweyoshi kikite 70\n shiranedomo\n nihi mo no goto mo\n ne nakitsuru ka mo!\n\n Haka no \u2019he no 1\n ko no ye nabikeri\n kikishi goto\n Chinu wotoko ni shi\n yori ni kerashi mo. 5\n\n2 _Unahi_ is in Musashi.\n\n5 _wo-hanari_, little (term of endearment) parted [locks].\n\n12 _ifusemi_, _ibusemi_, here = anxious, impatient.\n\n15 _Chinu_ is in Idzumi, mentioned both in K. and N.\n\n23 _mayumi_, Euonymus Hamiltoniana, Max.\n\n24 _yuki_, quiver (_yumi-oki_?).\n\n29 _wagimoko_ = _waga imoho_, here means _their_ mistress, i.e. _Unahi\nno wotome_.\n\n40 _shitabahe_ = undercreep--_okite_, secretly.\n\n47 _okuretaru_, being behind, the Unahi wotoko was jealous of his rival\nbeing the first to follow their mistress in death.\n\n48 _wotoko-i_. Dr. Aston thinks this _i_ may be the Korean particle.\n\n53 _mokoro wo ni_--_hito no gotoku ni_.\n\n56 _wo-tachi_, small sword, dagger.\n\n59 _ya gara dochi_ = _shinzoku_.\n\nFor _utsuyufuno_, _kakihonasu_, _fuseyataki_, _masurawono_,\n_shishikushiro_, _komorinuno_, _tokorotsura_ see List m. k.\n\n\nMAKI X, KAMI\n\nNatsu no kusagusa no uta.\n\n\n126\n\nTori wo yomeru.\n\n Masurawono 1\n idetachi mukafu\n Furuzato no\n Kaminabi yama ni\n akekureba 5\n tsumi no sayeda ni\n yufu sareba\n ko-matsu ga ure ni\n sato-bito no\n kaki-kofuru made 10\n yama-biko no\n aho-toyomu made\n hototogisu\n tsuma kohisurashi\n sayo naka ni naku! 15\n\nFor _masurawono_ see List m. k.\n\n\nMAKI X, NAKA\n\n\n127\n\n Ame tsuchi no 1\n hazhime no toki yo\n ama no kaha\n i-mukahi worite\n hito tose ni 5\n futa tabi ahanu\n tsuma-kohi ni\n mono omofu hito\n Ama no kaha\n Yasu no kahara no 10\n ari-gayofu\n toshi no watari ni\n ohobune no\n tomo ni mo he ni mo\n funa-yosohi 15\n ma kaji shizhi nuki\n hatasusuki\n [ura]ba mo soyo ni\n aki-kaze no\n fukitaru yohi ni 20\n Ama no kaha\n shiranami shinugi\n ochi-tagitsu\n hayase watarite\n wakakusano 25\n tsuma wo makamu to\n ohobuneno\n omohi tanomite\n kogi kuramu\n sono tsuma no ko ga 30\n aratamano\n toshi no wo nagaku\n omohi-koshi\n kohi tsukusuramu\n fumi tsuki no 35\n nanuka no yohi ha\n are mo kanashi mo!\n\n4 _i-mukahi_, _i_ is a prefix: see grammar.\n\n32 _toshi no wo_, thread (line, course) of years.\n\n35 _fumi_ = _[ho wo] fufumi_, full of [rice-]ears, an old name of the\nseventh month, ending about the middle of August.\n\nFor _wakakusano_, _ohobuneno_, _aratamano_ see List m. k.\n\n\n128\n\n Ame tsuchi to 1\n wakareshi toki yo\n hisakatano\n amatsu shirushi to\n sadameteshi 5\n ama no kahara ni\n aratamano\n tsuki wo kasanete\n imo ni afu\n toki samorafu to 10\n tachi-matsu ni\n aga koromo-de ni\n aki-kaze no\n fukishi kahereba\n tachite wiru 15\n tadoki wo shirani\n murakimono\n kokoro i[sa] yo[hi]\n tokikinuno\n omohi midarete 20\n itsushika to\n aga matsu ko-yohi\n kono kaha no\n yuku-se mo nagaku,\n ari[kose] nu ka mo! 25\n\n10 _s\u00f4r\u00f4_ (mod. Jap.).\n\n14 blow and blow.\n\n25 _ari koso ne[gafu] ka mo_.\n\nFor _hisakatano_, _aratamano_, _murakimono_, _tokikinuno_ see List m. k.\n\n\nMAKI XIII, KAMI\n\n\n129\n\n Fuyukomori 1\n haru sari-kureba\n ashita ni ha\n shira-tsuyu oki\n yufu ni ha 5\n kasumi tanabiku\n Hatsuse no ya\n konure ga shita ni\n uguisu naku mo.\n\n7 This is the Kogi reading. Other readings are _kaze no fuku_, _ame no\nfuru_.\n\n8 _konure_ = _ko_ (_ki_) _no ure_.\n\nFor _fuyukomori_ see List m. k.\n\n\n130\n\n Mimoro ha 1\n hito no moru yama\n moto he ha\n ashibi hana saki\n suwe he ha 5\n tsubaki hana saku\n uraguhashi yama so\n naku ko moru yama.\n\n2 _moru_ = _mamoru_, guard, watch (allusion originally, perhaps, to\nwatchmen in charge of mountain beacons).\n\n6, 7, 8 All heptasyllabic.\n\n8 what weeping children regard (with delight that soothes their grief).\n\n\n131\n\n Ama-girahi 1\n wataru hi kakushi\n nagatsuki no\n shigure no fureba\n kari ga ne mo 5\n tomoshiku ki-naku\n Kamunabi no\n kiyoki mi ta ya no\n kaki tsu ta no\n ike no tsutsumi no 10\n momotarazu\n i tsuki ga yeda ni\n midzu ye sasu\n aki no momiji-ba\n maki-motaru 15\n wo-suzu mo yura ni\n tawayame ni\n are ha aredomo\n hiki-yojite\n yeda mo towowo ni 20\n uchi-tawori\n a ha mochite yuku\n kimi ga kazashi ni.\n\n5 Or _karigane_.\n\n6 _tomoshiku_, deficient, hence rare, hence fine.\n\n9 m. k. of _i_.\n\n12 _i_ = 50.\n\n13 _midzu_, shining, fine.\n\n15, 16 are epithetical of _ta_ in _tawayame_.\n\n22, 23 Here we have inversion.\n\nFor _momotarazu_ see List m. k.\n\n\n132\n\n Amakumono 1\n kage sahe miyuru\n komorikuno\n Hatsuse no kaha ha\n ura nami ka 5\n fune no yori-konu\n iso nami ka\n ama no tsuri senu\n yoshiweyashi\n ura ha naku tomo 10\n yoshiweyashi\n iso ha nakutomo\n okitsu nami\n kihohi kogiri-ko\n ama no tsuribune! 15\n\n2 may mean reflecting the brightness of the clouds.\n\n5, 6 also 7, 8 may be read transposed.\n\n9 may be rendered \u2018howbeit\u2019.\n\n14 _kogi iri ko_--_ko_ is imperative of _kuru_.\n\nFor _amakumono_, _komorikuno_ see List m. k.\n\n\n133\n\n Ashiharano 1\n Midzuho no kuni no\n tamuke su to\n amorimashikemu\n iho-yorodzu 5\n chi-yorodzu kami no\n kami-yo yori\n ihi-tsuki-kitaru\n Kamunabi no\n Mimoro no yama ha 10\n haru sareba\n haru kasumi tachi\n aki yukeba\n kurenawi nihofu\n Kamunabi no 15\n Mimoro no kami no\n obi ni seru\n Asuka no kaha no\n mi wo hayami\n mushi-tame-gataki 20\n iha ga ne ni\n koke masu made ni\n arata yo no\n sakiku kayohamu\n koto hakari 25\n ime ni mise koso\n tsurugitachi\n ihahi-matsureru\n kami nishi maseba.\n\n1-7 are introductory to 8.\n\n14 _nihofu_ may be an intensitive of _nihi_, be fresh, &c.; its\nroot-meaning seems to be rather a state of vigour than of mere\nfragrance.\n\n19 _mi wo_ = watercourse.\n\n20 = _musubi-tame-gataki_, hard for anything to grow and endure upon;\napplied to _iha ga ne_.\n\n22 A common, almost proverbial phrase.\n\n23 = nights to come; read with _ime ni_, &c.\n\n25 = _shimichi_, _shikata_, \u2018do-way, do-method\u2019, settled or regular\norder or sequence of affairs, conduct, &c.\n\n\n134\n\n Nusa matsuri 1\n Nara yori idete\n midzutade\n Hodzumi ni itari\n tonamiharu 5\n Sakate wo sugi\n ihabashiru\n Kaminabi yama ni\n asa miya ni\n tsukahematsurite 10\n Yoshinu he to\n irimasu mireba\n inishihe omohoyu.\n\n Tsuki hi ha 1\n yukikaharedomo\n hisa ni furu\n Mimoro no yama no\n totsu-miya tokoro. 5\n\n1 Epithet of Nara. Another reading is _mitegura mote_--_Nara yori\nidzuru_.\n\nFor _midzutade_, _tonamiharu_, _ihabashiru_ see List m. k.\n\n\n135\n\n Wono torite 1\n Nifu no hi yama no\n ki-kori kite\n ikada ni tsukuri\n ma kaji nuki 5\n iso kogi tami-tsutsu\n shima-dzutahi\n miredomo akazu\n Yoshinu no\n tagi mo todoro ni 10\n otsuru shiranami.\n\n Mi Yoshinu no 1\n tagi mo todoro ni\n otsuru shiranami\n todome ni shi\n imo ni misemaku 5\n hoshiki shiranami.\n\n\n136\n\n Yasumishishi 1\n wago ohokimi\n takahikaru\n hi no miko no\n kikoshi-wosu 5\n miko tsu kuni\n kamu kaze no\n Ise no kuni ha\n yama mireba\n takaku tafutoshi 10\n kaha mireba\n sayakeku kiyoshi\n minatonasu\n umi wo hiroshi\n mi-watasu 15\n shima mo takashi\n [soko wo shi mo\n uraguhashimi ka]\n koko wo shi mo\n maguhashimi ka mo 20\n kakemaku mo\n aya ni kashikoki\n Yamabe no\n Ishi no hara ni\n uchihisasu 25\n ohomiya tsukahe\n asahi nasu\n maguhashi mo\n yufu-hi nasu\n uraguwashi mo 30\n haru yama no\n shinahi-sakayete\n aki yama no\n iro natsukashiki\n momoshikino 35\n ohomiya hito ha\n ame tsuchi to\n hi tsuki to tomo ni\n yorodzu yo ni mo ka!\n\n15 _mi-watasu_, an assumptive phrase to be read with _shima_.\n\n17, 18 introduced by the Kogi to replace a supposed lost passage.\n\n18 _ura-_ explained as = _kokoro_, inner, deeper.\n\n21, 22 refer to _ohomiya_ (26).\n\n25 _uchi_ = _utsukushiki_ (?).\n\n1-7 epithetical of _Ise no kuni_; 7-20 describe the beauty of the Land\nof Ise; 21-34 the delightfulness of the Palace and its situation; 35 to\nend, the usual hope for the endurance of the happy state described.\n\nFor _yasumishishi_, _takahikaru_, _minatonasu_, _uchihisasu_,\n_momoshikino_ see List m. k.\n\n\n137\n\n Soramitsu 1\n Yamato no kuni\n awoniyoshi\n Na[ra] yama koyete\n Yamashiro no 5\n Tsutsuki no hara\n chihayaburu\n Uji no watari\n Taginoya no\n Agone no hara wo 10\n chi tose ni\n kakuru koto naku\n yorodzu yo ni\n ari-kayohamu to\n Yamashina no 15\n Ihata no mori no\n sume kami ni\n nusa tori mukete\n are ha koye-yuku\n Afusakayama wo. 20\n\n5-14 to be read as parenthetical between _koyete_ and _Yamashina no_.\n\n12 _kakuru_, be defective, be a break in.\n\n\n138\n\n Awoniyoshi 1\n Nara yama sugite\n mononofuno\n Ujikaha watari\n wotomerani 5\n Afusaka yama ni\n tamuke-gusa\n nusa tori okite\n wagimokoni\n Afumi no umi no 10\n okitsu nami\n ki-yosu hamabe wo\n kure-kure to\n hitori so aga koshi\n imo ga me wo hori. 15\n\n15 = (_koshi_) _imo wo ahi-mimahoshiku_.\n\nFor _awoniyoshi_, _mononofuno_, _wotomerani_, _wagimokoni_ see List m.\nk.\n\n\n139\n\n Afumi no \u2019mi 1\n tomari a-so ari\n Yasoshimano\n shima no saki-zaki\n ari-tateru 5\n hana tachibana wo\n hotsuye ni\n mochi hiki-kake\n nakatsuye ni\n ikaruga kake 10\n shidzu ye ni\n shime wo kake\n shi ga haha wo\n toraku wo shirani\n shi ga chichi wo 15\n toraku wo shirani\n i-sobahi woru yo\n ikaruga to\n shime to.\n\n2 _a-so_ = _yaso_, eighty, i.e. indefinite number.\n\n17 May be an error for _asobahi_. There is, however, a word _sobafu_,\ntrifle, play.\n\nFor _yasoshimano_ see List m. k.\n\n\n140\n\n Ohokimi no 1\n mikoto kashikomi\n miredo akanu\n Nara yama koyete\n maki tsumu 5\n Idzumi no kaha no\n hayaki se ni\n sawo sashi-watari\n chihayaburu\n Uji no watari no 10\n tagi tsu se wo\n mi-tsutsu watarite\n Afumi-ji no\n Afusaka yama ni\n tamuke shite 15\n aga koye yukeba\n sasanamino\n Shiga no Karasaki\n sakiku araba\n mata kaheri-mimu 20\n michi no kuma\n yaso kuma goto ni\n nagekitsutsu\n aga sugi yukeba\n iya toho ni 25\n sato sakari-kinu\n iya taka ni\n yama mo koye-kinu\n tsurugitachi\n saya yu nuki-dete 30\n Ikako yama\n ikaga aga semu\n yuku he shirazute.\n\n Ame tsuchi wo 1\n nageki kohi nomi\n sakiku araba\n mata kaherimimu\n Shiga no Karasaki. 5\n\n18, 19 Note the jingle _Karasaki sakiku_.\n\n29, 30 Epithetical of Ikako--by a word-jingle connected with _i-kaku_\n(_kaku_, to attack).\n\n1 i.e. _ame tsuchi no kami_.\n\n2 _nageki kohi_, sigh and implore.\n\nFor _chihayaburu_, _sasanamino_ see List m. k.\n\n\n141\n\n Momodzutafu 1\n Minu no kuni no\n Takakita no\n Kukuri no miya ni\n tsuki ni hi ni 5\n yukamashi sato wo\n ari to kikite\n waga kayohi-ji no\n Okiso yama\n Minu no yama 10\n nabike to\n hito ha fumedomo\n kaku yore to\n hito ha tsukedomo\n kokoro naki 15\n yama no\n Okiso yama\n Minu no yama.\n\n1-7 introductory.\n\n6 _yukamashi_, desirable to visit, not in itself but because a fair\nmaid dwells there.\n\n8-14 declare difficulty of traffic with his love; 15 to end, complain\nof the hills that bar his way to her; 11, 12 and 13, 14 reverse the\norder of these couplets, _hito ha fumedomo nabike to (itte) \u2026_ and\nthey are more intelligible.\n\nFor _momodzutafu_ see List m. k.\n\n\n142\n\n Wotomera ga 1\n woke ni taretaru\n umiwonasu\n Nagato no ura ni\n asa nagi ni 5\n michi kuru shiho no\n yufu nagi ni\n yose kuru nami no\n sono shiho no\n iya masumasu ni 10\n sono nami no\n iya shikushiku ni\n wagimoko ni\n kohitsutsu kureta\n Ago no umi no 15\n ariso no uhe ni\n hamana tsumu\n ama wotome domo\n unagaseru\n hire mo teru-gani 20\n te ni makeru\n tama mo yurara ni\n shirotahe no\n sode furu miye tsu\n ahi \u2019mofurashi mo! 25\n\n1-3 form a sort of m. k. to _naga_ (Nagato); _naga_ means long, and\nthe m. k. implies \u2018long as the thread of the ball of yarn in a girl\u2019s\nbasket\u2019.\n\n20 _gani_ = _sama_, _y\u00f4_.\n\nFor _umiwonasu_ see List m. k.\n\n\n143\n\n Ama hashi no 1\n nagaku mo ga mo\n takayama mo\n takaku mo ga mo\n Tsukuyomi no 5\n motaru wochi-midzu\n i-tori-kite\n kimi ni matsurite\n wochi yeshimu mono\n\n6 _wochi_ seems to mean renovating. There is a word-play on this\n_wochi_ and the homophon in the preceding line. It is explained in (I.)\nas _hazhime ni modoru, moto ni kaheru_.\n\n\n144\n\n Nunakaha no 1\n soko naru tama\n motomete\n yeshi tama ka mo\n hirihite 5\n yeshi tama ka mo\n atarashiki\n kimi ga\n oyuraku woshi mo!\n\n7 _atarashiki_, here not \u2018new\u2019 but = _oshimubeshi_, what is prized,\nloved, regretted. See N. 362, where Dr. Aston so translates _atarashiki\nWinabe no takumi_, the much-to-be-regretted carpenter. But the epithet\nhere may refer to _wi_ (well), part of the name Winabe, and probably\nmeans fresh. _Takumi_, however, is more than \u2018carpenter\u2019, rather\n\u2018builder\u2019 or \u2018architect\u2019.\n\n9 _oyuraku_ = _oyu koto_, fact of being or growing old.\n\n\n145\n\n Shikishima no 1\n Yamato no kuni ni\n hito saha ni\n michite aredomo\n fujinami no 5\n omohi matsuharu\n wakakusano\n omohi tsuki ni shi\n kimi ga me ni\n kohi ya akasamu 10\n nagaki kono yo wo!\n\n9 _me_ almost = person.\n\n10 Read _akasamu_ with _yo wo_.\n\nThe m. k. _wakakusano_ (7) applies to _kimi_ (9).\n\n\n146\n\n Akitsushima 1\n Yamato no kuni ha\n kami kara to\n kotoage senu kuni\n shikaredomo 5\n a ha kotoage su\n ame tsuchi no\n kami mo hanahada\n waga omofu\n kokoro shirazu ya 10\n [yuku kage no]\n tsuki mo he-yukeba\n tamakagiru\n hi mo kasanarite\n omohe ka mo 15\n mune yasukaranu\n kofure ka mo\n kokoro no itaki\n suwe tsuhi ni\n kimi ni ahazuba 20\n waga inochi no\n ikeramu kihami\n kohitsutsu mo\n are ha wataramu\n masokagami 25\n tada-me kimi wo\n ahi miteba koso\n aga kohi yamame.\n\n Ohobuneno 1\n omohi-tanomeru\n kimi yuwe ni\n tsukusu kokoro ha\n woshikeku mo nashi! 5\n\n5 i.e. _kami no kuni_.\n\n4 _kotoage_, declare, announce--perhaps with neg. sense of\n\u2018indescribable\u2019.\n\n8 Read _waga hanahada omofu_.\n\n15, 17 _ka mo_ almost = _mo gana_.\n\n24 _wataramu_, pass one\u2019s days.\n\n28 _yamame_ (_yamamu_--_yamu_), cease, stop.\n\n5 _nashi_, written with the character, read homophonally _nashi_\n(pear), is here the negative copula.\n\nFor _akitsushima_, _tamakagiru_, _ohobuneno_ see List m. k.\n\n\n147\n\n Ashiharano 1\n Midzuho no kuni ha\n kamu nagara\n kotoage senu kuni\n shikaredomo 5\n kotoage so aga suru\n koto sakiku\n ma sakiku mase to\n tsutsumi naku\n sakiku imasaba 10\n ariso nami\n arite mo mimu to\n i-ho-he nami\n chihe nami shiki ni\n kotoage so aga suru! 15\n\n4, 6 _koto_ (_koto-age_) is here words, language, in 7, thing, affair.\n_Koto-age_ is explained (I) as _toku ni toritate ifu_, make special\ndeclaration.\n\n11 _ariso nami_ is a word-play connected with _ari_(_te_).\n\n\n148\n\n Inishihe no 1\n ihitsugi kuraku\n kohi sureba\n yasukaranu mono to\n tamanowono 5\n tsugite ha ihedo\n wotomera ga\n kokoro wo shirani\n soko shiramu\n yoshi mo nakereba 10\n natsusobiku\n \u2026\n \u2026\n omohi-nadzumi\n karikomono\n kokoro mo shinu ni\n hito shirezu 15\n motona so kofuru\n iki no wo ni shite!\n\n2 _kuraku_ = _karu_.\n\n11 _natsusobiku_ (a m. k.) is perhaps a word-jingle with _nadzu[mi]_;\nsome lines are lost here.\n\n13 _komo_ is Zizania aquatica.\n\n16, 17 Syntactically the order of these two lines may be reversed.\n\nFor _tamanowono_, _natsusobiku_, _karikomono_ see List m. k.\n\n\n149\n\n Aratamano 1\n toshi ha ki-sarite\n tamadzusano\n tsukahi no koneba\n kasumitatsu 5\n nagaki haru hi wo\n ame tsuchi ni\n omohi-tarahashi\n tarachineno\n haha no kafu ko no 10\n mayo komori\n iki-dzuki watari\n waga kofuru\n kokoro no uchi wo\n hito ni ihamu 15\n mono ni shi araneba\n matsu ga ne no\n matsu koto tohomi\n amadzutafu\n hi no kurenureba 20\n shirotaheno\n waga koromode mo\n tohorite nurenu.\n\n Kaku nomi shi 1\n ahi \u2019mohazaba\n amakumono\n yoso ni so kimi ha\n arubeku arikeru. 5\n\n17, 18 Note the word-play on the two _matsu_. _Ne_ is here rather trunk\nthan root.\n\nFor _aratamano_, _tamadzusano_, _kasumitatsu_, _tarachineno_,\n_amadzutafu_, _shirotaheno_, _amakumono_ see List m. k.\n\n\n150\n\n Wohari-ta no 1\n Ayuchi no midzu wo\n ma-naku so\n hito ha kumu chifu\n tokizhiku so 5\n hito ha nomu chifu\n kumu hito no\n ma-naki ga goto\n nomu hito no\n tokizhiku ga goto 10\n wagimoko ni\n aga kofuraku ha\n yamu toki mo nashi.\n\n\n151\n\n Komorikuno 1\n Hatsuse no kaha no\n kami-tsu-se ni\n i-kuhi wo uchi\n shimo-tsu-se ni 5\n ma-kuhi wo uchi\n i-kuhi ni ha\n kagami wo kake\n ma-kuhi ni ha\n ma-tama wo kake 10\n ma-tama nasu\n aga \u2019mofu imo mo\n kagaminasu\n aga \u2019mofu imo mo\n ari to 15\n ihaba koso\n kuni ni mo\n ihe ni mo yukame\n taga yuwe ka yukamu.\n\n Yo no naka wo 1\n ushi to omohite\n ihe-de seru\n wara ya nani ni ka\n kaherite naramu. 5\n\n Toshi wataru 1\n made ni mo hito ha\n ari chifu wo\n itsu no ahida so mo\n are kohi ni keru. 5\n\n1-11 is an introduction verbal not real to 12.\n\n16 Note construction _ihaba koso yukame_, read _koso_ with _yukame_.\n\nThe first envoy seems distinctly of a Buddhistic cast.\n\nFor _komorikuno_, _kagaminasu_ see List m. k.\n\n\n152\n\n Haru sareba 1\n hana saki wowori\n aki-dzukoba\n ni no ho ni momitsu\n uma-sake wo 5\n kamunabi yama no\n obi ni seru\n Asuka no kaha no\n hayaki se ni\n ofuru tama-mo no 10\n uchi-nabiki\n kokoro ha yorite\n asa tsuyu no\n kenaba kenubeku\n kofuraku mo 15\n shiruku mo aheru\n komori-dzuma ka mo.\n\n1-10 introductory to 11.\n\n11 the heart inclining towards, leaning on, trusting to. The syntax is\nhere imperfect, as is often the case in the Anthology.\n\n\n153\n\n Mimoro no 1\n Kamunabi yama yu\n tonogumori\n ame ha furi-kinu\n ame-girahi 5\n kaze sahe fukinu\n ohokuchino\n Makami no hara yu\n shinubi-tsutsu\n kaheri nishi hito 10\n ihe ni itariki ya.\n\n Kaheri nishi 1\n hito wo omofu to\n nubatamano\n sono yo ha are mo\n i mo ne kanete ki. 5\n\n3 _tonogumori_ = _tanagumori_.\n\n1 The _nishi_ may be taken = (_i_)_nishi_.\n\n5 = _nezariki_.\n\nFor _tonogumori_, _ohokuchino_, _nubatamano_ see List m. k.\n\n\n154\n\n Sashi-yakamu 1\n wo-ya no shiki-ya ni\n kaki-utemu\n yare komo wo shikite\n uchi-woramu 5\n shiko no shiki-te wo\n sashi-kahete\n nuramu kimi yuwe\n akanesasu\n hiru ha shimirani 10\n nubatamano\n yoru ha sugara ni\n kono toko no\n hishi to naru made\n nageki-tsuru ka mo. 15\n\n2, 6 _shiki_, _shiko_, common, mean.\n\n3 _utemu_, _utsuru_, _sutsuru_ = throw away, cast off.\n\n4 _yare_ = _yabure_.\n\n5 read with _shiko_.\n\nFor _akanesasu_, _nubatamano_ see List m. k.\n\n\n155\n\n Uchihahete 1\n omohishi wo-nu ha\n tohokaranu\n sono sato-hito no\n shime yufu to 5\n kikiteshi hi yori\n tatamaku no\n tadzuki mo shirazu\n woramaku no\n okuka mo shirazu 10\n nikibi nishi\n waga ihe sura wo\n kusamakura\n tabi-ne no gotoku\n omofu sora 15\n yasukaranu mono wo\n nageku sora\n sugushi yenu mono wo\n amakumono\n yukura yukura ni 20\n ashikakino\n omohi-midarete\n midare wo no\n woke wo nomi to\n aga kofuru 25\n chihe no hitohe mo\n hito shirezu\n motona ya kohimu\n iki no wo ni shite.\n\n1, 2 _uchi-hahete omohishi_, sending forth one\u2019s thoughts [of love].\n\n7-10 are parenthetical.\n\n12 Connected with _omofu_ (15).\n\n13, 14 qualifying _omofu_.\n\n27 _hito_ seems to point to the girl symbolized in (2) as _wo-nu_.\nThere is some syntactic obscurity in the text.\n\nFor _kusamakura_, _amakumono_, _ashikakino_ see List m. k.\n\n\n156\n\n [Semu sube no 1\n tadoki wo shirani\n iha ga ne no\n kogoshiki michi no\n iha-toko no 5\n ne haheru kado ni\n ashita ni ha\n ide-wite nageki\n yufu-he ni ha\n iri-wi kohitsutsu] 10\n shirotaheno\n waga koromo-de wo\n wori-kaheshi\n hitori shi nureba\n [nubatamano 15\n kuro kami shikite\n hito no nuru\n uma i ha nezute\n ohobuneno\n yukura yukurani 20\n omohitsutsu\n waga nuru yora wo\n yomi wo ahemu ka mo].\n\nThe bracketed portions are contained in other lays.\n\nFor _shirotaheno_, _nubatamano_, _ohobuneno_ see List m. k.\n\n\n157\n\n Ashihikino 1\n Yamada no michi wo\n shikitaheno\n utsukushi tsuma to\n mono ihazu 5\n wakareshi kureba\n hayakahano\n yukuhe mo shirazu\n koromodeno\n kaheru mo shirani 10\n uma-zhi mono\n tachite tsumadzuki!\n\nFor _ashihikino_, _shikitaheno_, _hayakahano_, _koromodeno_ see List m.\nk.\n\n\n158\n\n Semu sube no 1\n tadzuki wo shirani\n mononofuno\n yaso no kokoro wo\n ame tsuchi ni 5\n omohi tarahashi\n tama ahaba\n kimi kimasu ya to\n waga nageku\n ya saka no nageki 10\n tamahokono\n michi kuru hito no\n tachi-domari\n ika ni to tohaba\n ihi-yaramu 15\n tadzuki wo shirani\n sanidzurafu\n kimi ga na ihaba\n iro ni dete\n hito shirinu-bemi 20\n ashihikino\n yama yori idzuru\n tsuki matsu to\n hito ni ha ihite\n kimi matsu ware wo. 25\n\n I-wo-mo nezu 1\n aga \u2019mofu kimi ha\n idzuku he ni\n ko yohi imase ka\n matedo kimasanu. 5\n\nFor _mononofuno_, _tamahokono_, _sanidzurafu_, _ashihikino_ see List m.\nk.\n\n\n159\n\n Akakoma no 1\n umaya tate\n kurokoma no\n umaya tatete\n so wo kahi 5\n aga yuku gotoku\n omohi tsuma\n kokoroni norite\n Takayama no\n mine no tawori ni 10\n i-me tatete\n shishi matsu gotoku\n tokoshiku ni\n aga matsu kimi wo\n inu na hoye so ne! 15\n\n5 _so_ = _sore_, _kahi_, feed.\n\n10 _tawori_ seems to mean here a recess or hollow place.\n\n\n160\n\n Waga seko ha 1\n matedo kimasazu\n ama no hara\n furisake mireba\n nubatamano 5\n yo mo fuke ni keri\n sayo fukete\n arashi no fukeba\n tachi-matsu ni\n waga koromo-de ni 10\n furu yuki ha\n kohori watarinu\n ima sara ni\n kimi ki-masame ya\n sanakadzura 15\n nochi mo ahamu to\n nagusamuru\n kokoro wo mochite\n mi sode mochi\n toko uchi-harahi 20\n utsutsu ni ha\n kimi ni ha ahazhi\n ime ni dani\n afu to miye koso\n ama no tariyo ni. 25\n\n12 _watarinu_, pass from one place or state to another--here almost\nauxiliary.\n\n25 night as complete as the sky, i.e. the whole night.\n\nFor _nubatamano_, _sanakadzura_ see List m. k.\n\n\n161\n\n Waga seko ha 1\n matedo kimasazu\n karigane mo\n toyomite samushi\n nubatamano 5\n yo mo fuke ni keri\n sayo fuku to\n arashi no fukeba\n tachi-matsu ni\n waga koromo-de ni 10\n oku shimo mo\n hi ni saye watari\n furu yuki mo\n kohori watarinu\n ima sara ni 15\n kimi kimasame ya\n sanakadzura\n nochi mo ahamu to\n ohobuneno\n omohi-tanomedo 20\n utsutsu ni ha\n kimi ni ha ahazhi\n ime ni dani\n afu to miye koso\n ama no tari yo ni. 25\n\n8 _arashi_, storm.\n\n12 _hi_, ice.\n\n13 _yuki_, snow.\n\nFor _nubatamano_, _sanakadzura_, _ohobuneno_ see List m. k.\n\n\n162\n\n Suganoneno 1\n nemokorogoro ni\n aga \u2019moheru\n imo ni yoriteba\n koto no imi mo 5\n naku ari koso to\n ihahi-he wo\n ihahi hori-suwe\n taka-dama wo\n ma naku nuki-tari 10\n ame tsuchi no\n kami wo so aga nomu\n ita mo sube nami.\n\n Tarachineno 1\n haha ni mo norazu\n tsutsumerishi\n kokoro ha yoshiwe\n kimi ga manimani. 5\n\n5 _koto no imi_, prohibition of speech.\n\nFor _suganoneno_, _tarachineno_ see List m. k.\n\n\n163\n\n Tamatasuki 1\n kakenu toki naku\n aga \u2019moheru\n kimi ni yoriteba\n shidzu nusa we 5\n te ni tori-mochite\n takadama wo\n shizhi ni nuki-tari\n ame tsuchi no\n kami wo so aga kofu 10\n ita mo sube nami.\n\nFor _tamatasuki_ see List m. k.\n\n\n164\n\n Ohobuneno 1\n omohi-tanomite\n matsu kane no\n iya toho-nagaku\n aga \u2019moheru 5\n kimi ni yoriteba\n koto no yuwe mo\n naku ari koso to\n yufu tasuki\n kata ni tori-kake 10\n ihahi-he wo\n ihahi hori-suwe\n ame tsuchi no\n kami ni so aga nomu\n ita mo sube nami. 15\n\nFor _ohobuneno_ see List m. k.\n\n\nMAKI XIII, SHIMO\n\n\n165\n\n Mihakashi wo 1\n Tsurugi no ike no\n hachisu ha ni\n tamareru midzu no\n yukuhe naku 5\n aga seshi toki ni\n afuteshi to\n uraheru kimi wo\n na ine so to\n haha kikosedomo 10\n waga kokoro\n Kiyosumi no ike no\n ike no soko\n are ha wasurezhi\n tada ni afu made. 15\n\n Inishihe no 1\n kami no toki yori\n ahikerashi\n ima kokoro ni mo\n tsune wasurayezu! 5\n\n1-4 are introductory to _yukuhe naku_--there are several\ninterpretations of the whole passage.\n\n1 _wo_ must be taken as equivalent to _no_.\n\n6 _seshi toki_, made, that is, appointed time.\n\n8 _uraheru_--the meaning of this word is obscure. It is written (in\nscript) as _ahi aru_ or _aheru_, nearly equal to _aru_; _uraheru_ is\nMotowori\u2019s reading.\n\n10 _kikosedomo_ = _notamahedomo_.\n\n14 _are_ = _ware_.\n\n\n166\n\n Mi Yoshinu no 1\n maki-tatsu yama ni\n shizhi ni ofuru\n yama suga no ne no\n nemokoro ni 5\n waga \u2019mofu kimi ha\n ohokimi no\n make no manimani\n hinazakaru\n kimi wosame ni to 10\n muratorino\n asa tachi-yukeba\n okuretaru\n are ka kohinamu\n tabi nareba 15\n kimi ka shinubamu\n ihamu sube\n semu sube shirani\n ashihikino\n yama no konure ni 20\n hafutsutano\n wakare no amata\n woshiku mo aru ka mo.\n\nFor _suganoneno_, _muratorino_, _ashihikino_, _hafutsutano_ see List m.\nk.\n\n\n167\n\n Mi Yoshinu no 1\n Mikane no take ni\n ma naku so\n ame ha furu chifu\n tokizhiku so 5\n yuki ha furu chifu\n sono ame no\n ma naki ga goto\n sono yuki no\n tokizhiku ga goto 10\n ma mo ochizu\n are ha so kofuru\n imo ga tadaka ni.\n\n\n168\n\n Uchihisatsu 1\n Miyake no hara ni\n hita tsuchi ni\n ashi fumi tsurane\n natsukusa wo 5\n koshi ni nadzumi\n ikanaru ya\n hito no ko yuwe so\n kayohasu mo ago\n ubena ubena 10\n haha ha shirazu\n ubena ubena\n chichi ha shirazu\n minanowata\n kaguroki kami ni 15\n ma yufu mochi\n azane yuhitari\n Yamato no\n tsuge no wo-gushi\n osahe sasu 20\n shikitahe no ko ha\n sore so aga tsuma!\n\n9 _ago_, my prince.\n\n17 Various explanations are given of this word--Keichiu gives _asasa_,\nlike (_asasa_ is a sp. of Limnanthemum); Okabe reads _kazashi_,\nadorn; Motowori suggests the meaning adopted by the Kogi, and in my\ntranslation, i.e. _asane no kami_ = _nekutare-gami_. _Azane_, however,\nmay be perhaps better connected with _azanafu_, to bind up.\n\nFor _uchihisatsu_, _minanowata_ see List m. k.\n\n\n169\n\n Tamatasuki 1\n kakenu toki naku\n aga \u2019moheru\n imo ni shi ahaneba\n akanesasu 5\n hiru shimirani\n nubatamano\n yoru ha sugara ni\n i mo nezu ni\n imo ni kofuru ni 10\n ikeru subenashi.\n\n9, 10 _imo_, _i mo_.\n\nFor _tamatasuki_, _akanesasu_, _nubatamano_ see List m. k.\n\n\n170\n\n Mi-watashi ni 1\n imora ha tatashi\n kono kata ni\n are ha tachite\n omufu sora 5\n yasukaranaku ni\n nageku sora\n yasukaranaku ni\n saninuri no\n wo-bune mo ga mo 10\n tama-maki no\n wo-kaji mo ga mo\n kogi-wataritsutsu mo\n katarahamashi wo.\n\nIn one edition the lay begins with the fourth verse; in another the\nopening is--_Komoriku no_ | _Hatsuse no kaha no_ | _wochi kata ni_ |\n_imora ha tatashi_--representing the girl (_imora_) as standing on the\nfurther (distant) bank (_wochi-kata_) of the rapid stream of Hatsus\u00e8.\n\n\n171\n\n Oshiteru 1\n Naniha no saki ni\n hiki-noboru\n ake no sohobune\n sohobune ni 5\n tsuna torikake\n hikodzurahi\n ari nami suredo\n ari nami yezu\n ihare nishi agami. 10\n\nThe text is obscure.\n\n4 _ake_, red. _soho bune_ is red ship.\n\n8 _ari nami_ = _ari nabiki_. There is a play upon this _ari nami_ and\nthe same expression in 9.\n\n7 Lengthened form of _hikotsuru_, go on hauling. So _ihidzurahi_ =\n_ihitsuru_ (K. 343).\n\n9 _ari nami_ is explained (Motowori) as = _inamu_, refuse, object;\n_ihare nishi agami_ = such is what I bid you.\n\n\n172\n\n Kamukazeno 1\n Ise no umi no\n asa nagi ni\n ki-yoru fukamiru\n yufu nagi ni 5\n ki-yoru matamiru\n fukamiruno\n fukameshi are wo\n matamiruno\n mata yuki-kaheri 10\n tsuma to\n ihazhi to ka mo\n omohoseru kimi.\n\n10 _yuki-kaheri_, the coming and passing (of months and days, i.e. of\ntime).\n\n11, 13 _tsuma_ and _kimi_ are not the same person.\n\nFor _kamukazeno_, _fukamiruno_, _matamiruno_ see List, m. k.\n\n\n173\n\n Ki no kuni no 1\n Muro no ye no be ni\n chi tose ni\n tsutsumu koto naku\n yorodzu yo ni 5\n kaku shi mo aramu to\n ohobuneno\n omohi-tanomite\n ide-tachi no\n kiyoki nagisa ni 10\n asa nagi ni\n ki-yoru fukamiru\n yufu nagi ni\n ki-yoru naha-nori\n fukamiruno 15\n fukameshi kora\n nahanorino\n hikaba tayu to ya\n sado-hito no\n yuki no tsudohi ni 20\n nakukonasu\n yuki tori-saguri\n adzusayumi\n yuhara furi-okoshi\n shishiki ya wo 25\n futatsu tabasami\n hanachikemu\n hito shi kuyashi mo\n kofuraku \u2019moheba!\n\n1-6 express the situation of the lover; 12-18 describe the sea-weeds on\nthe names of which the thought of the lay is made to turn.\n\n17 is m. k. of _hikaba_, which refers to the breaking of the connexion.\n\n20 _yuki_ is connected with _tsudohi_, assemble = _yukite tsudohite_.\n\n21 is m. k. of 22.\n\n21-26 is a prefatial m. k. of _hanachikemu_.\n\n22 _yuki_ I take to be quiver, but having as homophon (_yuki_, go,\nprefix to _tori saguri_, search, look for) the epithet _nakuko\nnasu_--the idea being that of a child crying because it cannot find\nsome treasure it has lost.\n\n23 is m. k. of _yu[hara]_ = _yumi no suwe_.\n\n25 _shishiki ya_ is taken as = _shishi-ya_, game-arrow, hunter\u2019s arrow.\n\n26 _futatsu_ refers to _shishi ya_. _tabasami_ is to take in the hand.\n\n27 _hanachikemu_, to let fly.\n\n28 _hito_ is error for _ware_.\n\n23-26 seem to be a preface to _hanachikemu_.\n\nFor _ohobuneno_, _fukamiruno_, _nahanorino_, _nakukonasu_, _adzusayumi_\nsee List m. k. Of course the above explanations are more or less\nconjectural. The lay is a poor affair enough, but the text is\ninteresting on account of its complications.\n\n\n174\n\n Sado-hito no 1\n are ni tsuguraku\n na ga kofuru\n utsukushi tsuma ha\n momichibano 5\n chiri-midaretaru\n Kamunabi no\n sono yama-he kara\n nubatamano\n kuro-ma ni norite 10\n kaha no se wo\n nana se watarite\n uraburete\n tsuma ha kaheri to\n hito so tsugetsuru. 15\n\n13 Despondently.\n\n14 _kaheri_, i.e. to City-Royal.\n\nFor _momichibano_, _nubatamano_ see List m. k.\n\n\n175\n\nTohikotahe no uta.\n\n Mono \u2019mohazu 1\n michi yukinamu mo\n haru-yama wo\n furi-sake mireba\n tsutsuzhihana 5\n nihohi wotome\n sakura-bana\n sakaye wotome\n na wo so mo\n a ni yosu chifu 10\n a wo so mo\n na ni yosu chifu\n ara-yama mo\n hito shi yosureba\n yosoru to so ifu 15\n na ga kokoro yume!\n\n9 _na_, thou, thee, so in 12.\n\n13, 14, 15 are proverbial \u2018_hito ha yama wo yosureba yosoru zo_\u2019 _to\nifu_--\u2018Faith will move mountains.\u2019\n\nFor _tsutsuzhihana_ see List m. k.\n\n\n176\n\nTatohe uta.\n\n Shikare koso 1\n toshi no ya tose wo\n kiru kami no\n aga kata wo sugi\n tachibana no 5\n hotsuye wo sugite\n kono kaha no\n shita ni mo nagaku\n na ga kokoro mate.\n\nThis lay is defective, or perhaps is an answer to 175.\n\n7, 8 i. e, _kokoro no ura mo_, be thy inmost heart patient to wait even\nas long as this stream shall continue to flow?\n\n\n177\n\n Mono \u2019mohazu 1\n michi yukinamu mo\n haru yama wo\n furi-sake mireba\n tsutsuzhihana 5\n nihoye wotome\n sakura-bana\n sakaye wotome\n na wo so mo\n a ni yosu chifu 10\n a wo so mo\n na ni yosu chifu\n na ha ika ni \u2019mofu ya--\n omohe koso\n toshi no ya tose wo 15\n kiru kami no\n aga kata wo sugi\n \u2026\n tachibana no\n hotsuye wo suguri\n kono kaha no 20\n shita ni mo nagaku\n na ga kokoro made.\n\nThis lay is a combination of 175 and 176.\n\n\n178\n\n Komorikuno 1\n Hatsuse no kuni ni\n sa-yobahi ni\n aga kureba\n tana-kumori 5\n yuki ha furikinu\n sa-kumori\n ame ha furikinu\n nu tsu tori\n kigishi ha toyomu 10\n ihe-tsu-tori\n kake mo naku\n sayo ha ake\n kono yo ha akenu\n irite aga nemu 15\n kono to hirakase.\n\n9-12 verbally almost identical with part of the second lay in K. (p.\n76).\n\n10 _kigishi_ = _kizhi_, green pheasant.\n\n\n179\n\n Komorikuno 1\n Hatsuse wo-kuni ni\n yobahi sesu\n aga se no kimi yo\n oku toko ni 5\n haha ha netari\n to toko ni\n chichi ha netari\n oki-tataba\n haha shirinubeshi 10\n ide-yukaba\n chichi shirinubeshi\n nubatamano\n yo ha ake-yukinu\n kokodaku mo 15\n omohanu gotoku\n shinubu tsuma ka mo!\n\n2 _wo_ is diminutive of endearment, &c.\n\n15 Read _kokodaku mo_ with _shinubu_.\n\n17 _tsuma_ = _otto_.\n\nFor _komorikuno_, _nubatamano_ see List m. k.\n\n\n180\n\n Tsuginefu 1\n Yamashiro-ji wo\n hito tsuma no\n uma-yori yuku ni\n ono tsuma no 5\n kachi-yori yukeba\n miru goto ni\n ne nomi shi nakazu\n soko \u2019mofu ni\n kokoro shi itashi 10\n tarachineno\n haha ga katami to\n aga motaru\n maso mi kagami ni\n akitsu hire 15\n ohi name mochite\n uma kahe waga se!\n\n1 _tsuginefu_, a m. k. of _yama_; _tsugi-ne-fu_, peak on peak or range\nupon range, or _tsugi-ki-no-ne-fu_, abundance of trees (as m. k. of\n_shiro_). There is little doubt the former meaning is nearest the\ntruth. But see K. App. LVII.\n\n16 _ohi name_, carry and put with, take away together.\n\nFor _tsuginefu_, _tarachineno_ see List m. k.\n\n\n181\n\n Ki no kuni no 1\n hama ni yoru chifu\n ahabi tama\n hirihamu to ihite\n Imo no yama 5\n Se no yama koyete\n yukishi kimi\n itsu kimasamu to\n tamahokono\n michi ni ide-tachi 10\n yufu ura wo\n aga tohishikaba\n yufu ura no\n are ni noraku\n wagimoko ya 15\n na ga matsu kimi ha\n okitsu nami\n ki-yosu shira-tama\n hetsu nami no\n yosuru shira-tama 20\n motomu to so\n kimi ga kimasanu\n hirifu to so\n kimi ha kimasanu\n hisa naraba 25\n ima nanuka bakari\n hayakaraba\n ima futsuka bakari\n aramu to so\n kimi ha kikoshishi 30\n na kohi so wagimo!\n\n5, 6 Note the word-play _Imo_ and _Se_ (_imose_)--see the translation.\n\n31 _wagimo_ here means \u2018my lady\u2019.\n\nFor _tamahokono_ see List m. k.\n\n\n182\n\n Shinatatsu 1\n Tsukuma Sanukata\n Okinaga no\n Wochi no ko suge\n amanaku ni 5\n i-kari mochi-ki\n shikanaku ni\n i-kari mochi-kite\n okite\n are wo shinubasu 10\n Okinaga no\n Wochi no ko-suge!\n\n1 _shinatatsu_ is not to be confounded with the m. k. _shinateru_.\n\n5 _amanaku_ = _amanu_ (neg. of _amu_, weave, plait).\n\n7 _shikanaku_ = _shikanu_ (neg. of _shiku_, spread).\n\n\n183\n\n Kakemaku mo 1\n aya ni kashikoshi\n Fujihara no\n Miyako shimimi ni\n hito ha shi mo 5\n michite aredomo\n kimi ha shi mo\n ohoku imasedo\n yuki kaharu\n toshi no wo nagaku 10\n tsukahe-koshi\n kimi no mikado wo\n ame no goto\n afugite mitsutsu\n kashikokedo 15\n omohi tanomite\n itsushika mo\n [waga ohokimi no\n ame no shita]\n shiroshi-imashite 20\n mochitsukino\n tatahashikemu to\n waga \u2019moheru\n miko no mikoto ha\n haru sareba 25\n Uwetsuki ga uhe no\n tohotsuhito\n matsu no shita ji yu\n noborashite\n kuni mi asobashi 30\n nagatsuki no\n shigure no aki ha\n ohotono no\n migiri shimimi ni\n tsuyu ohite 35\n nabikeru hagi wo\n tamatasuki\n kakete shinubashi\n mi yuki furu\n fuyu no ashita ha 40\n sashiyanagi\n ne-bari adzusa wo\n ohomi te ni\n torashi tamahite\n asobashishi 45\n waga ohokimi wo\n keburi tatsu\n haru no hi kurashi\n masokagami\n miredo akaneba 50\n yorodzu yo ni\n kaku shi mo ga mo to\n ohobuneno\n tanomeru toki ni\n aga namida 55\n me ka mo madohasu\n ohotono wo\n furi-sake mireba\n shirotaheni\n kazari-matsurite 60\n uchihisasu\n miya no toneri ha\n tahe no ho no\n asa kinu keru ha\n ime ka mo 65\n utsutsu ka mo to\n kumoriyono\n madoheru hodo ni\n asamoyoshi\n Kinohe michi yu 70\n tsunusahafu\n Ihare wo mitsutsu\n kamu hafuri\n hafurimatsureba\n yuku michi no 75\n tadzuki wo shirani\n omohedomo\n shirushi wo nami\n nagekedomo\n okuka wo nami 80\n mi sode mochi\n furiteshi matsu wo\n koto tohanu\n ki ni ha aredomo\n aratamano 85\n tatsu tsuki goto ni\n ama no hara\n furi-sake mitsutsu\n tamatasuki\n kakete shinubana 90\n kashikokeredomo.\n\n Tsunusahafu 1\n Ihare no yama ni\n shirotaheni\n kakareru kumo ha\n ohokimi ro ka mo! 5\n\n4 _shimimi_ = _shimi shimi_, abounding, flourishing.\n\n11 _koshi_ is quasi auxiliary (_kuru_).\n\n28 _matsu_ by homophonal word-play means here, pine-tree.\n\n38 i.e. _kokoro ni kakete mede-utsukushimi_, &c.\n\n41 A m. k. = planted willow--applies to next line.\n\n47 _keburi_ is here, mist.\n\n50 _akaneba_--_aku_, grow tired of.\n\n55 In the text the character _gen_ meaning _kotoba_ (speech) is\ncuriously used for _aga_, mine.\n\n57 lit. a two-storied palace or pavilion. Here the shrine is meant,\nsometimes a palace or pavilion was built.\n\n67 _kumoriyo_, cloud-darkened night.\n\n69 The m. k. _asamoyoshi_ really applies to _ki_ only of _Kinohe_\n(_ki_, to put on; _asamo_, hempen robe).\n\n80 _okuka_, lit. inmost place, end, term, &c.--the meaning is, no limit\nto my tears.\n\n86 lit. with each new month, but undefined time is intended.\n\n90 _shinubana_ = _shinubu namu_, _shinubamu_.\n\n2 _Ihare_ = _iha mure_, piled rocks.\n\nFor _mochitsukino_, _tohotsuhito_, _tamatasuki_, _sashiyanagi_,\n_masokagami_, _ohobuneno_, _shirotaheni_, _uchihisasu_, _kumoriyono_,\n_asamoyoshi_, _aratamano_, _tamatasuki_ see List m. k.\n\n\n184\n\n Shikishimano 1\n Yamato no kuni ni\n ikasama ni\n omohoshimese ka\n tsure mo naki 5\n Kinohe no miya ni\n ohotono wo\n tsukahematsurite\n tonogomori\n komori imaseba 10\n ashita ni ha\n meshite-tsukahashi\n yufu-he ni ha\n meshite-tsukahashi\n tsukahashishi 15\n toneri no kora ha\n yukutorino\n murete samorahi\n ari-matedo\n meshitamahaneba 20\n tsurugitachi\n togishi kokoro wo\n amakumoni\n omohi-hafurashi\n koi-marobi 25\n hidzuchi nakedomo\n aki-daranu ka mo.\n\n1-10 suggest the death of the Miko (Takechi?); 11-18 the faithful\nservice of his retainers; 19 to end, their inconsolable grief.\n\n3, 4 This common phrase seems to mean \u2018for some reason or other\u2019, an\nexpression used to signify dubiety of cause, real or respectful.\n\n24 _omohi-hafuru_ = _omohi-hanachi-chirasu_.\n\nFor _shikishimano_, _yukutorino_, _tsurugitachi_ see List m. k.\n_tonogomori_ and _amakumoni_ are quasi m. k.\n\n\n185\n\n Momoshinuno 1\n Minu no ohokimi\n nishi no umaya\n tatete kafu koma\n himukashi no umaya 5\n tatete kafu koma\n kusa koso ha\n torite kahi-name\n midzu koso ha\n kumite kahi-name 10\n nani shi ka mo\n ashige no uma no\n ibaye tachitsuru.\n\n12 _ashige_, reed-like in colour, grey; _ashigebuchi_, dappled grey.\nThe envoy is--_Koromode wo_ | _ashige no uma no_ | _ibayu kowe_ |\n_kokoro are ka mo_ | _tsune yu ke ni naku_. Here the m. k. _koromode_,\nvestment-sleeve, is curiously applied to _ashige_ as similar in sound\nto _osoki_ = _uhagi_ = outer or over-garment. The meaning of _ke ni_\n(\u7570) is, differently, strangely, specially.\n\nFor _momoshinuno_ see List m. k.\n\n\n186\n\n Shirakumono 1\n tanabiku kuni no\n awokumono\n muka-busu kuni no\n amakumono 5\n shita naru hito ha\n a nomi ka mo\n kimi ni kofuramu\n are nomi shi\n kimi ni kofureba. 10\n\n1-6 indicate all men under heaven.\n\n1 _shirakumono_ applies to clouds on which the sun is shining,\n_awokumo_ to clouds unsunned.\n\nFor _shirakumono_, _awokumono_, _amakumono_, see List m. k. The Kogi\nseparates this lay from the next to which, in some editions, it serves\nas an introduction.\n\n\n187\n\n Ame tsuchi ni 1\n michi-tarahashite\n kofuru ka mo\n mune no yameru\n omohe ka mo 5\n kokoro no itaki\n aga kohi so\n hi ni ke ni masaru\n itsu ha shi mo\n kohinu toki to ha 10\n aranedomo\n kono nagatsuki wo\n waga seko ga\n shinubi ni seyo to\n chi yo ni mo 15\n shinubi wataredo\n yorodzu yo ni\n katari to tsugahe\n hazhimete shi\n kono nagatsuki no 20\n sugimaku wo\n ita mo sube nami\n aratamano\n tsuki no kahareba\n semu sube no 25\n tadoki wo shirani\n iha ga ne no\n kogoshiki michi no\n iha-toko no\n ne-haheru kado ni 30\n ashita ni ha\n ide-wite nageki\n yufu-he ni ha\n iri-wi kohitsutsu.\n\n8 Read as _ini-kihenuru ni masaru_.\n\n10 _kohinu_ is negative.\n\n14 _seyo_, perhaps a sort of (logical) 1st pers. imperative.\n\n30 _ne-haheru_, _nehafu_, or _nebafu_, apparently means extended\nentrance, referring to gallery approaching tomb-chamber.\n\n31 _ashita_ is here \u2018morning\u2019, not merely \u2018morrow\u2019.\n\nFor _aratamano_ see List m. k.\n\n\n188\n\n Nubatamano 1\n kuro kami shikite\n hito no nuru\n uma-i ha nezu ni\n ohobuneno 5\n yukura yukura ni\n omohitsutsu\n aga nuru yora ha\n yomi mo ahenu ka mo.\n\n9 _yomi_, here \u2018count\u2019.\n\nFor _nubatamano_, _ohobuneno_ see List m. k.\n\n\n189\n\n Komorikuno 1\n Hatsuse no kaha no\n kamitsu se ni\n u wo yatsu kadzuke\n shimotsu se ni 5\n u wo yatsu kadzuke\n kamitsu se no\n ayu wo kuhashime\n shimotsu se no\n ayu wo kuhashime 10\n kuhashi imo ni\n taguhite mashi wo\n naguru-sa no\n tohozakari wite\n omofu sora 15\n yasukaranaku ni\n nageku sora\n yasukaranaku ni\n kinu koso ha\n sore yarenureba 20\n nuhitsutsu mo\n mata mo afu to ihe\n tama koso ha\n wo no tayenureba\n kukuritsutsu 25\n mata mo afu to ihe\n mata mo\n ahanu mono ha\n imo ni shi arikeri.\n\n1-10 introductory to _kuhashi imo_. In the use of _kuhashime_ there\nis an imitation or a reminiscence of the Kojiki lay (K. App. LXXVI)\ntranslated in the notes to 177. _kuhashime_ = here, make-swallow,\nafterwards to disgorge.\n\n13 _nagarusa_, as far as an arrow can be shot.\n\n25 Note the curious script for _kuku_ (_kukuri_) the figures 81 are\nused, 81 = 9 x 9 = _ku ku_.\n\nFor _komorikuno_ see List m. k.\n\n\n190\n\n Komorikuno 1\n Hatsuse no yama\n awohatano\n Osaka no yama ha\n washiri-de no 5\n yoroshiki yama no\n ide-tachi no\n kuhashiki yama so\n atarashiki\n yama no 10\n aremakurashi wo.\n\n5 _washiri-de_ = _hashiri-de_, run out, tower, rise high.\n\n9 _atarashiki_, not here \u2018new\u2019 but _oshimubeshi_ = what may be prized,\nvalued, regretted, excellent.\n\nFor _komorikuno_, _awohatano_ see List m. k.\n\n\n191\n\n Taka yama to 1\n umi koso ha\n yama nagara\n kaku mo utsushiku\n umi nagara 5\n shika mo tada narame\n hito ha\n hana mono so\n utsusemino\n yo hito. 10\n\n2, 6 _koso_ to be read with _narame_.\n\n3, 5 _nagara_ is, just as, exactly as = _na[ru] kara[da]_.\n\n4 _utsushiku_ here means real, actual.\n\nFor _utsusemino_ see List m. k.\n\n\n192\n\n Ohokimi no 1\n mikoto kashikomi\n Akitsushima\n Yamato wo sugite\n Ohotomo no 5\n Mitsu no hama-he yu\n ohobune ni\n ma-kaji shizhi nuki\n asa nagi ni\n kako no kowe yobi 10\n yufu nagi ni\n kaji no \u2019to shitsutsu\n yukishi kimi\n itsu ki-masamu to\n nusa okite 15\n ihahi-wataru ni\n taha-koto ya\n hito no ihitsuru\n waga kokoro\n Tsukushi no yama no 20\n momijibano\n chiri-sugi nishi to\n kimi ga tadaka wo.\n\n Taha-koto ya 1\n hito no ihitsuru\n tamanowono\n nagaku to kimi ha\n iiteshi mono wo. 5\n\n15 Motowori reads _mitegura_, Okabe _yufu ke okite_. The Kogi reading,\nhere adopted, seems simpler and sufficient.\n\n19 _waga kokoro_, is here an exclamation.\n\n21 _momiji-ba_ is to be read with _chiri-_ of _chirisugi_ (22), and\nthis with the last line.\n\nFor _momijibano_, _tamanowono_ see List m. k.\n\n\n193\n\n Tamahokono 1\n michi yuku hito ha\n ashihikino\n yama yuki nu yuki\n tada watari 5\n kaha yuki-watari\n isanatori\n umi-ji ni idete\n kashikoki ya\n Kami no watari ha 10\n fuku kaze mo\n nodo ni ha fukazu\n tatsu nami mo\n oho ni ha tatazu\n shiki nami no 15\n tachi-safu michi wo\n taga kokoro\n itohoshi to ka mo\n tada watarikemu.\n\n5-19 _tada watari_, _tadachi suguni_--is taken as involving the meaning\nof _kachi watari_, to cross on foot, walk across. This sense, however,\nis not altogether admissible.\n\n17 to end: read as if _[kono hito] ha tare no kokoro wo itohoshite ka\nmo kachi-watarikemu_.\n\nFor _tamahokono_, _isanatori_ see List m. k.\n\n\n194\n\n Tori-ga-ne mo 1\n kikoyenu umi ni\n takayama wo\n hedate ni nashite\n okitsu mo wo 5\n makura ni nashite\n akitsu ha no\n kinu dani kizu ni\n isanatori\n umi no hama-be ni 10\n ura mo naku\n inetaru hito ha\n omo chichi ni\n manago ni ka aramu\n wakakusano 15\n tsuma ka aruramu\n omohoshiki\n koto tsutemu ya to\n ihe toheba\n ihe wo mo norazu 20\n na wo tohedo\n na dani mo norazu\n nakukonasu\n koto dani tohazu\n omohedomo 25\n kanashiki mono ha\n yo no naka ni ari.\n\n1-4 The full sense of these lines it is not easy to make out.\n\n7, 8 A very obscure passage. Some commentators suppose a silken\ngarment, the produce of an insect (_yamamai_, wild silkworm), to\nbe intended. The explanation most in accordance with the text (as\nemended in the Kogi) is to take _akidzu ha_ as meaning the wing of\na dragon-fly. The passage would then be interpreted as it is in the\ntranslation q. v.\n\n11 _ura mo naku_, without heart, feeling, dead to external impressions.\n\n17 = _omohoshiki_ (_omohashiki_) _koto_, something thought of, thought\nof with regret, love, &c.: _omohi_ = be in a state of intellectual or\nemotional consciousness.\n\n23, 24 unable to speak, like a puling infant.\n\nFor _isanatori_, _wakakusano_, _nakukonasu_ see List m. k.\n\n\n195\n\n Tamahokono 1\n michi ni idetachi\n ashihiki no\n mi yuki yama yuki\n tada watari 5\n kaha yuki watari\n isanatori\n umi ji ni idete\n fuku kaze mo\n oho ni ha fukazu 10\n tatsu nami mo\n nodo ni ha tatazu\n kashikoki ya\n Kami no watari no\n shiki nami no 15\n yosuru hama he ni\n taka yama wo\n hedate ni okite\n urasu wo\n makura ni makite 20\n ura mo naku\n koyaseru kimi ha\n omo chichi no\n manago ni mo aramu\n wakakusano 25\n tsuma mo aramu to\n ihe tohedo\n ihe ji mo ihazu\n na wo tohedo\n na dani mo norazu 30\n taga koto wo\n itohoshimi ka mo\n shiki nami no\n kashikoki umi wo\n tada watarikemu. 35\n\n (1)\n\n Ihe hito no 1\n matsuramu mono wo\n tsure mo naki\n ariso wo makite\n fuseru kimi ka mo. 5\n\n (2)\n\n urasu ni 1\n koyaseru kimi wo\n kefu kefu to\n komu to matsuramu\n tsuma shi kanashi mo. 5\n\nFor _tamahokono_, _isanatori_, _wakakusano_ see List m. k.\n\n\n196\n\n Kono tsuki ha 1\n kimi kimasamu to\n ohobuneno\n omohi tanomite\n itsushika to 5\n aga machi woreba\n momichi-ba no\n sugite yukinu to\n tamadzusano\n tsukahi no iheba 10\n hotarunasu\n honoka ni kikite\n ame tsuchi wo\n kohi nomi nageki\n tachite wite 15\n yukuhe mo shirani\n asa-giri no\n omohi-madohite\n tsuwetarazu\n ya-saka no nageki 20\n nagekedomo\n shirushi wo nami to\n idzuku ni ka\n kimi ga masamu to\n amakumono 25\n yuki no manimani\n iyu shishi no\n yuki mo shinamu to\n omohedomo\n michi shi shiraneba 30\n hitori wite\n kimi ni kofuru ni\n ne nomi shi nakuzu.\n\n Ashi he yuku 1\n kari no tsubasa wo\n miru goto ni\n kimi ga obashishi\n nagu ya shi omohoyu. 5\n\n19, 20 sigh deep as eight (not ten) feet--a conceit of a kind common in\nJapanese poetry, which can scarcely be translated.\n\nFor _ohobuneno_, _tamadzusano_, _hotarunasu_, _tsuwetarazu_,\n_amakumono_ see List m. k.\n\n\n197\n\n Misakureba 1\n kumowi ni miyuru\n uruhashiki\n Toba no matsubara\n waraha domo 5\n iza wa ide-mimu\n koto sakaba\n kuni ni sakanamu\n koto sakaba\n ihe ni sakanamu 10\n ame tsuchi no\n kami shi urameshi\n kusamakura\n kono tabi no ke ni\n tsuma sakubeshi ya. 15\n\n7, 9 _koto sakaba_ = _kaku no gotoku hanareba_.\n\n14 _ke_ = _ki-he_, pass on, elapse, proceed.\n\nFor _kusamakura_ see List m. k.\n\n\n198\n\n Yufu sareba 1\n ashi he ni sawaki\n akekureba\n oki ni nadzusafu\n kamo sura mo 5\n tsuma to taguhite\n waga wo ni ha\n shimo na furi so to\n shirotaheno\n hane sashi-kahete 10\n uchi-harahi\n sanu tofu mono wo\n yukumidzuno\n kaheranu gotoku\n fuku kaze no 15\n miyenu ga gotoku\n ato mo naki\n yo no hito ni shite\n wakare nishi\n imo ga kiseteshi 20\n nare-goromo\n sode katashikite\n hitori ka mo nemu!\n\n7 _wo_, tail.\n\n12 _sanu_, _sa-nuru_. _tofu_, _to ifu_.\n\n20 _kiseteshi nare_, put on and use to wear.\n\n22 _katashiki_, side-spread, i.e. one side only, spreading out sleeves\non one side only, i.e. sleeping alone.\n\nFor _shirotaheno_, _yukimidzuno_ see List m. k.\n\n\n199\n\nMono ni tsukite omohi wo noburu uta.\n\n Asa sareba 1\n imo ga te ni maku\n kagaminasu\n Mitsu no hama-bi ni\n ohobune ni 5\n ma kaji shizhi nuki\n Kara kuni ni\n watari yukamu to\n tadamukafu\n Minume wo sashite 10\n shiho machite\n mi-wo-biki yukeba\n oki-he ni ha\n shiranami takami\n ura-mi yori 15\n kogite watareba\n wagimokoni\n Ahade no shima ha\n yufu sareba\n kumo-wi kakurinu 20\n sayo fukete\n yuku-he wo shirani\n agakokoro\n Akashi no ura ni\n fune tomete 25\n ukine wo shitsutsu\n watatsumi no\n oki-he wo mireba\n izari suru\n ama no wotome ha 30\n wo-bune nori\n tsurara ni ukeri\n akatoki no\n shiho michi kureba\n ashi-he ni ha 35\n tadzu naki wataru\n asa nagi ni\n funa-de wo semu to\n funa-bito mo\n kako mo kowe yobi 40\n niho-dori no\n nadzusahi yukeba\n Iheshima ha\n kumo-wi ni miyenu\n aga \u2019moheru 45\n kokoro nagu ya to\n hayaku kite\n mimu to omohite\n ohobune wo\n waga kogi yukeba 50\n okitsu nami\n takaku tachikinu\n yoso nomi ni\n mitsutsu sugi-yuki\n Tama no ura ni 55\n fune wo todomete\n hamabi yori\n ura iso wo mitsutsu\n nakukonasu\n ne nomi shi nakayu 60\n watatsumi no\n ta-maki no tama wo\n ihe tsuto ni\n imo ni yaramu to\n hirihi-tori 65\n sode ni hairete\n kaheshi-yaru\n tsukahi nakereba\n moteredomo\n shirushi wo nami to 70\n mata okitsuru ka mo.\n\nIn the script of this lay, as in that of the last and of many\nsucceeding lays, the ideograms are entirely phonetic, or nearly so.\n\n70 Observe use of _wo_, not here objectively.\n\nThe m. k. (3) applies to _Mi[tsu]_, (9) to Mi(nume), (23) to Akashi ( =\n_akashi_, bright, be clear).\n\nFor _kagaminasu_, _tadamukafu_, _wagimokoni_, _agakokoro_, _nakukonasu_\nsee List m. k.\n\n\nMAKI XV, NAKA\n\n\n200\n\nYuki no shima ni itarite Yuki no Murazhi Yakamori ga tachimachi ye-yami\nnite mi makareru toki yomeru uta.\n\n Sumerogi no 1\n toho no Mikado to\n Kara kuni ni\n wataru waga se ha\n ihe-bito no 5\n ihahi matane ka\n tatami ka mo\n ayamachi shikemu\n aki saraba\n kaheri-masamu to 10\n tarachineno\n haha ni mawoshite\n toki mo sugi\n tsuki mo henureba\n kefu ka komu 15\n asu ka mo komu to\n ihebito ha\n machi kofuramu ni\n toho no kuni\n imada mo tsukazu 20\n Yamato wo mo\n tohoku sakarite\n iha ga ne no\n araki shima-ne\n yadori sura kimi! 25\n\n Ihata-nu ni 1\n yadori suru kimi\n ihebito no\n idzura to ware wo\n tohaba ikani ihamu! 5\n\n6 _ihahi matane [ba] ka_, is it they do not go on honouring\u2026?\n\nFor _tarachineno_ see List m. k.\n\n\n201\n\n Ame tsuchi to 1\n tomo ni mo ga mo to\n omohitsutsu\n arikemu mono wo\n hashikeyashi 5\n ihe wo hanarete\n nami no uhe yu\n nadzusahiki nite\n aratamano\n tsuki hi mo ki-henu 10\n karigane mo\n tsugite ki-nakereba\n tarachineno\n haha mo tsumara mo\n asa tsuyu ni 15\n mo no suso hidzuchi\n yufu giri ni\n koromo-de nurete\n sakiku shi mo\n aruramu gotoku 20\n ide mitsutsu\n matsuramu mono wo\n yo no naka no\n hito no nageki ha\n ahi-omohanu 25\n kimi ni are ya mo\n akihagino\n chiraheru nu he no\n hatsu wo-bana\n kari-ho ni fukite 30\n kumo-banare\n tohoki kuni he no\n tsuyu shimo no\n samuki yama he ni\n yadori seruramu. 35\n\n (1)\n\n Hashikeyashi 1\n tsuma mo kodomo mo\n taka taka ni\n matsuramu kimi ya\n shima-gakurenuru. 5\n\n (2)\n\n Momijibano 1\n chirinamu yama ni\n yadorinuru\n kimi wo matsuramu\n hito shi kanashi mo. 5\n\n14 _tsumara_, an honour plural?\n\n24, 25 Read _hito_ with _ahi-omohanu_ (will not meet again).\n\n31 _kumo-banare_, see also K. App. LV.\n\nFor _aratamano_, _tarachineno_, _akihagino_ see List m. k.\n\n\n202\n\n Watatsumi no 1\n kashikoki michi wo\n yasukeku mo\n naku nayami-kite\n ima dani mo 5\n mo naku yukamu to\n yuki no ama no\n hotsu-te no urahe wo\n kata yakite\n yukamu to suru ni 10\n ime no goto\n michi no sora-ji ni\n wakare suru kimi.\n\n4 _kite_ is quasi-auxiliary.\n\n6 _mo naku_, without ill luck or hap.\n\n8 _hotsu-te_ explained as = _hote_, chief.\n\n11 _ime_ here = _yume_, dream.\n\n\nMAKI XVI, KAMI\n\n\n203\n\n Midori ko no 1\n waku-go ga mi ni ha\n tarachishi\n haha ni udakaye\n suki-kakuru 5\n hafu ko ga mi ni ha\n yufu kata-kinu\n hitsura ni-nuhi ki\n kubi tsuki no\n waraha ga mi ni ha 10\n yuhi-hata no\n sode tsuke koromo\n kishi ware wo\n a ni yoru kora ga\n yochi ni ha 15\n minanowata\n kaguroshi kami wo\n ma kushi mochi\n kata ni kakitari\n tori-tagane 20\n agete mo makimi\n toki midashi\n waraha ni nashimi\n kurenawino\n ni-tsukafu iro ni 25\n natsukashiki\n murasaki no\n oho-aya no koromo\n Suminoye no\n Wori no wo-nu no 30\n ma hari mochi\n nihoshishi kinu ni\n Koma nishiki\n himo ni-nuhi-tsuke\n sasahe kasanahe 35\n nami kasane ki\n utsusoyashi\n womi no kora\n arikinuno\n takara no kora ga 40\n utsutahe\n hahete oru nuno\n hi sarashi no\n asa tedzukuri wo\n shikimonasu 45\n shiki ni tori-shiki\n hokoroheru\n inaki wotome ga\n tsuma tofu no\n a ni so tabarishi 50\n uki kata no\n futaya shitakutsu\n tobutorino\n Asuka wotoko ga\n nagame imi 55\n nukishi kuri-kutsu\n sashi hakite\n niha ni tachi\n yuki motohoreba\n omo tozhi no 60\n morasu wotome ga\n hono kikite\n a ni so tabarishi\n mi hanada no\n kinu no obi wo 65\n hikobi nasu\n karobi ni torashi\n watatsumi no\n tono no iraka ni\n tobi-kakeru 70\n sugaru no gotoku\n koshi hoso ni\n tori kazarahi\n masokagami\n tori name kakete 75\n ono ga kaho\n kaherahi mitsutsu\n haru sarite\n nu he wo megureba\n omoshiromi 80\n are wo omohe ka\n sa-nu tsu tori\n ki naki kakerafu\n aki sarite\n yama he wo yukeba 85\n natsukashi to\n are wo omohe ka\n amakumono\n i-yuki tanabiki\n kaheri tachi 90\n ohochi wo kereba\n uchihisasu\n miya womina\n sasudakeno\n toneri wotoko mo 95\n shinuburahi\n kaherahi mitsutsu\n taga koso to ya\n omoharete aru\n kaku so shi koshi 100\n inishihe no\n sasakishi are ya\n hashikiyashi\n kefu ya mo kora ni\n isa ni to ya 105\n omoharete aru\n kaku so shi koshi\n inishihe no\n sakashiki hito mo\n nochi no yo no 110\n kagami ni semu to\n oi-hito wo\n okurishi kuruma\n mochi kaherikoshi.\n\nThe metre of this uta is irregular and the style is not good. Of many\nof the words the sense is obscure.\n\n1 _midori ko_, green, i.e. very young child.\n\n2 _waku-go_ = _wakaki ko_.\n\n5 = _kakuru_.\n\n8 _hitsura_, perhaps _hitaura_, apparently plain-lined.\n\n11 _yuhi-hata_ (_yuhata_), spotted by tying up portions and then dyeing\nthe piece.\n\n15 _yochi_, of like age.\n\n17 Or _kaguro shi_.\n\n21 _makimi_, the _mi_ is a suffix denoting manner, quality, quantity\n(I.), &c.\n\n32 _nihoshishi_, dyed.\n\n35 _sashi-kasane_.\n\n37 A m. k. of _wo_ taken as _wo_, hemp-yarn--apparently fine and\nsupple, prepared by beating, well beetled (_utsu_).\n\n39 _arikinuno_, a m. k. of _takara_, fair or rich robe.\n\n41 _utsutahe_, see 37; _tahe_ is fine stuff.\n\n44 _tedzukuri_, hand made, home made?\n\n45 _shikimo_ means vestments worn one over the other; _nasu_ = manner,\nlike.\n\n46 = _shiki_, put on over.\n\n47 Lengthened form of _hokoru_, be proud, &c.\n\n48 _inaki_, village headman.\n\n50 = _tamahari hi tamaharishi_, read with 51; with _a_ read _tsumatofu_\n(_tsumadohi suru_) _no_.\n\n51 = _uki katachi_ = _ukimori_, a fabric with raised pattern woven on\nsurface.\n\n52 _futaya_, pattern of two colours.\n\n55 _nagame_, _naga ame_, long rains. _imi_, keep out, ward off.\n\n56 _kuri-kutsu_, black boots.\n\n60 _omo tozhi_, lady mother.\n\n62 _hono_ _honoka_.\n\n71 _sugaru_, a kind of sand-wasp.\n\n73 _kazarahi_ = _kazaru_.\n\n74 Not a m. k. here.\n\n91 _ohomichi_ (_miyako he_) _wo kureba_.\n\n100 _kaku no gotoku so shite kitarishi_.\n\n102 = _sasameku_, I who was rumoured about of old as a handsome fellow.\u2026\n\n105 _isa-iza_, _ideya_. I am now pointed at by the girls saying--Oh,\nlook at that old fellow!\n\n109 _sakashiki_, sage, wise.\n\n112 _oi-hito_, _Genkoku_, confer translation.\n\nFor _tarachishi_, _minanowata_, _kurenawino_, _utsusoyashi_,\n_arikinuno_, _shikimonasu_, _tobutorino_, _amakumono_, _uchihisasu_,\n_sasudakeno_ see List m. k.\n\n\n204\n\n[Wotome ga] se no kimi wo kofuru uta.\n\n Sanidzurafu 1\n kimi ga mi koto to\n tamadzusano\n tsukahi mo koneba\n omohi-yamu 5\n aga mi hitotsu so\n chihayaburu\n kami ni mo na ohose\n urabe mase\n kame mo na yaki so 10\n kohoshiku ni\n itaki aga mi so\n ichishiroku\n mi ni shimi-tohori\n murakimono 15\n kokoro kudakete\n shinamu inochi\n nihaka ni narinu\n imasara ni\n kimi ka a wo yobu 20\n tarachineno\n haha no mikoto ka\n momotarazu\n yaso no chimata ni\n yufu-ke ni mo 25\n ura ni mo so tofu\n shinubeki a ga yuwe.\n\n Urabe wo mo 1\n yaso no chimata mo\n ura tohedo\n kimi wo ahimimu\n tadoki shirazu mo. 5\n\n2 _chimata_, the road-forks, crossways--there more wayfarers would be\nmet.\n\n6 _hitotsu_ = _hitori_, alone, lonely.\n\n8, 10 _na_ is neg. imperative particle.\n\n9, 10 to be read together.\n\n11 _kohoshiku_ = _kohishiku_.\n\n14 _shimi-tohori_ = _some-tohori_, dye through, penetrate deeply.\n\nFor _sanidzurafu_, _tamadzusano_, _chihayaburu_, _murakimono_,\n_tarachineno_, _momotarazu_ see List m. k.\n\n\nMAKI XVI, SHIMO\n\n\n205\n\nSe no kimi wo kofuru uta.\n\n Ihi-hamedo 1\n umaku mo arazu\n arukedomo\n yasuku mo arazu\n akanesasu 5\n kimi ga kokoro shi\n wasure kanetsu mo.\n\nFor _akanesasu_ see List m. k.\n\n\n206\n\n Umasakewo 1\n Oshitaru wo-nu yu\n idzuru midzu\n nuruku ha idezu\n mashimidzuno 5\n kokoro mo keya ni\n omohoyuru\n oto no sukunaki\n michi ni ahanu ka mo\n sukunaki yo 10\n michi ni ahasaba\n iro keseru\n suga kasa wo-kasa\n waga unageru\n tama no nanatsu wo 15\n tori-kahe mo\n mawosamu mono wo\n sukunaki [yo]\n michi ni ahanu ka mo.\n\n1 _umasake_, sweet, pure (sweet or delicious _sake_).\n\n2 _Oshitaru_, _oshi-shitaru_, written as fall or flow down, but here a\nplace-name.\n\n4 _nuruku_ here = gentle.\n\n6 _kokoro mo keya ni_ = _kokoro mo isagiyoku oboyuru kiyoki midzu_.\n\n10 _sukunaki_, _oto no sukunaki yoshi_.\n\n12 _iro_ is the _iro_ of _irose_, _irodo_--also _ira_, _iri_, a word of\nendearment and respect.\n\n15 _nanatsu wo_, seven, i.e. many beads.\n\n17 _mawosamu_ = _mairasemu_, a woman\u2019s word.\n\n1-7 are an introduction to _oto_.\n\nFor _umasakewo_, _mashimidzuno_ see List m. k.\n\n\n207\n\nNoto no kuni no uta.\n\n Hashitate no 1\n Kumaki no yara ni\n Shiraki wono\n otoshi-ire wa shi\n kakete kakete 5\n na nakashi so ne\n uki-idzuru ya to\n mimu wa shi.\n\n4 _wa shi_, an exclamation common in _saibara_ plays. According to\nKeichiu it means here _nanji_, thou. The Kogi takes it as _yo shi_.\n\n\n208\n\nNoto no kuni no uta.\n\n Hashitate no 1\n Kumaki saka-ya ni\n ma-nuraru\n yatsuko wa shi\n sasuhi tate 5\n wite ki-namashi wo\n ma-nuraru\n yatsuko wa shi.\n\n3 _ma-nuraru_ = _ma noraru_; _noru_ means revile, abuse (_nonoshiru_).\n\n5 _sasuhi tate_ = _sasohi_ (_sasofu_), invite--_tate_ has the usual\nforce.\n\n6 _ki-namashi_, _namashi_ has an optative meaning.\n\n\n209\n\n Kashima ne no 1\n Tsukuwe no shima no\n shitatami wo\n i-hirihi mote-kite\n ishi mochi 5\n tsutsuki hafuri\n haya kaha ni\n arahi susuki\n kara shiho ni\n koko to momi 10\n takatsuki ni mori\n tsukuwe ni tatete\n haha ni matsuritsu ya\n metsuko no tozhi\n chichi ni matsuritsu ya 15\n mi metsuko no tozhi.\n\n2 _Tsukuwe_, word-play with _tsukuwe_ (12)?.\n\n6 scoop out (the flesh).\n\n10 _koko_, the noise of pounding.\n\n11 _mori_ must here mean pile up, heap up.\n\n13 _tatematsuri_, offer, present.\n\n14 _metsuko_. How to render this word is not clear. It may be a title\nonly, \u5973\u6d25\u5b50. But (I.) gives it as = _utsukushimu ko_.\n\n\n210\n\nShika no tame ni omohi wo nobete yomeru uta.\n\n Itoko 1\n nase no kimi\n wori wori te\n mono ni i-yuku to\n Kara kuni no 5\n tora tofu kami wo\n ike-tori ni\n ya tsu tori mochi-ki\n sono kaha wo\n tatami ni sashi 10\n yahe tatami\n Heguri no yama ni\n u-tsuki to\n sa-tsuki no hodo ni\n kusuri-gari 15\n tsukafuru toki ni\n ashihikino\n kono kata-yama ni\n futatsu tatsu\n ichihi ga moto ni 20\n adzusayumi\n yatsu tabasami\n hime kabura\n yatsu tabasami\n shishi matsu to 25\n aga woru toki ni\n sawo-shika no\n ki-tachi nagekaku\n tachimachi ni\n are ha shinubeshi 30\n ohokimi ni\n are ha tsukahemu\n aga tsunu ha\n mi kasa no hayashi\n aga mimi ha 35\n mi sumi no tsubo\n aga mera ha\n ma sumi no kagami\n aga tsume ha\n mi yumi no yubazu 40\n aga kera ha\n mi fude no hayashi\n aga kaha ha\n mi hako no kaha ni\n aga shishi ha 45\n mi namasu hayashi\n aga kimo mo\n mi namasu hayashi\n aga migi ha\n mi shiho no hayashi 50\n oi-hatenu\n waga mi hitotsu ni\n nana-he hana saku\n ya-he hana saku to\n mawoshi-hayasane 55\n mawoshi-hayasane.\n\n1-10 make a phrasal m. k. to 11, 12.\n\n1, 2 _itoko nase_, terms of endearment (_itohoshi ko nanji no se_?).\n\n3 _wori-worite_ implies long union of husband and wife.\n\n4 _mono ni i-yuku_; an exclamatory phrase denoting an intention or wish\nto go somewhere or do something.\n\n8 _ya tsu_, eight head of, i.e. many-head of.\n\n17 _ashihiki_ = m. k.\n\n18 _kata-yama_, out of the way, remote mountain, i.e. from City-Royal.\nBut Heguri is in Yamato.\n\n34 _hayashi_, to complete, adorn, make flourish, finish off.\n\n38 _ma sumi_, right clear, the script is _kariji_.\n\n41 _kera_, \u2018hairs\u2019, like _mera_ above, \u2018eyes\u2019.\n\n46, 48, 50 _hayashi_, chop, mince.\n\n55 _hayasane_ or _hayazane_, precative imperative; _hayasu_, to praise.\n\nFor _ashihikino_, _adzusayumi_, see List m. k.\n\n\n211\n\nKani no tane ni omohi wo nobete yomeru uta.\n\n Oshiteruya 1\n Naniha no Woye ni\n iho tsukuri\n namarite woru\n ashi kani wo 5\n ohokimi mesu to\n nani semu ni\n a wo mesurame ya\n akirakeku\n a ha shiru koto wo 10\n utahito to\n wa wo mesurame ya\n fuye-fuki to\n wa wo mesurame ya\n koto-hiki to 15\n wa wo mesurame ya\n ka mo kaku mo\n mi koto ukemu to\n kefu kefu to\n Asuka ni itari 20\n okanedomo\n Okina ni itari\n tsukanedomo\n Tsukunu ni itari\n himukashi no 25\n naka no mikado yu\n mawiri-kite\n mi koto ukureba\n uma ni koso\n fumodashi kaku mono 30\n ushi ni koso\n hana naha hakure\n ashihikino\n kono kata yama no\n momu nire wo 35\n iho ye hagitari\n ama-teru ya\n hi no ke ni hoshi\n sahidzuru ya\n Kara usu ni tsuki 40\n niha ni tatsu\n suri usu ni tsuki\n oshiteruya\n Naniha no Woye no\n hatsu-tare wo 45\n karaku-tari kite\n suwe hito no\n tsukureru kame wo\n kefu yukite\n asu tori-mochi-ki 50\n waga mera ni\n shiho nuritamahi\n mochi-hayasu mo\n mochi-hayasu mo.\n\n Hito-tama no 1\n sawo naru kimi ga\n tada hitori\n aherishi ama yo [ha\n hisashiku omohoyu]. 5\n\n4 _namarite_, an old word, obscure, retired, remote (_namari_, dialect,\nand _namari_, lead (the metal) are probably the same word--something\nfar away [from City-Royal]).\n\n22 _oki_, rise, stand up.\n\n30 _fumodashi_ (_fumi wo hodashi_).\n\n32 _hakure_, _haku_, string a bow.\n\n34 _kata yama_, see 210.\n\n35 _momu_ = _momo_.\n\n39 _sahidzuru_ = _koto sahegu_.\n\n45 _hatsu-tare_ = _hazhime-taretaru_.\n\n5 The part in [] is probably corrupt.\n\nFor _oshiteruya_, _ashihikino_ see List m. k.\n\n\n212\n\n[Tempy\u00f4] 13 nen 2 gwatsu Mika no hara no nihi miyako wo homuru uta.\n\n Yamashiro no 1\n Kuni no miyako ha\n haru sareba\n hana saki wowori\n aki sareba 5\n momichi-ba nihohi\n obaseru\n Idzumi no kaha no\n kami tsu se ni\n uchi hashi watashi 10\n yodo se ni ha\n uki-hashi watashi\n ari-gayohi\n tsukahematsuramu\n yorodzu yo made ni. 15\n\n10 _uchi-hashi_ (I), rough or temporary bridge; so too Motowori.\n\n12 _uki-hashi_, floating bridge, hanging bridge, boat-bridge.\n\n\n213\n\nMimakareru oto wo kanashimu uta.\n\n Amazakaru 1\n hina wosame ni\n ohokimi no\n make no manimani\n idete koshi 5\n ware wo okuru to\n awoniyoshi\n Nara yama sugite\n Idzumi kaha\n kiyoki kahara ni 10\n uma todome\n wakareshi toki ni\n ma-sakikute\n are kaheri komu\n tahirakeku 15\n ihahite mate to\n katarahite\n koshi hi no kihami\n tamahokono\n michi wo ta-tohomi 20\n yama kaha no\n he narite areba\n kohishikeku\n ke nagaki mono wo\n mimakuhori 25\n omofu ahida ni\n tamadzusano\n tsukahi no kereba\n ureshimi to\n aga machi tofu ni 30\n oyodzure no\n tahagoto to ka mo\n hashikiyashi\n na oto no mikoto\n nani shika mo 35\n toki shi ha aramu\n hata-susuki\n ho ni \u2019dzuru aki no\n hagi no hana\n nihoheru yado wo 40\n asa niha ni\n idetachi narashi\n yufu niha ni\n fumi-tahiragezu\n Saho no uchi no 45\n sato wo yuki-sugi\n ashihikino\n yama no konure ni\n shirakumo ni\n tachi-tanabiku to 50\n are ni tsugetsuru!\n\n18 _koshi hi_ = _wakareshi hi yore_.\n\n20 _ta-tohomi_, _ta_ is an intensitive prefix.\n\n22 _he_, short for _hedate_.\n\n24 _ke nagaki_ = _ki-he nagaki_.\n\n33 _hashikiyashi_ (_hashi-ke ya-shi_--_ya_ = _yo_).\n\n34 _na_ is the _na_ (_nanji_?) of _na se_, _na imo_, &c.\n\n42-4 The negative of _tahiragezu_ is implied also in _narashi_.\n\nFor _amazakaru_, _awoniyoshi_, _tamahokono_, _tamadzusano_,\n_ashihikino_ see List m. k.\n\n\n214\n\n[Tempy\u00f4] 19 nen Kisaragi no tsuki hatsuka no hi tachimachi yamahi ni\nshidzumi hotohoto mi-usenamu to su kare uta wo yomite kanashimi wo\nnoburu hito uta.\n\n Ohokimi no 1\n make no manimani\n masurawono\n kokoro furi-okoshi\n ashihikino 5\n yama saka koyete\n amazakaru\n hina ni kudariki\n iki dani mo\n imada yasumezu 10\n toshi tsuki mo\n ikura mo aranu ni\n utsusemino\n yo no hito nareba\n uchi-nabiki 15\n toko ni koi-fushi\n itakeku shi\n hi ni ke ni masaru\n tarachineno\n haha no mikoto no 20\n ohobuneno\n yukura yukura ni\n shita-gohi ni\n itsu ka mo komu to\n matasuramu 25\n kokoro sabushiku\n hashikiyoshi\n tsuma no mikoto mo\n akekureba\n kado ni yori-tachi 30\n koromodewo\n wori-kaheshitsutsu\n yufu sareba\n toko uchi-harahi\n nubatamano 35\n kurokami shikite\n itsushika to\n nagekasuramu so\n imo mo se mo\n wakaki kodomo ha 40\n wochi-kochi ni\n sawaki nakuramu\n tamahokono\n michi wo ta-dohomi\n ma-tsukahi mo 45\n yaru yoshi mo nashi\n omohoshiki\n koto tsute yarazu\n kofuru nishi\n kokoro ha moyenu 50\n tamakiharu\n inochi woshikedo\n semu sube no\n tadoki wo shirani\n kaku shite ya 55\n arashi-wo sura ni\n nageki fuseramu.\n\n15 That is, _yamahi ni_.\n\n18 = _ki-he ni-masaru_ = pass on--increase.\n\n23 _shita-gohi_ = inner or deep, desire, love or yearning.\n\n28 _mikoto_ = here a title of respect applied to the wife.\n\n38 _nagekasuramu_, honour-causative. Compare with the ordinary form\nbelow, _nakuramu_.\n\n45 _ma-tsukahi mo nashi_, no messenger one way or the other.\n\n56 = _masurawo_.\n\n57 _ya_ being removed to a position after _fuseramu_, makes the sense\nclearer.\n\nvv. 6-20 relate to the poet\u2019s illness.\n\nFor _masurawono_, _ashihikino_, _amazakaru_, _utsusemino_,\n_tarachineno_, _ohobuneno_, _koromodewo_, _nubatamano_, _tamahokono_,\n_tamakiharu_ see List m. k.\n\n\n215\n\nYakamochi (mizhika uta).\n\n Haru no hana 1\n ima ha sakari ni\n nihofuramu\n worite kazasamu\n ta-jikara mo ga mo! 5\n\n Uguhisu no 1\n naki chirasamu\n haru no hana\n itsushika kimi to\n wori kazasamu! 5\n\nIkenushi (mizhika uta).\n\n Yama-gahi ni 1\n sakeru sakura wo\n tada hito me\n kimi ni miseteba\n nani wo ka omohamu! 5\n\n Uguhisu no 1\n ki naku yamabuki\n utakata mo\n kimi ga te furezu\n hana chirame ya mo! 5\n\nYakamochi\u2019s mizhika, 4, 5 _wori_, break.\n\nIkenushi\u2019s mizhika, 3 _utakata_ = _shibaraku_--_utakata_ is foam; the\nexpression is probably a metaphor.\n\n\n215 (naga-uta)\n\n\n20 Tempy\u00f4 3 guwatsu mi ka no hi Yakamochi ga uta.\n\n Ohokimi no 1\n make no manimani\n shinazakaru\n Koshi wo wosame ni\n idetekoshi 5\n masurahare sura\n yo no naka no\n tsune shinakereba\n uchi nabiki\n toko ni koi-fushi 10\n itakeku no\n hi no ke ni maseba\n kanashikeku\n koko ni omohi-de\n iranakeku 15\n soko ni omohi-de\n nageku sora\n yasukeku naku ni\n omofu sora\n kurushiki monowo 20\n ashihikino\n yama kihe narite\n tamahokono\n michi ni tohokeba\n ma-tsukahi mo 25\n yaru yoshi mo nami\n omohoshiki\n koto mo kayohazu\n tamakiharu\n inochi woshikedo 30\n semu sube no\n tadoki mo shirani\n komori-wite\n omohi nagekahi\n nagusamuru 35\n kokoro ha nashi ni\n haru hana no\n sakeru sakaru ni\n omofu dochi\n tawori kazasazu 40\n haru no nu no\n shigemi tobikuku\n uguhisu no\n kowe dani kikazu\n wotomera ga 45\n haru na tsumasu to\n kurenawino\n akamo no suso no\n harusame ni\n nihohi hidzuchite 50\n kayofuramu\n toki no sakari wo\n itadzura ni\n sugushi yaritsure\n shinubaseru 55\n kimi ga kokoro wo\n uruhashimi\n kono yo sugara ni\n i mo nezu ni\n kefu mo shimirani 60\n kohitsutsu so woru.\n\n6 _masurawo ware_.\n\n14, 16 _koko_, _soko_, here and there, variously.\n\n15 _iranakeku_ = _irairashi_, vexed, sad.\n\n16 _omohi-de_, thought-go-forth, think of, dwell upon.\n\n22 Read as if _yama mawiri hedatari_.\n\n42 fly in and out in crowds.\n\n55 Hon. caus.\n\n56 _kimi_ is Ikenushi; _kokoro_, that is, of his letter, &c.\n\n60 = _owarazu_.\n\n1-6 Exordium.\n\n9-12 are copied from 214.\n\n9-20 Yakamochi\u2019s illness.\n\n21-36 His regrets.\n\n37-54 Regrets he cannot enjoy the spring.\n\n55 to end, addressed to Ikenushi.\n\n13, 14, 15, 16 are found thus arranged (15, 16, 13, 14) in K. App. LI.\n\n56 _kimi_ is Ikenushi.\n\nFor _shinazakaru_, _ashihikino_, _tamahokono_, _tamakiharu_ see List m.\nk.\n\n\nMAKI XVII, SHIMO\n\n\n216\n\nIkenushi.\n\n Ohokimi no 1\n Mikoto kashikomi\n ashihikino\n yama nu saharazu\n amazakaru 5\n hina mo osamuru\n masurawoya\n nani ka mono \u2019mofu\n awoniyoshi\n Nara ji ki-kayofu 10\n tamadzusano\n tsukahi tayeme ya\n komori kohi\n iki-dzuki watari\n shita \u2019mohi ni 15\n nagekefu waga se\n inishihe yu\n ihi-tsugi kuraku\n yo no naka ha\n kazu naki mono so 20\n nagusamuru\n koto no aramu to\n sato-bito no\n are ni tsugeraku\n yamabi ni ha 25\n sakurabana chiri\n kaho-tori no\n ma-naku shiba-naku\n haru no nu ni\n sumire wo tsumu to 30\n shirotaheno\n sode wori-kaheshi\n kurenawino\n aka-mo suso-biki\n wotome ha 35\n omohi-midarete\n kimi matsu to\n ura-gohi su nari\n kokoro-gushi\n iza mi ni yukana 40\n koto ha tanashire!\n\n1-12 For the comfort of Yakamochi; 13-20 Ikenushi\u2019s sympathy; 21-38\nsympathy of the sato-hito; 39 to end, Ikenushi\u2019s sick friend shall\nstill enjoy the beauties of spring.\n\n16 _waga se_ is Yakamochi, so too _kimi_ in 37.\n\n39 _kokoro-gushi_ is not here _kokoro-kurushi_, but = _kokoro ni\nnatsukashimaruru_, thou art heart-beloved.\u2026\n\nFor _ashihikino_, _amazakaru_, _masurawoya_, _awoniyoshi_,\n_tamadzusano_, _shirotaheno_, _kurenawino_ see List m. k.\n\nThe value of some only of these m. k. is incorporated in the\ntranslation.\n\n\n217\n\nYakamochi.\n\n Imo mo are mo 1\n kokoro ha oyaji\n taguheredo\n iya natsukashiku\n ahi-mireba 5\n toko hatsu hana ni\n kokoro-gushi\n megushi mo nashi ni\n hashikeyashi\n aga oku tsuma 10\n ohokimi no\n mikoto kashikomi\n ashihikino\n yama koye nu yuki\n amazakaru 15\n hina wosame ni to\n wakare koshi\n sono hi no kihami\n aratamano\n toshi yuki-kaheri 20\n hana haru no\n utsurofu made ni\n ahi-mineba\n ita mo subenami\n shikitaheno 25\n sode kaheshitsutsu\n nuru yo ochizu\n ime ni ha miredo\n utsutsu ni shi\n tada ni araneba 30\n kohishikeku\n chihe ni tsumorinu\n chikaku araba\n kaheri ni dani mo\n uchi-yukite 35\n imo ga ta-makura\n sashi-kahete\n nete mo komashi wo\n tamahokono\n michi ha shi tohoku 40\n seki sahe ni\n he narite are koso\n yoshiweyashi\n yoshi ha aramu so\n hototogisu 45\n ki-nakamu tsuki ni\n itsushika mo\n hayaku narinamu\n u no hana no\n nihoheru yama wo 50\n yoso nomi mo\n furi-sake mitsutsu\n Afumi ji ni\n i-yuki nori-tachi\n awoniyoshi 55\n Nara no wagihe hi\n nuye tori no\n ura nageshitsutsu\n shita-kohi ni\n omohi urabure 60\n kado ni tachi\n yufu ke tohitsutsu\n a wo matsu to\n nasuramu imo wo\n ahite haya mimu. 65\n\n7 _gushi_ = _natsukashi_.\n\n8 _nashi_ (_nasu_) = _gotoku_.\n\n10 _oku_, here respectful for \u2018my wife\u2019.\n\n23 _ahi-mineba_: the object is _aga oku tsuma_, v. 10.\n\n30 _tada ni_, really, verily, actually.\n\n38 _komashi_, from _kuru_.\n\n43 _yoshiweyashi_ = _yoshiya_.\n\n51 _yoso_ = _hoka_, _soto ni_.\n\n54 _tachi_ gives force of \u2018get on board\u2019, &c.\n\n58 _ura_, inward, i.e. deeply.\n\nFor _ashihikino_, _amazakaru_, _aratamano_, _shikitakeno_,\n_tamahokono_, _awoniyoshi_ see List m. k.\n\n\n218\n\nYakamochi.\n\nFutagami yama no uta.\n\n Imidzu kaha 1\n i-yuki megureru\n tamakushige\n Futagami yama ha\n haruhanano 5\n sakeru sakari ni\n aki no ha no\n nihoheru toki ni\n ide-tachite\n furi-sake mireba 10\n kamu kara ya\n sokoba tafutoki\n yama kara ya\n migahoshikaramu\n sume kami no 15\n suso mi no yama no\n Shibutani no\n saki no ariso ni\n asa nagi ni\n yosuru shiranami 20\n yufu nagi ni\n michi kuru shiho no\n iya mashi ni\n tayuru koto naku\n inishihe yu 25\n ima no wotsutsu ni\n kaku shi koso\n miru hito goto ni\n kakete shinubame!\n\n3 m. k. of Futa (gami) as homophon of _futa_, lid.\n\n11, 13 _kara_ = _gara_.\n\n12 _sokoba_ = _sokobaku_.\n\n15 _sume kami_ = _Futa kami_, _kami_ being taken as \u2018god\u2019.\n\n16 _mi_ = neighbourhood.\n\n26 _wotsutsu_ = _utsutsu_.\n\nFor _tamakushige_, _haruhanano_ see List m. k.\n\n\n219\n\nU-tsuki no towoka \u2019mari muka no hi no yo haruka ni hototogisu no kowe\nwo kikite omohi wo noburu uta hitotsu.\n\nMigi Yakamochi ga kore wo yomeru.\n\nOhoki fumihito Hada no Imiki Yachishima no tachi nite Yakamochi wo\numanohanamuke suru utage no uta futatsu.\n\nMigi no Yakamochi ga Sh\u00f4zeich\u00f4 wo mochite miyako ni mawiramu to su kare\nkono uta wo yomite wakare no nageki wo noburu.\n\nFuse no midzu-umi asoberu uta hitotsu mata mizhika uta hitotsu.\n\nYakamochi.\n\n Mononofuno 1\n yaso tomo no wo no\n omofu dochi\n kokoro yaramu to\n uma namete 5\n uchi-kuchi-buri no\n shiranami no\n ariso ni yosuru\n Shibutani no\n saki tamotohori 10\n Matsudaye no\n naga-hama sugite\n Unahi gaha\n kiyoki se goto ni\n u kaha tachi 15\n ka yuki kaku yuki\n mitsuredomo\n soko mo akani to\n Fuse no umi ni\n fune uke-suwete 20\n oki-he kogi\n he ni kogi mireba\n nagisa ni ha\n ajimura sawaki\n shima-mi ni ha 25\n konure hana saki\n kokobaku mo\n mi no sayakeki ka\n tamakushige\n Futa-gami yama ni 30\n hafutsutano\n yuki ha wakarezu\n ari-gayohi\n iya-toshi no ha ni\n omofu dochi 35\n kaku shi asobamu\n ima mo miru goto.\n\n3 _dochi_ = _tomo_, comrade, friend.\n\n4 _kokoro yaramu_, give one\u2019s heart, abandon oneself to enjoyment.\n\n6 _uchi-kuchi-buri_ = _wochi-kochi_.\n\n15 set up a cormorant fishery.\n\n25 about the islands.\n\n28 _mi_ = miru.\n\n34 _toshi no ha_ (_shi_) to end of a year, or years.\n\nFor _mononofuno_, _tamakushige_, _hafutsutano_ see List m. k.\n\n\n220\n\nIkenushi.\n\nFuse no midzu-umi no uta ni kotahe-mawosu uta.\n\n Fujinami ha 1\n sakite chiri niki\n u no hana ha\n ima so sakari to\n ashihikino 5\n yama ni mo nu ni mo\n hototogisu\n naki shi toyomeba\n uchi-nabiku\n kokoro mo shinu ni 10\n soko wo shi mo\n ura-kohishimi to\n omofu dochi\n uma uchi-murete\n tadzusahari 15\n ide-tachi mireba\n Imidzu kaha\n minato no su-dori\n asa nagi ni\n kata ni asarishi 20\n shiho miteba\n tsuma yobi kahasu\n tomoshiki ni\n mitsutsu sugi-yuki\n Shibutani no 25\n ariso no saki ni\n okitsu nami\n yose-kuru tamamo\n katayori ni\n katsura ni tsukuri 30\n imo ga tame\n te ni maki-mochite\n uraguhashi\n Fuse no midzu-umi ni\n ama-bune ni 35\n ma-kaji kai nuki\n shirotaheno\n sode furi kaheshi\n adomohite\n waga kogi yukeba 40\n Wofu no saki\n hana chiri magahi\n nagisa ni ha\n ashi-gamo sawaki\n sazare nami 45\n tachite mo wite mo\n kogi meguri\n miredomo akazu\n aki saraba\n momiji no toki ni 50\n haru saraba\n hana no sakari ni\n ka mo kaku mo\n kimi ga manimani\n kaku shi koso 55\n mi mo akirameme\n tayuru hi arame ya.\n\n2 _niki_ = _iniki_, has gone.\n\n27 Read _okitsu nami no kata yori ni yosekuru sono tamamo_, the seaweed\nthat the ocean waves fling shorewards.\n\n38 making our sleeves flutter as we ply the sculls.\n\n51 when spring comes forth.\n\nFor _ashihikino_, _shirotaheno_ see List m. k.\n\n\n221\n\nYakamochi.\n\nTachiyama no uta hitotsu [kono yama ha Arakaha no kohori ni ari].\n\n Amazakaru 1\n hina ni na kakasu\n Koshi no naka\n kunuchi kotogoto\n yama ha shi mo 5\n shizhi ni aredomo\n kaha ha shi mo\n saha ni yukedomo\n sume kami no\n ushi-haki imasu 10\n Nihi kaha no\n sono Tachi yama ni\n tokonatsu ni\n yuki furi shikite\n obaseru 15\n Katakahi kaha no\n kiyoki se ni\n asa yohi goto ni\n tatsu kiri no\n omohi sugime ya 20\n arigayohi\n iya toshi no ha ni\n yoso nomi mo\n furi-sake mitsutsu\n yorodzu yo no 25\n katarahi-gusa to\n imada minu\n hito ni no tsugemu\n oto nomi mo\n na nomi mo kikite 30\n tomoshiburugane.\n\n2 _na kakasu Koshi_--_Koshi_, that answers to its name; _koshi_ =\n_kosu_, to cross (the hills)--referring to the situation of the\nprovince with regard to City-Royal.\n\n4 _kunuchi_, _kuni uchi_.\n\n13 _tokonatsu_ = _hisashiku nodoka_ (Keichiu).\n\n22 as years run on.\n\n26 = _katarahi-tane_, \u2018seed\u2019, or subject, or matter of discourse,\nnarrative, &c.\n\n31 = _urayamashigaru tame ni_.\n\nFor _amazakaru_ see List m. k.\n\n\n222\n\nIkenushi.\n\nTachiyama no uta ni kotahe-mawosu uta.\n\n Asahisashi 1\n so-gahi ni miyuru\n kamu nagara\n mi na ni ohaseru\n shirakumono 5\n chihe wo oshiwake\n ama sosori\n takaki Tachi yama\n fuyu natsu to\n waku koto mo naku 10\n shirotaheni\n yuki ha furi-okite\n inishihe yu\n ari-ki nikereba\n kogoshi ka mo 15\n iha no kamusabi\n tamakiharu\n iku yo he nikemu\n tachite wite\n miredomo ayashi 20\n mine-dakami\n tani wo fukami to\n ochi-tagitsu\n kiyoki kafuchi ni\n asa sarazu 25\n kiri tachi-watari\n yufu sareba\n kumo wi-tanabiki\n kumowinasu\n kokoro mo shinu ni 30\n tatsukirino\n omohi sugusazu\n yuku midzu no\n oto mo sayakeku\n yorodzu yo ni 35\n ihi-tsugi yukamu\n kaha shi tayezuba.\n\n1-14 description of Tachi-yama; 15-28 its beauty and majesty; 29 to end\nits effect upon the beholder.\n\n1 m. k. of _sogahi_ (see glossary)--_so-gahi ni miyuru_, seen from back\n(of house or _tachi_ of Ikenushi?). The m. k. is used in reference to\nthe dazzling brightness of the morning sun necessitating one\u2019s turning\n(_kahi_) one\u2019s back (_so_) to it. I am not, however, satisfied with\nthis explanation.\n\nFor _asahisashi_, _shirakumono_, _tamakiharu_, _kumowinasu_,\n_tatsukirino_ see List m. k.\n\n\n223\n\nYakamochi.\n\nMiyako ni yaya chikaku mawiramu koto kanashimi no kokoro\nharahi-gatakute omohi wo noburu uta.\n\n Kakikazofu 1\n Futagami yama ni\n kamusabite\n tateru tsuga no ki\n moto mo ye mo 5\n oyazhi tokiha ni\n hashikiyoshi\n waga se no kimi wo\n asa sarazu\n ahite koto-dohi 10\n yufu sareba\n te tadzusaharite\n Imidzu kaha\n kiyoki kafuchi ni\n ide-tachite 15\n waga tachi-mireba\n ayu no kaze\n itaku shi fukeba\n minato ni ha\n shiranami takami 20\n tsuma yobu to\n su-dori ha sawaku\n ashi-karu to\n ama no wobune ha\n iri ye kogu 25\n kaji no oto takashi\n soko wo shi mo\n aya ni tomoshimi\n shinubitsutsu\n asobu sakari wo 30\n Sumerogi no\n wosu kuni nareba\n mikoto mochi\n tachi-wakare nareba\n okuretaru 35\n kimi ha aredomo\n tamahokono\n michi-yuku ware ha\n shirakumono\n tanabiku yama wo 40\n iha-ne fumi\n koye henarinaba\n kohishikeku\n ke no nagakemu so\n soko \u2019moheba 45\n kokoro shi itashi\n hototogisu\n kowe ni ahe-nuku\n tama ni mo ga\n te ni maki-mochite 50\n asa yoki ni\n mitsutsu yukamu wo\n okite ikaba woshi.\n\n8 _waga se_ is Ikenushi.\n\n17 east wind, a local term.\n\n23 _ashi wo karu_, gather reeds.\n\n36 _kimi_, Ikenushi.\n\n48, 49 The making of the _kusudama_ at the time of the cuckoo\u2019s song\nbeing heard.\n\n53 I read this as = _[kusu] tama wo nokoshite okite yukaba oshikaramu_,\nit would be regrettable to leave behind (or put aside or neglect) the\nposy.\n\nFor _kakikazofu_, _tamahokono_, _shirakumono_ see List m. k.\n\n\n224\n\nIkenushi.\n\nTachimachi miyako mawiramu omohi wo noburu no yomeru wo mite iki-nagara\nwakarura kanashimitari danch\u00f4 mankwai yenketsu wo nozoki-gatashi\nisasaka shoshin wo s\u00f4su uta.\n\n Awoniyoshi 1\n Nara wo ki-hanare\n amazakaru\n hina ni ha aredo\n waga seko wo 5\n mitsutsu shi woreba\n omohiyaru\n koto mo arishi wo\n ohokimi no\n mikoto kashikomi 10\n wosu kuni no\n koto tori-mochite\n wakakusano\n ayuhi ta-dzukuri\n muratorino 15\n asa-dachi inaba\n okuretaru\n are ya kanashiki\n tabi ni yuku\n kimi ka mo kohimu 20\n omofu sora\n yasuku araneba\n nagekaku wo\n todome mo kanete\n mi-wataseba 25\n u no hana yama no\n hototogisu\n ne nomi shi nakayu\n asagirino\n midaruru kokoro 30\n koto ni idete\n ihaba yuyushimi\n Tonami yama\n ta-muke no kami ni\n nusa matsuri 35\n aga kohi-nomaku\n hashikeyashi\n kimi ga tadaka wo\n ma sakiku mo\n ari-tamotohori 40\n tsuki tateba\n toki mo kahasazu\n nadeshiko ga\n hana no sakari ni\n ahi-mishime to so! 45\n\n Urakohishi 1\n waga se no kimi ha\n nadeshiko ga\n hana ni mo ga mo na\n asanasa ni mimu. 5\n\n5 _seko_ is Yakamochi.\n\n14 _ta-dzukuri_ = _tabi-dsukuri_.\n\n31, 32 to express myself in words were a dread thing = _kakemaku mo_,\n&c.\n\n34 _ta-muke no kami_, the god to whom offerings are made. The shrine\nwould be at the top of a pass, hence _ta-muke_ also signified the\nsummit of a pass or hill.\n\n2 _waga se_ is Yakamochi.\n\n5 _asanasa_ = _asa ni asa ni_.\n\nFor _awoniyoshi_, _amazakaru_, _wakakusano_, _muratorino_, _asagirino_\nsee List m. k.\n\n\n225\n\nSoraseru taka wo shinubi ime ni mite yorokobi yomeru uta.\n\n Ohokimi no 1\n toho no mikado to\n mi yuki furu\n Koshi to na ni oheru\n amazakaru 5\n hina nishi areba\n yama-dakami\n kaha tohoshiroshi\n nu wo hiromi\n kusa koso shigeshi 10\n ayu hashiru\n natsu no sakari to\n shima tsu tori\n u-kahi ga tomo ha\n yuku kaha no 15\n kiyoki se goto ni\n kagari sashi\n nadzusahi noboru\n tsuyu shimo no\n aki ni itareba 20\n nu mo saha ni\n tori sudakeri to\n masurawono\n tomo izanahite\n taka ha shi mo 25\n amata aredomo\n yakata-wo no\n aga ohokuro ni\n shira-nuri no\n suzu tori-tsukete 30\n asa-gari ni\n iho tsu tori tate\n yufu-gari ni\n chidori fumitate\n ofu goto ni 35\n yusuru koto naku\n ta-banare mo\n wochi mo kayasuki\n kore wo okite\n mata ha ari-gatashi 40\n sa-naraberu\n taka ha nakemu to\n kokoro ni ha\n omohi hokorite\n wemahitsutsu 45\n wataru ahida ni\n taburetaru\n shiko tsu okina no\n koto dani mo\n are ni ha tsugezu 50\n tonogumori\n ame no furu hi wo\n to-gari su to\n na nomi wo norite\n Mishima-nu wo 55\n sogahi ni mitsutsu\n Futa-kami no\n yama tobi-koyete\n kumo-gakuri\n kakeri iniki to 60\n kaheri-kite\n shiha-bure tsugure\n woku yoshi no\n soko ni nakereba\n ifu sube no 65\n tadoki wo shirani\n kokoro ni ha\n hi sahe moyetsutsu\n omohi kohi\n iki-dzuki amari 70\n kedashiku mo\n afu koto ari ya to\n ashihikino\n wote-mo kono-mo ni\n to-nami hari 75\n moribe wo suwete\n chihayaburu\n kami no yashiro ni\n teru kagami\n shitsu ni tori-sohe 80\n kohi-nomite\n aga matsu toki ni\n wotomera ga\n ime ni tsuguraku\n naga kofuru 85\n sono hotsu taka ha\n Matsudaye no\n hama yuki-gurashi\n tsunashi toru\n Himi no ye sugite 90\n Tako no shima\n tobi-tamotohori\n ashi-gamo no\n sudaku Furuye ni\n wototsu hi mo 95\n kinofu mo aritsu\n chikaku araba\n ima futsuka dami\n tohoku araba\n nanuka no uchi ha 100\n sugime ya mo\n kinamu waga seko\n nemokoro ni\n na kohi so yo to so\n ime ni tsugetsuru. 105\n\nThe glossary and notes to the translation sufficiently explain the text\nof this lay.\n\n98 _dami_ seems to = _bakari_.\n\nFor _amazakaru_, _masurawono_, _ashihikino_, _chihayaburu_ see List m.\nk.\n\n\nMAKI XVIII, KAMI\n\n\n226\n\nAgehari no uchi ni hitori wite hototogisu no ne wo kikite yomeru uta.\n\n Takamikura 1\n ama no hitsugi to\n Sumerogi no\n ami no mikoto no\n kikoshiwosu 5\n kuni no mahora ni\n yama wo shi mo\n saha ni ohomi to\n momo tori no\n ki-wite naku koye 10\n haru sareba\n kiki no kanashi mo\n idzure wo ka\n wakite shinubamu\n u no hana no 15\n saku tsuki tateba\n medzurashiku\n naku hototogisu\n ayame-gusa\n tama nuku made ni 20\n hiru kurashi\n yo watashi kikedo\n kiku goto ni\n kokoro ugokite\n uchi nageki 25\n ahare no tori to\n ihanu toki nashi.\n\n (3)\n\n Hototogisu 1\n ito netakeku ha\n tachibana no\n hana chiru toki ni\n ki-naki toyomuru. 5\n\n1 A sort of m. k. of _ama no hitsugi_.\n\n13, 14 of all the birds the most delightsome.\n\nFor _takamikura_ see List m. k.\n\n\n227\n\nMichinoku no kuni yori kugane wo idaseru mikotonori wo kotohoku uta.\n\n Ashihara no 1\n Midzuho no kuni wo\n ama kudari\n shirashimeshikeru\n sumerogi no 5\n kami no mikoto no\n mi yo kasane\n ama no hitsugi to\n shirashikuru\n kimi no miyo miyo 10\n shikimaseru\n yo mo no kuni ni ha\n yama kaha wo\n hiromi atsumi to\n tatematsuru 15\n mi tsuki takara ha\n kazoheyezu\n tsukushi mo kanetsu\n shikaredomo\n waga ohokimi no 20\n moro hito wo\n izanahi tamahi\n yoki koto wo\n hazhime tamahite\n kukane ka mo 25\n tanoshikeku aramu\n to omohoshite\n shita nayamasu ni\n toriganaku\n Adzuma no kuni no so 30\n Michinoku no\n Woda naru yama ni\n kugane ari\n to maushitamahere\n mi kokoro wo 35\n akirame tamahi\n ame tsuchi no\n kami ahi-udzunahi\n sumerogi no\n mi tama tasukete 40\n tohoki yo ni\n nakarishi koto wo\n waga mi yo ni\n arahashite areba\n wosu kuni ha 45\n sakayemu mono to\n kamu nagara\n omohoshimeshite\n mononofuno\n ya so tomo no wo wo 50\n matsurobe no\n muke no manimani\n oi-hito mo\n me no waraha ko mo\n shi ga negafu 55\n kokoro-darahi ni\n nade-tamahi\n wosame-tamaheba\n koko wo shi mo\n aya ni tafutomi 60\n ureshikeku\n iyo-yo omohite\n Ohotomo no\n tohotsu kamu oya no\n sono na wo ba 65\n Ohokume nushi to\n ohi-mochite\n tsukaheshi tsukasa\n umi yukaba\n midzuku kabane 70\n yama yukaba\n kusamusu kabane\n ohokimi no\n he ni koso shiname\n kaheri-mi ha 75\n sezhi to kotodate\n masurawono\n kiyoki sono na wo\n inishihe no\n ima no wotsutsu ni 80\n nagasaheru\n oya no kodomo so\n Ohotomo no\n Saheki no uji ha\n hito no \u2019ya no 85\n tatsuru kotodate\n hito no ko ha\n oya no na tatazu\n ohokimi ni\n matsurofu mono to 90\n ihi-tsugeru\n koto no tsukasa so\n adzusa yumi\n te ni tori-mochite\n tsurugi tachi 95\n koshi ni tori-haki\n asa mamori\n yufu no mamori ni\n ohokimi no\n Mikado no mamori 100\n ware wo okite\n mata hito ha arazhi\n to iya-tate\n omohishi masaru\n ohokimi no 105\n mikoto no saki no\n kikeba tafutomi.\n\nvv. 1-18 describe Yamato, its line of rulers, its features and wealth;\n18-28 the object of the Mikado\u2019s desire for gold; _yoki koto_,\ndesirable thing; 21-24 see below; 29-50 his gratitude on hearing of the\ndiscovery of gold in Michinoku; 51 to end, the panegyric by Yakamochi\nof the Otomo clan to which he belongs. 101 and 102 are plagiarized from\nLay 67.\n\n52 = _iyo-yo_ = _iyo-iyo_.\n\n103 _to iya-tate_, so, more and more raise (_kotodate_).\n\n107 Read _kikeba_ after _tafutomi_.\n\nFor _kazoheyezu_, _toriganaku_, _mononofuno_, _masurawono_ see List m.\nk.\n\n\nMAKI XVIII, SHIMO\n\n\n228\n\nYoshino no totsumiya ni idemasamu toki no tame ni arakazhime yomeru uta.\n\n Takamikura 1\n ama no hitsugi to\n ame no shita\n shirashimeshikeru\n sumerogi no 5\n kami no mikoto no\n kashikoku mo\n hazhime tamahite\n tafutoku mo\n sadametamaheru 10\n Mi Yoshinu no\n kono ohomiya ni\n ari-gayohi\n meshitamafurashi\n mononofuno 15\n yasotomo no wo mo\n ono ga oheru\n ono ga na [ohi] na ohi\n ohokimi no\n make no manimani 20\n kono kaha no\n tayuru koto naku\n kono yama no\n iya tsugi-tsugi ni\n kaku shi koso 25\n tsukahematsurame\n iya toho naga ni.\n\n5 _sumerogi_ is the Mikado Ojin (270-310).\n\n13, 14 refer to the reigning Mikado Sh\u00f4mu (724-48).\n\n20 Read in connexion with 26.\n\nFor _takamikura_, _mononofuno_ see List m. k.\n\n\n229\n\nMiyako no ihe ni okuramu ga tame ni shiratama wo horisuru uta.\n\n Susu no ama no 1\n okitsu mi kami ni\n i-watarite\n kadzuki tori to ifu\n ahabi tama 5\n ihochi mo ga mo\n hashikiyoshi\n tsuma no mikoto no\n koromodeno\n wakareshi toki yo 10\n nubatamano\n yo toko kata sari\n asa-ne-gami\n kaki mo kedzurazu\n idete koshi 15\n tsuki-hi yomitsutsu\n nagekuramu\n kokoro nagusa ni\n hototogisu\n ki naku sa-tsuki no 20\n ayame-gusa\n hana tachibana ni\n nuki mazhihe\n kadzura ni seyo to\n tsutsumite yaramu. 25\n\n2 _mi kami_, great god, here = wilds of ocean (great sea-god\u2019s realm).\n\n6 _i-ho-chi_ = _i ho tsu_, compare _hatachi_.\n\n10 _yo_ = _yori_.\n\n12 _yo_ = _yoru_, night; _kata sari_, where one has gone and left the\nother of a pair.\n\n13 _asa ne kami_, hair disordered in morning on awaking from sleep.\n\n14 _kakazu mo_, _kedzurazu mo_.\n\n19 _hototogisu ki naku_ is epithetical of _sa-tsuki_ (fifth month).\n\n\n230\n\nFumibito Wohari no Woguhi wo satosu uta.\n\n Ohonamuji 1\n Sukunabikona no\n kami-yo yori\n ihitsugikeraku\n chichi haha wo 5\n mireba tafutoku\n me ko mireba\n kanashiku megushi\n utsusemino\n yo no kotowari to 10\n kaku sama ni\n ihikeru mono wo\n yo no hito no\n tatsuru koto-date\n chisa no hana 15\n sakeru sakari ni\n hashikeyoshi\n sono tsuma no ko to\n asa yohi ni\n yemimi yemazu mo 20\n uchi-nageki\n katarikemaku ha\n tokoshihe ni\n kaku shi mo arame ya\n ame tsuchi no 25\n kami kotoyosete\n haruhanano\n sakari mo aramu to\n matashikemu\n toki no sakari wo 30\n sakari-wite\n nagekasu to imo ga\n itsushika mo\n tsukahi mo komu to\n matasuramu 35\n kokoro sabushiku\n minami fuki\n yuki ke hafurite\n Imidzu kaha\n ukabu mi nawa mo 40\n yoru he nami\n Saburu sono ko ni\n himo no wo no\n i-tsugari ahite\n nihodori no 45\n futari narabi-wi\n Nago no umi no\n oki wo fukamete\n sadohaseru\n kimi ga kokoro wo 50\n sube mo subenasa!\n\n4 = _ihitsugikeru_.\n\n6, 8 To _tafutoku_ and _kanashiku_ (also to _sabushiku_, v. 36), add\n_nari_.\n\n15 _chisa_ = _chisha_, lettuce. Wild salads of all kinds were much\nesteemed in ancient Japan.\n\n15-36 describe the anxiety of the wife.\n\n18 _ko_ = lady.\n\n20 smiling or not, in all moods.\n\n25, 26 her reliance on the gods.\n\n31 This line is doubtful--sense is possible only by reading _sakari_ as\n= _hanare_ or _hanachi_.\n\n37 _minami [kaze]_.\n\n37-41 introductory to Saburu.\n\n38 _yuki_, snow. _ke_ = _kihe_, disappear, melt.\n\n44 _i-tsugari_ = _tsunagu_, _tsunagaru_.\n\nFor _utsusemino_, _haruhanano_ see List m. k.\n\n\n231\n\n Kakemaku mo 1\n aya ni kashikoshi\n sumerogi no\n kami no oho mi yo ni\n Tazhima Mori 5\n Tokoyo ni watari\n ya hoko mochi\n mawide koshi tofu\n tokizhiku no\n kagu no ko no mi wo 10\n kashikoku mo\n nokoshitamahere\n kuni mo se ni\n ohi-tachi sakaye\n haru sareba 15\n hikoye moitsutsu\n hototogisu\n naku sa-tsuki ni ha\n hatsu hana wo\n yeda ni taworite 20\n wotomera ni\n tsuto ni mo yarimi\n shirotaheno\n sode ni mo kokire\n ka-guhashimi 25\n okite karashimi\n ayuru mi ha\n tama ni nukitsutsu\n te ni makite\n miredomo akazu 30\n aki-dzukeba\n shigure no amefuri\n ashihikino\n yama no konure ha\n kurenawi ni 35\n nihohi chiredomo\n tachibana no\n nareru sono mi ha\n hitateri ni\n iya migahoshiku 40\n mi yuki furu\n fuyu ni itareba\n shimo okedomo\n sono ha mo karezu\n tokihanasu 45\n iya sakahaye ni\n shikare koso\n kami no mi yo yori\n yoroshi-nabe\n kono tachibana wo 50\n tokizhiku no\n kaku no ko no mi to\n nadzukekerashi mo!\n\n8 _mawide_ = _mawiri-ide_. _koshi_ is past of _kuru_ used as auxiliary.\n\n13 _se_ = _semaku_. _se ni_, closely = abundantly.\n\n6 _hiko-ye_, twigs, lit. descendant-branches.\n\n22 _tsuto_, _tsutsumi to_, bound or arranged as a gift.\n\n24 _kokire_, _koki-ire_, lit. strip-put-in. The value here is somewhat\nuncertain, perhaps to strip off the flowers and set them on the sleeve\nin some way.\n\n26 _karashi_, caus. of _karu_ wither. _mi_ here, as in 22, has an\niterative force.\n\n39 _hita-teri_, right dazzling.\n\n52 _kaku_, thus, i.e. weathering all the seasons, but _kaku_ may be\nread _kagu_, fragrant, i.e. pleasing all the year through, hence by a\nword-play the appropriateness of the term _ka-guhashimi_ (25).\n\nFor _shirotaheno_, _ashihikino_, _tokihanasu_ see List m. k.\n\n\n232\n\nNiha no hana wo mite yomeru uta.\n\n Ohokimi no 1\n toho no Mikado to\n makitamafu\n tsukasa no manima\n mi yuki furu 5\n Koshi ni kudariki\n aratamano\n toshi no itsu tose\n shikitaheno\n ta-makura makazu 10\n himo tokazu\n marone wo sureba\n ifusemi to\n kokoro nagusa ni\n nadeshiko wo 15\n yado ni maki-ohoshi\n natsu no no no\n sa-yuri hiki uwete\n saku hana wo\n idemiru goto ni 20\n nadeshiko ga\n sono hana-dzuma ni\n sa yuri-bana\n yuri mo ahamu to\n nagusamura 25\n kokoro shinakuba\n amazakaru\n hina ni hito hi mo\n arubeku mo aru ya!\n\n Nadeshiko ga 1\n hana miru goto ni\n wotomera ga\n yemahi no nihohi\n omohoyuru ka mo? 5\n\n2 _to_ = _nite_.\n\n3, 4 in execution of service imposed upon me.\n\n8 _tose_ = _toshi he_, passage of years.\n\n9 must be read as m. k. of _makura_.\n\n2 _maro-ne_ = _hitori-ne_.\n\n13 _to_, supply _naru_.\n\n14 _nagusamu_.\n\n16 _maki-ohoshi_ = sow or plant, let grow.\n\n17 _no no no_, the second _no_ = _nu_, moor.\n\n18 _sa-yuri_, the _sa_ of _sa tsuki_--vigorously growing (_sa nahe_),\nlily of the fifth month.\n\n24 Here _yuri_ = _yori_ = _nochi_.\n\nFor _aratamano_, _shikitaheno_, _amazakaru_ see List m. k.\n\n\n233\n\n Ohokimi no 1\n maki no manimani\n tori-mochite\n tsukafuru kuni no\n toshi no uchi no 5\n koto katane mochi\n tamahokono\n michi ni ide-tachi\n ihane fumi\n yama koye nu yuki 10\n miyako he\n mawishi waga se wo\n aratamano\n toshi yuki-kaheri\n tsuki kasane 15\n minu hi sa-manemi\n kofuru sora\n yasuku shi araneba\n hototogisu\n ki naku sa-dzuki no 20\n ayame-gusa\n yomogi kadzura ki\n saka mi-dzuki\n asobi naguredo\n Imidzu kaha 25\n yuki ke afurite\n yuku midzu no\n iya mashi ni nomi\n tadzu ga naku\n Nagoye no suge no 30\n nemokoro ni\n omohi musuhore\n nageki tsutsu\n aga matsu kimi ga\n koto wohari 35\n kaheri makarite\n natsu no nu no\n sa yuri no hana no\n hana wemi ni\n nifubu ni wemite 40\n ahashitaru\n kefu wo hazhimete\n kagaminasu\n kaku shi tsune mimu\n omokaharisezu. 45\n\n6 _katane_, _katanu_ is to settle, arrange, conclude, &c.\n\n10 The syntax here is obscure.\n\n13, 14, 15 lit. fresh years came and went--the months summed up.\u2026\n\n19 _hototogisu ki naku_ is epithetical of _sa-tsuki_.\n\n22 Error for _yanagi_?\n\n25-30 are introductory to _nemokoro_.\n\n41 = _ahi-tamahi_.\n\n44 _kaku shi tsune_ = just as now so always.\n\n45 _omokahari sezu_, without change of face, i.e. keeping health and\nyouth.\n\nFor _tamahokono_, _aratamano_, _kagaminasu_ see List m. k.\n\n\n234\n\nAmage no kumo wo mite yomeru uta.\n\n Sumerogi no 1\n shikimasu kuni no\n ame no shita\n yo mo no michi ni ha\n uma no tsume 5\n i-tsukusu kihami\n funa no he no\n i-hatsuru made ni\n inishihe yo\n ima no wotsutsu ni 10\n yorodzu tsuki\n matsuru tsukasa to\n tsukuritaru\n sono nari-hahi wo\n ame furazu 15\n hi no kasanareba\n uwe shita mo\n makishi hatake mo\n asa goto ni\n shibomi kare-yuku 20\n so wo mireba\n kokoro wo itami\n midori-ko no\n chi kofu ga gotoku\n amatsumidzu 25\n afugite so matsu\n ashihikino\n yama no tawori ni\n kono miyuru\n ama no shira kumo 30\n watatsumi no\n okitsu miya he ni\n tachi-watari\n tonogumori ahite\n ame mo tamahane. 35\n\n4 _yo mo_, four faces or quarters, everywhere.\n\n10 _wotsutsu_ = _utsutsu_.\n\n11 _tsuki_ = tribute, tax.\n\n28 _tawori_, summit.\n\nFor _amatsumidzu_ (used here in double sense), _ashihikino_ see List m.\nk.\n\n\n235\n\nTanabata no uta.\n\n Amaterasu 1\n kami no mi yo yori\n Yasu no kaha\n naga ni hedatete\n shika hitachi 5\n sode furi kahashi\n iki no wo ni\n nagekasu kora\n watari mori\n fune mo maukezu 10\n hashi dani mo\n watashite araba\n sono he yu mo\n i-yuki watarashi\n tadzusahari 15\n unagakeri-wite\n omohoshiki\n koto mo katarahi\n nagusamuru\n kokoro ha aramu wo 20\n nani shi ka mo\n aki nishi araneba\n kototohi no\n tomoshikikora\n utsusemi no 25\n yo no hito ware mo\n koko wo shi mo\n aya ni kusushimi\n yuki kaharu\n toshi no ha goto ni 30\n ama no hara\n furi-sake mitsutsu\n ihi-tsugi ni sure.\n\n8 _kora_ is an honour-plural, the Webster woman.\n\n13 _sono he yu_ = _sono uhe yori_, here = from that side, the other\nside where the Herdman is.\n\n26 I take _ware_ to refer to Yakamochi.\n\n33 _sure_ for _koso sure_.\n\n\nMAKI XIX, KAMI\n\n\n236\n\nMa-shirafu no taka wo yomeru uta.\n\n Ashihikino 1\n yama saka koyete\n yuki kaharu\n toshi no wo nagaku\n shinazakaru 5\n Koshi ni shi sumeba\n ohokimi no\n shikimasu kuni ha\n miyako wo mo\n koko mo oyazhi to 10\n kokoro ni ha\n omofu mono kara\n katari-sake\n misakuru hito me\n tomoshimi to 15\n omohi shi shigeshi\n soko yuwe ni\n kokoro nagu ya to\n aki-dzukeba\n hagi saki-nihofu 20\n Ihase nu ni\n uma tagi-yukite\n wochi kochi ni\n tori fumi-tate\n shiranuri no 25\n wo-suzu mo yura ni\n ahase-yari\n furi-sake mitsutsu\n ikitohoru\n kokoro no uchi wo 30\n omohi-nobe\n ureshibi nagara\n makuradzuku\n tsuma ya no uchi ni\n to-gura yuhi 35\n suwete so aga kafu\n mashirafu no taka!\n\n13 _katari-sake_, utter, give expression to conversation; _misake_,\nsend forth glance, i.e. look at, perceive.\n\n22 _uma tagi-yukite_, _tagu_ (_taguru_) is to draw (rope, cord, &c.).\n\n27 _ahase-yari_ is taken as referring to _wo-suzu_.\n\n29 See N. I. 241, the _uta_.\n\n37 _ma-shirafu_, shining, white-mottled.\n\nFor _makuradzuku_ see List m. k.\n\n\n237\n\nU tsu kafu uta.\n\n Aratamano 1\n toshi yuki kahari\n haru sareba\n hana saki nihofu\n ashihikino 5\n yama shita doyomi\n ochi tagichi\n nagaru Sakita no\n kaha no se ni\n ayu ko sa-bashiri 10\n shima tsu tori\n u-kahi tomo nabe\n kagari sashi\n nadzusahi yukeba\n wagimoko ga 15\n katami gatera to\n kurenawi no\n ya shiho ni somete\n okosetaru\n koromo no suso mo 20\n tohorite nurenu.\n\n13 _kagari sashi_, place torch-holders = prepare or light decoy-flares.\n\n14 _nami-tsu[mori]-safu_.\n\n16 _gatera to_ = here, by way of parting gift or souvenir.\n\nFor _aratamano_, _ashihikino_ see List m. k.\n\n\n238\n\nYo no tsune no naki koto no uta.\n\n Ame tsuchi no 1\n tohoki hazhime yo\n yo no naka ha\n tsune naki mono to\n katari tsuki 5\n nagarahe kitari\n ama no hara\n furi-sake mireba\n teru tsuki mo\n michi kakeshikeri 10\n ashihikino\n yama no konure mo\n haru sareba\n hana saki nihohi\n aki tsukeba 15\n tsuyu shimo ohite\n kaze mazhiri\n momiji chirikeri\n utsusemi mo\n kaku nomi narashi 20\n kurenawi no\n iro mo utsurohi\n nubatamano\n kuro kami kahari\n asa no wemi 25\n yufube kaharahi\n fuku kaze no\n miyenu ga gotoku\n yuku midzu no\n tomaranu gotoku 30\n tsune mo naku\n utsurofu mireba\n nihatadzumi\n nagaruru namida\n todome kanetsu mo. 35\n\n16 _ohite_ = be or lie on.\n\n31 impermanent.\n\nFor _ashihikino_, _nubatamano_ see List m. k.\n\n\n239\n\nMasurawo no na wo furufu wo shitafu uta.\n\n Chichinomino 1\n chichi no mikoto\n hahasobano\n haha no mikoto\n ohoroka ni 5\n kokoro tsukushite\n omofuramu\n sono ko nare ya mo\n masurawo ya\n munashiku arubeki 10\n adzusa yumi\n suwe-furi-okoshi\n nagu ya mochi\n chi hiro i-watashi\n tsurugi-tachi 15\n koshi ni tori-haki\n ashihikino\n yatsuwo fumi-koye\n sashi makuru\n kokoro sayarazu 20\n nochi no yo no\n katari-tsugibeku\n na wo tatsubeshi mo.\n\n_furufu_, lit. to brandish, here to display.\n\n1 The line is a sort of phonetic m. k. of _chichi_, father; _chichi\nno mi_ is the fruit of Ginkgo biloba (the maiden-hair tree). So\n_hahaso-ba_ (leaf of Quercus dentata) is a phonetic m. k. of _haha_.\n\n8 _nare_ = _koso nare_, _ya_ = _ya ha_ (= Lat. _num_).\n\n10 Read as _munaskiku arubeki ya_.\n\n19 = _ninzeraruru_.\n\n20 _sayarazu_ = _sawarazu_ (not stopped from executing duty).\n\nFor _ashihikino_ see List m. k.\n\n\n240\n\nHototogisu mata toki no hana wo yomeru uta.\n\n Toki goto ni 1\n iya medzurashiku\n yachi kusa ni\n kusa ki hana saki\n naku tori no 5\n kowe mo kaharafu\n mimi ni kiki\n me ni miru goto ni\n uchi-nageki\n shinaye urabure 10\n shinubitsutsu\n arikuru hashi ni\n ko no kure no\n u tsuki shi tateba\n yo-gomori ni 15\n naku hototogisu\n inishihe yo\n katari tsugitsuru\n uguhisu no\n utsushi ma-ko ka mo 20\n ayame-gusa\n hana tachibana wo\n wotomera ga\n tama nuku made ni\n akanesasu 25\n hiru ha shimerani\n ashihikino\n yatsu wo tobikoye\n nubatamano\n yoru ha sugara ni 30\n akatoki no\n tsuki ni mukahite\n yuki-kaheri\n naki toyomuredo\n ikade akitaramu! 35\n\n3 _ya chi_, 8,000--i.e. all kinds of.\n\n9, 10, 11, 12 \u2026 seem to mean sighing, yielding, reflecting (or\nmelancholy), and pensive while vying \u2026 but I prefer the whole sense as\ngiven in my translation--reading _arisofu_ for _arikuru_, of which I\ncan make nothing.\n\n20 _ma-ko_, true child, progeny; or _mi-ko_, fair progeny.\n\n28 _yatsu wo_, see 239.\n\n31 _akatoki_ = _akatsuki_.\n\nFor _akanesasu_, _ashihikino_, _nubatamano_ see List m. k.\n\n\n241\n\nMe ga Miyako ni imasu haha no mikoto ni okuramu tame ni atsuraherayete\nyomeru uta.\n\n Hototogisu 1\n ki-naku sa-tsuki ni\n saki-nihofu\n hana tachibana no\n ka-guhashiki 5\n oya no mikoto\n asa yohi ni\n kikanu hi maneku\n amazakaru\n hina ni shi woreba 10\n ashihikino\n yama no tawori ni\n tatsu kumo wo\n yoso nomi mitsutsu\n nageku sora 15\n yasukeku naku ni\n omofu sora\n kurushiki mono wo\n Nago no ama no\n kadzukitoru chifu 20\n shiratamano\n migahoshi mi omowa\n tada mukahi\n mimu toki made ha\n matsu kahe no 25\n sakaye imasane\n tafutoki aga kimi.\n\n1-4 are epithetical of 5.\n\n25 _kahe_, an old word for a species of live oak, some say Japanese\nyew, Torreya nucifera.\n\nFor _amazakaru_, _ashihikino_, _shiratamano_ see List m. k.\n\n\n242\n\nU tsuki no mika no hi Yechizen Hangwan Ohotomo no Sukune Ikenushi ni\nokureru hototogisu no uta kankyu no omohi ni tahezute omohi wo noburu\nhito uta.\n\n Waga seko to 1\n te tadzusaharite\n ake kureba\n ide tachi mukahi\n yufu sareba 5\n furi sake mitsutsu\n omohi-nobe\n mi-nagishi yama\n yatsu wo ni ha\n kasumi tanabiki 10\n tani he ni ha\n tsubaki hana saki\n ura-kanashi\n haru no sugureba\n hototogisu 15\n iya shiki nakinu\n hitori nomi\n kikeba sabushi mo\n kimi to are\n hedatete kofuru 20\n Tonami yama\n tobi koye-yukite\n ake tataba\n matsu no sayeda ni\n yufu saraba 25\n tsuki ni mukahite\n ayame-gusa\n tama nuku made ni\n naki-doyome\n yasu-i shi nasazu 30\n kimi wo nayamase.\n\n1 _seko_ is Ikenushi.\n\n8 = _mi nagusamishi_.\n\n18 _ura-kanashi_, deeply _kanashi_, i.e. deeply moved here to joy, not\ngrief.\n\n19 _kimi_ is Ikenushi.\n\n20 The sentence ends with _kofuru_. The next sentence ends with\n_nayamase_ (31), of which the logical subject is, _hototogisu_,\nunderstood.\n\n\n243\n\nHototogisu wo yomeru uta.\n\n Haru sugite 1\n natsu ki-mukaheba\n ashihikino\n yama yobi-doyome\n sayo naka ni 5\n naku hototogisu\n hatsu kowe wo\n kikeba natsukashi\n ayame-gusa\n hana tachibana wo 10\n nuki mazhihe\n kadzuraku made ni\n sato-toyome\n naki-wataredomo\n naho shi shinubayu. 15\n\n15 _shinubayu_ = _shinubayuru_.\n\n\n244\n\nYamabuki wo yomeru uta.\n\n Utsusemi ha 1\n kohi wo shigemi to\n haru makete\n omohi-shigekuba\n hiki-yojite 5\n wori mo worazu mo\n miru goto ni\n kokoro nagimu to\n shige yama no\n tani he ni ofuru 10\n yamabuki wo\n yado ni hiki-uwete\n asa tsuyu ni\n nihoheru hana wo\n miru goto ni 15\n omohi ha yamazu\n kohi shi shigeshi mo.\n\n8 _nagimu_ (_nagu_) = _nagusamamu_.\n\n16 [love] thoughts.\n\n\n245\n\nFuse no midzu-umi ni asobite yomeru uta.\n\n Omofu dochi 1\n masurawo no ko no\n konokureno\n shigeki omohi wo\n mi akirame 5\n kokoro yaramu to\n Fuse no umi ni\n wo-bune tsuraname\n ma-kai kake\n i-yuki megureba 10\n Wofu no ura ni\n kasumi tanabiki\n Taruhime ni\n fujinami sakite\n hama kiyoku 15\n shiranami sawaki\n shikushiku ni\n kohi ha masaredo\n kefu nomi ni\n akitarame ya mo 20\n kaku shi koso\n iya toshi no ha ni\n haruhanano\n shigeki sakari ni\n aki no ha no 25\n nihoheru toki ni\n ari-gayohi\n mitsutsu shinubame\n kono Fuse no umi wo.\n\n8 Epithetical of _shigeki_.\n\n28 _shinubame_, we will surely take pleasure in, supply _koso_.\n\nFor _konokureno_, _haruhanano_ see List m. k.\n\n\n246\n\nYechizen Hanguwan \u2026 Ikenushi ni u wo okureru uta.\n\n Amazakaru 1\n hina to shi areba\n soko koko mo\n oyazhi kokoro so\n ihezakari 5\n toshi no henureba\n utsusemi ha\n mono \u2019mohi shigeshi\n soko yuwe ni.\n kokoro nagusa ni 10\n hototogisu\n naku hatsu kowe wo\n tachibana no\n tama ni ahenuki\n kadsurakite 15\n asobaku yoshi mo\n masurawo wo\n tomonahe tachite\n Shikura kaha\n nadzusahi nobori 20\n hirase ni ha\n sade sashi-watashi\n hayase ni ha\n u wo kadzuketsutsu\n tsuki ni hi ni 25\n shika shi asobane\n hashiki waga seko.\n\n3 _soko koko_, there or here, everywhere.\n\n17 to end refer more particularly to Ikenushi.\n\n26 Note the precative _ne_.\n\n27 _waga seko_ is Ikenushi.\n\nFor _amazakaru_ see List m. k.\n\n\n247\n\nHototogisu mata fuji no hana wo yomeru uta.\n\n Momo no hana 1\n kurenawi iro ni\n nihohitaru\n omowa no uchi ni\n awo-yagi no 5\n kuhashi mayone wo\n wemi magari\n asa kage mitsutsu\n wotomera ga\n te ni tori-motaru 10\n masokagami\n Futagami yama ni\n konokureno\n shigeki tani he wo\n yobi-toyome 15\n asa tobi-watari\n yufu dzuku-yo\n kasokeki nu he ni\n harobaro ni\n naku hototogisu 20\n tachi-kuku to\n ha furi ni chirasu\n fujinami no\n hana natsukashimi\n hiki yojite 25\n sode ni kokiretsu\n shimaba shimu to mo.\n\n1 _momo_, peach.\n\n1-11 are introductory to _futa_ of Futakami. From _futa_ backwards to\n_momo_ a literal translation would be good English--a capital instance\nof the way in which the order of words in Japanese permits of a telling\nclimax.\n\n5 _awo yanagi_.\n\n6 _mayone_ = _mayu_, eyebrow.\n\n7 _wemi magari_, smile-arch, smile-curve.\n\n13 _ko_ is _ki_, tree, bush; _kure_, shadow or gloom.\n\n17 _yufudzuku-yo_, evening-moonlight-night.\n\n18 _kasokeki_, shadowy, dim.\n\n19 _harobaro_, at a distance, far.\n\n21 _tachi-kuku_, dart in and out.\n\n22 _ha furi_, wing-shake.\n\n26 _kokire_ = _mushiri-ire_, take off (the blossoms) and put in.\n\n27 _shimaba shimu_ = _somaba somu_.\n\n\n248\n\nHironaha ni okureru hototogisu no urami no uta.\n\n Koko ni shite 1\n sogahi ni miyuru\n waga seko ga\n kaki tsu no tani ni\n ake sareba 5\n hari no sa-yeda ni\n yufu sareba\n fuji no shigemi ni\n harobaro ni\n naku hototogisu 10\n waga yado no\n uwe ki tachibana\n hana ni chiru\n toki wo matashimi\n ki nakanaku 15\n soko ha uramizu\n shikaredomo\n tani kata-dzukite\n ihe-woreru\n kimi ga kikitsutsu 20\n tsuge naku mo ushi!\n\n14 I read _matashimi_ as = _imadashi_.\n\n21 _tsuge_ I take as referring to the cuckoo who does not with his song\nherald the approach of summer for the poet.\n\n\n249\n\nHototogisu wo yomeru uta.\n\n Tani chikaku 1\n ihe ha woredomo\n ko-dakakute\n sato ha aredomo\n hototogisu 5\n imada ki nakazu\n naku kowe wo\n kikamakuhori to\n ashita ni ha\n kado ni idetachi 10\n yufube ni ha\n tani wo mi-watashi\n kofuredomo\n hito kowe dani mo\n imada kikoyezu. 15\n\n\nMAKI XIX, NAKA\n\n\n250\n\nWotome haka no uta ni ohite nazorafu uta.\n\n Inishihe no 1\n arikeru waza wo\n kusuhashiki\n koto to ihitsugu\n Chinu wotoko 5\n Unahi wotoko no\n utsusemino\n na wo arasofu to\n tamakiharu\n inochi wo sutete 10\n ahi tomo ni\n tsuma-dohi shikeru\n wotomera ga\n kikeba kanashisa\n haruhanano 15\n nihohe sakayete\n akinohano\n nihohi ni tereru\n atara mi no\n sakari wo sura ni 20\n masurawo no\n koto itohoshimi\n chichi haha ni\n mawoshi wakarete\n ihe-zakari 25\n umi he ni detachi\n asa yohi ni\n michi kuru shiho no\n yahe nami ni\n nabiku tamamo no 30\n fushi no ma no\n woshiki inochi wo\n tsuyushimono\n sugimashi ni kere\n okutsuki wo 35\n koko to sadamete\n nochi no yo no\n kiki tsugu hito mo\n iya toho ni\n shinubi ni seyo to 40\n tsuge wo-kushi\n shi ga sashikerashi\n ohite nabikeru.\n\n3 _kusuhashiki_ = _kusushi_.\n\n1-12 relate to the wooers; 13, 14 are interjectional, expressing pity\nfor the girl\u2019s fate.\n\n13, 14 _wotomera ga [koto wo] kikeba_.\n\n15-20 describe her beauty, &c. 19, 20 though in the flower of her age;\n21-34 her despair and death; 35 to end, her choice of a tomb-place, and\nthe miraculous growth from the comb wherewith she marked the spot, that\nher memory might endure.\n\nFor _utsusemino_, _tamakiharu_, _haruhanano_, _akinohano_,\n_tsuyushimono_ see List m. k.\n\n\n251\n\nKanashimi uta.\n\n Ametsuchi no 1\n hazhime no toki yo\n utsusomino\n yaso tomo no wo ha\n ohokimi ni 5\n matsurofu mono to\n sadametaru\n tsukasa nishi areba\n ohokimi no\n mikoto kashikomi 10\n hina-zakaru\n kuni wo osamu to\n ashihikino\n yama kaha henari\n kaze kumo ni 15\n koto ha kayohedo\n tada ni ahanu\n hi no kasanareba\n omohi kohi\n ikidzuki woru ni 20\n tamahokono\n michi kuru hito no\n tsute koto ni\n are ni kataraku\n hashikiyoshi 25\n kimi ha konogoro\n urasabite\n nagekahi imasu\n yo no naka no\n ukeku tsurakeku 30\n saku hana mo\n toki ni utsurofu\n utsusemi mo\n tsune naku arikeri\n tarachineno 35\n mi haha no mikoto\n nani shi ka mo\n toki shi ha aramu wo\n masokagami\n miredomo akazu 40\n tamanowono\n woshiki sakari ni\n tatsukirino\n usenuru gotoku\n tamamonasu 45\n nabiki koi-fushi\n yuku midzu no\n todome kaneki to\n taha-koto ya\n hito no ihitsuru 50\n oyodzure ka\n hito no tsugetsuru\n adzusayumi\n tsuma[biku] yo \u2019to\n toho \u2019to ni mo 55\n kikeba kanashimi\n niha tadzumi\n nagaruru namida\n todome kanetsu mo!\n\n Yo no naka no 1\n tsune naki koto ha\n shiruramu wo\n kokoro tsukusuna\n masurawo ni shite! 5\n\n1-10 in praise of the Mikado; 11-24 the poet\u2019s seclusion in his\nfrontier government.\n\n15 _kaze kumo_, wind and clouds, regarded as bearers of tidings.\n\n25-43 the tidings from City-Royal; 39, 40 see note 2, translation; 49\nto end, his grief. The envoy is an exhortation to bear the ills of this\nfleeting world as a leal man should.\n\nFor _utsusomino_, _ashihikino_, _tamahokono_, _tarachineno_,\n_masokagami_, _tamanowono_, _tatsukirino_, _tamamonasu_ see List m. k.\n\n\n252\n\nMiyako yori okoseru uta.\n\n Hatatsumi no 1\n kami no mikoto no\n mi kushige ni\n takuhahi okite\n itsuku tofu 5\n tama ni masarite\n omoherishi\n aga ko ni ha aredo\n utsusemino\n yo no kotowari to 10\n masurawono\n hiki no manimani\n shinazakaru\n Koshi ji wo sashite\n hafutsutano 15\n wakare nishi yori\n okitsunami\n towomu mayo-biki\n ohobuneno\n yukura yukura ni 20\n omokage ni\n motona miyetsutsu\n kaku kohiba\n oi-dzuku aga mi\n kedashi ahemu ka mo! 25\n\n17-20 must be read with _omokage_, somewhat thus--_ohobune no_ |\n_yukura yukura ni_ | _okitsu nami_ | _towomu mayobiki_ | _omokage ni_\n|--the syntax is loose: _towomu_ = _tawamu_, the m. k. _okitsunami_\napplies to _towomu_.\n\n25 _kedashi_ is here almost \u2018doubtfully\u2019; _ahemu_ = _tahemu_.\n\nFor _utsusemino_, _shinazakaru_, _okitsunami_, _ohobuneno_ see List m.\nk.\n\n\n253\n\n Ametsuchi no 1\n kami ha nakare ya\n utsukushiki\n aga tsuma sakaru\n hikaru-kami 5\n Narihata wotome\n te tadzusahi\n tomo ni aramu to\n omohishi ni\n kokoro tagahinu 10\n ihamu sube\n semu sube shirani\n yufu tasuki\n kata ni tori-kake\n shitsu nusa wo 15\n te ni tori-mochite\n na sake so to\n ware ha nomeredo\n makite neshi\n imo ga tamoto ha 20\n kumo ni tanabiku.\n\n2 _nakare_, supply _koso_ (_naku are_).\n\n5 m. k. of _nari_ (Narihata).\n\n9 _omohishi_: here, as often, the relative form is used instead of the\npredicative.\n\n18 _nomeredo_ = _nomedo_ (_inoru_).\n\n\n254\n\nTempy\u00f4 itsutose to ifu toshi Morokoshi ni tsukahasu tsukahi ni okureru\nuta.\n\n Soramitsu 1\n Yamato no kuni\n awoniyoshi\n Nara no miyako yu\n oshiteru 5\n Naniha ni kudari\n Suminoye no\n mi tsu ni funa nori\n tada watari\n hi no iru kuni ni 10\n tsukahasaru\n waga se no kimi wo\n kakemaku no\n yuyushiki kashikoki\n Suminoye no 15\n aga oho mi kami\n funa no he ni\n ushi-haki imashi\n funa domo ni\n mi tatashi-mashite 20\n sashi-yoramu\n iso no saki-zaki\n kogi-hatemu\n tomari tomari ni\n araki kaze 25\n nami ni ahasezu\n tahirakeku\n wite kaherimase\n moto no mikado ni.\n\nFor _soramitsu_, _awoniyoshi_, _oshiteru_ see List m. k.\n\n\n255\n\nMiyako ni mawi-noboru michi nite koto ni tsuke arakazhime yomeru toyo\nno agari ni haberite mikotonorite uketamaharu uta.\n\n Akitsushima 1\n Yamato no kuni wo\n ama kumo ni\n iha fune ukabe\n tomo ni he ni 5\n ma-kai shizhi nuki\n i-kogitsutsu\n kuni-mi shi seshite\n amori-mashi\n harahi tahirage 10\n chiyo kasane\n iya tsugitsugi ni\n shirashikuru\n ama no hitsugi to\n kamu nagara 15\n waga ohokimi no\n ame no shita\n wosame tamaheba\n mononofuno\n yaso tomo no wo wo 20\n nade-tamahi\n totonohe-tamahi\n wosu kuni no\n yomo no hito wo mo\n abusahazu 25\n megumi-tamaheba\n inishihe yo\n nakarishi shirushi\n tabi maneku\n mawoshi-tamahinu 30\n te udakite\n kotonaki mi yo to\n ametsuchi\n tsuki to tomo ni\n yorodzu yo ni 35\n shirushi tsukamu so\n yasumishishi\n waga ohokimi\n aki no hana\n shi ga iroiro ni 40\n meshi-tamahi\n akirame-tamahi\n saka mi-dzuki\n sakayeru kefu no\n aya ni tafutosa. 45\n\n39 I take _aki no hana_ to refer to the season merely.\n\nFor _akitsushima_, _mononofuno_, _yasumishishi_ see List m. k.\n\n\nMAKI XIX, SHIMO\n\n\n256\n\nHiroki yotsu no kurawi kamitsu shina (jiushii j\u00f4) Koma no Asomi\nFukushima ni mikotonorishite Naniha ni tsukahashi ohomiki sakana\nwo Morokoshi ni tsukahasu tsukahi Fujihara no Asomi Kiyokaha-ra ni\ntamaheru ohomi-uta.\n\n Soramitsu 1\n Yamato no kuni ha\n midzu no he ha\n tsuchi yuku gotoku\n funa no he ha 5\n toko ni woru goto\n ohokami no\n ihaheru kuni so\n yotsu no fune\n funa no he narabe 10\n tahirakeku\n haya watarite kite\n kaheri koto\n mawosamu hi ni\n ahi nomamu ki so\n kono toyomiki ha. 15\n\n3 _midzu no he_, _midzu no uhe_, i.e. on the sea.\n\n5 _funa no he_, _funa no uhe_, i.e. on shipboard.\n\n10 _funa no he_, prow.\n\n15 _toyo-mi-ki_ = rich-royal-_sak\u00e8_.\n\nFor _soramitsu_ see List m. k.\n\n\n257\n\nMikotonori wo uketamaharu ga tame ni arakazhime yomeru uta.\n\n Ashihikino 1\n yatsuwo no uhe no\n tsuganokino\n iya tsugitsugi ni\n matsuganeno 5\n tayuru koto naku\n awoniyoshi\n Nara no miyako ni\n yorodzu yo ni\n kuni shirasamu to 10\n yasumishishi\n waga ohokimi no\n kamu nagara\n omohoshimeshite\n toyo no agari 15\n mesu kefu no hi ha\n mononofuno\n yasotomo no wo no\n Shima yama ni\n akaru tachibana 20\n udzu ni sashi\n himo toki sakete\n chitose hoki\n hosaki-toyomoshi\n werawera ni 25\n tsukahematsuru wo\n miru ga tafutosa.\n\n1-13 Praise of the Mikado. 14 to end, appeal to the loyalty of those\ninvited to the Presence.\n\n23, 24 _hoki_, _hosaki_ (_hogi_, _hosagi_) = _ihafu_.\n\nFor _ashihikino_, _tsuganokino_, _matsuganeno_, _awoniyoshi_,\n_yasumishishi_, _mononofuno_ see List m. k.\n\n\nMAKI XX, KAMI\n\n\n258\n\n[Tempy\u00f4 sh\u00f4h\u00f4 shichi nen] kisaragi nanuka no hi Sagamu no kuni no\nSakimori Kotori tsukahi kami hiroki itsutsu no kurawi no shimotsu shina\nFujihara no Asomi Sukunamaro ga tatematsureru uta no kadzu yatsu tada\ntsutanaki uta itsutsu ha kore wo agezu.\n\nSakimori no wakare no kokoro wo itamite yomeru uta.\n\n Sumerogi no 1\n toho no mikado to\n shiranuhi\n Tsukushi no kuni ha\n ata mamoru 5\n osahe no ki so to\n kikoshiwosu\n yomo no kuni ni ha\n hito saha ni\n michi ni ha aredo 10\n toriganaku\n Adzuma wonoko ha\n ide mukahi\n kaheri-misezute\n isamitaru 15\n takeki ikusa to\n negitamahi\n make no manimani\n tarachineno\n haha ga mekarete 20\n wakakusano\n tsuma wo makazu\n aratamano\n tsuki hi yomitsutsu\n ashigachiru 25\n Naniha no mi tsu ni\n ohobune ni\n ma-kai shizhi nuki\n asa nagi ni\n kako totonohe 30\n yufu shiho ni\n kaji hiki wori\n adomohite\n kogi yuku kimi ha\n nami no ma wo 35\n i-yuki sa-kukumi\n masakiku mo\n hayaku itarite\n ohokimi no\n mikoto no manima 40\n masurawono\n kokoro wo mochite\n ari-meguri\n koto shi woharaba\n tsutsumahazu 45\n kaheri-kimasu to\n ihahihe wo\n toko he ni suwete\n shirotaheno\n sode wori-kaheshi 50\n nubatamano\n kurokami shikite\n nagaki ke wo\n machi ka mo kohimu\n hashiki tsumara ha. 55\n\nArgument (_dai_), _sakamori_ (_sakahi mamori_), garrison soldier or\nwarrior, frontier defence.\n\n6 _osahe no ki_, defensive fort = garrison, military post.\n\n13 go forth to meet, i.e. the enemy.\n\n17 _negi_ = _negirafu_, seems to mean to thank, recompense, reward.\n\n25 A sort of m. k. of Naniha.\n\n53 _nagaki ki-he_.\n\nFor _toriganaku_, _tarachineno_, _wakakusano_, _aratamano_,\n_ashigachiru_, _masurawono_, _shirotaheno_, _nubatamano_ see List m. k.\n\n\n259\n\nOmohi wo noburu uta.\n\n Sumerogi no 1\n tohoki mi yo ni mo\n oshiteru\n Naniha no kuni ni\n ame no shita 5\n shirashimeshiki to\n ima no yo ni\n tayezu ihitsutsu\n kakemaku mo\n aya ni kashikoshi 10\n kamu nagara\n wago ohokimi no\n uchinabiku\n haru no hazhime ha\n yachi kusa ni 15\n hana saki nihohi\n yama mireba\n mi no tomoshiku\n kaha mireba\n mi no sayakeku 20\n mono goto ni\n sakayuru toki to\n meshi tamahi\n akirame-tamahi\n shikimaseru 25\n Naniha no miya ha\n kikoshimesu\n yomo no kuni yori\n tatematsuru\n mi-tsuki no fune ha 30\n Horiye yori\n miwo-biki shi-tsutsu\n asa nagi ni\n kaji hiki nobori\n yufu shiho ni 35\n sawo sashi-kudari\n ajimura no\n sawaki kihohite\n hama ni idete\n una-hara mireba 40\n shiranami no\n yahe woru ga uhe ni\n ama wo-bune\n harara ni ukite\n oho-mi-ke 45\n tsukahematsuru to\n wochi-kochi ni\n isari-tsurikeri\n sokidaku mo\n ogironaki ka mo 50\n kokibaku mo\n yutakeki ka mo\n koko mireba\n ubeshi kami yo yu\n hazhimekerashi wo. 55\n\n50 _ogironaki_, a doubtful word--vast, boundless.\n\n52 _yutakeki_, abundant, prosperous.\n\nFor _oshiteru_ see List m. k.\n\n\n260\n\n Ashigara no 1\n mi saka tamahari\n kaheri-mizu\n are ha kuye-yuku\n arashi-wo mo 5\n tashi ya habakaru\n Fuha no seki\n kuyete wa ha yuku\n muma no tsume\n Tsukushi no saki ni 10\n chimari wite\n are ha ihahamu\n moromoro ha\n sakeku to mawosu\n kaheri-ku made ni. 15\n\n2 _ta-mahari_, _ta_ is intensitive (as in _ta-motohori_). This lay is\nin the dialect affected by officials in the Adzuma (Eastland).\n\n4 _kuye_ = _koye_.\n\n5 _arashi-wo_, vir ferox, fortis (_masurawo_).\n\n5, 6 Descriptive of Fuha no seki.\n\n8 = _tachi yo_, &c.\n\n10 This line is epithetical of _tsuku_ (stamp, as hoofs do); part of\nplace-name, Tsukushi.\n\n11 _chimari_ = _tomari_.\n\n\nMAKI XX, NAKA\n\n\n261\n\nSakimori no kokoro ni narite omohi wo nobite yomeru uta.\n\n Ohokimi no 1\n mikoto kashikomi\n tsuma wakare\n kanashiku ha aredo\n masurawono 5\n kokoro furi-okoshi\n tori-yosohi\n kado-de ha sureba\n tarachineno\n haha ha kaki-nade 10\n wakakusano\n tsuma ha tori-tsuki\n tahirakeku\n ware ha ihahamu\n masakikute 15\n haya kaheri-ko to\n ma-sode mochi\n namida wo nogohi\n musebitsutsu\n koto-dohi sureba 20\n muratorino\n ide-tachi-kate ni\n todokohori\n kaheri-mishitsutsu\n iya toho ni 25\n kuni wo ki-hanare\n iya taka ni\n yama wo koye-sugi\n ashigachiru\n Naniha ni ki-wite 30\n yufu shiho ni\n fune wo ukesuwe\n asa-nagi ni\n he muke kogamu to\n samorafu 35\n waga woru toki ni\n haru kasumi\n shima-mi ni tachite\n tadzuganeno\n kanashiku nakeba 40\n haro-baro ni\n ihe wo omohi-de\n ohi so-ya no\n soyo to naru made\n nageki tsuru ga mo. 45\n\n18 _nogohi_ = _nuguhi_.\n\n43 _so-ya_, war-arrows, as distinct from hunting-arrows.\n\n44 _soyo_, noise of rustling--is there a quibble here?--_soya_, _soyo_,\none fears there is.\n\nFor _masurawono_, _tarachineno_, _wakakusano_, _muratorino_,\n_ashigachiru_, _tadzuganeno_ see List m. k.\n\n\n262\n\nSakimori no wakare no kokoro wo noburu uta.\n\n Ohokimi no 1\n make no manimani\n saki-mori ni\n waga tachi-kureba\n hahasobano 5\n haha no mikoto ha\n mi mo no suso\n tsumi-age kaki-nade\n chichinomino\n chichi no mikoto ha 10\n takudzununo\n shirahige no uhe yu\n namida tari\n nageki notabaku\n kako zhi mono 15\n tada hitori shite\n asa-to-de no\n kanashiki aga ko\n aratamano\n toshi no wo nagaku 20\n ahi-mizu ha\n kohishiku arubeshi\n kefu dani mo\n koto-tohi semu to\n woshimitsutsu 25\n kanashibi imase\n wakakusano\n tsuma mo kodomo mo\n wochi kochi ni\n saha ni kakumi wi 30\n harutorino\n kowe no samayohi\n shirotaheno\n sode naki nurashi\n tadzusahari 35\n wakare kate ni to\n hiki-todome\n shitahishi mono wo\n ohokimino\n mikoto kashikomi 40\n tamahokono\n michi ni ide-tachi\n woka no saki\n i-tamuru goto ni\n yorodzu tabi 45\n kaheri-mi shitsutsu\n harobaro ni\n wakare shi kureba\n omofu sora\n yasuku mo arazu 50\n kofuru sora\n kurushiki mono wo\n utsusemino\n yo no hito nareba\n tamakiharu 55\n inochi mo shirazu\n unahara no\n kashikoki michi wo\n shima-dzutahi\n i-kogi watarite 60\n ari-meguri\n waga kuru made ni\n tahirakeku\n oya ha imasane\n tsutsumi-naku 65\n tsuma ha matase to\n Suminoye no\n aga sume kami ni\n nusa matsuri\n inori maushite 70\n Naniha tsu ni\n fune wo ukesuwe\n yaso ka nuki\n kako totonohete\n asabiraki 75\n wa ha kogi-denu to\n ihe ni tsuge koso.\n\n5, 6 sound-play, _hahaso-ba_, _haha_. _hahaso_ = Quercus dentata.\n\n9, 10 sound-play, _chichi no mi_, _chichi no mi[koto]_. _chichi no ki_\n= _ich\u00f4_ = Ginkgo biloba (maiden-hair tree).\n\n11 _takudzunu_ is m. k. of _shira[hige]_.\n\n15 _kako_ = _shika_ (_no_) _ko_.\n\n44 _i-tamuru_ = _i-tamotohoru_.\n\n73 _ka_ = _kaji_.\n\nFor _chichinomino_, _takudzununo_, _aratamano_, _wakakusano_,\n_harutorino_, _shirotaheno_, _ohokimino_, _tamahokono_, _utsusemino_,\n_tamakiharu_ see List m. k.\n\n\nMAKI XX, SHIMO\n\n\n263\n\nYagara wo satosu uta.\n\n Hisakatano 1\n ama no to hiraki;\n Takachiho no\n take ni amorishi\n Sumerogi no 5\n kami no mi yo yori\n hazhi-yumi wo\n tanigiri motashi\n makagoya wo\n tabasami sohete 10\n Ohokume no\n masuratake-wo wo\n saki ni tate\n yuki tori-ohose\n yama kaha wo 15\n iha-ne sakumite\n fumi tohori\n kuni-magi shitsutsu\n chihayaburu\n kami wo kotomuke 20\n matsurohanu\n hito wo mo yahashi\n haki-kiyome\n tsukahematsurite\n Akitsushima 25\n Yamato no kuni no\n Kashibara no\n Unebi no miya ni\n miya-bashira\n futoshiritatete 30\n ame no shita\n shirashimeshikeru\n Sumerogi no\n ama no hitsugi to\n tsugite kuru 35\n kimi no miyo miyo\n kakusahanu\n akaki kokoro wo\n sumera he ni\n kihame tsukushite 40\n tsukahekuru\n oya no tsukasa to\n kotodatete\n sadzuke-tamaheru\n umi no ko no 45\n iya tsugitsugi ni\n miru hito no\n katari tsugitete\n kiku hito no\n kagami ni semu wo 50\n atarashiki\n kiyoki sono na so\n ohoroka ni\n kokoro omohite\n muna koto no 55\n oya no na tatsuna\n Ohotomo no\n uji to na ni oheru\n masurawo no tomo.\n\n8 _ta-nigiri_, _ta_ is emphatic.\n\n18 _kuni-magi_ appears to mean, opening the country.\n\n20 _kotomuke_.\n\n22 _yahashi_, quell.\n\n39 _he_ = _kata_.\n\n45 _umi no ko_, progeny, descendants.\n\n48 Note the rare form _tsugitete_ (_tsugitsutsu_).\n\n53 Seems to = _ohohoshiku_, with _omofu_, treat lightly.\n\n55 _muna koto_ = _munashiki kotoba_.\n\n56 _oya no na wo tatsuna_ = expose not the family name.\n\nFor _hisakatano_, _chihayaburu_, _Akitsushima_ see List m. k.\n\n\n264\n\nMi tose to ifu toshi mutsuki no tsukitachi no hi Inaba no kuni no\nmatsurigoto-tono nite tsukasa hitora wo ahesuru no utage no uta hitotsu\nohari no mizhika uta.\n\n Aratashiki 1\n toshi no hazhime no\n hatsu haru no\n kefu furu yuki no\n iya shige yogoto. 5\n\n\n\n\nKozhiki uta hitotsu (K. App. VI)\n\n\n Yachihoko no 1\n kami no mikoto ya\n a ga ohokuni\n nushi koso ha\n wo no imaseba 5\n uchi-miru\n shima no sakizaki\n kaki-miru\n iso no saki ochizu\n wakakusano 10\n tsuma motaserame\n a ha mo yo\n me nishi areba\n na okite\n wa ha nashi 15\n na okite\n tsuma ha nashi\n ayakaki no\n fuhaya ga shita ni\n mushibusuma 20\n nikoya ga shita ni\n takubusuma\n sayagu ga shita ni\n awayuki no\n wakayaru mune wo 25\n takudzunu no\n shiroki tadamuki\n so-dataki\n tataki managari\n matamade 30\n tamada sashimake\n momonaga ni\n i wo shi nase\n toyomiki\n tatematourase. 35\n\n18 _karuku_, _nikoyaka ni_.\n\n19 A warm _fusuma_--bed-cover or wadded bed-gown.\n\n21 = _nagoyaka_ (_naru mono no_) _shita ni_, under something soft.\n\n22 = _fusuma_ made of _taku_ (Broussonetia) cloth.\n\n23 _sayagu_, rustle, like leaves in the wind.\n\n24 foam-snow, soft snow that falls in spring.\n\n25 _wakayaru_, perhaps = young.\n\n27 _tadamuki_ = _ude_, arm.\n\n29 _managari_, interlacingly.\n\n33 _i_, sleep.\n\n\n\n\nNihongi uta hitotsu (under year A.D. 513 ed. Ihida)\n\n\n Yashima kuni 1\n tsuma maki-kanete\n haruhino\n Kasuga no kuni ni\n kuhashi me wo 5\n ari to kikite\n yoroshi me wo\n ari to kikite\n makisaku\n hi no itato wo 10\n oshi-hiraki\n ware irimashi\n ato tori\n tsuma tori shite\n makura tori 15\n tsuma tori shite\n imo ga te wo\n ware ni makishi me\n waga te wo ba\n imo ni makishi me 20\n masaki tsura\n tataki asahari\n shishikushiro\n umahi ne shi to ni\n nihatsutori 25\n kake ha naku nari\n nutsutori\n kigishi ha toyomu\n hashikeku mo\n imada ihazute 30\n aki ni keri wagimo!\n\n13 on the heels of.\n\n22 _asahari_ = _azanahari_, enlace or be enlaced with. _tataki_ = pat,\nbeat softly and repeatedly.\n\n29 _hashikeku_ seems to be connected with _hashi_, end.\n\n\n\n\nKOKINSHIU\n\n\n 1\n\n Iso no kami\n furuki miyako no\n hototogisu\n kowe bakari koso\n mukashi narikeri.\n\n 2\n\n Hana no chiru\n koto ya wabishiki\n harugasumi\n Tatsuta no yama no\n uguhisu no kowe.\n\n 3\n\n Yuki no uchi ni\n haru ha ki nikeri\n uguhisu no\n kohoreru namida\n ima ya tokuramu.\n\n 4\n\n Yo no naka ni\n tayete sakura no\n nakariseba\n haru no kokoro ha\n nodokekaramashi.\n\n 5\n\n Utsusemino\n yo ni mo nitaru ka\n hanazakura\n saku to mishi ma ni\n katsu chiri nikeri.\n\n 6\n\n Momijiba wo\n kaze ni makasete\n miru yori mo\n hakanaki mono ha\n inochi narikeri.\n\n 7\n\n Hana chirasu\n kaze no yadori ha\n tare ka shiru\n ware ni oshiheyo\n yukite uramimu.\n\n 8\n\n Harusame no\n furu ha namida ka\n sakurabana\n chiru wo woshimanu\n hito shi nakereba.\n\n 9\n\n Haru kasumi\n tatsu wo misutete\n yuku kari ha\n hana naki sato ni\n sumi ya narayeru.\n\n\n\n\nHIYAKUNIN ITSUSHIYU\n\n\n 10\n\n Kasasagi no\n wataseru hashi ni\n oku shimo no\n shiroki wo mireba\n yo so fuke nikeru.\n\n 11\n\n Kimi ga tame\n haru no no ni idete\n wakana tsumu\n waga koromo-de ni\n yuki ha furitsutsu.\n\n 12\n\n Hana sasofu\n arashi no niha no\n yuki narade\n furi-yuku mono ha\n wagami narikeri.\n\n 13\n\n Wabinureba\n ima hata onazhi\n Naniha naru\n mi wo tsukushite mo\n awamu to so omofu.\n\n 14\n\n Haru no yo no\n yume bakari naru\n tamakura ni\n kahi naku tatamu\n na koso woshikere.\n\n 15\n\n Aki kaze ni\n tanabiku kumo no\n tahema yori\n more-idzuru tsuki no\n kage no sayakesa.\n\n 16\n\n Aki no ta no\n kari ho no iho no\n toma wo arami\n waga koromo-de ha\n tsuyu ni nuretsutsu.\n\n 17\n\n Haru sugite\n natsu ki nikerashi\n shirotaheno\n koromo hosu chifu\n Ama no Kaguyama.\n\n 18\n\n Ashihikino\n yamadori no wo no\n shidari wo no\n naganagashi yo wo\n hitori ka mo nemu.\n\n 19\n\n Tago no ura ni\n uchi-idete mireba\n shirotaheno\n Fuji no takane ni\n yuki ha furitsutsu.\n\n 20\n\n Okuyama ni\n momiji fumi-wake\n naku shika no\n kowe kiku toki so\n aki ha kanashiki.\n\n 21\n\n Ama no hara\n furisake mireba\n Kasuga naru\n Mikasa no yama ni\n ideshi tsuki ka mo.\n\n 22\n\n Hana no iro ha\n utsuri nikerina\n itadzura ni\n wagami yo ni furu\n nagameseshi ma ni.\n\n 23\n\n Tsukubane no\n mine yori otsuru\n Mina no kaha\n kohi so tsumorite\n fuchi to narinuru.\n\n\n\n\nTAKETORI NO OKINA NO MONOGATARI\n\nTEXT TRANSLITERATED\n\n\n\n\nINTRODUCTION\n\n\nOnly three editions of the Taketori--apart from recent reprints--are\nknown to me: one in two thin volumes, quaintly illustrated,\nblock-printed in _hiragana_ with occasional _ji_ in cursive, probably\nan eighteenth-, possibly a seventeenth-century production; another,\nalso in two volumes, _Taketori m. g. sh\u00f4_ (notes), 1785, with\ncommentary by Koyama no Tadashi; and lastly the elaborate edition of\nTanaka Daishiu (died 1853), in six volumes[7], on which the present\ntranslation and most of the notes thereto are based.\n\nThe text, no doubt, is more or less corrupt, and this circumstance, in\npart, explains the occasional roughness of style and the absence of\nproper articulation at the _juncturae_. The story of the Mikado\u2019s suit\nand of the ascension to the moon is fairly free from these defects, and\nso also is the fictitious narrative, related by the sham hero of the\nsecond Quest, of his voyage to H\u00f4rai. Up to the seventeenth century\nalmost all books in Japan, with the exception of Buddhist and Chinese\nreprints, were manuscripts[8], and it is possible that the Taketori,\nlike the Many\u00f4shiu, was written in Chinese script[9], used more or\nless phonetically. The reading of this would often be traditional,\nand copyist errors would be frequent, especially in regard to cursive\nforms, a combination of sources of confusion that could not but be\nfruitful in corruptions, as has already been remarked in the case of\nthe Many\u00f4shiu.\n\n\nFOOTNOTES\n\n[7] In which not only Koyama\u2019s work is made use of but also the\nnotes of Keichiu (d. 1701) in his _Kasha_, and the suggestions of\nDaishiu\u2019s master, Motowori, the Venerable of Suzu no ya--the House of\nthe Horsebell--as he is termed in Daishiu\u2019s preface and introductory\nletter. An estimate of Daishiu\u2019s work will be found _infra_.\n\n[8] See Satow\u2019s \u2018Hist. of Printing\u2019, _T. A. S. J._, vol. x.\n\n[9] According to Lange (_Einf. in d. Jap. Schrift_) the _Katakana_\nsyllabary did not come into use till towards the close of the eighth\ncentury, and the cursive syllabary (_hiragana_) was first used by\nTsurayuki in his preface to the Kokinshiu (see below), in the beginning\nof the tenth century, the approximate date of the Taketori itself.\n\n\n\n\nTAKETORI NO OKINA NO MONOGATARI[10]\n\n\nMAKI I\n\nKAGUYAHIME OHITACHI\n\nIma ha mukashi Taketori no Okina to ifu[11] mono arikeri. No yama ni\nmazhirite take wo toritsutsu yorodzu no koto[12] ni tsukahikeri[13].\nNa wo ba Sanugi no Miyatsuko Maro to namu ihikeru. Sono take no naka\nni moto[14] hikaru take hito suji arikeri. Ayashigarite yorite miru ni\ntsutsu no naka hikaritari. Sore to mireba san sun bakari naru hito ito\nutsukushiute itari. Okina ifu yau--\n\n\u2018Ware asa goto yufu goto ni miru tokoro no naka ni ohasuru nite shirinu\nko ni nari-tamafubeki hito nameri\u2019 tote, te ni uchi-irete ihe ni[15]\nmochite kinu. Me no ouna ni adzukete yashinahasu. Utsukushiki koto\nkagiri naku ito wosanakereba ko ni irete yashinafu.\n\nTaketori no Okina take wo toru koto[16] kono ko wo mitsukete nochi\nni take wo toru ni fushi wo hedatete yo goto ni kogane aru take wo\nmitsukuru koto kasanarinu. Kakute Okina yauyau yutaka ni nariyuku.\n\nKono chigo yashinafu hodo ni sugusugu to ohoki ni narimasaru. Mi tsuki\nbakari ni naru hodo[17] ni yoki hodo naru hito ni narinureba kami-age\nnado sadashite[18] kami-age-sesase mo gisu. Chiyau[19] no uchi yori\nmo idasazu itsuki kashidzuki yashinafu hodo ni kono chigo no katachi\nkeura[20] naru koto yo ni naku ya no uchi ha kuraki tokoro naku hikari\nmichitari. Okina kokochi ashiku kurushiki toki mo kono ko wo mireba\nkurushiki koto mo yaminu haradatashiki koto mo nagusamikeri.\n\nOkina take wo toru koto hisashiku narinu[21]. Ikihohi-mau no mono ni\nnari-ni-keri.\n\nKono ko ito ohoki ni narinureba na wo ba Mimuroto no Imube no Akita wo\nyobite tsukesasu. Akita Nayotake no Kaguyahime to tsuketsu. Konohodo mi\nka uchi uchi-age-asobu yorodzu no asobi wo zo shikeru. Wotoko wouna[22]\nkirahazu yobitsudohete[23] ito kashikoku asobu.\n\n\nMAKI II\n\nTSUMADOHI\n\nSekai no wonoko atenaru mo iyashiki mo ikade kono Kaguyahime wo yeteshi\ngana miteshi gana to oto ni kikimedete madofu. Sono atari no kaki ni mo\nihe no to ni mo woru hito dani tahayasaku mirumazhiki mono wo yaru ha\nyasuki imonezu yami no yo ni [idete] mo [ana wo kuzhiri] koko kashiko\nyori nozoki kaimami madohi aheri. Saru toki yori namu yobahi to ha\nihikeru.\n\nHito no monoshi[24] mo senu tokoro madohi arikedomo nani no shirushi\narubeku mo miyezu ihe no hitodomo ni ihamu tote ihikakaredomo\nkotahe[25] mo sezu. Atari wo hanarenu kindachi yo wo akashi hi wo\nkurasu hito ohakari. Orokanaru[26] hito ha yaunaki[27] ariki ha\nyoshi nakarikeri tote kozu nari ni keri. Sono naka ni naho ihikeru\nha irogonomi to iharuru kagiri go nin omohi yamu toki naku yoru hiru\nkikeri.\n\nSono na hitori ha Ishidzukuri no miko hitori ha Kuramochi no miko\nhitori ha Sadaizhin Abe no Miushi hitori ha Dainagon Ohotomo no Miyuki\nhitori ha Chiunagon Iso no kami no Marotada kono hitobito narikeri.\n\nYo no naka ni ohokaru hito wo dani sukoshi mo katachi yoshi to kikite\nha mirumahoshiusuru hitobito[28] nareba Kaguyahime wo mimahoshiushite\nmono mo kuhazu omohitsutsu kano ihe ni yukite tatadzumi arikikeredomo\nkahi arubeku mo arazu fumi wo kakite yaredomo kaheri koto mo sezu\nwabi-uta naho kakite yaredomo[29] [kaheshi mo sezu].\n\nKahi nashi to omohedomo shimotsuki shihasu no furi-kohori minadzuki no\nteri-hatataku ni mo saharazu kikeri.\n\nKono hitobito aru toki ha Taketori wo yobi-idete[30] \u2018musume wo ware\nni tabe\u2019 to fushi-wogami te wo suri notamaheba[31] \u2018ono ga nasanu ko\nnareba kokoro ni mo shitagahazu[32] namu aru\u2019 to ihite, tsuki hi wo\nsugusu[33].\n\nKakareba kono hitobito ihe ni kaherite mono wo omohi inori wo shi guwan\nwo tate omohi [yamemu to suredomo] yamubeku mo arazu. Saritomo tsuhi\nni wotoko ahasezaramu ya ha to omohite tanomi wo kaketari anagachi ni\nkokorozashi wo miye ariku.\n\nKore wo mitsukete Okina Kaguyahime ni ifu yau,\n\n\u2018Waga ko no hotoke henguye no hito to maushi nagara warawa ohokisa made\nyashinahitatematsuru kokorozashi orokanarazu okina no mausamu koto\nkikitamahiten ya\u2019, to iheba, Kaguyahime--\n\n\u2018Nani-goto wo ka notomahamu koto wo uketamaharazaramu henguye no mono\nnite haberikemu mi to mo shirazu oya to koso omohitatematsure\u2019 to\niheba, Okina--\n\n\u2018Ureshiku notamafu gana!\u2019 to ifu,\n\n\u2018Okina toshi nanasoji ni amarinu kefu to mo asu to mo shirazu kono yo\nno hito ha wotoko ha wouna ni afu koto wo su [wouna ha wotoko ni afu\nkoto wo su] kore namu kado mo hiroku nari haberu ikade[ka] saru koto\nnakute[ha] ohashimasamu[34].\u2019\n\nKaguyahime no ihaku--\n\n\u2018Nadefu saru koto ka shihaberamu\u2019 to iheba,\n\n\u2018Henguye no hito to ifu to mo wouna no mi mochi tamaheri okina no\naramu kagiri ha kaute mo imazukari[35] namu kashi kono hitobito no\ntoshi tsuki wo hete kau nomi imashitsutsu notamafu koto omohi sadamete\nhitoribitori ni ahitatematsuritamahine[36]\u2019 to iheba, Kaguyahime ihaku--\n\n\u2018Yoku mo aranu katachi wo fukaki kokoro mo shirade ada kokoro tsukinaba\nnochi kuyashiki koto mo arubeki wo to omofu bakari nari yo no kashikoki\nhito naritomo fukaki kokorozashi wo shirade ha ahigatashi to namu\nomofu\u2019 to ifu, Okina ihaku--\n\n\u2018Omofu no gotoku mo notamafu gana! Somosomo ika yau naru kokorozashi\naramu hito ni ka ahamu to obosu kabakari kokorozashi orokanaranu\nhitobito ni koso anmere\u2019 Kaguyahime no ihaku--\n\n\u2018Nani bakari no fukaki wo ka mimu to ihamu isasaka no koto nari.\nHito no kokorozashi hitoshi kannari. Ikadeka naka ni otori masari ha\nshiramu. Go nin no hito no naka ni yukashiki mono misetamaheramu ni on\nkokorozashi masaritari tote tsukaumatsuramu to sono ohasuramu hitobito\nni maushitamahe\u2019 to ifu,\n\n\u2018yoki koto nari\u2019 to uketsu.\n\nHi kururu hodo rei no atsumarinu hitobito aruhiha fuye wo fuki aruhiha\nuta wo utahi aruhiha shiyauga wo shi aruhiha uso wo fuki afugi wo\nnarashi nado suru ni okina idete ihaku--\n\n\u2018Katazhikenaku [mo] kitanagenaru tokoro ni toshi tsuki wo hete mono\nshitamafu koto kihamaritaru kashikomari-to mausu--okina no inochi kefu\nasu to mo shiranu wo kaku notamafu kimidachi ni mo yoku omohi sadamete\ntsukaumatsure--to mauseba--fukaki mi kokoro wo shirade ha to namu\nmausu sa mausu mo kotowari nari idzure otori masari ohashimasaneba\nyukashiki mono misetamaheramu ni on kokorozashi no hodo ha miyubeshi\ntsukaumatsuramu koto ha sore ni namu sadamubeki to maushihaberu--kore\nyoki koto nari hito no urami mo arumazhi\u2019[37] to iheba, go nin no\nhitobito mo--\n\n\u2018yoki koto nari\u2019 to notamaheba, Okina irite ifu--\n\n\u2018Kaguyahime Ishidzukuri no miko ni ha Temujiku ni Hotoke no ohon ishi\nno hachi to ifu mono ari sore wo torite tamahe, to ifu--Kuramochi\nno miko ni ha himukashi no umi ni Hourai to ifu yama annari sore ni\nshirokane wo ne to shi kogane wo kuki to shi shiratama wo mi to shite\ntateru ki ari sore hito yeda worite tamahamu, to ifu--ima hitori ni ha\nMorokoshi ni aru hinezumi no kahagoromo wo tamahe--Ohotomo no Dainagon\nni ha tetsu no kubi ni go shiki ni hikaru tama ari sore wo torite\ntamahe--Iso no Chiunagon ni ha tsubakurame no motaru koyasugahi hitotsu\ntorite tamahe to ifu.\u2019\n\nOkina--\n\n\u2018Kataki kotodomo ni koso anmere kono kuni ni aru mono ni mo arazu kaku\nkataki koto wo ba ika ni mausan\u2019 to ifu, Kaguyahime--\n\n\u2018nahika katakaramu\u2019 to iheba, Okina tomare kakumare mausamu tote idete,\n\n\u2018kaku namu kikoyuru yau ni misetamahe\u2019, to iheba,\n\nMikodachi Kamudachibe kikite,\n\n\u2018Oiraka ni atari yori dani na ariki so to ya ha notamahanui\u2019, to ihite\nunzhite mina kaherinu.\n\n\nMAKI III\n\nHOTOKE NO MI ISHI NO HACHI\n\nNaho kono wouna mide ha yo ni arumazhiki kokochi no shikereba Temujiku\nni aru mono mo mote konu mono ka ha to omohi-megurashite Ishidzukuri no\nmiko ha kokoro no shitakumi[38] aru hito nite Temujiku ni futatsu to\nnaki hachi wo hiyaku-sen-man ri no hodo ikitari tomo ikadeka torubeki\nto omohite Kaguya-hime no moto ni ha kefu namu Temujiku he ishi no\nhachi tori ni makaru to kikasete mi tose bakari hete Yamato no kuni\nTohochi no kohori ni aru yama-dera ni Bindzuru no mahe naru hachi no\nhitakuro ni susudzukitaru[39] wo torite nishiki no fukuro ni irite,\ntsukuri-hana no eda ni tsukete Kaguyahime no ihe ni mote kite[40]\nmisekereba Kaguyahime ayashigarite miru ni hachi no naka ni fumi ari.\nHirogete mireba--\n\n Umi yama no\n michi ni kokoro wo\n tsukushi-hate[41]\n mi ishi[42] no hachi[43] no\n namida nagare ha!\n\nKaguya-hime hikari ya aru to miru ni[44] hotaru bakari no hikari dani\nnashi--\n\n Oku tsuyu no[45]\n hikari wo dani zo[46]\n yadosumashi[47]\n Wogura[48] no yama nite\n nani motomekemu.\n\ntote kaheshi-idasu wo[49] hachi wo kado ni sutete kono uta no kaheshi\nwo su,\n\n Shirayama ni\n aheba[50] hikari no\n usuru ka to\n hachi[51] wo sutete mo\n tanomaruru kana!\n\nto yomite iretari. Kaguya-hime kaheshi mo sezu narinu. Mimi ni mo\nkiki-irezarikereba ihi-wadzurahite[52] kaherinu. Kano hachi wo sutete\nmata ihikeru yori zo omonaki koto wo ba haji wo sutsu to ha ihikeru.\n\n\nMAKI IV\n\nHOURAI NO TAMA NO EDA\n\nKuramochi no miko ha kokoro tabakari aru hito nite ohoyake ni ha\nTsukushi no kuni ni yu-ami ni makaramu tote itoma mafushite Kaguyahime\nno ihe ni ha tama no yeda tori ni namu makaru to ihasete kudari-tamafu\nni tsukaumatsurubeki hitobito mina Naniha made okurishikeri. Miko\nito shinobite to notamahasete hito mo amata wite ohashimasezu\nchikaku tsukaumatsuru kagiri shite idetamahinu mi okuri mi hitobito\nmi-tatematsuru okurite kaherinu. Ohashimashinu[53] to hito ni ha\nmihetamahite mi ka bakari arite kogi kaheritamahinu. Kanete koto mina\nohosetarikereba sono toki ichi no takumi[54] narikeru Uchimaro-ra[55]\nroku nin wo meshitorite tayasuku hito yorikumazhiki ihe wo tsukurite\nkamahe[56] wo mi he ni shikomete takumira wo ire-tamahitsutsu. Miko mo\nonazhi tokoro ni komoritamahite shirasetamahitaru kagiri zhiuroku so\nkami ni kudo[57] wo akete tama no yeda wo tsukuritamafu.\n\nKaguyahime notamafu yau ni tagahazu tsukuri idetsu[58]. Ito kashikoku\ntabakarite Naniha ni misoka[59] ni mote-idenu. Fune ni norite kaheri\nki ni keri to tono ni tsuge-yarite, ito itaku kurushige-naru[60] sama\nshite wi-tamaheri. Mukahe ni hito ohoku mawiritari tama no yeda wo\nba naga-hitsu ni irete mono ohohite mochite mawiru. \u2018Itsuka kikemu!\nKuramochi no miko ha Udomuguwe no hana mochite nobori tamaheri\u2019\nto nonoshirikeri. Sore wo Kaguyahime kikite \u2018ware wa kono miko ni\nmakenubeshi\u2019 to mune tsuburete omohikeri.\n\nKakaru hodo ni kado wo tatakite, \u2018Kuramochi no miko ohashimashitari\u2019 to\ntsugu.\n\n\u2018Tabi no mi sugata nagara ohashimashitari\u2019 to iheba ahitatematsuru miko\nnotamahaku \u2018Inochi wo sutete kono tama no yeda mochite kitari tote\nKaguya-hime ni misetate matsuritamahe\u2019 to notamaheba, okina mochite\niritari.\n\nKono tama no yeda ni fumi wo zo tsuketarikeru[61].\n\n Itadzura ni,\n mi ha nashitsu to mo,\n tama no ye wo\n taworade sara ni\n kaherazaramashi!\n\nKore wo mo ahare to mite woru ni Taketori no Okina hashiri irite ihaku--\n\n\u2018Kono miko ni maushitamahishi Hourai no tama no yeda wo hitotsu no\ntokoro mo ayashiki tokoro naku ayamatazu mote[62] ohashimaseri. Nani wo\nmochite[63] ka tokaku mausubeki ni arazu[64]. Tabi no mi sugata nagara\nwaga ohon[65] ihe he mo yori-tamahazu shite ohashimashitari. Haya kono\nmiko ni ahitsukaumatsuritamahe\u2019 to ifu ni mono wo ihazu tsuradzuwe wo\ntsukite imizhiu nagekashige ni omohitari.\n\nKono miko ima sara[66] nanika to ifubekarazu to ifu mama ni yen ni\nhahi-nobori tamahinu. Okina kotohari ni omofu--\n\n\u2018Kono kuni ni mihenu tama no yeda nari. Kono tabi ha ikadeka inami\nmausamu hito-zama mo yoki hito ni ohasu\u2019 nado to ihi-itari.\n\nKaguyahime no ifu yau--\n\n\u2018Oya no notamafu koto wo hitaburu ni inami mausamu koto no itohoshisa\nni ye-gataki mono wo yukashi to ha maushitsuru[67] wo kaku asamashiku\nmote kuru koto wo namu netaku omohi haberu\u2019,\n\nto ihedo, naho[68] Okina ha neya no uchi shitsurahi nado su.\n\nOkina miko ni mausu yau--\n\n\u2018Ikanaru tokoro ni ka kono ki ha safurahikemu. Ayashiku uruhashiku\nmedetaki mono ni mo\u2019\n\nto mausu.\n\nMiko kotahete notamahaku--\n\n\u2018Saototoshi[69] no kisaragi no towo ka goro ni Naniha yori fune ni\nnorite umi naka ni idete yukamu kata mo shirazu oboheshikado omofu koto\nnarade ha[70] yo no naka ni ikite nani ka semu to omohishikaba tada\nmunashiki kaze ni makasete ariku. Inochi shinaba ikaga ha semu ikite\naramu kagiri ha[71] kaku arikite Hourai to ifuramu yama ni afu ya to\nnami[72] ni tadayohi kogi arikite waga kuni no uchi wo hanarete ariki\nmaharishi[73] ni aru toki ha nami aretsutsu umi no soko ni mo irinubeku\narutoki ni[74] ha[75] kaze ni tsukete shiranu kuni ni fuki yoserarete\noni no yau naru mono idekite korosamu to shiki[76] aru toki ni ha koshi\nkata yuku suwe mo shirazu[77] umi ni magiremu to shiki aru toki ni ha\nkate tsukite kusa no ne wo kuhi mono to shiki aru toki ni ha ihamu kata\nnaku mukutsuge[78] naru mono kite kuhi kakaramu to shiki aru toki ni ha\numi no kai wo torite inochi wo tsugu. Tabi no sora ni tasukubeki[79]\nhito mo naki tokoro ni iro-iro no yamahi wo shite yuku he[80] sora[81]\nmo obohezu fune no yuku ni makasete umi ni tadayohite i-ho ka to ifu\ntatsu no toki bakari ni umi no naka ni wadzuka[82] ni yama miyu fune no\nuchi wo[83] namu semete miru umi no uhe ni tadayoheru yama ito ohoki\nnite ari. Sono yama no sama takaku uruwashi. Kore ya waga motomuru\nyama naramu to omohedo[84] sasuga ni osoroshiku oboyete yama no meguri\nwo sashimegurashite futsuka mika bakari mi-ariku ni amabito no yosohi\nshitaru wouna yama no naka yori idekite shirokane no kanamari wo\nmochite midzu wo kumi ariku. Kore wo mite fune yori orite kono yama no\nna wo nan to ka mausu to tofu ni wouna kotahete ihaku[85]--\n\n\u2018Kore ha Hourai no yama nari to kotafu. Kore wo kiku ni ureshiku koto\nkagiri nashi. Kono wouna ni kaku notamafu ha \u201ctaso\u201d to tofu \u201cWaga na ha\nHoukamururi\u201d to ihite futo yama no naka ni irinu.\n\n\u2018Sono yama wo miru ni sara ni noborubeki yau nashi. Sono yama no\nsobatsura[86] wo megureba yo no naka ni naki hana no kidomo tateri\nkogane shirogane ruri iro no midzu nagare idetari. Sore ni ha iroiro\nno tama no hashi wataseri. Sono atari ni teri-kagayaku kidomo tateri\nsono naka ni kono[87] torite mochite maude[88] kitarishi ha ito\nwarokarishikadomo notamahishi ni tagahamashikaba tote kono hana wo\nworite maude kitaru nari. Kore ha kagiri naku omoshiroshi[89] yo\nni tatofubeki ni arazarishikado kono yeda wo woriteshikaba sara\nni kokoromoto nakute fune ni norite ohi-kaze fukite shi hiyaku yo\nnichi[90] ni namu maude ki nishi.\u2019\n\n\u2018Daikuwan no chikara ni ya Naniha yori kinofu namu Miyako ni maude\nkitsuru sara ni shiho ni nuretaru kinu wo dani nugi-kahenade--namu\nkochi[91] maude kitsuru\u2019\n\nto notamaheba, Okina kikite uchinagekite yomeru--\n\n Kure-take[92] no\n yoyo no take toru\n no yama ni mo\n sa ya ha wabishiki\n fushi wo nomi mishi[93].\n\nKore wo Miko kikite kokora no hi-goro omohi-wabi-haberi-tsuru kokoro ha\nkefu namu ochi-winuru to notamahite kaheshi--\n\n Waga tamoto\n kefu kawakereba,\n wabishisa no\n chigusa no kazu mo\n wasurarenubeshi!\n\nto notamafu. Kakaru hodo ni wotokodomo[94] roku nin tsuranete niha ni\nidekitari[95]. Ichinin no wotoko fumi-hasami[96] ni fumi wo hasamite\nmausu--\n\n\u2018Tsukumo dokoro[97] no tsukasa no takumi Ayabe no Uchimaro\nmausaku--Tama no ki wo tsukurite tsukaumatsurishi koto kokoro no\nkudakite[98] sen yo nichi ni chikara wo tsukushitaru koto sukunakarazu\nshikaru ni roku imada tamaharazu kore wo tamaharite[99] wakachite[100]\nkego ni tamahasemu\u2019 to ihite sasagetari.\n\nTaketori no Okina kono takumira ga mausu koto ha nani-goto zo to\nkatabuki wori. Miko ha ware ni mo aranu keshiki nite kimo[101]\nkihenubeki kokochi shite wi-tamaheri.\n\nKore wo Kaguyahime kikite--\n\n\u2018Kono tatematsuru fumi wo tore\u2019\n\nto ihite, mireba fumi ni moshikeru yau--\n\n\u2018Miko no kimi sen yo nichi iyashiki takumira to morotomo ni[102]\nonazhi tokoro ni kakure wi-tamahite kashikoki tama no yeda wo\ntsukurase-tamahite tsukasa mo tamahamu[103] ohose-tamahiki. Kore wo\nkono goro anzuru ni mi tsukahi to ohashimasubeki Kaguyahime no yeuzhi\ntamafubeki narikeri to uketamaharite kono miya yoritamaharamu to\nmaushite tamaharubeki ni nari.\u2019\n\nTo ifu wo kikite, Kaguya-hime[104] kururu mama ni omohi wabitsuru\nkokochi wemi[105]-sakahete Okina wo yobi-torite ifu yau--\n\n\u2018Makoto ni Hourai no ki ka to koso omohitsure kaku asamashiki sora goto\nnite arikereba haya tote[106] kaheshi-tamahe\u2019 to iheba, Okina kotafu--\n\n\u2018Sadaka ni tsukurasetaru mono to kikitsureba kahesamu koto ito\nyasushi,\u2019 to unadzuki wori[107].\n\nKaguya-hime no kokoro yukihatete aritsuru uta no kaheshi--\n\n Makoto ka to\n kikite mitsureba\n koto no ha wo\n kazareru tama no\n yeda ni zo arikeru!\n\nto ihite, tama no yeda wo kaheshitsu.\n\nTaketori no Okina sabakari katarahitsuru ga sasuga ni oboyete\nneburi-wori. Miko ha tatsu mo hashita wiru mo hashita nite wi-tamaheri.\nHi no kurenureba suberi idetamahinu[108].\n\nKano ureheseshi takumira wo ba Kaguya-hime yobi-suwete--\n\n\u2018Ureshiki hito-domo nari[109]\u2019\n\nto ihite, roku ito ohoku torasetamafu. Takumira imizhiku yorokobite\n\u2018omohitsuru yau ni mo aru kana!\u2019 to ihite, kaheru.\n\nMichi nite Kuramochi no miko chi no nagaruru made chiyouzesase[110]\ntamafu roku yeshi kahi mo naku mina tori-sutesase tamahite kereba\nnige-use nikeri.\n\nKakute kono Miko isseu no haji kore ni suguru ha arazhi wouna wo\nyezu narinuru nomi ni arazu ame no shita no hito no mi-omohamu koto\nno hadzukashiki koto to notamahite tada hito tokoro fukaki yama he\niritamahinu.\n\nMiya tsukasa safurafu hitobito mina te wo wakachite,\nmotome-tatematsuredomo shini mo ya shitamahikemu\nye-mi-tsuke-tatematsurazu narinu. Miko ha mi tomo ni dani kakushi\ntamahamu tote toshi goro mihetamahazarikeru narikeri. Kore wo namu\n\u2018tamazakaru\u2019 to ha ihihazhimetaru.\n\n\nMAKI V\n\nHI-NEDZUMI NO KAHAGOROMO.\n\nUdaijin Abe no Miushi[111] ha takara yutaka ni ihe hiroki hito ni\nzo[112] ohashikeru. Sono toshi watarikeru Morokoshi fune no Waukei\nto ifu mono no moto ni fumi wo kakite hi-nedzumi no kahagoromo to\nifu naru mono kahite okoseyo tote tsukafu tatematsuru hito no naka ni\nkokoro tashikanaru wo yerabite Onono Fusamori to ifu hito wo tsukete\ntsukahasu.\n\nMote itarite kano ura[113] ni woru Waukei ni kogane[114] wo torasu.\nWaukei fumi wo hirogete mite kaheri-goto kaku, \u2018Hi-nedzumi no\nkahagoromo waga kuni ni naki mono nari. Oto ni ha kikedomo imada minu\nmono nari. Yo ni aru mono naraba kono kuni ni mo mote maude kinamashi.\nIta kataki akinahi nari. Shikaredomo moshi Tenjiku ni tamasaka ni mote\nwatarinaba moshi chiyauzhiya no atari ni toburahi motomemu ni naki mono\nnaraba tsukahi ni sohete kogane wo ba kaheshi tatematsuramu\u2019 to iheri.\n\nKano Morokoshi fune kikeri. Onono Fusamori maude kite mau noboru to ifu\nkoto wo kikite ayumi tou suru uma wo mochite hashirase mukahesasetamafu\ntoki ni uma ni norite Tsukushi yori tada nanuka ni nobori[115] maude\nkitari.\n\nFumi wo mira ni ihaku--\n\n\u2018Hi-nedzumi no kahagoromo karauzhite hito wo idashite motomete\ntatematsuru. Ima no yo ni mo mukashi no yo ni mo[116] kono kaha ha\ntahayasuku naki mono narikeri. Mukashi kashikoki Tenjiku no hizhiri\nkono kuni ni mote watarite tsukamatsurikeri. Nishi no yama-dera ni ari\nto kiki-oyobite ohoyake ni maushite karaushite kahi-torite tatematsuru.\nAtahi no kane sukunashi to kokushi tsukahi ni maushikaba Waukei ga\nmono kuhahete kahitari. Ima kogane gozhiu riyau tamaharubeshi. Fune\nno kaheramu ni tsukete tabi-okure moshi kogane tamahanu mono naraba\nkahagoromo no shichi kaheshi tabe[117]\u2019 to iheru koto wo mite,\n\n\u2018Nani obosu ima kogane sukoshi no koto[118] ni koso anare[119]!\n[4]kanarazu okurubeki mono ni koso anare[120] ureshiku shite[121]\nokosetaru kana!\u2019\n\ntote, Morokoshi no kata ni mukahite fushi ogami-tamafu.\n\nKono kahagoromo iretaru hako wo mireba kusagusa no uruhashiki ruri\nwo irohete tsukureri. Kahagoromo wo mireba, konzhiyau no iro nari\nke no suwe ni ha kogane no hikari kagayakitari ge ni takara to mihe\nuruhashiki koto narabubeki mono nashi. Hi ni yakenu koto yori mo keura\nnaru koto narabu[122] nashi.\n\n\u2018Ube Kaguya-hime no konomoshikari-tamafu ni koso arikere!\u2019\n\nTo notamahite \u2018ana kashiko\u2019! tote, hako ni ire-tamahite mono no yeda\nni tsukete mi mi no kesau ito itakushite yagate tomari namu mono zo to\noboshite uta yomi kuhahete mochite imashitari.\n\nSono uta ha--\n\n Kagiri naki\n omohi ni yakenu\n kahagoromo\n tamoto kawakite\n kefu koso ha mime!\n\nto iheri.\n\nIhe no kado ni mote itarite tateri. Taketori ide kite tori-irete\nKaguya-hime ni misu. Kaguya-hime kano kahagoromo wo mite ihaku--\n\n\u2018Uruhashiki kaha nameri wakite makoto no kaha naramu to mo shirazu.\u2019\n\nTaketori kotahete ihaku--\n\n\u2018Tomare kakumare[123] madzu shiyauzhi ire-tatematsuramu yo no naka\nni mihenu kahagoromo no sama nareba kore wo makoto to omohi-tamahine\nhito na itaku wabi-sase-tatematsurase-tamahi so\u2019 to ihite\nyobi-suwe-tatematsureri.\n\nKaku yobi-suwete kono tabi ha kanarazu ahamu to ouna no kokoro ni mo\nomohi wori. Kono Okina ha Kaguya-hime no yamome naru wo nagekashikereba\nyoki hito ni ahasemu to omohi hakaredomo sechi ni ina to ifu koto\nnareba yeshihinu ha kotowari nari.\n\nKaguya-hime Okina ni ihaku--\n\n\u2018Kono kahagoromo ha hi ni yakamu ni yakezuba koso makoto naramu to\nomohite hito no ifu koto ni mo makenu yo ni naki mono nareba sore wo\nmakoto to utagahi naku omohamu to notamahe naho kore wo yakite mimu\u2019\n\nto ifu.\n\nOkina \u2018sore sa mo iharetari\u2019 to ihite otodo[124] ni kaku namu mausu to\nifu.\n\nOtodo kotahete ihaku--\n\n\u2018Kono kaha ha Morokoshi ni mo nakarikeru[125] wo karanjite\nmotome-tadzune yetaru nari nani no utagahi ka aramu sa ha mausu to mo\nhaya yakite mi-tamabe\u2019\n\nto iheba, hi no naka ni uchi-kubete yakase-tamafu ni meramera to\nyakenu. Sareba koso kotomono no kaha narikeri to ifu.\n\nOtodo kore wo mi-tamahite mi kaho ha kusa no ha no iro shite\nwi-tamaheri. Kaguya-hime ha \u2018Ana ureshi!\u2019 to yorokobite itari. Kano\nyomi-tamahikeru uta no kaheshi hako ni irete kahesu\n\n Nagori naku\n moyu to shiriseba\n kahagoromo\n omohi no hoka ni\n okite namashi wo!\n\nto zo arikeru. Sareba kaheri imashi ni keri.\n\nYo no hitobito \u2018Abe no Otodo ha hinedzumi no kahagoromo wo mote\nimashite Kaguya-hime ni sumi-tamafu to na koko ni ya imasu\u2019 nado tofu\naru hito no ihaku, \u2018Kahagoromo ha hi ni kubete yakitarishikaba meramera\nto yakenishikaba Kaguya-hime ahi-tamahazu\u2019 to ihikereba kore wo kikite\nzo togenaki mono wo ba \u2018abenashi\u2019 to ha ihikeru.\n\n\nMAKI VI\n\nTATSU NO KUBI NO TAMA\n\nOhotomo no Miyuki no Dainagon ha waga ihe ni ari to aru hito wo\nmeshi-atsumete, notamahaku--\n\n\u2018Tatsu no kubi ni go shiki no hikari aru tama anari sore wo torite\ntatematsuramu hito ni ha negahamu koto wo kanahemu\u2019\n\nto notamafu.\n\nWonokodomo ohose no koto wo uketamaharite mausaku--\n\n\u2018Ohose no koto ha ito mo tafutoshi tadashi kono tama tahayasuku\nyetorazhi wo ihamu ya! tatsu no kubi no tama ha ikaga toramu\u2019 to maushi\naheri.\n\nDainagon notamafu--\n\n\u2018Kimi no tsukahi to ihamu mono ha inochi wo sutete mo ono ga kimi no\nohose-goto wo ba kanahemu to koso omofubekere[126]! Kono kuni ni naki\nTemujiku Morokoshi no mono ni mo arazu kono kuni no umi yama yori tatsu\nha ori noboru mono nari ikani omohite ka namuzhira kataki mono to\nmausubeki.\u2019\n\nWonokodomo mausu yau--\n\n\u2018Saraba ikaga ha semu kataki mono naritomo ohose-goto ni shitagahite\nmotome ni makaramu\u2019 to mausu.\n\nDainagon mi-warahite--Namuzhira kimi[127] no tsukahi to na wo\nnagashitsu kimi no ohose-goto wo ba ikaga ha somukubeki\n\nto notamahite, tatsu no kubi no tama tori ni tote ideshi-tate-tamafu.\n\nKono hitobito no michi no kate kuhi mono ni tono no uchi no kinu\nwata zeni nado aru kagiri tori idete sohete tsukahasu. \u2018Kono\nhitobito-domo[128] kaheru made imo-wi wo shite ware ha woramu kono tama\ntoriyede ha ihe ni kaheri kuna\u2019\n\nto notamahasekeri[129].\n\nOno-ono ohose uketamaharite makari-idenu.\n\n\u2018Tatsu no kubi no tama toriyezuba kaheri-kuna\u2019 to notamaheba, idzuchi\nmo idzuchi mo ashi no mukitaramu kata he inamu[130] to su. Kakaru\nsuki-goto wo shitamafu koto to soshiri aheri tamahasetaru[131] mono ha\nono-ono waketsutsu tori aruhiha ono ga ihe ni komori-wi aruhiha ono ga\nyukamahoshiki tokoro he winu.\n\nOya kimi to mausu to mo kaku tsukinaki koto wo ohosetamafu koto to koto\nyukanu mono yuwe, Dainagon wo soshiri ahitari.\n\nKaguya-hime suwemu ni ha rei no yau ni ha mi-nikushi to notamahite\nuruhashiki ya wo tsukuritamahite urushi wo nuri makiwe wo shi iroheshi\ntamahite ya no uhe ni ha ito wo somete iroiro ni fukasete uchi-uchi\nno shitsurahi ni ha ifubeku mo aranu aya orimono ni we wo kakite\nma-goto[132] ni haritari.\n\nMoto no medomo ha mina[2] ohi-harahite[133] Kaguya-hime wo kanarazu\nahamu maukeshite hitori akashite kurashite tamafu.\n\nTsukahashishi hito ha yoru hiru machi-tamafu ni toshi koyuru made\noto mo sezu kokoromoto nagarite ito shinobite tada toneri futari\nmeshi-tsugi to shite yatsuretamahite Naniha ni ohashimashite\ntohi-tamafu koto ha--\n\n\u2018Dainagon no hito ya fune ni norite tatsu koroshite so ga kubi no tama\ntoreru to ya kiku\u2019\n\nto tohasuru ni funabito kotahete ihaku \u2018Ayashiki koto kana\u2019\n\nto warahite,\n\n\u2018saru waza suru fune mo nashi\u2019--to kotafuru ni \u2018wojinaki koto suru\nfunabito ni mo aru kana! Yeshirade kaku ifu to ohoshite waga yumi no\nchikara ha tatsu araba futo i-koroshite kubi no tama ha toritemu osoku\nkuru yatsubara wo matazhi\u2019\n\nto notamahite, fune ni norite umi goto ni ariki-tamafu ni ito tohokute\nTsukushi no kata no umi ni kogi ide-tamahinu.\n\nIkaga shikemu hayaki kaze fukite[134] sekai kuragarite fune wo\nfuki mote ariku. Idzure no kata to mo shirazu fune wo umi naka ni\nmakari-idenubeku[135] fuki mahashite nami ha fune ni uchi-kaketsutsu\nmaki-ire[136] kami ha ochi-kakaru yau ni hirameki kakaru ni Dainagon ha\nmadohite \u2018mada kakaru wabishikime ha mizu ika naramu to suru zo\u2019--to\nnotamafu.\n\nKajitori kotahete mausu--\n\n\u2018Kokora fune ni norite, makari-ariku ni mada kaku wabishikime wo mizu.\nMi fune umi no soko ni irazuba kami ochikakarinubeshi moshi saihahi\nni[137] kami no tasuke araba nankai ni fukare-ohashinubeshi utate\naru nushi no mi moto ni tsukahematsurite suzuro[138] naru shini wo\nsubekameru\u2019 tote kajitori naku.\n\nDainagon kore wo kikite notamahaku--\u2018Fune ni norite ha kajitori no\nmausu koto wo koso takaki yama to mo tanome nado kaku tanomoshige-naki\nkoto wo mausu zo\u2019--to awohedo wo tsukite notamafu.\n\nKajitori kotahete mausu--\u2018Kami naraneba nani waza wo ka tsukaumatsuramu\nkaze fuki nami hageshikeredomo kami sahe itadaki ni ochikakaru yau\nnaru ha tatsu wo korosamu to motometamahi. Safuraheba kaku annari[139]\nhayate mo tatsu no fukaseru nari haya kami ni inori-tamahe\u2019\n\nto iheba,\n\n\u2018Yoki koto nari\u2019--tote--\u2018kajitori no mikami kikoshimese wojinaku[140]\nkokoro wosanaku tatsu wo korosamu to omohikeri ima yori nochi ha ke no\nsuwe hito[5] suji[141] wo dani ugokashi-tatematsurazhi\u2019 to yogoto[142]\nwo hanachite tachi-wi naku-naku yobahi-tamafu koto chi tabi bakari\nmaushi-tamafu. Ge ni ya aramu! yauyau kaminari yaminu sukoshi akarite\nkaze ha naho hayaku fuku.\n\nKajitori no ihaku[143]--\u2018Kore ha tatsu no shiwaza ni koso arikere\nkono fuku kaze ha yoki kata no kaze nari ashiki kata no kaze ni ha\narazu yoki kata ni omomukite fuku nari\u2019 to ihedomo Dainagon ha kore wo\nkiki-ire-tamahazu.\n\nMi ka yo ka fukite fuki-kaheshi yosetari. Hama wo mireba Harima no\nAkashi no hama narikeri. Dainagon nankai no hama ni fuki-yoseraretaru\nni ya aramu to omohite iki-tsuki fushi-tamaheri. Fune ni aru\nwonoko-domo kuni ni tsugetareba kuni no tsukasa maude-toburafu ni mo\nye-oki-agari-tamahade funa-zoko ni fushi-tamaheri.\n\nMatsu hara ni mushiro shikite oroshi-tatematsuru. Sono toki ni zo\nnankai ni arazarikeri to omohite karauzhite oki-agari-tamaheru wo\nmireba kaze ito omoki hito nite hara ito fukure konata kanata no me ni\nha sumomo wo futatsu tsuketaru yau naru. Kore wo mitatematsurite, kuni\nno tsukasa mo-hoho-yemitaru.\n\nKuni ni ohose-tamahite tagoshi tsukurase-tamahite niyofu-niyofu\nni naharete ihe ni ire-tamahinuru wo ikadeka kikemu tsukahashishi\nwono-ko-domo mawirite mausu yau,--\u2018Tatsu no kubi no tama\nwoye-torazarishikaba namu tono he mo ye-mawirazarishi tama no\ntori-katakarishi koto wo shiri-tamahereba namu kamudau arazhi tote\nmawiritsuru\u2019 to mausu.\n\nDainagon oki-idete notamahaku--\n\n\u2018Namuzhira yoku mote kozu narinu tatsu ha naru kami no ruwi[144] nite\nkoso arikere sore ga tama wo torase-tote sokora[145] no hitobito no\ngai serare namu to shikeri mashite tatsu wo torahetaramashikaba mata\nkoto mo naku ware ha gai serarenamashi, yoku torahezu nari nikeri.\nKaguya-hime tefu oho nusubito no yatsu ga hito wo korosamu to suru\nnarikeri ihe no atari dani ima ha tohorazhi wonoko-domo na ariki so\u2019\n\ntote, ihe ni sukoshi nokoritarikeru monodomo ha tatsu no tama toranu\nmonodomo ni tabitsu.\n\nKore wo kikite hanare-tamahishi moto no uhe ha hara wo kirite[146]\nwarahi-tamafu ito wo fukasete tsukurishi ya ha tobi karasu no su ni\nmina kubi mote inikeri.\n\nSekai no hito no ihikeru ha \u2018Ohotomo no Dainagon ha tatsu no kubi no\ntama ya torite ohashitaru\u2019; \u2018ina! sa mo arazu mi manako futatsu ni\nsumomo no yau naru tama wo zo sohete i-mashitaru\u2019 to ihikereba, \u2018Ana\ntahegata\u2019 to ihikeru yori zo yo ni ahanu koto wa ba--Ana tahegata! to\nha ihi-hazhimekeru.\n\n\nMAKI VII\n\nTSUBAKURAME NO KOYASUGAHI\n\nChiunagon Isonokami no Marotada[147] ha ihe ni tsukaharuru[148]\nwonoko-domo moto ni \u2018Tsubakurame no su kuhitaraba tsugeyo\u2019 to notamafu\nwo uketamaharite, \u2018Nani no reu[149] ni ka aramu\u2019 to mausu kotahete\nnotamafu yau \u2018tsubakurame no motaru koyasugahi toramu reu nari\u2019 to\nnotamafu.\n\nWonoko-domo kotahete mausu \u2018Tsubakurame wo amata koroshite miru ni dani\nmo hara ni nakimono nari. Tadashi ko umu toki namu ikadeka idasuran\nhara-hara to mausu[150] hito dani mireba usenu\u2019 to mausu.\n\nMata hito no mausu yau \u2018Ohowidzukasa no ihi kashiku ya no mune no\ntsuku[151] no ana goto ni tsubakurame ha su kuhihaberi sore ni mame\nnaramu wonoko-domo wo wite makarite agura wo yuhite agete ukagahasemu\nni sokora no tsubakurame ko umazaramu ya ha? sate! koso torashime\ntamahame\u2019--to mausu.\n\nChiunagon yorokobi-tamahite \u2018Wokashiki koto ni mo aru kana?\nmottomo yeshirazarikeri kiyou aru koto maushitari\u2019 to notamahite\nmame naru wonoko-domo nizhifu nin bakari tsukahashite ananahi ni\nage-suweraretari.\n\nTono yori tsukahi hima naku tamahasete koyasugahi toritaru ka--to\ntohase-tamafu. Tsubakurame mo hito no amata nobori-witaru ni ojite su\nni nobori kozu.\n\nKakaru yoshi no mi kaheri-goto wo maushikereba kikitamahite ikaga\nsubeki to oboshimeshi wadzurafu ni kano tsukasa no kwan-nin Kuratsu\nMaro to mausu okina mausu yau \u2018Koyasu-gahi toramu to oboshimesaba\ntabakari mausamu\u2019 tote, ommahe ni mawiritareba Chiunagon hitahi wo\nahasete mukahi-tamaheri.\n\nKuratsu Maro ga mausu yau \u2018Kono tsukubakurame no koyasu-gahi ha ashiku\ntabakarite torase tamafu nari. Sate ha, yetorase-tamahazhi ananahi ni\nodoro-odoroshiku mizhifu nin no hito no noborite habereba arete[152]\nyori-maude kozu namu. Sesase-tamafubeki yau ha kono ananahi wo\nkobochite hito mina shirizokite mame naramu hito hitori[153] wo arako\nni nose-suwete tsuna wo kamahete tori no ko umamu ahida[154] ni tsuna\nwo tsuri[155]-age-sasete futo koyasu-gahi wo torase-tamahamu[156] namu\nyokarubeki\u2019 to mausu.\n\nChiunagon notamafu yau \u2018Ito yoki koto nari\u2019, tote, ananahi wo kobochite\nhito mina kaheri-maude kinu.\n\nChiunagon Kuratsu Maro ni notamahaku--\u2018Tsubakurame ha ika naru toki ni\nka ko wo umu to shirite, hito wo ba agurubeki\u2019 to notamafu[157].\n\nKuratsu Maro mausu yau \u2018Tsubakurame ha ko umamu to suru toki ha wo\nwo sasagete[158] nana tabi megurite namu umi-otosumeru sate nana tabi\nmeguramu wori hiki-agete sono wori koyasu-gahi ha torase-tamahe\u2019\nto mausu yau. Chiunagon yorokobi-tamahite yorodzu no hito ni mo\nshirase-tamahade misoka ni tsukasa ni imashite wonoko-domo no naka ni\nmazhirite[159] yoru wo hiru ni nashite torashime-tamafu.\n\nKuratsu Maro kaku mausu wo ito itaku yorokobi-tamahite notamafu--\u2018Koko\nni tsukaharuru hito ni mo naki ni negahi wo kanafuru koto no ureshisa\u2019\nto ihite mi[160] zo nugite kadzuke-tamahitsu--\u2018sara ni yosari[161]\nkono[162] tsukasa[163] ni maude-ko\u2019--to notamahite tsukahashitsu.\n\nHi kurenureba kano tsukasa ni ohashite mi-tamafu ni makoto ni\ntsubakurame su tsukureri. Kuratsu Maro ga mausu yau ni wo wo sasagete\nmeguru ni arako ni hito wo nosete[164] tsuri-agesasete tsubakurame no\nsu ni te wo sashi-ire sasete[165] saguru ni \u2018mono mo nashi\u2019--to mausu\nni Chiunagon \u2018ashiku sagureba naki nari\u2019--to haradachite \u2018tare bakari\noboyemu ni tote ware noborite saguramu\u2019--to notamahite ko ni norite\ntsurare-noborite ukagahi-tamaheru ni tsubakurame wo wo sasagete itaku\nmeguru ni ahasete te wo sasagete saguri-tamafu ni te ni hirameru[166]\nmono saharu toki ni \u2018Ware mono nigiritari--ima ha oroshite yo okina\nshiyetari\u2019 to notamahite atsumarite tote orosamu tote tsuna wo hiki\nsugushite tsuna tayuru Sunahachi[167] Yashima no kanahe no uhe ni\nnokesama ni ochitamaheri.\n\nHitobito asamashigarite yorite kakahe-tatematsureri mi me ha shirame\nnite fushi-tamaheri. Hitobito mi kuchi ni[168] midzu wo sukuhi\nire-tatematsuru karauzhite iki-ide-tamaheru ni mata kanahe no uhe\nyori te tori ashitori shite sage-oroshi-tatematsuru. Karauzhite \u2018mi\nkokochi ha ikaga obosaruru\u2019 to toheba iki no shita nite mono ha\nsukoshi oboyuredo koshi namu ugokarenu. Saredo koyasu-gahi wo futo\nnigiri-mo-tareba ureshiku oboyuru nari.\n\n\u2018Madzu shisokusashite ko kono gahi kaho mimu\u2019 to mi kushi motagete\nmi te wo hiroge-tamaheru ni tsubakurame no mari-okeru furu kuso wo\nnigori-tamaheru narikeri.\n\nSore wo mi-tamahite \u2018Ana! kahina no waza ya!\u2019 to notamahikeru yori zo\nomofu ni tagafu koto wo ba \u2018kahinashi\u2019 to ha ihikeru.\n\nKahi ni mo aradzu to mi-tamahikeru ni mi kokochi mo tagahite karabitsu\nno futa ni[169] irase[170] tamafubeku mo aradzu. Mi koshi ha ore ni\nkeri. Chiunagon ha ihaketaru waza shite yamu koto wo hito ni kikasezhi\nto shitamahikeredo, sore wo yamahi nite ito yowaku nari-tamahi-nikeri.\nKahi wo yetorazu nari nikeru yori mo hito no kiki-warahamu koto wo hi\nni sohete omohi-tamahikereba tada ni yami-shinuru yori mo hitogiki\nhadzukashiku oboye-tamafu narikeri[171].\n\nKore wo Kaguyahime kikite tofurahi ni tsukahashikeru uta--\n\n Toshi wo hete\n nami tachi-yoranu\n Sumiyoshi no\n matsu kahi nashi\n kiku ha makoto ka?\n\nto aru wo yonde kikasu.\n\nIto yowaki kokochi ni kashira wo motagete hito ni kami wo motasete\nkurushiki kokochi ni karauzhite kaki-tamafu--\n\n Kahi ha kaku\n arikeru mono wo\n wabi hatete\n shinuru inochi wo\n sukuhi ya ha senu!\n\nto kaki-hatsuru to tahe-iritamahinu.\n\nKore wo kikite Kaguhahime sukoshi ahare to oboshikeri. Sore yori namu\nsukoshi ureshiki koto wo ba kahi ari! to ha ihikeru.\n\n\nMAKI VIII\n\nMIKARI NO MIYUKI.\n\nSate Kaguyahime katachi yo ni mizu medetaki koto wo Mikado\nkikoshimeshite naishi Nakatomi no Fusako ni notamafu--\n\n\u2018Ohoku no hito no mi wo itadzura ni nashite ahazanaru Kaguyahime ha ika\nbakari no wouna zo to makarite mite mawire\u2019 to notamafu.\n\nFusako uke-tamaharite makareri. Taketori no Okina no ihe ni\nkashikomarite shiyauzhi[172] irete aheri. Wouna ni naishi notamafu--\n\n\u2018Ohose-goto ni Kaguyahime no katachi iu ni ohasu to nari yoku-mite\nmawirubeki yoshi notamahasetsuru ni namu mawiritsuru\u2019 to iheba, \u2018kaku\nto maushi haberamu\u2019 to ihite, irinu.\n\nKaguyahime ni \u2018Haya kano ohon tsukahi ni taimen shi-tamahe\u2019 to iheba,\nKaguyahime \u2018yoki katachi ni mo arazu ikadeka miyubeki\u2019 to iheba \u2018utate\nmo notamafu kana! Mikado no ohon tsukahi wo ba ikadeka oroka ni semu?\u2019\nto iheba, Kaguyahime kotafuru yau \u2018Mikado no meshite notamahamu koto\nkashikoshi to mo omohazu\u2019 to ihite, sara ni miyubeki mo arazu. Umeru\nko no yau ni ha aredo ito kokoro-hazukashige ni orosoka-naru yau ni\nihikereba kokoro no mama ni mo yesemezu.\n\nWouna naishi no moto ni kaheri-idete \u2018kuchioshiku kono osanaki mono ha\nkohaku haberu mono nite taimen sumazhiki\u2019 to mausu. Naishi \u2018kanarazu\nmi-tatematsurite mawire to ohose-goto aritsuru mono mitatematsurade\nha ikadeka kaheri-mawiramu--kokuw\u00f4 no ohose-goto wo masa ni yo ni\nsumi-tamahamu hito no uketamahari-tamahade ha arinamu ya! iharenu koto\nna shi-tamahi so\u2019 to kotoba hajishiku ihikereba, kore wo kikite mashite\nKaguyahime kikubeku mo arazu \u2018Koku-w\u00f4 no ohose-goto wo somukaba haya\nkoroshi-tamahite yokashi\u2019.\n\nKono naishi kaheri-mawirite kono yoshi wo sousu. Mikado kikoshimeshite\n\u2018ohoku no hito wo koroshite-keru[173] kokoro zo kashi\u2019 to notamahite,\nyami nikeredo naho oboshimeshi[2] ohashimashite[174] kono wouna no\ntabakari ni ya makemu to oboshimeshite Taketori no Okina wo meshite\nohose-tamafu \u2018Nanzhi ga mochite haberu Kaguyahime tatematsure kaho\nkatachi yoshi to kikoshimeshite mi tsukahi wo tabishikado kahinaku\nmihezu nari nikeri. Kaku taidaishiku ya ha narahasubeki\u2019 to ohoseraru.\n\nOkina kashikomarite ohon kaheshi-goto[175] mausu yau \u2018kono me ha\nwaraha ha tahete miyadzukahe tsukaumatsurubeku mo arazu haberu wo mote\nwadzurahi-haberi saritomo makarite ohosetamahamu[176]\u2019 to sousu.\n\nKore wo kikoshimeshite ohosetamafu yau \u2018Nado ka Okina no te\nni ohoshitatetaramu mono wo kokoro ni makasezaramu kono wouna\nmoshi tatematsuritaru mono naraba Okina ni kaufuru wo nado ka\ntabasezaramu[177]\u2019.\n\nOkina yorokobite ihe ni kaherite Kaguyabime ni katarafu yau \u2018kaku namu\nMikado no ohose-tamaheru naho ya ha tsukaumatsuri-tamahane\u2019 to iheba,\nKaguyahime kotahete ihaku \u2018mohara sayau miyadzukahe tsukaumatsurazhi to\nomofu wo shihite tsukaumatsurase-tamahaba kiye-usenamu zo mi tsukasa\nkaufuri tsukaumatsurite shinu bakari nari\u2019.\n\nOkina irafuru yau \u2018Na shi-tamahi so tsukasa[178] kaufuri mo waga\nko wo mi-tatematsurade ha nani ni ka ha semu sa ha aritomo nado ka\nmiyudzukahe shitamahazaramu shini-tamafu-beki[179] yau ya ha arubeki\u2019\nto ifu.\n\n\u2018Naho soragoto ka to tsukaumatsurasete shinazu ya aru to mi-tamahe\namata no hito no kokorozashi oroka narazarishi wo munashiku nashite\nshi koso are kinofu kefu Mikado no notamahamu koto ni tsukamu hitogiki\nyasashi\u2019 to iheba, Okina kotahete ihaku--\n\n\u2018Ame no shita no koto to aritomo kakaritomo on inochi no ayafusa koso\nohoki naru sahari nare naho tsukaumatsurumazhiki koto wo mawirite\nmausamu\u2019 tote, mawirite mausu yau--\n\n\u2018Ohose no[180] koto kashikosa ni kano waraha wo mawirasemu tote\ntsukaumatsureba miyadzukahe ni idashitatenaba shinubeshi to mausu.\nMiyatsuko Maro ga te ni umasetaru ko nite mo[181] arazu mukashi yama\nnite mi-tsuketaru kakareba kokoro-base mo yo no hito ni nizu zo haberu\u2019\nto sousesasu.\n\nMikado ohose-tamahaku--\n\n\u2018Miyatsuko Maro ga ihe yama moto chikakanari[182]. Mikari no miyuki\nshi-tamahamu yau nite mitemu ya\u2019 to notamahasu. Miyatsuko Maro ga\nmausu yau \u2018ito yoki koto nari. Nanika kokoro mo nakute haberamu ni\nfuto miyuki shite goranzerarenamu\u2019 to sousureba, Mikado nihaka ni hi\nwo sadamete mikari ni idetamahite Kaguyahime no ihe ni iri-tamahite\nmi-tamafu ni hikari michite keura nite witari hito ari \u2018Kore naramu!\u2019\nto oboshite, chikaku yorase tamafu ni[183] nigete iru. Sode wo\ntorahe-tamaheba omote wo futagite safurahedo hazhime yoku goranzhi\ntsureba taguhi naku medetaku oboyesase-tamahite yurusazhi to su\ntote wite-ohashimasamu to suru ni Kaguyahime kotahete sousu \u2018Ono\nga mi ha, kono kuni ni umarete haberaba koso tsukai-tamahame ito\nwite-ohashigataku ya haberamu\u2019 to sousu.\n\nMikado nado ka sa aramu naho ite-ohashimasemu tote ohon koshi wo\nyose-tamafu ni kono Kaguyahime kito kage ni narinu. Hakanaku kuchiwoshi\nto oboshite ge ni tada-bito ni ha arazarikeri to oboshite--\n\n\u2018Saraba on moto[184] ni ha wite-ikazhi moto no on katachi to\nnari-tamahine sore wo mite dani kaheri-namu\u2019 to ohoserarureba\nKaguyahime moto no katachi narinu.\n\nMikado naho medetaku oboshimesaruru koto seki-tome-gatashi kaku\nmisetsuru Miyatsuko Maro wo yorokobi-tamafu. Sate tsukaumatsuru\nhiyakukuwan no hitobito ni aruzhi ikameshiu tsukaumatsuru.\n\nMikado Kaguya-hime wo todomete kaheri-tamahamu koto wo akazu\nkuchiwoshiku oboshikeredo tamashihi wo todometaru kokochi shite namu\nkaherase-tamahikeru ohomi koshi ni tatematsurite nochi ni Kaguyahime\nni--\n\n Kaherusa no\n miyuki mono uku\n omohoyete\n somukite tomaru\n Kaguyahime yuwe!\n\non kabeshi-goto--\n\n Mugura hafu\n shita ni mo toshi ha\n henuru mi no\n nanika ha tama no\n utena wo no mimu!\n\nKore wo Mikado goranjite itodo kaheri-tamahamu sora mo naku obosaru mi\nkokoro ha sara ni tachi-kaherubeku mo obosarezarikeredo saritote yo wo\nakashi-tamafubeki ni mo araneba kaherase-tamahinu.\n\nTsune ni tsukaumatsuru hito wo mi-tamafu ni Kaguyahime no kataharani\nyorubeku dani arazarikeri. Koto hito yori ha keura nari to oboshikeru\nno kare ni oboshi-ahasureba[185] hito ni mo arazu Kaguyahime nomi ohon\nkokoro ni kakarite tada hitori sugushitamafu yoshi nakute on katagata\nni mo watari-tamahazu.\n\nKaguyahime no on moto ni zo ohon fumi wo kakite kayohasase-tamafu on\nkaheshi-goto sasuga ni nikukarazu kikohe-kahashi-tamahite omoshiroki ki\nkusa ni tsukete mo on uta wo yomite tsukahasu.\n\n\nMAKI IX\n\nAMA NO HAGOROMO.\n\nKayau nite ohon kokoro wo tagahi ni nagusametamafu hodo ni mi-tose\nbakari arite haru no hazhime yori Kaguyahime tsuki no omoshirou\nidetaru[186] wo mite tsune yori mo mono-omohitaru sama nari. Aru[187]\nhito no tsuki no kaho miru ha imu koto sei[188] shikeredomo tomo[189]\nsureba hito ma[190] ni ha tsuki wo mite imizhiku naki-tamafu.\n\nFutsuki no mochi no tsuki ni ide-wite sechi[191] ni mono-omoheru\nkeshiki ari.\n\nChikaku tsukaharuru hito-bito Taketori no Okina ni tsugete ihaku--\n\n\u2018Kaguyahime rei[192] mo tsuki wo aharegari tamahikeredomo[193] kono\ngoro to narite ha tada koto ni mo haberazameri imizhiku oboshi-nageku\nkoto arubeshi yoku yoku mi-tatematsurase[194]-tamahe\u2019 to ifu wo kikite\nKaguyahime ni ifu yau \u2018Nadefu[195] kokochi sureba kaku mono wo omohi\ntaru sama nite tsuki wo mi-tamafu zo umashiki yo ni\u2019 to ifu.\n\nKaguyahime \u2018tsuki wo[196] mireba yo no naka kokorobosoku ahare ni\nhaberi nadefu mono wo ka nageki haberubeki\u2019 to ifu.\n\nKaguyahime no aru tokoro ni itarite mireba naho mono-omoheru keshiki\nnari. Kore wo mite--\n\n\u2018Aga hotoke! nanigoto wo omohi-tamafu zo obosuramu koto nanigoto zo\u2019 to\niheba,\n\n\u2018Omofu koto mo nashi mono namu kokorobosoku oboyuru\u2019 to iheba,\n\nOkina \u2018Tsuki na mi-tamahi so kore wo mi-tamaheba mono-obosu keshiki ha\naru zo\u2019 to iheba,\n\n\u2018Ikade tsuki wo mizute ha aramu\u2019 tote, naho tsuki idzureba\nide-wi-tsutsu nageki-omoheri. Yufu-yami ni ha mono-omohanu keshiki\nnari. Tsuki no hodo ni narinareba naho toki-doki ha uchi-nageki-naki\nnado su. Kore wo tsukafu mono-domo naho mono-obosu koto arubeshi to\nsasayakedo oya wo hazhimete nani-goto to mo shirazu.\n\nHatsuki no mochi bakari no tsuki ni ide-wite, Kaguyahime ito itaku\nnaki-tamafu hito me mo ima ha tsutsumi-tamahazu naki-tamafu. Kore wo\nmite oya-domo mo nanigoto zo to tohi-sawagu.\n\nKaguyahime naku-naku ifu \u2018saki-zaki mo mausamu omohishikadomo\nkanarazu kokoro madohashi tamahamu mono zo to omohite ima made\nsugushi-haberi-tsuru nari. Sa nomi ya ha tote uchi-ide-haberinuru zo\nono ga mi ha kono kuni no hito ni mo arazu tsuki no miyako no hito\nnari. Sore wo mukashi no chigiri arikeru ni yorite namu kono sekai ni\nha maudekitarikeru ima ha kaherubeki ni nari nikereba kono tsuki no\nmochi ni kano moto no kuni yori mukahe ni hitobito maude komu zu sarazu\nmakarinubekereba oboshi nagekamu ga kanashiki koto wo kono haru yori\nomohi-nageki-haberu nari\u2019 to ihite, imizhiu naku.\n\nOkina \u2018koha nadefu koto wo notamafu zo. Take no naka yori\nmi-tsuke-kikohetarishikado[197] na tane no ohokisa ohaseshi wo waga\ntachi-dake narabu made yashinahi-tatematsuritaru waga ko wo nani-bito\nka mukahe-kikohemu masa ni yurusamu ya\u2019 to ihite, \u2018ware koso shiname\u2019\ntote, naki-nonoshiru koto tahegatage nari.\n\nKaguyahime no ihaku \u2018Tsuki no miyako no hito nite chichi haha ari\nkata toki no ma tote kano kuni yori maude-koshikadomo kaku kono kuni\nni ha amata no toshi wo henuru ni namu arikeru. Kano kuni no chichi\nhaha no koto mo obohezu koko ni ha kaku hisashiku asobi-kikohete\nnarahi-tatematsureri imizhikaramu kokochi mo sezu kanashiku nomi\nnamu aru. Saredo ono ga kokoro narazu makarinamu to suru\u2019 to ihite,\nmorotomo ni imizhiu naku. Tsukaharuru hito-bito mo toshi-goro\nnarahite tachi-wakarenamu koto wo[198] kokorobahe nado ateyaka ni\nutsukushikaritsuru koto wo mi-narahite kohishikamu koto no tahegataku\nyumizu mo nomasezu onazhi kokoro ni nagekashigarikeri.\n\nKono koto wo Mikado kikoshimeshite Taketori ga ihe ni ohon tsukahi\ntsukahasase-tamafu. Mi tsukahi ni Taketori ide-ahite naku koto kagiri\nnashi. Kono koto wo nageku ni hige mo shiroku koshi mo kagamari me mo\ntadare nikeri. Okina kotoshi ha isozhi bakari narikeredomo mono-omohi\nni ha kata-toki ni namu oi ni nari nikeri to miyu.\n\nMi tsukahi ohose-goto tote Okina ni ihaku \u2018Ito kokoro-gurushiku\nmono-omofu naru ha makoto ni ka\u2019 to ohose-tamafu.\n\nTaketori naku-naku mausu--\n\n\u2018Kono mochi-hi namu tsuki no miyako yori Kaguyahime no mukahe ni\nmaude-ku naru. Tafutoku tohasetamafu[199] kono mochi ni ha hito-bito\ntamaharite tsuki no miyako no hito maude-koba torahesasemu\u2019 to mausu.\n\nMi tsukahi kaheri-mawirite Okina no arisama maushite soushitsuru.\nKoto-domo mausu wo kikoshimeshite notamafu \u2018Hito me[200] mi-tamahishi\nmi kokoro ni dani wasuretamahanu ni ake kure mi-naretaru Kaguyahime wo\nyarite ha ikaga omofubeki!\u2019\n\nKano mochi no hi tsukasa-dzukasa ni ohosete chiyokushi ni ha[201] tou\nno chiu [seu] shiyou Takano no Ohokuni to ifu hito wo sashite roku we\nno tsukasa ahasete ni sen nin no hito wo Taketori ga ihe ni tsukahasu.\n\nIhe ni makarite tsuihiji[202] no uhe ni sen nin ya no uhe ni sen nin\nihe no hitobito ito ohokarikeru ni awasete akeru hima mo naku mamorasu.\nKono mamoru hitobito mo yumi-ya wo tai shite wori moya no uchi ni\nha wouna domo wo ban ni suwete mamorasu. Wouna nuri-gome no uchi ni\nKaguyahime wo idakahete wori Okina mo nuri-gome no to wo sashite\nto-guchi ni wori.\n\nOkina no ihaku--\n\n\u2018Kabakari mamoru tokoro ni ame no hito ni mo makemu ya!\u2019\n\nto ihite, ya no uhe ni woru hitobito ni ihaku--\n\n\u2018Tsuyu mo mono sora ni kudaraba futo i-koroshite tamahe\u2019\n\nMamoru hitobito no ihaku--\n\n\u2018Kabakari shite mamoru tokoro ni kahahori hitotsu dani araba madzu\ni-koroshite to[203] ni sarasamu to omohihaberu\u2019--to ifu.\n\nOkina kore wo kikite tanomoshigari wori. Kore wo kikite Kaguyahime ha\n\u2018Sashi-komete mamori tatakafubeki shitakumi wo shitari to mo ano kuni\nno hito wo ye-tatakahanu nari. Yumi-ya shite irasezhi kaku sashi-komete\naritomo kano kuni no hito koba mina akinan to su ai-tatakahamu to su to\nmo kano kuni no hito kinaba takeki kokoro tsukafu hito yo mo arazhi\u2019.\n\nOkina no ifu yau--\n\n\u2018On mukahe ni komu hito wo ba nagaki tsume shite manako wo tsukami\ntsutsusamu saga[204] kami wo torite kanaguri otosan saga shiri wo\nkaki-idete kokora no ohoyake hito ni misete haji misen\u2019 to haradachi\nwori.\n\nKaguyahime ihaku--\n\n\u2018Kowadaka ni na notamahi so ya no uhe ni woru hitodomo no kiku ni\nito masa-nashi. Imazukaritsuru kokorozashidomo[205] wo omohi mo\nshirade makarinamuzuru koto no kuchioshiu habekeru nagaki chigiri no\nnakarikereba hodonaku makarinubeki nameri to omofu ga kanashiku haberu\nnari. Oya-tachi no kaheri-miwo isasaka dani tsukaumatsurade makaramu\nmichi mo yasuku mo arumazhiki ni tsuki-goro[206] mo ide-wite kotoshi\nbakari no itoma wo maushitsuredo sara ni yurusarenu ni yorite namu\nkaku omohi-nageki-haberu on kokoro wo nomi madohashite sarinamu koto\nno kanashiku tahegataku haberu nari. Kano miyako no hito ha ito keura\nnite oi mo sezu namu omofu koto mo naku haberu nari. Saru tokoro he\nmakaramuzuru mo[207] imizhiku mo haberazu oi-otorohe-tamaheru sama wo\nmi-tatematsurazaramu koso kohishikarami\u2019 to ihite naku.\n\nOkina mune itaki \u2018koto na shi-tamahi so, uruhashiki sugata shitaru\ntsukahi ni mo saharazhi\u2019 to netami wori.\n\nKakaru hodo ni yohi uchisugite ne no toki bakari ni ihe no atari hiru\nno akasa ni mo sugite hikaritari mochidzuki no akasa wo towo ahasetaru\nbakari nite aru hito no ke no ana sahe miyuru hodonari.\n\nOhosora yori hito kumo ni norite ori-kite tsuchi yori go shaku bakari\nagaritaru hodo ni tachi-tsuranetari.\n\nKore wo mite uchi-to[208] naru hito no kokoro-domo mono ni osoharuru\nyau nite ahi-tatahamu kokoro mo nakarikeri karauzhite omohi-okoshite\nyumi-ya toritatemu to suredomo te ni chikara mo nakunarite\nnahekagamaritaru naka ni kokoro-sakashiki mono nemuzhite imu to\nsuredomo hoka-zama he ikikereba are mo tatakahade kokochi tada shire ni\nshirete mamori-aheri.\n\nTateru hito-domo ha sauzoku no kiyora naru koto mono ni mo nizu tobu\nkuruma hitotsu gushitari rakai sashitari sono naka ni wau to oboshiki\nhito ihe ni \u2018Miyatsuko Maro maude-ko\u2019 to ifu ni takeku omohitsuru\nMiyatsuko Maro mo mono ni wehitaru kokochi shite utsubushi fuseri.\n\nIwaku--\n\n\u2018Nanzhi wosanaki hito isasaka-naru kudoku wo Okina tsukurikeru ni\nyorite namuzhi go tasuke ni tote kata-toki no hodo nite kudashishi wo\nsokora no toshigoro sokora no kogane tamahite mi wo kahetaru ga gotoku\nnari nitari. Kaguyahime ha tsumi wo tsukuritamaherikereba kaku iyashiki\nonore ga moto ni shibashi ohoshitsuru nari tsumino kagiri hatenureba\nkaku mukafuru wo Okina ha naki-nageku atahanu koto nari haya kaheshi\ntatematsure!\u2019 to ifu.\n\nOkina kotahete mausu--\n\n\u2018Kaguyahime wo yashinahi-tatematsuru koto hata tose amari ni narinu\nkata-toki to notamafu ni ayashiku nari-haberinu. Mata koto tokoro ni\nKaguyahime to mausu hito zo ohashimasuramu to ifu koko ni ohasuru\nKaguyahime ha omohi yamahi wo shi-tamaheba ye-ide-ohashi-masumazhi\u2019\n\nto mauseba, sono kaheri-goto ha nakute ya no uhe ni tobu kuruma wo\nyosete,\n\n\u2018Iza Kaguyahime kitanaki tokoro ni ikade hisashiku ohasemu\u2019 to ifu.\n\nTatekometaru tokoro no to sunahachi tada aki ni akinu kaushidomo mo\nhito ha nakushite akinu wouna idakite witaru Kaguyahime to ni idenu\nye-todomu-mazhikereba tada sashi-afugite naki-wori.\n\nTaketori kokoro madohite naki-fuseru tokoro ni yorite Kaguyahime\n\u2018koko ni mo kokoro ni mo arade kaku makaru ni noboramu wo dani\nmi-okuri-tamahe\u2019\n\nto ihedomo,\n\n\u2018Nani shi ni kanashiki ni mi-okuri-tatematsuramu ware wo ba ika ni seyo\ntote sutete ha nobori-tamafu zo gushite wite ohasene\u2019\n\nto nakite fusereba, \u2018on kokoro madohinu\u2019[209] fumi wo kaki-okite\n\u2018makaramu kohishikaramu wori-wori tori-idete mi-tamahe\u2019 tote,\nuchi-nakite kaku koto ha--\n\n\u2018Kono kuni ni umarenuru to naraba nagekase-tatematsuranu hodo made\nhaberubeki wo haberade[210] sugi wakarenuru koto kahesugahesu ho-i-naku\nkoto oboye-habere nugi-oku kinu katami to mi-tamahe tsuki no idetaramu\nyo ha mi-okose-tamahe mi-sute-tatematsurite makaru sora yori ochinubeki\nkokochi su--\u2019 to kaki-oku.\n\nAmabito no naka ni motasetaru hako ari. Ama no ha-goromo ireri. Mata\naru ha fushi no kusuri ireri. Hitoro no amabito ifu--\n\n\u2018Tsubo naru mi kusuri tatematsure kitanaki tokoro no mono\nkikoshimeshitareba on kokochi ashikaramu mono zo\u2019--tote,\nmote-yoritareba isasaka nametamahite sukoshi katami tote nugi-oku kinu\nni tsutsumamu to sureba aru amabito \u2018tsutsumasezu\u2019 on zo wo tori-idete\nkisen to su. Sono toki ni Kaguyahime \u2018shibashi mate\u2019 to ihite[211]\n\u2018kinu kitsuru[212] hito ha kokoro koto[213] ni naru nari\u2019 to ifu[214]\n\u2018mono no hito-goto koto ihi-okubeki koto ari\u2019 to ihite, fumi kaku.\n\nAmabito \u2018ososhi to kokoro-moto nagari-tamafu\u2019 Kaguyahime \u2018mono shiranu\nkoto na shi-tamahi so\u2019 tote, imizhiku shidzuka ni ohoyake ni on fumi\ntatematsuritamafu awatenu sama nari.\n\n\u2018Kaku amata no hito wo tamahite, todome-sase-tamahedo yurusanu.\nMukahe maude kite tori-wite makarinureba kuchiwoshiku kanashiki\nkoto miyadzukahe tsukaumatsurazu narinuru mo kaku wadzurahashiki\nmi nite habereba kokoroyezu oboshimeshi tsuramedomo kokoro tsuyoku\nuketamaharazu nari nishi koto namege-naru mono ni oboshimeshi\ntodomerarenuru namu kokoro ni tomari-haberinuru\u2019 tote,\n\n Ima ha tote\n Ama no hagoromo\n kiru wori zo,\n kimi wo ahare to\n omohi-idenuru!\n\ntote, tsubo no kusuri sohete tou no chiushiyau wo yobi-yosete\ntatematsurasu.\n\nChiushiyau ni amabito torite tsutafu. Chiushiyau toritsureba futo ama\nno hagoromo uchi-kise-tatematsuritsureba Okina wo itohoshi kanashi to\noboshi-tsuru koto mo usenu kono kinu kitsuru hito ha mono-omohi mo\nnakunari nikereba kuruma ni norite hiyaku nin bakari amabito gushite\nnoborinu.\n\nSono nochi Okina wouna chi no namida wo nagashite madohedo kahi nashi.\nAno kaki-okishi fumi wo yomite kikasekeredo nani sen ni ka inochi mo\noshikaramu taga tame ni ka nanigoto mo yau mo nashi tote kusuri mo\nkuhazu yagate oki mo agarazu yami fuseri.\n\nChiushiyau hitobito wo hiki-gushite kaheri-mawirite Kaguyahime wo\nye-tatakahi-tomezu narinuru koto wo komagoma to sousu.\n\nKusuri no tsubo ni mi fumi sohete mawirasu. Hirogete goranzhite ito\nitaku aharegarase-tamahite mono mo kikoshimesezu mi asobi nado mo\nnakarikeri.\n\nDaizhin kandachibe wo meshite \u2018idzure no yama ka ame ni chikaki\u2019 to\ntohase-tamafu ni aru hito sousu--\n\n\u2018Suruga no kuni ni aru yama namu kono Miyako mo chikaku ame no chikaku\nhaberu--\u2019\n\nto sousu.\n\nKore wo kikase-tamahite--\n\n Afu koto mo\n namida ni ukabu\n wagami ni ha\n shinanu kusuri mo\n nani ni ka ha semu!\n\nKano tatematsuru shinanu no kusuri no tsubo ni mi fumi gushita mi\ntsukahi ni tamahasu. Chiyokushi ni ha Tsuki no Iwagasa to ifu hito wo\nmeshite \u2018Suruga no kuni ni anaru yama no itadaki ni mote yukubeki\u2019\nyoshi ohose-tamafu.\n\nMine nite subeki yau woshihesasetamafu \u2018mi fumi fushi no kusuri no\ntsubo narabete hi wo tsukete moyasubeki\u2019 yoshi ohosetamafu.\n\nSono yoshi uke-tamaharite tsuhamonodomo amata gushite yama he\nnoborikeru yori namu. Sono yama wo ba Fuzhi no yama to ha nadzukeru.\n\nSono keburi imada kumo no naka de tachi-noburu to zo ihi-tsutahetaru.\n\n\nFOOTNOTES\n\n[10] The footnotes chiefly indicate textual variations.\n\n[11] _iheru_.\n\n[12] _no koto_ often omitted.\n\n[13] From _yorodzu_ sometimes omitted.\n\n[14] Add _no_.\n\n[15] _he_.\n\n[16] Or _toru ni_.\n\n[17] Add _no uchi ni_.\n\n[18] _saushite_, _soushite_, _sousoku shite_, &c.\n\n[19] _kichiyau_.\n\n[20] _kesau_.\n\n[21] _sakaye ni nari_.\n\n[22] _uke_.\n\n[23] _hodohete_.\n\n[24] _monoto_.\n\n[25] _kototo_.\n\n[26] _ohoroka_, _orosoka_.\n\n[27] = _yakunaki_ or _yeki-_--useless, vain.\n\n[28] _hitodomo_, _hitotachi_.\n\n[29] _tsukahasuredomo_.\n\n[30] _idashite_.\n\n[31] _notamahedo_?\n\n[32] _shitagahezu_.\n\n[33] _okuru_.\n\n[34] _ohasamu_.\n\n[35] _imasogaru_, _imasokaru_, _imasekashi_.\n\n[36] _tamahe_.\n\n[37] There are various readings of this complicated sentence, which\nhas, doubtless, been much manipulated.\n\n[38] There are various readings of _shitakumi_, none of which appears\nto be worth noting.\n\n[39] _sumitsuke taru_.\n\n[40] _mochite kite_.\n\n[41] This may also read as = beyond Tsukushi (the utmost western limit\nof Japan).\n\n[42] _na ishi_, _o ishi_.\n\n[43] Read also _mi ishi no ha chi_ (blood) _no_.\n\n[44] _mireba_.\n\n[45] A sort of _makura kotoba_.\n\n[46] _dani mo_.\n\n[47] would that it held.\n\n[48] Little Grange Hill, but by word-play, dim or dark hill.\n\n[49] Omitted in some texts; _wo_ adversative = _wo mite_.\n\n[50] The subject is Ishidzukuri.\n\n[51] word-play--_haji_, shame.\n\n[52] As (Ishidzukuri) could get nothing to her ear he grew sick of the\nattempt.\n\n[53] _owashinu_.\n\n[54] _hitotsu no takara_.\n\n[55] _Uchitakumi_, also _Kachitakumi_.\n\n[56] _kamado_.\n\n[57] _kura_.\n\n[58] _idzu_.\n\n[59] _hisoka_.\n\n[60] _kurushigaritaru_.\n\n[61] The less honorific _ohashitari_.\n\n[62] _mochite_.\n\n[63] _mote_.\n\n[64] _ni arazu_, omitted in some texts.\n\n[65] _mi_.\n\n[66] _tada_.\n\n[67] _yukashi \u2026 maushitsuru_, omitted in many texts.\n\n[68] _haberu \u2026 naho_, omitted in some texts.\n\n[69] _saitsutoshi_.\n\n[70] Omitted in some texts.\n\n[71] Omitted in some texts.\n\n[72] Or _umi_.\n\n[73] Or _makarishi_.\n\n[74] In some texts omitted.\n\n[75] In some texts omitted and so throughout the sentence.\n\n[76] In some texts _su_ and so throughout the sentence.\n\n[77] Or _shirade_.\n\n[78] Or _mukutsukege_.\n\n[79] Or _tasuketamafubeki_.\n\n[80] Or _kata_.\n\n[81] Or _sura_--a better reading.\n\n[82] Or _nihaka_.\n\n[83] _yori_.\n\n[84] Or _omohite_.\n\n[85] _ifu_.\n\n[86] Or _sobadzura_.\n\n[87] Or _kore_.\n\n[88] Some texts omit this.\n\n[89] Or _omoshiroku_.\n\n[90] Or _yohoka amari_, perhaps a better reading.\n\n[91] Or _tachi_.\n\n[92] A _makura kotoba_ of _yo_.\n\n[93] Or _mizhi_.\n\n[94] Or _domo_ omitted.\n\n[95] Or _tari_ omitted.\n\n[96] Or _fubasami_ (_hasami_).\n\n[97] Or _tsukumodokoro-kumo-mu-tsukasa no takumi_ or\n_tsukumo-dokoro-moku-tsukasa_.\n\n[98] _ko koku wo tachite_.\n\n[99] _tamahite_.\n\n[100] _waroki_, or omitted.\n\n[101] In some texts, _kihe wi-tamaheri_, the intervening words being\nomitted.\n\n[102] Omitted in some texts.\n\n[103] Or _tamaharamu_.\n\n[104] _no_ inserted in some texts.\n\n[105] Or _warahi_.\n\n[106] Sometimes omitted.\n\n[107] Or _unadzukite_.\n\n[108] The whole of this sentence is omitted in some texts.\n\n[109] Omitted in some texts.\n\n[110] Or _totonohe sase_.\n\n[111] _Mimuraji_.\n\n[112] Or _te_.\n\n[113] Or _Kara_.\n\n[114] Or _kane_.\n\n[115] Omitted in some texts.\n\n[116] _mukashi_, &c., omitted in some texts.\n\n[117] Or _tabi_.\n\n[118] Or _sukoshi nite_.\n\n[119] Or _amere_.\n\n[120] In some texts these words are omitted.\n\n[121] Or _ureshikute_.\n\n[122] Or _kajori_.\n\n[123] Or _to mo are kaku mo are_.\n\n[124] Or _daijin_, or _oho-omi_.\n\n[125] Omitted in some texts.\n\n[126] Or _omobahe_.\n\n[127] Or _ware_.\n\n[128] Or _hitodomo_.\n\n[129] _notamahasetari_.\n\n[130] Or _yukamu_.\n\n[131] Or _tamaharasetaru_.\n\n[132] Or _mahari_.\n\n[133] Omitted in some texts.\n\n[134] _te_ omitted in some texts.\n\n[135] Or _beshi_.\n\n[136] roll over and tumble in.\n\n[137] unexpected.\n\n[138] _sozoro susuro_.\n\n[139] Or _arunari_.\n\n[140] Or _otonaku_, _omonaku_.\n\n[141] Sometimes omitted.\n\n[142] Words of praise.\n\n[143] Or _ifu_.\n\n[144] Or _taguhi_.\n\n[145] Or _sokobaku_.\n\n[146] Or _katahara itaku_.\n\n[147] Or _Morotari_.\n\n[148] Or _tsukafuru_.\n\n[149] Or _yau_.\n\n[150] Or _tsubakurame to mausu mono ha_--probably a more correct\nreading.\n\n[151] Or _tsutsu_.\n\n[152] being wild will not come near.\n\n[153] Sometimes omitted.\n\n[154] Or _ma_.\n\n[155] Or _kuri_.\n\n[156] Or _tamahinaba_, omitting _namu_.\n\n[157] Or _tohase-tamafu_.\n\n[158] _sagete_.\n\n[159] Or _ohashimashite_.\n\n[160] Or _on_, or _omu_.\n\n[161] right time.\n\n[162] Or _kano_.\n\n[163] Here = a place.\n\n[164] Or _nobosete_.\n\n[165] Some texts omit _tsubakurame \u2026 sasete_.\n\n[166] Or _saharikeru_.\n\n[167] Or _toki ni_.\n\n[168] _mi kuchi ni_ omitted in some texts.\n\n[169] Some texts add _dani_.\n\n[170] Or _irare_.\n\n[171] Some texts omit _yori \u2026 keri_.\n\n[172] \u8acb.\n\n[173] Or _geru_.\n\n[174] Or omit _meshi_, _mashi_.\n\n[175] Or _go henji_.\n\n[176] That is, _ohosetama hamu yau ni maushi haberamu_.\n\n[177] Or _tamahasezaramu_.\n\n[178] Sometimes omitted.\n\n[179] Sometimes omitted.\n\n[180] Sometimes omitted.\n\n[181] Some texts omit _te mo_.\n\n[182] Or _chikaku nari_.\n\n[183] Some texts omit _chikaku \u2026 ni_.\n\n[184] Or _on tomo_.\n\n[185] This seems a corrupt passage.\n\n[186] Or _idzuru_.\n\n[187] i.e. _chikaku aru_.\n\n[188] \u5236.\n\n[189] _to mo kaku mo_.\n\n[190] \u4eba\u9593, where men are not, i.e. solitary place, or simply \u4e00\u9593.\n\n[191] \u5207.\n\n[192] Or _tsune_.\n\n[193] Or _tamahedomo_.\n\n[194] Or _tatematsure_.\n\n[195] _naj\u00f4_ = _naze_.\n\n[196] Or _Kaguyahime_, included in the speech, and _tsuki wo_ omitted.\n\n[197] Or _toki ni_.\n\n[198] Or add _to_.\n\n[199] _koto kana!_ seems to have dropped out.\n\n[200] \u76ee.\n\n[201] Or _ni ha_ omitted.\n\n[202] Or _tsuiji_.\n\n[203] \u5916.\n\n[204] _sore ga_.\n\n[205] Some texts omit _domo_.\n\n[206] Or _hi-goro_.\n\n[207] In some texts _zuru_ (_zo aru_?) _mo_ omitted.\n\n[208] \u5185\u5916.\n\n[209] Words of Kaguya.\n\n[210] This seems the best of several obscure readings.\n\n[211] Or _ifu_.\n\n[212] Or _kisetsuru_.\n\n[213] \u7570.\n\n[214] Or _chiyufu_.\n\n\n\n\nKOKIN WAKASHIU ZHIYO[215]\n\nTEXT TRANSLITERATED\n\n\nYamato uta ha hito no kokoro wo tane to shite yorodzu no koto no ha to\nso narerikeru.\n\nYo no naka ni aru hito kotowaza shigeki mono nareba kokoro ni omofu\nkoto miru mono kiku mono ni tsukite ihi-idaseru nari. Hana ni naku\nuguhisu midzu ni sumu kahadzu no kowe wo kikeba iki to shi ikeru mono\nidzure ka uta wo yomimazarikeru.\n\nChikara wo mo irezu shite ame tsuchi wo ugokashi me ni miyenu oni\nkami wo mo ahare to omohase wotoko ouna no naka wo mo yaharage takeki\nmononofu no kokoro wo mo nagusamu kono uta ame tsuchi no hirake\nhazhimarikeru toki yori ide ki ni keri shika aredomo yo ni tsutaharu\nkoto ha hisakata no[216] ame ni shite ha Shitateruhime ni hazhimari\naraganeno[217] tsuchi ni shite ha Susa no wo no mikoto yori zo\nokarikeru.\n\n[Chihayaburu[218] kami yo ni ha uta no mozhi mo sadamarazu sunaho ni\nshite koto no kokoro waki-katakarikerashi hito no yo to narite Susanowo\nno mikoto yori zo miso mozhi amari hito mozhi ha yomikeru]\n\nKakute zo hana wo mede tori wo urayami[219] kasumi wo aharebi tsuyu wo\nkanashibu kokoro kotoba ohoku samazama ni nari ni keru.\n\nTohoki tokoro mo ide-tatsu ashi moto yori hazhimarite toshi tsuki wo\nwatari takaki yama mo fumoto no chirihiji yori narite ama kumo tanabiku\nmade ohi-noboreru ga gotoku ni kono uta mo kaku no gotoku narubeshi.\nNaniha tsu no uta ha mikado no on hazhime nari. Asaka yama no koto no\nha ha uneme no tahamure yori yomite kono futa uta ha uta no chichi haha\nno y\u00f4 (yau) nite zo te-narafu hito no hazhime ni mo shikeru.\n\nSomosomo uta no sama mutsu nari. Kara no uta ni mo kaku zo arubeki.\nSono mu kusa no hitotsu ni ha sohe uta futatsu ni ha kazoye uta mitsu\nni ha nazurahe uta yotsu ni ha tatohe uta itsutsu ni ha tadagoto uta\nmutsu ni ha ihahi uta nari.\n\nIma no yo no naka iro ni tsuki hito no kokoro hana ni nari ni keru\nyori ada naru uta hakanaki koto nomi ide-kureba iro konomi no ihe\nni umore-gi no hito shirenu koto to narite mame naru tokoro ni ha\nhana-susuki ho ni idasubeki koto ni mo arazu nari ni keri[220].\n\nSono hazhime wo omoheba kakarubeku namu aranu.\n\nInishihe no yoyo no mikado haru no hana no ashita aki no tsuki no\nyo goto ni saburafu hitobito wo meshite koto ni tsuketsutsu uta\nwo tatematsurashimetamafu. Aruha hana wo sofu [moteasobu] tote\ntayori naki tokoro ni madohi aruha tsuki wo omofu tote shirube naki\nkuraki ni tadoreru kokorogokoro wo mitamahite sakashi oroka nari to\nshiroshimeshikemu[221]. Shika aru nominarazu sazare ishi ni tatohe\nTsukuba yama ni kakete kimi wo negahi yorokobi mi ni sugi tanoshimi\nkokoro ni amari Fuji no kemuri ni yosohete hito wo tanoshibi matsu\nmushi no oto ni tomo wo shinobi Takasago Suminoye no matsu mo ahiohi\nno yau ni oboye Wotokoyama no mukashi wo omohi-ide wominameshi no\nhito-doki wo kuneru ni mo uta wo ihite zo nagusamekeru.\n\nMata haru no ashita ni hana no chiru wo mi aki no yufugure ni ki no\nha no otsuru wo kiki aruha toshigoto ni kagami no kage ni miyuru yuki\nto nami to wo nageki kusa no tsuyu midzu no aha wo mite waga mi wo\nodoroki aruha ki [kinofu] no ha sakaye ogorite kefu ha toki wo ushinahi\nyo ni wabi shitashikarishi utoshiku nari. Aruha matsuyama no nami wo\nkake no naka no midzu wo kumi aki hagi no ochiba wo nagame akadzuki no\nshige no hanekaki wo kazoye aruha kuretake no ukifushi wo hito ni ihi\nYoshinogaha wo hikite yo no naka wo urami kitsuru ni ima ha Fuji no\nyama no kemuri mo tatazu nari Nagara no hashi mo tsukuru nari to kiku\nhito ha uta ni nomi zo kokoro wo nagusamekeru.\n\nInishihe yori kaku tsutaharu uchi ni mo Nara no mi toki\nyori zo hiromari ni keru. [Kano ohon yo ha uta no kokoro wo\nshiroshimeshitarikemu.] Kano mi toki ni [Ohokimi tsu no kurai]\nKakinomoto no Hitomaro namu uta no hizhiri narikeru [kore ha kimi mo\nhito mo mi wo ahasetari to ifu narubeshi. Aki no yufube Tatsutagaha ni\nnagaruru momiji wo ba mikado no ohon me ni ha nishiki to mitamahi haru\nno ashita Yoshino no yama no sakura ha Hitomaro ga kokoro ni ha yuki\nka to nomi namu oboyekeru].\n\nMata Yamanohe no Akahito to ifu hito ari uta ni ayashiku tahenarikeri.\nHitomaro ha Akahito ga uhe ni tatamu koto kataku Akahito ha Hitomaro ga\nshita ni tatamu koto kataku namu arikeru. Kono hitobito wo okite mata\nsuguretaru hito mo kuretake[222] no yoyo ni kikoye kata-ito[223] no\nyoriyori ni tayezu zo arikeru. Kore yori saki no uta wo atsumete namu\nManyefushiu to nadzukeraretarikeru. Kano mi toki yori toshi ha momo\ntose ni amari yo ha to tsugi ni namu nari ni keru. Koko ni inishihi no\nkoto wo mo uta no kokoro wo mo shireru hito yomu hito ohokarazu wadzuka\nni hitori futari nariki. Shika aredo kore kare yetaru tokoro yenu\ntokoro tagahi ni namu aru.\n\nIma kono koto wo ifu ni tsukasa kurai takaki hito wo ba tayasuki[224]\nyau nareba irezu sono hoka ni chikaki yo ni sono na kikoyetaru hito\nha sunahachi S\u00f4j\u00f4 Henj\u00f4 ha uta no sama ha yetaredomo makoto sukunashi\ntatoheba ye ni kakeru onna wo mite itadzura ni kokoro wo ugokasu ga\ngotoshi Arihara Narihira ha sono kokoro amarite kotoba tarazu ihaba\nshibomeru hana no iro nakute niho-nokoreru ga gotoshi Bunya no Yasuhide\nha kotoba ha takumi nite sono sama mi ni ohazu ihaba aki-hito no yoki\nkinu kitaramu ga gotoshi. Ujiyama no sou Kisen ha kotoba kasuka ni\nshite hazhime wohari tashika narazu ihaba aki no tsuki wo miru ni\nakadzuki no kumo ni aheru ga gotoshi.\n\n[yomeru uta ohoku kikoyeneba kore kare wo kayohashite yoku shirazu.]\n\nWononokomachi ha [inishihe no Sotohori hime no nagare[225] nari]\nahare naru yau nite tsuyokarazu ihaba yoki ouna no nayameru tokoro aru\nni nitari [tsuyokaranu ha ouna no uta nareba narubeshi]. Ohotomo no\nKuronushi ha kokoro ha wokashikute sono sama iyashi ihaba takigi oheru\nyamabito no hana no kage ni yasumeru ga gotoshi.\n\nKono hoka no hitobito sono na kikoyuru no-be ni ofuru katsura no\nhahi-hirogori hayashi ni shigeki ki no ha no gotoku ohokaredo uta\nto nomi omohite sono sama shiranu narubeshi. Kakaru ni ima suberagi\nno amenoshita shiroshimesu koto yotsu no toki kokono kaheri ni namu\nnarinuru amaneki ohon utsukushimi no nami Yashima no hoka made nagare\nhiroki no ohon megumi no kage Tsukubayama no fumoto yori mo shigeku\nohashimashite yorodzu no matsurigoto wo kikoshimesu itoma moromoro\nno koto wo sutetamahanu amari ni inishihe no koto wo mo wasurezhi\nfurinishi koto wo mo okoshi tamafu tote ima mo mi sonahashi nochi no yo\nni mo tsutahare tote Yengi 5 nen 4 guwatsu 18 nichi ni Dainagon Kino\nTomonori mi kaki no tokoro no adzukari Ki no Tsurayuki Saki no Kahi no\nSoukwan Ofushi Kafuchi no Mitsune Uyeimon no Fush\u00f4 Mifu no Tadamine\nra ni ohoserarete Manyefushiu ni iranu furuki uta midzu kara no wo mo\ntatematsurashimetamahite namu.\n\nSore ga naka ni ume wo kazasu yori hazhimete hototogisu wo kiki momiji\nwo wori yuki wo miru ni itaru made mata tsuru kame ni tsukete kimi\nwo omohi hito wo mo ihahi aki hagi natsu kusa wo mite tsuma wo kohi\nAfusakayama ni itarite Tamuke wo inori aruha haru natsu aki fuyu ni mo\niranu kusagusa no uta wo namu yerabasetamahikeru. Subete chi uta hata\nken nadzukete Kokinwakashiu to ifu.\n\nKaku kono tabi atsume-yerabarete yama shita midzu mo tayezu hama no\nmasago kazu ohoku tsumorinureba ima ha Asukagaha no se ni naru urami mo\nkikoyezu sazare ishi no iha hodo naru no yorokobi nomi zo arubeki.\n\nSore makura[226] kotoba ha haru no hana niho sukunaku shite munashiki\nna nomi aki no yo no nagaki wo kakotereba katsu ha hito no mimi ni\nosori katsu ha uta no kokoro ni haji omohedo tanabiku kumo no tachi-wi\nnaku shika no oki fushi ha Tsurayukira ga kono yo ni umarete kono koto\nno toki ni aheru wo namu yorokobinuru.\n\nHitomaro nakunaritaredo uta no koto todomareru kana. Tatohi toki utsuri\nkoto sari tanoshibi kanashimi yukikafu to mo kono uta no mozhi ara wo\nya! Awonagi no ito tayezu matsu no ha no chiriushinahi sezushite masaki\nno kadzura nagaku tsutahari tori no ato hisashiku todomareraba kono uta\nno sama wo mo shiri koto no kokoro wo mo yetaramu hito ha ohosora no\ntsuki wo miru ga gotoku ni inishihe wo afugite ima wo kohizarame ka mo.\n\n_Zhiyo (jo) no ohari._\n\n\nFOOTNOTES\n\n[215] The text is that of the modern edition of the \u2018Kokin\u2019 by Kaneko\nGenshin. The bracketed portions are said to be interpolations. See\nvolume of Translations.\n\n[216] _hisakata no_--a _makura kotoba_ of _ame_.\n\n[217] _araganeno_--m. k. of _tsuchi_.\n\n[218] _chihayaburu_--m. k. of _kami_.\n\n[219] _urayamu_ (_ura-nayamu_) here = admire, wonder at.\n\n[220] As to the whole of this sentence see the translation, which is as\nclose as possible to the primary meaning of the passage--a secondary\nmeaning of a moral character may also have been intended. _Iro_,\ncolour, may signify poetic decoration; _hana_, flower, evanescence or\nsuperficiality.\n\n[221] judge, determine--past quasi-future or dubitative.\n\n[222] _kuretake no_, m. k. of _yo_.\n\n[223] _kata-ito no_, m. k. of _yori_.\n\n[224] _tayasuki_ = _karugarushiki_ = lightly, inconsiderately.\n\n[225] _nagare_ = _ryu_, style, school.\n\n[226] _makura_ seems to be a mistake for _warera_ (= we).\n\n\n\n\nN\u00d4 NO UTAHI TAKASAGO\n\nTEXT TRANSLITERATED\n\n\nTAKASAGO _furuna_ AHIOHI[227].\n\n SHITE (_protagonist_), Okina (Spirit of the Pine of Sumiyoshi).\n\n TSURE (_companion protagonist_), Uba (Spirit of the Pine of\n Takasago).\n\n ATO SHITE (_deuteragonist_), God of Sumiyoshi.\n\n WAKI (_tritagonist_), Aso no Kannushi.\n\n JI (_chorus_).\n\n TOKORO (_scene_), Harima.\n\n(_tsugi shidai_)[228]--\n\n Ima wo hazhime no\n tabigoromo\n hi mo yuku suwe mo\n hisashiki--\n\n(_kotoba_)[229]--\n\nSomosomo kore ha Kishiu Higo no kuni Aso no miya no kannushi Tomonari\nto ha aga koto nari. Ware imada miyako wo mizu safurafu hodo ni kono\ntabi omohitachi miyako ni nobori-safurafu mata yoki tsuide nareba\nBanshiu Takasago no ura wo mo ikken sebaya to zonzhi-safurafu.\n\n(_michiyuki_)[230]--\n\n Tabigoromo\n suwe harubaru no\n miyakoji wo\n kefu omohitatsu--\n ura no nami\n funaji nodokeki\n haru kaze mo\n iku ka kinuran\n ato suwe mo\n iza shirakumo no\n harubaru to\n sashi mo omohishi\n Harima-gata\n Takasago no ura ni\n tsuki ni keri\n tsuki ni keri.\n\n_Shite tsure_ (_hito kowe_)--\n\n Takasago no\n matsu no haru kaze\n fukikurete\n Wonohe no kane mo\n hibiku nari.\n\n_Tsure_--\n\n nami ha kasumi no\n isogakure--\n\n_Futari_--\n\n oto koso shiho no\n michi hi nare.\n\n_Shitesashi_--\n\n Tare wo ka mo\n shiruhito ni semu\n Takasago no\n matsu mo mukashi no\n tomo narade\n sugikoshi yoyo ha\n shirayuki no\n tsumori tsumorite[231]\n oi no tsuru no\n negura ni nokoru\n ariake no\n haru no shimo yo no\n oki-wi ni mo\n matsu kaze wo nomi\n kiki-narete\n kokoro wo tomo to\n sugamushiro no\n omohi wo noburu\n bakari nari.\n\n(_futari utafu_)--\n\n otodzure ha\n matsu ni kototofu\n urakaze no\n ochiba-goromo no\n sode sohete\n kokage no chiri wo\n kakau yo\n kakau yo\n tokoro ha Takasago no\n Wonohe no matsu mo\n toshi furite\n oi no nami mo\n yorikuru ya\n ko no shita kage no\n ochiba kaku\n naru made inochi\n nagarahete\n naho itsu made ka\n iki no matsu\n sore mo hisashiki\n meisho kana\n meisho kana!\n\n_Waki_ (_kotoba_)--\n\nSatobito wo ahimatsu tokoro ni rauzhin fuufu kitareri ika ni koko naru\nrauzhin ni tadzunubeki koto no safurafu.\n\n_Shite_ (_kotoba_)--\n\nKonata no koto nite safurafu ka nanikoto nite safurafu zo.\n\n_Waki_--\n\nTakasago no matsu to ha idzure no ki wo maushi safurafu zo.\n\n_Shite_--\n\nTadaima kokage wo kiyome safurafu koso Takasago no matsu nite safurahe.\n\n_Waki_--\n\nTakasago Suminoye no matsu ni ahiohi no na ari tausho to Sumiyoshi to\nha kuni wo hedateru ni nani tote ahiohi no matsu to ha maushi safurafu\nzo.\n\n_Shite_--\n\nOhose no gotoku Kokin no zhiyo ni Takasago Suminoye no matsu mo ahiohi\nno yau ni oboye to ari. Sarinagara kono zheu ha Tsu no kuni Sumiyoshi\nno mono kore naru uba koso tausho no hito nare shiru koto araba mausase\ntamahe.\n\n_Waki_--\n\nFushigi ya mireba rauzhin no fuufu issho ni ari nagara tohoki Suminoye\nTakasago no ura yama kuni wo hedatete sumu to ifu ha ika naru koto\nyaran!\n\n_Tsure_--\n\nUtate no ohose safurafu ya sansenbanri wo hedatsuredomo tagahi ni\nkayofu kokorodzukahi no imose no michi ha tohokarazu.\n\n_Shite_--\n\nMadzu anzhite mo goran-zeyo!\n\n_Shite tsure_--\n\nTakasago Suminoye no matsu ha hizhiyau no mono dani mo ahiohi no na ha\naru zo kashi mashite ya shiyau aru hito to shite toshi hisashiku mo\nSumiyoshi yori kayohinaretaru zheu to uba ha matsu morotomo ni kono\ntoshi made ahiohi no fuufu to naru mono wo!\n\n_Waki_--\n\nIhare wo kikeba omoshiroya. Sate sate saki ni kikoyetsuru ahiohi no\nmatsu no monogatari wo tokoro ni ihioku ihare ha naku ka?\n\n_Shite_--\n\nMukashi no hito no maushishi ha kore ha medetaki yo no tameshi nari.\n\n_Tsure_--\n\nTakasago to ifu ha zhiyaudai no Manyefushiu no inishihe no gi--\n\n_Shite_--\n\nSumiyoshi to mausu ha ima kono miyo ni sumi-tamafu Yengi no ohon koto--\n\n_Tsure_--\n\nmatsu to ha tsukinu koto no ha no--\n\n_Shite_--\n\nsakaye ha kokon ahionazhi to--\n\n_Shite tsure_--\n\nmiyo wo agamuru tatohe nari.\n\n_Waki_--\n\nYoku yoku kikeba arigataya ima koso fushin haru no hi no.\n\n_Shite_--\n\nhikari yaharagu nishi no umi no--\n\n_Waki_--\n\nkashiko ha Suminoye--\n\n_Shite_--\n\nkoko ha Takasago--\n\n_Waki_--\n\nmatsu mo irosohi--\n\n_Shite_--\n\nharu mo--\n\n_Waki_--\n\nnodoka ni--\n\n_Ji_--\n\n shikai nami\n shidzuka nite\n kuni mo osamaru\n tokitsu kaze\n yeda wo narasanu\n mi yo nare ya\n ahi ni ohiohi no\n matsu koso\n medetakarikere\n ge ni ya afugite mo\n koto mo oroka ya\n kakaru yo ni\n sumeru tami tote\n yutaka naru\n kimi no megumi\n arigataki.\n\n_Waki_ (_kotoba_)--\n\nNahonaho Takasago no matsu no medetaki ihare kuhashiku on monogatari\nsafurabe.\n\n_Jikuri_[232]--\n\nSore saumoku kokoronashi to ha mausedomo kuwazhitsu no toki wo tagahezu\nyaushyau no toku wo sonahete nanshi hana hazhimete hiraku.\n\n_Shite_ (_sashi_)--\n\nSaredomo kono matsu ha sono keshiki tokoshinahe ni shite kuwayefu toki\nwo wakazu.\n\n_Ji_--\n\nYotsu no toki itarite mo issen nen no iro yuki no uchi ni fukaku mata\nha shiyoukuwa no iro to kaheri to mo iheri.\n\n_Shite_--\n\nKakaru tayori wo matsu ga ye no--\n\n_Ji_--\n\nkoto no ha gusa no tsuyu no tama kokoro wo migaku tane to narite---\n\n_Shite_--\n\niki to shi ikeru mono goto ni--\n\n_Ji_--\n\nShikishima no kaze ni yoru to ka ya.\n\n(_kuse_)?--\n\nShikaru ni Chiyaunou ga kotoba ni mo uzhiyau hizhiyau no sono kowe\nmina uta ni mo moruru koto nashi. Saumoku dosha fuusei suwion made\nbambutsu no komoru kokoro ari. Haru no hayashi no toufuu ni ugoki aki\nno mushi no hokuro ni naku mo mina waka no sugata narazuya. Naka ni\nmo kono matsu ha bammoku ni sugurete zhiyu hachi kou no yosohohi sen\nshiu no midori wo nashite kokon no iro mo mizu Shikwau no on shaku\nadzukaru hodo no ki nari tote ikoku ni mo honchiyau ni mo bammin kore\nwo shiyaukwansu.\n\n_Shite_--\n\n Takasago no\n Wonohe no kane no\n oto su nari!\n\n_Ji_--\n\n Ake kakete\n shimo ha okedomo\n matsu ga ye no\n ha iro ha onazhi\n fukamidori\n tachi-yoru kage no\n asa yufu ni\n kakedomo ochiba no\n tsukisenu ha\n makoto nari\n matsu no ha mo\n chiri usezu shite\n iro ha naho\n masaki no kadzura\n nagaki yo no\n tatohe narikeru\n tokiha-gi no\n naka ni mo na ha\n Takasago no\n matsudai no tameshi\n ni mo\n ahiohi no matsu zo\n medetaki.\n\n(_rongi_) _Ji_--\n\n Ge ni na wo yetaru matsu ga ye no\n oi-ki no mukashi arahashite\n sono na wo nanori tamahe ya!\n\n_Shite tsure_--\n\nIma ha nani wo ka tsutsumubeki kore ha Takasago Suminoye no ahiohi no\nmatsu no sei,\n\n_Ji_--\n\nMe oto genzhi kitarikeri.\n\n_Ji_--\n\nFushigi ya sate ha nadokoro no matsu no kidoku wo arahashite.\n\n_Shite tsure_--\n\nsaumoku kokoro nakeredomo--\n\n_Ji_--\n\nkashikoki yo tote--\n\n_Shite tsure_--\n\nkusa mo ki mo--\n\n_Ji_[233]--\n\n Waga ohokimi no\n kuni nareba\n itsumade kimi ga\n yo ni Sumiyoshi ni\n madzu yukite are nite\n machi mausan to\n yufu nami no\n migiha naru\n ama no wobune\n ni uchi norite\n ohi kaze ni\n makase tsutsu\n oki no kata ni\n ide ni keri ya\n oki no kata ni\n ide ni keri.\n\n_Waki_ (_utafu_)--\n\n Takasago ya\n kono ura fune ni\n ho wo agete\n tsuki morotomo ni\n ide shiho no\n nami no Ahaji no\n shima kage ya\n tohoku Naruwo\n oki sugite\n haya Suminoye ni\n tsuki ni keri\n tsuki ni keri.\n\n(_ato_) _Shite_--\n\n Ware mite mo\n hisashiku narinu\n Sumiyoshi no\n kishi no himematsu\n iku yo henuran\n mutsumashi to\n kimi ha shirazu ya\n mizugaki no\n hisashiki yoyo no\n kami kagura\n yoru no tsudzumi no\n hiyaushi wo sorohete\n suzushime tamahe\n miyatsuko-tachi.\n\n_Ji_--\n\n Nishi no umi\n Awoki ga hara no\n nami ma yori--\n\n_Shite_--\n\n arahare ideshi\n kami matsu no\n haru nare ya\n nokon no yuki no\n Asaka-gata.\n\n_Ji_--\n\n Tamamo karu\n naru kishi kage no--\n\n_Shite_--\n\n shiyaukon ni yorite\n koshi wo sureba--\n\n_Ji_--\n\n sennen no midori\n te ni michiteri--\n\n_Shite_--\n\n baikwa wo otte\n kaube ni saseba--\n\n_Ji_--\n\n zhi getsu no yuki\n koromo ni ochitsu.\n\n(_rongi_) _Ji_--\n\nArigata no yekau ya tsuki Sumiyoshi no Kami asobi mi kage wo wogamu\narata sa yo.\n\n_Shite_--\n\nGe ni samazama no mahi-hime no kowe mo sumu nari Suminoye no matsukage\nmo utsuru naru seigaiha to ha kore naran.\n\n_Ji_--\n\nKami to kimi to no michi sugu ni Miyako no haru ni yukubeku ha.\n\n_Shite_--\n\nSore zo genzhiyauraku no mahi--\n\n_Ji_--\n\nsate banzei no--\n\n_Shite_--\n\nwomigoromo--\n\n_Ji_--\n\nsasu kahi ni ha akuma wo harahi wosamuru te ni ha zhiyufuku wo idaki\nsenshiu raku ha tami wo nade manzai raku ni ha inochi wo nobu ahiohi no\nmatsu kaze satsusatsu no kowe zo tanoshimu.[234]\n\n_Takasago no ohari._\n\n\nFOOTNOTES\n\n[227] The text is that of the Y\u00f4kyoku Ts\u00fbge. The old name, _furuna_,\nwas Ahiohi (grow old together).\n\n[228] A stage direction, it seems to mean, entry in order of actors and\nsongmen (_utahigata_).\n\n[229] Prose recitation.\n\n[230] Description of the Journey, by a member of the chorus? The syntax\nof this passage and of similar passages that follow is irregular, there\nis much ellipsis and some inversion. Most probably too the text--if\nthere ever was a settled text--is more or less corrupt. Though the\nsyntax and phrasing is of a rather fragmentary and disjointed character\nthe meaning is not usually hard to get at, if somewhat vague.\n\n[231] This passage, like some others, must be understood metaphorically\nas well as literally--here, in reference to the age of the tree and\nthat of the speaker. The _sashi_ of _shitesashi_ seems to indicate a\ncoming forward or interruption by the protagonist. _Rongi-ji_ is a sort\nof dialogal chorus, and _kuse_, a statement of the precept or argument\nof the _utahi_, made by one of the chorus.\n\n[232] Chorus again.\n\n[233] From this point the verse is irregular.\n\n[234] Poetized prose.\n\n\n\n\nMAKURA KOTOBA\n\n\nA list of all the Makura kotoba contained in the Many\u00f4shiu.\n\nBrief explanations only are given, sufficient to suggest the meaning\nwhich can never be strictly defined.\n\nIn the companion volume of Translations a short essay on the Makura\nkotoba will be found, and in the notes to the Translations some of the\nmore difficult or interesting examples are discussed.\n\nThe figures denote some of the long lays in which the m. k. to\nwhich they are attached are employed. The literal renderings are of\nthe characters, read _mana_, with which the m. k. are more often\nwritten--but not so in all cases. Of many of the m. k. the meanings\nare, and must remain conjectural.\n\nPlace-names are thus indicated (pl. n.).\n\n=adzusayumi=, bow of white-wood (Catalpa, Prunus?); applied to _hiki_\n(draw); compounds of _hiki_; _-- hiki-toyokuni_ = _hiki-toyomu-kuni_\n(resounding land); _-- Yora no yama he_, _Yora_ hill, _yora_ resembling\n_yoru_ (night-time when twang of bow more distinct); _-- suwe ha\nyorinemu_ (at the end will rest--end = bow-end); _-- suwe_ (end);\n_-- haru_ (stretch or bend, as bow); _-- oto_ sound (as twang of bow),\n3, 29, 31, 104.\n\n=agakokoro=, my heart or feelings; used with following place-names,\nKiyosumi no ike, Akashi no ura, Tsukushi no yama. The application is\nobvious, 199.\n\n=Ahajishima=, Awaji island; applied by sound-quibble to _ahare_, alas!\noh!\n\n=Ahashimano=, millet-island; applied to _awazhi mono_, one who is not\nmet--_zh_ is _sh_ voiced.\n\n=ajimurano=, like flock of teal (Anas formosa); _-- sawaku_, make noise\nlike flock of teal, 54.\n\n=ajinosumu=, where teal resort; _-- Susa no irije_ (creek); _ajisahafu_,\nwhere teal are abundant, 26; with _mure_ (crowd) or _me_ (contraction\nof _mure_) confer _umasahafu_, 68.\n\n=akahoshi=, red-star, Venus, bright-star; _-- akuru ashita_,\nbright-star-morrow\u2019s-daybreak.\n\n=akanesasu=, red-wort-dyed, madder-red or ruddy, comely; _-- hi_\n(sun),--_hiru_ (noon); _-- tereru tsukuyo_ (bright moonlight\nnight); _-- murasaki_ (purple); _-- kimi_ (lord), 24, 154, 240.\n\n=akarabiku= (_aka wo hiku_), ruddy, rosy; with _hi_ (sun); _shikitahe\nno ko_ (pretty young girl); _kimi_ (lord); _hada_ (naked skin), 59--in\nthis and preceding m. k. _ra_ and _ne_ may have same value.\n\n=akihagino=, like autumnal bush-clover (Lespedeza), 119, 201;\n_shinahite aramu_, bending like --.\n\n=akikashiha=, like autumn oak; or \u2018vendible oak\u2019 (_aki_); applied to\n_uru_, sell, of Uruha River.\n\n=akikazeno=, like autumn wind; _-- Yamabuki no se_, course of the\nYamabuki river; applies to _buki_ (_fuki_, blow) of _yamabuki_ (Kerria\nJaponica); _-- chiye no ura_--(_chi_ taken as = _shi_, breath, _kaze_\nbeing _kami shi_, God\u2019s breath).\n\n=akikusano=, like autumn grass; _-- musubishi himo_, knotted girdle, but\n_musubi_ also means produce, as a plant produces fruit.\n\n=akinohano=, like autumn leafery; _-- nihohi ni tereru_ (--abundantly\nshine), 250.\n\n=akitsushima=, Island of Ripe Ears _or_ Dragonfly-shaped\nIsland;--Yamato, 2, 141.\n\n=akiyamano=, like autumnal hills; _-- shitaberu imo_ (little\nsister delicate as fading sprays on an autumn hill-side); _-- iro\nnatsukashiku_, play on _iro_, colour (of autumn), and _iro_, term of\nendearment, added to _natsukashiku_, lovely.\n\n=amadzutafu=, sky-climb; _-- hi_ (sun); _-- irihi_ (setting sun);\n_Higasano ura_, 17.\n\n=amagomori=, rain-hidden; applied to Mikasa Hill (Cloud- or Mist-capped\nHill).\n\n=amakazofu=, meaning not clear, perhaps sky-fathoming; used with _oho_,\ngreat, vast, or _ohoyoso_, universal?\n\n=amakumono=, like sky-cloud; used with _tayutafu_ (drift); _yukura\nyukura_, _yuki no manimani_, _yukikaheri_, all involving idea of motion\nto and fro, driftingly, &c. Also to _okuka mo shirazu_, unknowing term\nor end; _tadoki mo shirazu_, helpless; _yoso_, any- or somewhere else;\n_wakareshi yuku_, depart and go, 22, 25, 37, 45, 48, 57, 58, 62.\n\n=Amanohara=, the sky-plain; _-- Fujiye_, _Fuji-san_, as piercing the\nsky.\n\n=amateruya=, heaven-shine-Oh! applied to _hi_ (sun).\n\n=amatobuya=, sky fly-Oh!; used with _karu_ (mallard?), 27.\n\n=amatsumidzu=, sky-water, i.e. rain; used with _afugite matsu_, looking\nup to the sky as when hoping for rain, 22, 234.\n\n=amazakaru=, heaven-distant; applied to _hina_, frontier-land, 9, 55,\n213.\n\n=amenimasu=, seated in heaven; used with _tsukuyomi wotoko_, God of the\nmoon.\n\n=amoritsuku=, descend-from-heaven-upon; used with _Ame-_ or _Kami-no\nKaguyama_ (Mt. Kagu), 33.\n\n=arahikinu=, cleansed vestment; used with name, Torikahi River;\n_torikahi_ = change (clean for soiled garment).\n\n=arakakino=, rough fence; used with _yoso_, elsewhere, without.\n\n=ararenasu=, hail-like; used with _sochi yori kureba_, as if the hail\ncame from _sochi_, there--a curiously far-fetched application.\n\n=arareutsu=, hail-beaten; used with Arare, place-name.\n\n=arataheno=, coarse or unprepared stuff; used with Fuji (Wistaria,\nfibres of which made a coarse cloth) as part of place-names, Fujiwi,\nFujiye, &c., 13, 14, 21.\n\n=aratamano=, afresh, anew, future?; applied to _toshi_ (years), _tsuki_\n(months), _ki-he_, pass on, pass, elapse, 48, 49.\n\n=Arichigata=, place-name; used as sound-quibble with _ari_.\n\n=arikinuno=, fresh or fine garment; used by sound quibble with\n_arite arite nochi ni mo ahazarame ya mo_; here _arite_ = _ari-ari_\n= real existence; with Mihe (place-name, lit. threefold), according\nto Motowori the \u2018three\u2019 refer to outer, inner, and middle garment;\nwith _sawi-sawi_ (_shidzumi_), rustling (of dress against dress),\ntranquillity; _sawe sawe_, similar sense; with _takara_, treasure, K.\nxcix.\n\n=Arimasuge=, Arima sedge; sound-quibble with _ari_.\n\n=arisomatsu=, shore pine; used with the homophon _matsu_ (wait), as in\n_arisomatsu a wo matsu kora_, Oh, the pine by the shore! there the maid\npines for me!\n\n=arisonami=, shore-waves; by sound-quibble used with _arite_ for\n_ari-arite_.\n\n=asagirino=, like morning mist; _-- ohi ni ahimishi_, indistinctly seen\nas in morning mist. So with _omohi-madohite_, _midaruru kokoro_, heart\ndisordered and distracted with love, 224.\n\n=asahinasu=, like morning sun; _-- maguhashi mo_, as morning sun so\nbright and lovely.\n\n=asahisashi=, direction towards morning sun; _-- magirahashi mo na_\n(confused, dazzled as by rays of morning sun); _-- so-gai ni miyuru_,\nseen where back turned on rays of morning sun, 222, see Gloss. _sogahi_.\n\n=asahisasu=, morning-sun-impinge; _-- kasuga_ (spring day brilliant as\nmorning-sun).\n\n=asajihara=, reed plain--with _tsubara, tsubara_ (minutely) because of\nidentity in sound (_hara-bara_); with _wonu_, little moor, because of\nsignification; and with _chifu_, place where _chi_ reeds grow, because\nof identity of _ji_ and _chi_ (voiced).\n\n=asakahono=, like the morning-glory; _-- ho ni ha sakidenu_, burst out\nin bloom like the m. g.\n\n=asakami no=, morning-hair; _-- omohi-midarete_, thoughts as tangled as\nmorning-hair (after sleep), 60.\n\n=asakasumi=, mist of dawn; _-- yahe yama_, many-fold (as of mists)\nhills; _-- kabi_ (fire to decoy deer or chase mosquitoes as seen on\nmisty mornings); _-- honoka_, dimly as in mist (or _kabi_ (_kahi_) may\n= _kirahi_, be misty).\n\n=asamoyoshi=, like hempen vestment, smock; _-- ki_ (homophon of _ki_,\nput on, don), 24, 57, 183, 213.\n\n=asashimono=, like morning hoar frost; _-- kenaba kenu gani_; _--\nke yasuki inochi_; _kenubeku no miya_, as passing, evanescent, as\nhoar-frost.\n\n=asatorino=, morning birds; _-- kayohasu kimi_, my lord passing early\nas morning birds fly; _-- ne nomi nakitsutu_, while filling the air\nwith cries like morning birds.\n\n=asatsuyuno=, like morning dew; used as _asashimono_.\n\n=ashibinasu=, like _ashibi_, flowerage; _-- sakayeshi kimi_ (my lord\nbrilliant as bloom of Ashibi, Andromeda sp.).\n\n=ashigachiru=, reed-scatter; applied to Naniha as a reedy place.\n\n=ashiharano=, reed-plain, used with Yamato or Midzuho no kuni, 133,\n147, 227.\n\n=ashihikino=, a difficult word, one meaning assigned is _ashi-hiki_,\nfoot-dragging (wearisome), another is _ashi-hiki-ki_, an enclosure\n(defence work), reached with toil (steep, &c.), another _ikashi-hi-ki_,\nflourishing _hi_ (Chamaecyparis) trees--the Kogi seems to accept the\nlast. Applied to _yama_ (hill), _wonohe_ (top of a hill), _yatsuwo_\n(_yama tsu wo_, hill-top), _ko no ma_ (clump of trees), _ihane_ (rocky\npeak), _arashi_ (mountain wind), _wotemokonomo_ (this and that hill\nslope), 49, 50.\n\n=Ashihoyama=, name of a hill in Hitachi; applied by sound-quibble to\n_ashigaru_, reed-_karu_ (sort of mallard?).\n\n=ashikabino=, plumy-reed-top-like; _-- a nayamu_ or _ana yamu_,\nbending, or feeble, like reed-top.\n\n=ashikakino=, reed-hedge or fence; _-- furinishi sato_, (ancient home);\n_-- omohi-midare_ (thoughts tangled as reeds in hedge); _-- hoka_\n(outside), the fence being limit between interior and exterior of the\ncompound, 123, 155, 240.\n\n=ashinoneno=, like root of reed; applied by sound-quibble to\n_nemokoro_, earnest, _ne_, as homophon, meaning root.\n\n=ashinoure= = _ashikabi no_.\n\n=ashitadzuno=, like reed-birds; _-- ne nomi shi nakayu_ (screaming like\nreed-birds); _-- ana tadzutadzushi_, oh how uncertain (is this road--as\nin the dark), here as sound-quibble.\n\n=atekawoshi= (_ajikawoshi_ = _ajikayoshi_, the meaning of _ajika_\nunknown); by sound-quibble applied to Chika no saki (place-name).\n\n=awayukino=, like foam and snow; used with _kihe_ (_ke_), pass away,\nvanish, or with words connoting evanescence.\n\n=awohatano=, like a green banner; perhaps a corruption of _aya hata_,\npattern-stuff banner; used with Kadzuraki (place-name); _-- kadzura_,\nchaplet,--and with Osaka (little pass), name of a hill, _osaka_ being\ncompared with _osoki_ (_osohi-ki_), outer vestment (_uhagi_), 55, 190.\n\n=awokumono=, like dark cloud or clouds, regarded as made up of piled\n_white_ clouds; hence used with _shiro_ white, also with _ideko_, come\nforth (as a cloud does); _-- ideko_, 186; _wagimo_, come forth as the\npiled clouds; come forth, my love!\n\n=awomidzura=, a much disputed word; _midzura_ may be _kami tsura_,\nparted hair, and _awo midzura_, a chaplet of green spray (Kadzura, &c).\nIt is used with the place-name Yosami no hara (probably Plain of cold\nnights), _yosami_ being taken as _yose-ami_, woven together (as the\nchaplet would be).\n\n=awoniyoshi= (a much disputed word), used only with Nara--_yoshi_ is\nexclamative, _yo shi_. The characters employed mean \u2018green earth\u2019--(or\n\u2018fine earth\u2019?).--Nara is connected with _narasu_, to make level, so\n_awoniyoshi Nara no miyako_ might mean the Capital (or Palace), erected\non well-levelled fine ground, _-- narasu_ or _fumi-narasu_, trample\nlevel; see also K. lviii, 7, 9, 15, 24, 137. Nara also means \u2018oak-tree\u2019\nand the m. k. might refer to its greenery.\n\n=awoyagino=, like green willow sprays; used with place-name Kadzuraki\n(Kadzura = Chaplet); also with Hararo (name of river), by sound-quibble\nwith _haru_, stretch up (as the young willow shoot does rapidly); also\nwith _mayone_, as in _-- kuhashi mayone_, eyebrows (of girl), beautiful\nas the bending willow spray. It is also used with _ito_, thread, with\nallusion to the slender drooping branches.\n\n\n=chichinomino=, like the fruit of the maidenhair tree; used by\nsound-quibble with _chichi_ (father), 262.\n\n=chidorinaku=, where dotterels cry; used as descriptive m. k. _of_\nrivers, as Saho and Yoshinu.\n\n=chihayaburu=, thousand-rock-smashing, or thousand-swift-brandishing;\nwith _Kami_ (god); Uji (name of ferry--the application is obscure,\npossibly through _uji_, clan or family); Kane (name of headland), as a\nplace where the waves beat roughly on the rocks, 24, 59, 204, 225, 263;\n_chi_ may also = _te_, handle, hilt.\n\n=chihayahito=, much the same application as _chihayaburu_, q.v.\n\n=chirihijino=, like dust and dirt; m. k. of _kadzu ni mo aranu_, of no\naccount, i.e. mankind.\n\n\n=fujikoromo=, vestment made of cloth of Wistaria fibre; m. k. of _ma_,\n_tohoku_ (here used as = coarse-meshed, coarse-woven); of _naru_ =\n_nareru_, be accustomed to (wear).\n\n=fujinamino=, a wave or festoon of Wistaria blossom; m. k. of _omohi\nmatsuhari_, love-enveloped as by a mass of Wistaria flowers.\n\n=fukamiruno=, like deep-sea weed (Codium sp.?); m. k. by sound-quibble\nwith _fuka_ (deep); with _mi_, _miru_ (see), in compounds chiefly, 17,\n172, 173.\n\n=funehatsuru=, where a ship ends voyage at; m. k. of Tsushima in Korean\nstraits.\n\n=furukoromo=, old soiled garment; after cleansing it was beaten (_mata\nuchi_); hence used as m. k. of Matsuchi (hill-name); also of _utsu_ in\n_utsuteshi_ (_uchi-suteshi_), 89.\n\n=furuyukino=, like falling snow; m. k. of _ke_ (pass away, vanish); of\n_shirokami_ (white hairs); by sound-quibble of _yuki_ (go); of _ke_,\n_kihe_ (elapse); _shiki_ (spread); _ichishiroku_ (conspicuous).\n\n=fuseyataki=, burning down a hut; m. k. of _susushi_, sooty, 125.\n\n=fusumachiwo=, draw a coverlet or rug over one?; hence m. k. of _hiku_\n(draw); in Hikite (hill-name), _chi_, perhaps = _te_.\n\n=fuyukomori=, winter-prisoned; m. k. of _haru_, spring, 6, 24, 43.\n\n\n=hafukuzuno=, like creeping _kuzu_ (Pueraria); applied to what is\ninterminable, indefinitely long, 46.\n\n=hafutsutano=, like creeping ivy; hard to strip off, so applied to\n_wakaru_, separate, part (one from another), 123, 166.\n\n=hahasobano=, lit. like _hahaso_, oak (or leaf thereof). _Hahaso_ is\nQuercus dentata. But by sound-quibble it is used as m. k. of _haha_,\nmother (or _haha-soba_, mother\u2019s side).\n\n=hahomameno=, like _hahomame_ (?); used with _karamuru kimi_, my lord\nwhom I embrace (_hahomame_ must be a leguminous? creeper of some sort,\nas its name indicates).\n\n=hamahisaki=, lit. shore Catalpa, but not identified. There is a\n_hamahisakaki_ (Eurya chinensis). Used, by sound-quibble, with\n_hisashiku_, for a long time.\n\n=hamasudori=, shore-birds, wild duck, goose, &c., which waddle about\nas though lame; hence used with _ana yumu_ = _ana yamu_ = foot-waddle\n(_ashi nayamu_?).\n\n=hanachirafu= (_hanachiru_), scattering and falling of blossoms; used\nwith _aki_ (autumn); with _kono_ (_ko_ taken as = _ki_, tree), _muka\ntsu wo_, these ridges opposite (where the tree blossoms are falling?);\nreference to a peak in \u00d4mi called Wonanowo.\n\n=hanaguhashi=, florescence-fine; m. k. of _ashi_ in _ashigaki_,\nreed-fence.\n\n=hanakatsumi=, like victorious flower, a kind of iris (_Kamayama\nayame_?); used with _katsute mo shiranu_, never known before, beyond\nanything known.\n\n=hanezuirono=, like _hanezu_ colour (red); m. k. of _utsurofu_, change,\nfade.\n\n=haruhanano=, spring blossoms; m. k. of _tafutoki_ (splendid),\n_utsurohi_ (fade, change), _iya medzurashi_ (more and more beautiful),\n_nihohe_ (flourish), _sakari_ (blossom).\n\n=haruhiwo=, a spring day (or sun); used with _kasuga_, a spring day\n(_kasumi ka_, misty day), 41, 92.\n\n=harukasumi=, spring mist; m. k. of _kasuga_ (spring day); used with\n_wi_ (well), as homophon of _wi_, rest, hover (as mists do); with _obo\nni shi \u2019mohaba_, if I think indistinctly.\n\n=harukazeno=, like winds in spring; with _oto_ (murmur of the winds).\n\n=harukusano=, like spring plants; m. k. of _medzurashi_ (beautiful);\n_shigeki_ (abundant).\n\n=harukusawo=, spring grass; used with _uma kahi_, horse-feed.\n\n=harutorino=, like birds in spring; used with _samayohi_ (wander hither\nand thither); _kowe no samayohi_ (cry heard in all directions); _-- ne\nnaki_ (cry and scream), 24.\n\n=haruyamano=, like hills of spring; in which the leaves of the trees in\nspring being young droop; m. k. of _shinahi_ (bend, droop); of _obo_,\nindistinct, alluding to thick foliage and mists of spring.\n\n=haruyanagi=, spring-willow; applied to _kadzura_, which is compared\nwith the long drooping thready willow-spray showing its florescence in\nspring-time?\n\n=hashimukafu=, vis-a-vis, like chopsticks; so brothers may be said to\nstand; or mutually affectionate (_hashi_), as brothers ought to be; m.\nk. of _oto_, younger brother, 123.\n\n=hashitateno=, like a ladder, m. k. of _kura_ (storehouse), in\ncomposition or simply as sound-quibble; of _kumaki_ for _kumiki_,\ntimber put together for house-building (some say _kumaki_ is\nbear-palisade (to keep out bears)); of _sakashiki_ (steep).\n\n=hatsuhanano=, like opening first blossom; used with _haru_ (spring);\n_chiru_ (wither and fall).\n\n=hatasusuki=, a tall plumy swaying reed, Miscanthus sinensis; applied\nto things conspicuous, as blossoming, blooming, flourishing, or to a\ntop or upper bloom (_ura_, _ure_), or to words containing above by\ncomposition, quibble-wise, or otherwise.\n\n=hayakahano=, like swift stream; used with _yukuhe mo shirazu_\n(unknowing future course), 157.\n\n=hikarukami= (written dazzling god), lightning; used by word-quibble\nwith _Narihata wotome_, the girl Narihata (_nari_ = thunder,--_nari\nhatataku_, roll of thunder).\n\n=hikuamino=, like drawing-net; also error for _nihotori_; used with\n_nadzusahi komu_ (will come swimming or floating).\n\n=himokagami=, m. k. of Notoka (hill-name). The explanation given is\nthat _himo_ is the cord by which the _kagami_ (mirror) was hung up, and\n_notoka_, a corruption of _na toki_, do not unfasten (because my lover\nis coming), _kimi kimaseru ni himo akezu namu_.\n\n=himonowono=, the cord or girdle that ties a vestment; as a m. k. of\n_kokoro_, the allusion is to the tying of knots in such fastenings by\nlovers to mark fidelity; of _itsugari-ahite_, as meaning leading in the\nbonds of love.\n\n=hinakumori=, either _hi no kumori_ (clouded sun) or _hita kugumoru_,\nquite overclouded; the light then becomes _usui_ (thin or dim)--to\n_usui_ the m. k. is applied.\n\n=hinomotono=, sun-source; m. k. of Yamato. [Is this m. k. a translation\nof _Nihon_ or the reverse?]\n\n=hisakatano=. A difficult word, variously written. It may mean\na long time or long ago, sunshine-source (Br.), gourd-shaped\n(inversely-concave, _hisaokata_). A m. k. of _ame_ (heaven); _ame_\n(rain), _tsuki_ (moon); Miyako (City-Royal--the heavenly place, as\nresidence of Mikado). See 22, 24, 25, 32, 34, 42, 45, 51, 62, 68.\n\n=hotarunasu=, like firefly; m. k. of _honoka_, dim (fireflies being\nvisible enough, but in their quick motion indistinct), 196.\n\n=hototogisu=, cuckoo-bird; m. k. of Tobata (name of a bay), _tobu\nhata_ (fly-flag); of _hotohoto_ (noise of knocking--at door by or of\nmistress), as sound-quibble.\n\n\n=ihabashino=, stepping-stones-like; used with _chikaki_ (near--as\nstepping-stones are close together); also _tohoki naku_, not distant,\nor rocks connected by slight bridges.\n\n=ihabashiru=, swirl among rocks; used with Tarumi, place-name\n(descending water); _tagi_ (cascade or rapids); Afumi (_aha-umi_,\nfoam-water), or Lake \u00d4mi (Biwa); Kamunabi (_kami-nari-buri_), thunder =\nnoise of falling water, 9, 13, 134.\n\n=ihafuchino=, like pool (of river), rock-enclosed; used with _komori_,\nseclude, enclose.\n\n=ihahonasu=, rock- or cliff-like; used with _tokiha_, everlasting,\ncomp. everlasting hills.\n\n=ihahosuge=, rock-growing sedge; used with _ne_ (root), of _nemokoro_\n(earnestly), a word-play.\n\n=ihakuyeno=, rock-crumbling; through similarity of sound with _kuyu_\n(_koyu_), cross.\n\n=ihatsutano=, rock-rope (= _ihatsuta_, rock-creeping ivy); ivy grows\nquickly where stripped off, hence used with phrases like _mata wochi\nkaheri_ (_waka-kaheri_), become young again.\n\n=ihawitsura= (_suberi-hiyu_), Portulaca oleracea, L.; used with _hikaba\nnurunuru_ or _nuretsutsu_, implying sense of gently, smoothly, or\nslippery?\n\n=ihetsutori=, house bird: used with _kake_ (lit. crow), cock.\n\n=ihohenami=, 500, i.e. countless waves; applied to _tachi-wi_, rise and\nfall, or rise and rest as the waves are eternally doing.\n\n=imehitono=, archer-men; with _Fushimi_ (pl. n.), _fushi_ = crouch to\nwatch for game.\n\n=imetachite=, where archers stand; used with Tomi no Woka (place-name);\n_tomi_ = trail-trackers.\n\n=imogahimo=, my love\u2019s girdle or cord; with _yufu_, tie up; _toku_,\nuntie; _musubu_, fasten.\n\n=imogaihe= (=ni=), to my love\u2019s home; used with _iku_ (_yuku_), to go,\nof Ikuri no mori (Shrine of Ikuri).\n\n=imogakado=, my love\u2019s doorway or home; with _iri_, enter, _idzu_, go\nforth from, or their combinations.\n\n=imogakami=, my love\u2019s hair; with _age_, lift up (to knot), in\nAgesasabanu, Moor of Agesasaba.\n\n=imogakeru=, by my love worn; to _mikasa_ (fine hat), of Mikasa Hill\n(pl. n.).\n\n=imogamewo=, my love\u2019s eye; with _mi-somu_, fall in love; Tomi no saki\n(Cape Tomi, _mi_ = see); Mimakuhoriye (pl. n.), _mimakuhori_, desire to\nsee and love.\n\n=imogarito=, or _imoragari_ (_imo ga ari_), towards where my love\nis; with _ima_ (now, or place where), as in Imaki (Peak); with Ikoma\n(Hill)--Ikoma = _yuku_ (_iku_) _koma_.\n\n=imogasode=, my love\u2019s sleeve; with _maki_, roll up, of Makimuku Hill.\n\n=imogatewo=, my love\u2019s hand; with _tori_ (take), _toru_ or _toro_;\nToroshi no ike, Pool of Toroshi.\n\n=inamushiro=, rice-straw matting; used as _kaha_ (skin employed also as\nmat); with _kake_ and _shiku_, apply, spread, by quibble with _kaha_,\nstream, 102.\n\n=inanomeno=, the word means daybreak (not-sleep-eye); applied to\n_ake_, open, break as dawn; another explanation is, _ina no me_\n(_ina_--rice-plant--_no mure_) _no_, _ake_ is then confounded with _aku\nakaramu_, grow ruddy, ripe, and an involved word-play results.\n\n=inuzhimono=, dog-like; _-- michi ni fushite_, lying down (dying), like a\ndog by the roadside.\n\n=irihinasu=, like the setting sun; with _kakuru_, hide, withdraw, 28,\n50.\n\n=isanatori=, whale-catching; used with _umi_ (sea) _hama_ (shore);\n_nada_--open sea--Hijiki no nada; Afumi no umi (Lake \u00d4mi or Biwa) by\nextension, 16, 19, 30, 40, 78, 193.\n\n=Isayagaha=, a river-name; used with reference to the interjection\n_isa!_\n\n=isokahino=, like shore-shells; used with _kata_ (unpaired as in _kata\nkohi_, solitary love, because one of the pair parted from the other);\nprobably the shell meant was a bivalve, one valve = _kata_. The simile\nis found in English poetry.\n\n=isomatsu= (Statice arbuscula, Max.); used with _tsune_ (always),\n_matsu_ (pine) indicating length of time.\n\n=Isonokami=, a tract in Yamato where a place existed named Furu, which\nmay mean, old, or to pour down (as rain); hence Isonokami is used as a\nm. k. of _furu_, 45.\n\n=iyukiahino=, where men climb and meet from either side; as a hill-pass.\n\n=iyushishino=, arrow-shot or wounded deer; with _kokoro wo itami_,\ngrieve my heart; _-- yuki mo shinamu_, like stricken hart go on to die.\n\n\n=kadzunokino= (_kaji noki_, Broussonetia papyrifera); applied with\nsound-quibble to _wa wo kadzusane_ = _ware wo kadohashi wite yukane_\n(_kadohashi-gataku_); _kadohashi_ = _kadowakashi_, abduct, kidnap.\n\n=kadzuragake= = _hikage_ (Lycopodium clavatum)--club-moss (used in\nritual?), hence a praise-word applied to _kimi_ (lord), _kuhashi_\n(comely).\n\n=kahadzunaku=, frog-croak; used with waters, _idzumi_ (source), _kaha_\n(stream).\n\n=kahayagino= (_kahayanagi_), river-willow; used with _ne_ (homophonous\nwith _ne_, root) of _nemokoro_ (_nengoro_), earnestly.\n\n=kagaminasu=, mirror-like; applied to _miru_ (see) and _mi_ in\ncompounds and place-names; to _imo_ (my love), to _tsuma_ (spouse)--in\nboth cases = precious, a mirror being regarded as a treasure; to the\nphrase _kaku shi tsune mimu_, thus ever indeed to see, with allusion to\nthe mirror constantly kept (_kaku_) by the bed-place, 26, 55.\n\n=kagirohino= (_kagerohi_?), a difficult word. Often written as\nif meaning _seirei_ or _tombo_ (dragon-fly), it is probably a\nlengthened form of _kageru_, shine, glitter. Used with _yufu_\n(evening--the glow at and after sunset?); _iha_, rock which sparkles\nwhen struck; _honoka_, dim, by reference probably to _ho_, flame;\n_haru_, spring--when the air is fresh, clear and glittering; _kokoro\nmoyetsutsu_, glow of heart; _hi_, flame, sun; _tada hito me_ (just a\nglance, here the m. k. may have reference to what is seen dimly?), 12,\n28, 92, 123.\n\n=kajinootono=, sound or splash of oar: used with _tsubaratsubara ni_,\nclearly, distinctly.\n\n=kakihonasu=; see 120, 125--fence-like, not in Kogi list.\n\n=kakikazofu=, count over as 1, 2, 3, &c.; used with _futa_, two, in\nFutakami yama, Twain-gods (or Twain Peak) Hill, 223.\n\n=kakikoyuru=, cross over or through the house-fence; used with _inu_,\ndog, a somewhat meaningless m. k.\n\n=kakitsubata=, camellia; used with _nidzurafu_, be ruddy, _saku_, bloom.\n\n=kakozhimono=, deer\u2019s-young-like; used with _hitori_, one, unique, 119.\n\n=kamozhimono=, wild-duck-like; applied to _uki_, float.\n\n=kamukaze=, god-wind; used with Ise where the chief gods have their\nseat, 172.\n\n=karakaji=, this may be Chinese or Korean _kaji_, oar, scull or\nsteer-oar, used with _oto takashi mo na_, loud is the sound (i.e. as\nthat made by the splash of the scull or creak of oar).\n\n=karakoromo=, Kara (China or Korea), garment, robe; used with _ki_\n(put on) in Kinara, _tatsu_ (cut out clothes) in Tatsuta, _suso_ (hem)\ncombined with _ahazu_--not meeting (as parts of vestment). The use may\nbe by way of quibble.\n\n=kariganeno= (_kari_?), white-fronted wild-goose, also cry of same. Its\napplication to _kitsugi_ (84) is not quite clear, perhaps it refers\nto the regularity of going to see the cherry blossoms with one\u2019s\ncomrades being like the regularity with which the wild-geese return in\nspring-time.\n\n=karikomono=, like cut rushes; used with _midaru_, confused,\ndisordered; with _shinu_ as in _kokoro mo shinu_, the heart yields,\nbecomes weak, &c.\n\n=kashinomino=, like acorn which is single always, never double or\ntriple as chestnut; applied to _hitori_, one, unique, 106.\n\n=kasumitatsu=, mist-rising; applied to Kasuga (pl. n.), which however\nis written _haru no hi_, spring day, 4, 9, 33.\n\n=katamohino=, like lidless bowl; love deep as the bowl or jar.\n\n=kazenotono=, wind-sound; as heard from afar; applied to my love far\nfrom me.\n\n=kekoromono=, fur or feather vestment; used with _haru_ (spring). Such\nvestments were worn when hunting, &c., used as m. k. of _asu_, morrow,\nmorning, _kefukefu to_, to-day to-day.\n\n=kimigaiheni=, in my lord\u2019s house; _-- aga sumi-saka no_, where _sumi_\nwritten \u2018black\u2019, but homophonously to be understood as \u2018dwell\u2019, is\nintroduced by a kind of prefatial quibble--wherein I dwell, as in my\nlord\u2019s house.\n\n=kimigakeru=, what my lord wears; used with Mikasa yama (hill-name),\nlike _kimi ga sasu_ in the _Kokinshiu_; _mikasa_ means my lord\u2019s\nhat--so written, in the hill-name it has, probably, a different meaning.\n\n=kimomukafu=, opposite liver or bowels; used with _kokoro_, heart, as\nchief of the inner organs. Perhaps simply in front of the inner organs,\n17, 120.\n\n=komatsurugi=, Koma or straight sword; Koma was one of the four Korean\nkingdoms. The sword had a ring, _wa_, at the end of the hilt, hence the\napplication of the m. k. to _wa_, in Wazami no hara, Wazami Moor; to\n_wa ga kokoro_ (my heart) as sound-quibble, 24.\n\n=komomakura=, _komo_ is a kind of rush (also sea-grass, Zostera), a\npillow made of such. Used with _ahimakishi_ (rolled up); with _taka_\nconfused with _taku_ = _maki-tsukanu_.\n\n=komorikuno=, enclosed (by hills)--applied to Hatsuse (pl. n.), 12, 15,\n45, 179.\n\n=komorinuno= (_numa_), a pond or marsh enclosed and hidden (by reeds);\nused with _shita_, under, lower; with _mizu_, not-see, 125.\n\n=komotatami=, _komo_, (rush) matting; applied to Heguri (pl. n.), _he_\ntaken as = fold or thickness. _Heguri no aso_ in the Many\u00f4shiu seems to\nmean a fish, _tachi-uwo_ (Trichiurus lepturus?).\n\n=konokureno=, tree-dark, as when foliage becomes abundant in fourth\nmonth, _u no tsuki_, hence used with _u_ (_tsuki_), also with\n_shigeki_, crowded abundant; _-- shigeki omohi_, crowded thoughts, 245.\n\n=koragatewo=, a girl\u2019s hand, or arm, or sleeve; applied to Makimuku\n(hill-name), _maki_ read as = hold, enfold.\n\n=koromote=, sleeve of a garment; used with Hitachi (province), _hita_\nor _hida_ being the folds of a sleeve. Other applications exist, but\ntheir value is uncertain. Such are Tanaga (hill-name), _ta_ = arm;\n_nagi_, cast away, or mow (the arm being used)?\n\n=koromotewo=, sleeve of a dress; used with Takaya (pl. n.), from\nsimilarity of _taka_ with _taguru_, to haul, pull with arm; with\n_wori-tamu_ (_wori-tamotohoru_, wander about), _wori-tamoto_ = roll\nback sleeve; with _ashige no uma_, reed-grey horse, the peculiar\netymology of which is that _ashige_ may be read as a corruption of\n_osoki_ = _uhagi_ = outer dress, which of course would have a sleeve!\n110, 157.\n\n=kotohiushino= (_kotohi_), a great bull; used with Miyake no ura (Bay\nof M.); _miya_ = _mika_ = _mi_ (or _ma_) _ya_, thus _miyake_ = _mika\nke_, abundance of hair, as a bull is supposed to have (a Chinese idea;\ncomp. \u2018one hair of nine bulls\u2019 as an infinitesimal proportion), 116.\nBut, perhaps, the m. k. only = grand, and _kotohi_, a sacred bull.\n\n=kotosaheku=, mumble, stammer (as a foreigner); applied to _Kara_,\n_Kudara_, 17, 24.\n\n=kumoriyono=, cloudy or dark night; with _tadoki mo shirazu_ (know not\nwhat to do); _madoheru_ (distracted); _shitabahe_ (crouch and creep),\n183.\n\n=kumowinasu=, like a cloud; used with _tohoku_ (distant); with\n_isayohi_ (hesitating, like cloud uncertain which way it will\ndrift); _-- kokoro mo shinu ni_ (the heart yielding as a cloud drifts),\n41, 222.\n\n=kurenawino=, red, a deep red; used with _iro_ (colour); _-- utsushi\nkokoro_, show feeling by change of colour? 64, 106, 216.\n\n=kusakageno=, grass-shade; applied to Arawi Cape, but the use here is\nnot understood. Ara-wi is raw rush of some sort. Its use with _anu_\nis equally unclear. (In I. an explanation is given connected with the\nwithering (_aru_) of vegetation under the shadow of tall grasses or\nherbs.)\n\n=kusamakura=, grass pillow, pillow of herbs, while on a journey often\nthe only available one; used with _tabi_, journey, also with _tago_ for\n_hatago_, a basket to hold food for a journey, 1, 4, 12, 23, 40, 49.\n\n=kushiromaku=, armlet-wind; used with Tafushi (hill-name)--_ta_ read\nhomophonously as arm.\n\n=kuzunoneno=, root of Pueraria; with _naga_, long.\n\n\n=makanamochi= (=te=), with a true _kana_ (shaping or scraping-tool); m.\nk. of _yuge nokahara_, _yuge_ = _yumi kedzuru_, shape or scrape into\nbow-shape, scrape bow.\n\n=makanefuku=, true metal (iron) smelt; descriptive epithet of Nifu (pl.\nn.).\n\n=makibashira=, pillars of _maki_ (right-word, _hi no ki_, Chamaecyparis\nobtusa?); applied to _futoki_ (stout), _futoki kokoro_, stout heart.\n\n=makinotatsu=, see makitatsu.\n\n=makisaku=, split _maki_ into planks for building; applied to _hi [no\ntsumade]_ Chamaecyparis timber, 13.\n\n=makitatsu=, where _maki_ trees grow; epithet of _arayama_, wild hills,\n12.\n\n=makitsumu=, heaping _maki_ timber; as to float down Idzumi River,\nhence m. k. of that river.\n\n=makomokaru=, fine-komo (rush)-reap; epithet of Ohonu River.\n\n=makuradzuku=, put pillows close together; epithet of _tsumaya_,\nspousal pavilion, 28, 236.\n\n=makusakaru=, where-fine-grass-cut; the fine-grass is _susuki_,\nMiscanthus sinensis; epithet of Aranu (name of a moor--wild-moor).\n\n=makuzuhafu=, where-fine-_kuzu_-creeps--_kusu_ is Pueraria\nThunbergiana, Benth., a leguminous trailing plant; descriptive epithet\nof Kasuga Hill and Wonu Moor, 84.\n\n=managotsuchi.= There is a place called Manago ura. The m. k. is\nwritten \u2018beloved-child\u2019, and is used by sound-quibble in _Managotsuchi\nmanaho ni shite_, where _manaho_, &c. = right, truly, just. In\n_managotsuchi manaku tokinashi aga kofuraku ha_, _manago_ may be =\n_masago_, and the whole mean, my love is so unceasing, that not even\nthe interval of a grain of sand is to be found in its continuity.\nProbably _managotsuchi_ = simply sandy soil.\n\n=mashimidzuno=, pure cold water; applied to _kokoro mo keya ni_,\nunsullied the heart.\n\n=masokagami=, perfect-mirror, i.e. perfectly polished, used with words\nof seeing, shining, polishing, hanging up, &c., 32, 59.\n\n=masugeyoshi=, where-right-sedge-good; epithet of Soga no kahara (dry\npart of a river-bed).\n\n=masurawono= (_ma-arashi-wo_), [or _ma-so-_], right-fierce-man,\nwarrior; applied to Tayuhi ga ura (Bay of Tayuhi)--_ta_ is written,\nhand or arm, the m. k. implies strength, 40, 52, 64, 216.\n\n=matamadeno=, a sort of m. k., like fine arms; see 102.\n\n=matamadzura=, fine-creeper, i.e. _sanekadzura_ (Kadzura japonica);\nconf. _sanekadzura_, applied to what is not likely to end, as _tayemu\nno kokoro aga \u2019mohanaku ni_ = will my heart cease to love--no!\n\n=matamanasu=, like true-jewel; applied to _aga \u2019mofu imo_, my mistress\nwhom I love.\n\n=matamiruno=, a sort of sea-weed (Codium?); chiefly used by\nsound-quibble--as with _mata yukikaheri_ again go and come. _Mata_\nmeans \u2018forked\u2019, also \u2018again\u2019, 172.\n\n=matorisumu=, where the true-bird dwelleth, i.e. _washi_, the eagle;\nused with Unade no mori (the grove of Unade)--_Unade_ is written\ncloud-ladder which may give a clue to the meaning of the m. k. The Kogi\nrather applies it to _mori_ (_mamori_).\n\n=Matsuchiyama=, a hill-name; it seems to involve merely a sound-quibble\nwith _moto tsu hito_ (written, men of old) and _matsuramu imo_ (my love\nwho will await me, or whom I await).\n\n=matsugaheri=, a difficult word of which several more or less futile\nexplanations are given. Here is one more. The m. k. is used with\n_shihite_, compellingly, &c., may it not mean, as certainly as come\nround the cycles of the everlasting pine-tree!\n\n=matsuganeno=, pine-tree-root; used with words denoting length of time\nor space; also endlessness, as with _tayuru koto naku_, ceasing is-not.\nThe use of the m. k. with _kimi ga kokoro_ is not explained--is it with\n_kokoro_ as = _ki_(_ko_) _koru_, fell timber, 47, 257.\n\n=matsukaheno=, like pine and yew (Torreya nucifera, S. et Z.), or,\noak, sp.; epithet applied to words of enduring and flourishing, as to\n_sakaye_ (bloom).\n\n=mayobikino=, like (my love\u2019s) painted eyebrows (or the false ones\non forehead above the true ones shaved off?); applied to Yokoyama\n(hill-name) by the poet who sees the mountain\u2019s regular form in the\ndistance.\n\n=mawogomono=, true-small-rush-like; applied to _fu nomi chikakute_ in\na _tanka_ where the sense seems to be \u2018as close as the rushes in fence\nwattled with them\u2019.\n\n=midzukakino=, written water-fence, but the meaning is shining,\ni.e. fine fence; used with _hisashiki_, \u2018for a long time\u2019, because\nin Midzukaki no Miya dwelt the Mikado Suzhin, and it was hoped the\n_miya_ might long endure--that is the reign, the two being regarded as\nconterminous.\n\n=midzukukino=, like shining stem; applied to _woka_ (knoll), _woka_\nbeing taken as a corruption of _waka_, young; and by sound-quibble to\nMidzuki (pl. n.).\n\n=midzutade=, water-pepper = _tade_, perhaps _midzu_ = here fine bright,\nnot water; m. k. of Hodzumi (pl. n.), written, ear (in grain) pluck,\nfruit-pluck. Midzutade is Polygonum flaccidum, Roxb.--the growing fruit\nwas--perhaps is--eaten.\n\n=midzutamaru=, water-collect; epithet of _ike_ (pool);--Ikeda (pl. n.),\n134.\n\n=midzutorino=, water-fowl; m. k. of _kamo_ (wild duck), &c., also of\n_ukine_ (sleep afloat like water-fowl); of _awoha_ (grey wings), part\nof Awoha no yama; of _tatsu_ (rise, start in flight).\n\n=midzutsutafu=, skirt the water; epithet of shore, beach, _iso_.\n\n=mihakashiwo=, what the sovran girds on; as a _tsurugi_ (straight\nChinese sword), so used with Tsurugi no Ike (name of a pool).\n\n=mikamononasu=, like water wildfowl; applied to _futari-narabi-wi_ (two\nbeing together, as two lovers), like water-fowl (pairing), 50.\n\n=mikemukafu=, offering sovran\u2019s food; m. k. of _ki_ (_sak\u00e9_), homophon\nof _ki_ (tree, or more probably \u2018fort\u2019) in Kinohe (or _kinohe_ = a cup\nof _sak\u00e9_); so of _aha_, millet (Ahaji island), _aji_ (wild-fowl),\n_mina_, shellfish (Minafuchi--more correctly = _midzu no fuchi_), or\n_mi_ (flesh), 26, 83.\n\n=mikokorowo=, the sovran\u2019s heart; m. k. of Yoshinu, _mi kokoro wo\nyoshi_ = delighteth the sovran\u2019s heart (soul), 10.\n\n=mikomokaru= (_mi_ = _ma_), right-sedge-cut; m. k. of Shinano province.\nThe Kogi imagines a connexion by reading Shinano, _shina nu[ma]_,\nexplaining _shina_ as _ura_, within, interior or back of--i.e. land\nwith (sedgy) lakes in its interior.\n\n=mikushigeno=, like the fine comb-box; applied to Futakami Hill;\n_futa_, lid, is homophon of Futa [kami], twain gods.\n\n=mimorotsuku=, _mimoro_ may mean sacred dwelling or shrine (on Kase\nHill), or may be written erroneously for _umi wo_, spool of hemp-yarn;\n_kase_ being a spindle. The m. k. is used with _Kaseyama_. _Tsuku_\nwould be _tsukuru_, construct, or _tsuku_, employ (the spindle); other\nexplanations exist. To Miwa it is applied, taking Miwa as _miwaku_, a\nboiling spring, and therefore as sacred.\n\n=minahanasu=, like foam of water; m. k. of _moroki inochi_ (brittle,\ni.e. impermanent life of men).\n\n=minanowata=, pulp of Mina shell (Melania sp.); because of its\nblackness used as m. k. of _ka-guroki-kami_, jetty tresses, 64, 168.\n\n=minasegaha=, _mi-na(ki)-se-kaha_, waterless stream; _kohi ni mo so\nhito ha shinisuru minasegaha shita yu are yasu tsuki ni hi ni keni_, I\ndie of love, as a stream without water I pass on and perish month by\nmonth, day by day (as the stream with too little water from its source\ndoes).\n\n=minashigaha=; see above.\n\n=mirunogoto=, like _miru_, seaweed; m. k. of _wawake_, rags, tatters.\n\n=misagowiru=, where fine-sand is; m. k. of _iso_ (beach), _su_ (shoal\nor sandy shore), _ariso_ (wild-beach).\n\n=misorayuku=, fine-air-traverse; m. k. of _tsuki_ (moon); _kumo_\n(cloud).\n\n=mitorashino=, what the sovran taketh hold of; m. k. of _adzusa yami_,\nwhite-wood bow, 3.\n\n=mitsugurino=, like three chestnuts (in one shell); used with reference\nto _naka_, middle--middle as centre chestnut.\n\n=mitsumitsushi=, brilliant, glorious, m. k. applied to _kume no\nwakugo_, young lord of _kume_, more properly to _kume_, warrior, host\nof warriors, army (a word of Chinese origin?). The Ohotomo ancestor was\nan Ohokume (ccxxvii).\n\n=miwotsukushi=, mi-wo-tsu-kushi = _midzu oru no shirushi_, marks to\nshow a fairway. Used, by a quibble, with _tsukushi_, in such a phrase\nas _kokoro wo tsukushi_, to the very bottom of my heart.\n\n=miyakehiku=, float down timber for palace; m. k. of Idzumi, river.\n\n=miyukifuru=, falling of snow; m. k. of Koshi (one of the north-west\nprovinces very cold in winter), and _fuyu_, winter.\n\n=mochidzukino=, like full-moon; m. k. of _tatahashi_ (complete,\nperfect, &c.); of _omowa_ (face, visage); of _medzurashi_ (lovely).\n\n=mochitori=, limed bird; m. k. of _kakarahashi_, be concerned, involved\nin, entangled (as lover is), 62, 183.\n\n=modamoarazu=, not-silent; m. k. of Ihoshirowoda (pl. n.); _iho_ taken\nas = _ifu_ (_f_ and _h_ were nearly like-sounded), say, speak.\n\n=momichibano=, russet leaves of autumn; with _chiri_, _sugi_, _utsuri_,\nfall, pass, fade, 174, 192.\n\n=momodzutafu=, hundred-wise thread or coast, i.e. as applied to _yaso\nno shima_, make one\u2019s way among all the islands; to Minu (as _mi nu_,\nfair moors, coasting along hundreds of fair moors); Minu of course is\nmerely a place-name, and the application of the m. k. is a quibble.\n\n=momofuneno=, hundreds of ships, i.e. all ships; used with _hatsuru\nshima_, island where ships anchor, Tsushima, 97.\n\n=momoshikino=, written as a hundred stone-forts (i.e. countless --);\n_shiki_ seems to have been an earthwork strengthened with stone,\n_momoshiki no miya_, a palace built with stones enough for countless\n_shiki_, 33, 74, 75.\n\n=momoshinuno=, hundreds (crowds) of _shinu_ (small bamboo); used with\nMinu (regarded as _mi nu_ = _ma nu_, true, fine moor), 185.\n\n=momotarazu=, not a hundred--m. k. of _yaso_ (eighty); of _ikada_\n(raft--_ika_, how many?); of _i_ fifty (_i tsuki no yeda_--branches of\nfifty _tsuki_, trees), 13, 131, 204.\n\n=momoyogusa=, a plant said to resemble an aster or pyrethrum; by\nsound-quibble with _momo yo idemase_--a hundred nights went forth.\n\n=mononofuno=, weapon-wight, armed retainer, guard; m. k. of _yaso_\n(eighty, i.e. all the _uji_ or _tomo_, guilds, military families, &c.);\nof _uji_ (family); of _Ihase no mori_ (Shrine of Ihase), because the\n_mononofu_ crowded (_ihamu_) the camp, 13, 52, 59, 77, 92.\n\n=murakimono=, the inner organs taken together; used with _kokoro_,\nheart, as one of them, 4, 128.\n\n=murasakino=, purple colour; used with Kokata (pl. n.), from\nresemblance of _kokata_ to _koki_, deepen colour or dye deep shade of\ncolour; on account of the fragrance of the flower so-called, a species\nof Lithospermum, used with _nihoeru_, as in--_nihoeru imo_, my love,\nfragrant as _murasaki_ bloom.\n\n=muratamano=, like a lot of pearls; m. k. of _kuru_, wind, thread or\nturn round &c.? with _kuru ni kugi sashi_ = pivot of door, turning\nround like stringed pearls. Some equate the m. k. with _nubatama_, q. v.\n\n=muratorino=, flocking birds; with _mure_ (assemble); _asatachi_\n(morning flight); _idetachi_, start and rise (of birds), 92, 117, 166.\n\n\n=nabikimono=, what bends, yields; with _yorineshi_, sleep close by.\n\n=naguhashi= (--ki), name or fame-fine; descriptive m. k. of Yoshinu,\nSamine no shima, Inami, &c.\n\n=nagurusano=, a bow-shot distance; m. k. of _tohoki_, &c.\n\n=nahanorino=, like rope-seaweed; with _hiku_ (draw, haul), 173; also\nwith phrase _na ha katsute norazhi_ (name not yet told).\n\n=nakukonasu=, like weeping child; m. k. of _shitafu_ (to love, as child\ncrying for its mother); _koto dani tohazu_ (infans); _ne nomi shi\nnakayu_ (sound of weeping and wailing); _yuki-tori-saguri_ (cry for\nthings as children do), 49, 61, 173.\n\n=nakutadzuno=, screaming crane; used with _ne nomi shi nakayu_ (see\n_nakukonasu_), 55.\n\n=nakutorino=, like screaming birds; with _ma naku toki nashi_\n(continuously); here the m. k. is used as sound- and sense-quibble.\n\n=namayomino= (_nama yo mi no_), fresh sweet flesh (of shell-fish;\napplied by quibble to Kahi, name of province); _-- kahi_ = shell, 37.\n\n=naminohono=, like crest of wave; m. k. of _itaburashi_ (_itodo furu_),\nheave wildly.\n\n=nanorisono=, like _nanori_ (_naminori_ = wave-ride), a seaweed,\nSargassum sp.?; a quibbling m. k. of _na_, name, _nanori_, tell name,\n_noru_, tell, _na nori so_, do not tell.\n\n=narashibano=, apparently oak-faggots; used, by sound-quibble with\n_nare_?\n\n=narukamino=, like thunder-god; m. k. of _oto_, sound, noise, 72.\n\n=natsukusano=, like summer herbs; m. k. of Nu (pl. n.) = _no_, moor,\nor _nayu_, grow, flourish--_nayu_ contracted into _nu_; of _nayete_\n(_nayu_), in _omohishinayete_ (think inclinedly of, love), here rather\nto _shinayete_, 16, 26.\n\n=natsusobiku=, written summer-hemp-draw, is explained as _na tsuri sawo\nhiku_, fish-angling-rod-haul; m. k. of _umi_, sea, as in Unakami (pl.\nn.) = _umi no kami_, of _Unahi_ = _umi na hi_ (_umi no ahi_)? Another\nexplanation is more literal--the hemp gathered in summer from the _une_\nor furrows, 148.\n\n=nayotakeno=, like bending bamboo, m. k. of _towoyoru_; _towo_ = _tawa_\n(of _tauamu_), flexuous, gracefully pliant, delicate, 29, 45.\n\n=nihanitatsu=, plant within forecourt, here, i.e. garden; m. k. of\n_asa_, in _asate kobusuma_ (hempen coverlet or rug or night-garment).\n\n=nihatadzumi=, form pool; said of the flow of tears (_nagaruru namida_).\n\n=nihatsutori=, forecourt-bird; the cock.\n\n=nihimurono=, like new dwelling, it ought to be _nihimuro wo\nfumi-shidzumi_, tread level the earth-floor or platform of a new\ndwelling, and the whole phrase applied by pivot-word (_fumi-shidzumi_),\nto Shidzu no ko, the girl Shidzu (Miss Gentle).\n\n=nihotorino=, like grebe or water-fowl pairing together (like\nturtle-doves emblematic of spousal love); this m. k. used generally\nwith words of affection, _futari narabi_ (passing life together),\n_nadzusahi_ (floating together), &c., also with _kadzuki_ (dive), _ashi\nnure_ (wet-foot), _oki naga_, for _iki naga_ (long-breath--as after\ndiving), 48, 61.\n\n=nikogusano=, like _niko_ (?) flower; m. k. of _hanatsuma_ (woman\nfinely dressed? Cf. _hana yome_ = bride); also, by sound-quibble, of\n_nikoyaka_.\n\n=nochiseyama=, Nochise-hill, by sound-quibble used with _nochi_, after.\n\n=notogahano=, Noto river, used as if, _noto_ = _nochi_, cf. Nochiseyama.\n\n=nubatamano= (there exists a good deal of learning on this word). It\nmay be taken as = black berries of Pardanthus sinensis, and applicable\nto things black or dark--night, dream, moon, &c., 23, 24, 59, 60, 153,\n154, 240.\n\n=nutsutorino=, moor-bird; i.e. _kingishi_ (_kizhi_), pheasant.\n\n=nuyetorino= (nuyekotori), like _nuye_-bird, whose cry is like that of\nlamentation--perhaps a sort of owl; a m. k. of _uranage_ (lamentation);\nalso of _katakohi_ (solitary love--as when lovers parted); of\n_nodoyobi_ (throaty, hoarse-voiced).\n\n\n=ochitagitsu=, the fall and roar of rapids, cascades, &c.; applications\nobvious, 71.\n\n=ohobuneno=, like great ship; applied to Katori no umi (pl. n.); to\n_kaji-tori_, steersman; other applications are obvious, one is to\n_tanomu_, rely on, trust to (as a sailor to his tall ship), 17, 22, 26,\n27, 59, 70.\n\n=ohokimino=, great lord; applications obvious, e.g. to Mikasa yama\n(hill-name), 47.\n\n=ohokuchino=, great-jaws; used with Makami no hara, see 153; allusion,\nperhaps, to _\u00f4kami_, wolf.\n\n=Ohotomono=, used with Mitsu and Takashi (pl. n.); the reference is to\nthe history of the Ohotomo clan. Cf. the Many\u00f4 lays on this clan.\n\n=ohotorino=, great-bird, a name given to several large birds, swan,\ncrane, f\u00eang-bird, &c.; applications obvious.\n\n=ohowigusa=, Scirpus lacustris, L. (Japanese variety); this seems to be\nused with _yoso_ (elsewhere, anywhere), by sound-quibble as if _yoso_,\nwere _ohoyoso_ (oyoso), everywhere, generally.\n\n=ohoyukino=, great snow-storm; used with _midare_, confusion.\n\n=okinisumu=, mid-sea-dwelling; applications obvious.\n\n=okitsumono= (_oki tsu mo no_), mid-sea sea-weed; used with Nabari no\nyama (hill-name),--_nabaru_ = _kakaru_ and _nabiku_, yield, bend.\n\n=okitsunami=, deep-sea waves; applications are obvious when they occur,\nto wave-motion, wave-restlessness, wave-heaving, &c., 252.\n\n=okitsutori=, mid-sea-birds; applications obvious.\n\n=okuyamano=, inner mountains, that is away from coast, recesses of the\nhills; applications obvious.\n\n=oshiteru= (--_ya_), probably _oshitateru_, surging, toppling; applied\nto Naniha (_nami-haya_, swift waves). Some prefer to read the m. k. as\nsparkling, shining, 48, 77, 79, 259. 261.\n\n\n=sabahenasu=, buzz like flies in _sa_ (5th) month; used with _sawaku_,\nmake a noise or commotion (as a crowd does), 52, 69.\n\n=Sadanourano=, place-name; by sound-quibble applied to _konosada_\n(_wori_) _sugite_, the time having passed.\n\n=sadzuhitono=, like hunters or fishers (wild boar or whale, &c.)--used\nwith Yutsuki (hill-name), _yu_ = _yumi_, bow.\n\n=sagoromono=, outer garment; used with _wo_, cord, with which it was\nfastened (sound-quibble in Wotsukubanero)--_wo_ is here a prefix,\nperhaps of praise, sort of diminutive.\n\n=sahidzuruyo=; see kotosaheku.\n\n=sakatorino=, birds (that fly) about the pass; used with _asa koye_,\nmorning or early crossing of a pass, 12.\n\n=sakidakeno=, like split bamboo; used with phrase _sogahi ni neshi_,\nsleep like halves of split bamboo, back to back.\n\n=sakikusano= (Habenaria radiata, Thun.); a three-stemmed plant, name of\nwhich is thus used, with reference to the middle stem, with _naka ni\nnemu_, sleep between (as child between parents), 70.\n\n=sakuhanano=, blooming blossom; used with _utsurofu_, change, fade.\n\n=sakurabana=, cherry-blossom; used with _sakaye wotome_, blooming maid.\n\n=sanakadzura= (_sanekadzura_), 160.\n\n=sanekadzura= (see _sana k--_), Kadzura japonica, L.; a long-coiling\ncreeper, hence used with phrases and words involving reference to time,\n_nochi_ (after), _ahamu_ (will meet), _tayuru_ (cease), 27, 161.\n\n=sanekayano=, seems = _sanekadzura_; (also _kaya_ with strong\nclose roots); used with reference to _makoto nagoya_ = sane, true,\nreal--yielding, soft.\n\n=sanidzurafu=, truly red-like, ruddy; used with _ohokimi_, _kimi_,\n_imo_, _wotome_, _iro_ (colour, complexion), _momichi_ (red of autumn),\n_himo_ (cord, girdle), 45, 55, 94.\n\n=sashinamino=, be on level, in row with; used with _tonari_,\nneighbouring (buildings, houses, &c.), 90.\n\n=sashinoboru=, ascend up towards heaven; said of Hirume no mikoto.\n\n=sashisusumu=, a difficult word, as written = stick out; read with\n_kuru_ (_kuri_), chestnut with the spines on, by sound-quibble as m. k.\nof _Kurusu_ (name of a moor).\n\n=sasudakeno=, sprouting bamboo; bamboo shooting from the ground, a\nrapid process denoting vigour, &c.--hence used with words meaning lord,\nprince, &c. also with phrase _ha komorite_ (_ha_) = leaf-hidden, 92, 93.\n\n=sasuyanagi=, planted willow; slip of planted willow quickly roots,\nhence m. k. used with _ne haru_ said of _adzusa_ (white-wood,\nbow-wood), root-spread.\n\n=sawoshikano=, like hart or buck; used with Iri (name of a moor), _iri_\nread as _iru_, be in, i.e. where deer are.\n\n=sayuribana=, lily-flower; m. k. of _yuri_, lily.\n\n=sazarenami=, ripples; with _iso_, shore; _shikite_ repeatedly; _yamu\ntoki mo nashi_, without ceasing; _tachete mo wite mo_, continually.\n\n=shidzutamaki=, armlet of mean person; with _kazu ni mo aranu_ (of no\naccount), _iyashiki_, mean.\n\n=shihobuneno=, ships in port with or waiting the tide; used with\n_narabu_, arrange in row; with _okareba kanashi_ the m. k. is obscure,\nprobably the reference is to ships left in harbour as one spouse is\n_left_ when other away.\n\n=shikishimano=, an epithet of Yamato as = Japan. A difficult m. k. It\nis sometimes written \u2018spread-out islands\u2019, sometimes \u2018stone-work or\nfort-tract, or island\u2019, the site of an ancient capital.\n\n=shikitaheno=, spread out _tahe_, cloth made of mulberry-bark fibre; or\nspread-out and fine, used with words meaning dress, pillow, bed-place,\ndwelling, sleeve, 17, 26, 29, 30, 49, 58, 70, 82.\n\n=shimadzutafu=, threading or coasting islands; m. k. of _fune_, ship,\nboat.\n\n=Shimanonuno=, Moor of Shima; used, by sound-quibble, with _shibashiba_\n(often), _shiba_ and _shima_ being related in sound.\n\n=shimatsutori=, island birds (cormorants); used with _ukabu_, swim,\nfloat.\n\n=shinaderu= = shinatsu, steepwise as the rise of a hill; used with\n_kata_, as meaning hill-slope or shoulder (in compounds), 106. Meaning\nobscure.\n\n=shinagatori=, either tail (rump)-long bird, or breath-long bird;\n_nihotori_ (grebe), used with Wina (pl. n.); _wi_ = be with (here =\npair, as _nihotori_ do), also with _aha_, perhaps for _uhaha_, upper\nfeathers--but this use is obscure, 104.\n\n=shinahinebu=, bend-_nebu_-tree; Albizzia Julibrissin?--used, by\nsound-quibble, with _a ha shinubi yezu_, I cannot conceal or endure.\n\n=shinazakaru=, _shina-saka-aru_, having steep passes; applied to\nKoshi, 214, 252.\n\n=shinunomeno=, shoot of _shino_ or _shinu_ (a small bamboo): used with\n_shinubu_, by sound-quibble.\n\n=shirakumono=, white cloud; emblem of impermanence, hence used with\n_sugu_ (pass); with _tatsu_ (rise) in Tatsuta-hill (written with\n_tatsu_, dragon); also with _taye_ (cease, end), 86, 107.\n\n=shiramanago=, white sand; with words denoting brilliance, clearness,\n&c.\n\n=shiramayumi=, Euonymus Europoea, L.? the \u2018yumi\u2019 (bow) applies to\n_haru_ (stretch); _i_ (shoot); _hi_ of Hida, as if of _hiku_ (draw).\n\n=shiranamino=, white waves; _to hama_ (shore); _to ichishiroku_\n(conspicuous? perhaps referring to beacons on hills); _to omoshiru\nkimi_, my lord whom I recognize clearly.\n\n=shiranuhino=, of unknown fires; used with Tsukushi, where strange\nflames are supposed to have been seen by a Mikado. Probably they were\nwatch-fires or beacons, but see lay 61.\n\n=shiranukuni=, ignorant, i.e. foreign land; used with _yori koseji_\n(Kos\u00e8 road), _yorikose_ being understood as involving a reference to\nbringing a foreign land under the beneficent rule of the Mikado.\n\n=shirasugeno=, white (or shining) sedge; with Manu (name of a place\nfamous for its sedges); also, sound-quibble, _shiraretaru_, known.\n\n=shiratamano=, like white jewel, precious, lovely, &c., 120.\n\n=shiratohoru=, a very difficult word, used with Wonihita\n(hill-name)--the suggestion has been made, _shira to horu_, where men\ndig out white (fine) grindstones!\n\n=shiratorino=, white bird; used with _sagi_, stork (Sagisaka, pl. n.);\nwith Tobayama (_tobu_ = fly); also, obscurely, with _ma nu_.\n\n=shiratsutsuzhi=, white azalea; used, by sound-quibble, with _shiranu_\n(_koto mochi_), not-know.\n\n=shiratsuyuno=, white dew; with _ke_, vanish.\n\n=shirayukino=, white snow; with _ichishiroku_, conspicuous.\n\n=shirikusano=, a plant (unknown); used, by sound-quibble, with the\nphrase _hito mina shirinu aga_; I whom all knew.\n\n=shirotaheno=, white _tahe_-cloth or white and dazzling; with _koromo_\n(dress); _sode_ (sleeve); _tasuki_ (shoulder-bands); _hire_ (wimple);\n_himo_ (girdle or cord); _obi_ (girdle), 24 and _passim_, see 28, 31,\n48.\n\n=shishizhimono=, like deer; with _ihahi-fushi_, kneel invoking;\n_hizawori-fushi_, kneel; these uses refer to deer\u2019s mode of\nkneeling;--with _yumiya kakumite_, surrounded (as prisoner) by archers\nas deer are when hunted; also with _midzukuhegomoru_, water-immersed,\nreferring to deer standing in pools for refreshment, &c. (comp. Lamb\u2019s\n\u2018Yon tall and elegant stag, | who paints a dancing shadow of his horns\n| in the water where he drinks).\n\n=shitabimono= (_shitamono no himo_), string of a petticoat: used,\nby sound-quibble (partly with meaning), with _shitayu kofuru_, love\ndevotedly.\n\n=shizhikushiro=, written to signify \u2018abundant armlets\u2019 but more\nprobably meaning \u2018abundant sake\u2019. The m. k. is used as a praise-epithet\nof _yomi_, Hades, 125.\n\n=sudzukaneno=, like horse-bells; m. k. of _hayuma_, swift horse,\ngovernment messenger\u2019s horse.\n\n=suganoneno=, rush-root; epithet of _naga_ (long); cf. _omohimidare_\n(thought- or love-disturbed); _[ne] mokoro_; _tayuru_ (cease, end).\n\n=sugimurano=, cryptomeria grove; by sound-quibble with _sugi_, pass,\npass beyond.\n\n=Sukanoyama=, Suka-hill; by sound-quibble applied to _sukanaku_,\nunloving or unloved (_sugenaku_).\n\n=soramitsu= (a difficult word), written, sky-seen-station; the usual\nexplanation of its application to Yamato is that it was Yamato that the\nGod Nigihayabi made his goal when he descended from Heaven (see N. I.\n111). More probably the m. k. means sky-shine, sky-bright, and should\nbe applied to _yama_ (hill), part of the name Yamato; or it may mean\nsky-seen, seen high against the sky, 1, 9, 68, 254, 256.\n\n\n=tachibanano=, like orange-tree; applied to Miyeri (pl. n.); _-- mi_\n(fruit of orange), assimilated to Mi.\n\n=tachibanawo=, the orange-tree; used with _mori_, watchman (to prevent\ntheft of fruit), homophonous with Mori[be no sato], a village-name.\n\n=tachikomono=, _komo_ is an Eastland form of _kamo_, wild duck; used\nwith _tachi no sawaki_, the din of rising wild duck as they leave the\nwater with a whirr.\n\n=tachinoshiri=, sword-point; _tachi no shiri saya ni_ Irinu,\nsword-point has entered scabbard (Irinu = moor of Iri, also _irinu_,\nhas entered); with _tama maku tawi_ (a field sown with rice-seed), the\nreference is to the jewelled (_tama mahu_), point of the scabbard.\n\n=tadawatari=, cross simply, not in a boat but by wading (as when\nin a hurry); with _kaha yuki-watari_ (cross stream); with Anashi\n(river-name), _anashi_ = _ana ashi_ = alas for one\u2019s feet! or Oh one\u2019s\nfeet!\n\n=tadzuganaku=, where the cranes scream; said of Nagoye (creek-name),\nand _ashihe_, reedy place.\n\n=tahamidzura=, name of a _tsura_, creeping plant, it may =\n_tamakadzura_; used with _hiku_, draw, pull upon.\n\n=takahikaru=, high-shine, as the sun in heaven; used with Hino miko,\nHino mikado; _hi_ denoting sun-descent, 12, 13, 14, 22, 25, 32, 34, 68.\n\n=takakurano=, high-throned; used with Mikasa (hill-name), by reference\nto _mi kasa_ Sovran\u2019s canopy.\n\n=takamikura=, high-grand-throned; used with _Ama no hi tsugi_, descent\nfrom Heaven\u2019s sun, 228.\n\n=takigikoru=, cut faggots; used with _kama_, bill, homophonous with\nKama (kura), hill-name.\n\n=takubusuma=, a quilt or sleeping-dress made of _taku_ (white\nmulberry-bark cloth); hence applied to _shira_, white, in names and\ncompounds.\n\n=takudzununo=, a rope made of mulberry-fibre; used with words of\nwhiteness and of length as _shirahige_ (white hair); Shiraki (a Korean\nprovince); _nagaki inochi_, long life, 49, 262.\n\n=takuhireno=, wimple or _hire_ made of mulberry cloth; used with\nShirahama (white sands); Sagi [saka], Stork Pass; _kake_, put on.\n\n=takunahano=, cord of mulberry-fibre; used with _chihiro_, a thousand\nfathoms [long], 29.\n\n=tamadzusa=, precious white-wood (Catalpa); used with _tsukahi_,\nmessenger. Motowori thinks they carried a jewelled wand of _adzusa_\nas a badge. Others say _tamadzusa_ were exchanged between men and\nwomen, as a keepsake or souvenir in Michinoku, made of paper variously\narranged to give different meanings; in Sanuki, a lover\u2019s offering made\nof straw. It may have been a spray of Catalpa (or cherry?) to which a\ngift or writing was attached. Now it means simply a letter. Used with\n_imo_ (my love), it is sometimes merely a praise-epithet (like a kind\nof Trichosanthes tamadzusa flower), 27, 45, 59.\n\n=tamahayasu=, jewel-like-brilliant; used with _muko_, suitor,\nbridegroom.\n\n=tamahokono=, a difficult word, jewelled-spear or precious spear; it is\nused with _mi chi_ (road). Motowori says _mi chi_ originally meant haft\nof a spear, and thus explained the use with _mi chi_, road. Another\naccount makes it illustrative of the straightness of a good road. Dr.\nAston sees in it a phallic sense. The m. k. is found also with _sato_,\nvillage (_sato_ = _mato_ = _michi_?), 15, 27, 28, 30, 31, &c.\n\n=tamajihafu=, blessing man\u2019s spirit; _jihafu_ = _sachihafau_ = saiwai;\nused with _kami_, deity.\n\n=tamakadzura=, false hair, a chaplet; used with _kage_ (for _omokage_?\nface-form, features); with _kake_, put on, 39, 48.\n\n=tamakadzura=, the Kadzura creeper; used with _tayuru toki naku_ (never\nending), and _iya tohoku nagaku_, further and longer in space or time,\n74.\n\n=tamakagiru=, said to be error for _kagirohi_, 146.\n\n=tamakatsuma=, _katsuma_ = lidded wicker-work receptacle or basket,\npannier?; used with _afu_, meet, fit (as lid does body of basket); also\nwith _abeshi_ (_afu_), and Shimakuma (hill-name); latter use obscure,\n48.\n\n=tamakiharu=, this may be = _tamaki haku_, draw on armlet, used with\n_uchi_ for _ude_ (arm); or limit (_kiha [ma]ru_), length of life\n(_tama_ = _tamashii_), so used with _inochi_, life, _yo_, period, age.\nThe m. k. is variously written, 3, 64, 69, 70, 136.\n\n=tamakushige=, precious comb-box, toilet-box; used with _ake_ (open),\nwith Mimuro (hill-name), _mi_ = body of comb-box; Futagami (hill-name),\nthe homophon _futa_ = lid; with _ashi_ (reed), as = _asa[ke]_, shallow\ncavity.\n\n=tamakushino=, like precious comb; (or rather, like _gohei_,\nofferings), used with many words.\n\n=tamakushiro=, bead or pearl armlet; applied to _te_ (arm), to _maki_\n(wind round), as in _maki-neshi_, sleep-entwining-arms, 120.\n\n=tamamokaru=, reap fine seaweed; chiefly a descriptive epithet.\n\n=tamamonasu=, like fine seaweed (or riverweed); used with _ukabe_\n(float), _yorineshi_ (nestle close by in sleep), _nabikineshi_,\nclinging-sleeping, _nabiku_, bend, yield, 13, 16, 17, 23.\n\n=tamamoyoshi=, when fine seaweed is plenteous; an epithet of the land\nof Sanuki, 30.\n\n=tamanowono=, precious thread, thread or yarn rolled up in a ball; used\nwith words denoting length or shortness (time), or custom, or disorder;\n_nagaki_, _tayu_, _midaru_, _ahida_, _tsugite_, 53, 148, 192, 251.\n\n=tamatareno=, like bead-lace hanging down; m. k. of _wochi_ (fall,\ndescend); _wosu_ (small bamboo-blind, for door or window), 23.\n\n=tamatasuki=, shoulder-bands or cords to hold the sleeve back, or,\naccording to some, to help the hands and attached to wrists (also\n_tabatasuki_);--m. k. of _kaku_ (throw on or over), and _unebi_ (--_una\nne musubi_, lie on, or round root of neck?), 4, 9, 24, 27, 40, 57.\n\n=tamotohori=, walk, wander about; used with Yukimi (village-name),\n_yuki_ = go.\n\n=tamukegusa=, offerings to the gods; used with _nusa tori okite_, take\nand offer pieces of cloth (to a god).\n\n=tarachineno=, like one who suckles; m. k. of _haha_ (mother),\nconnected with _taru_, drop, _chichi_, milk, _ne_ root = source, 48, 66.\n\n=tarachishino= = _tarachineno_.\n\n=tatamikeme= (_tatamikomo_?), _keme_, is Eastland for _komo_, used with\nMurazhi (pl. n.), _murazhi_ regarded as = _muro shiki_, spread within\nthe dwelling, i.e. the _komo_ (rush), matting (_tatami_).\n\n=tatanadzuku= (_tatanaharinadzuku_); fold up, be in foldings; applied\nto _yama_ (hills), as many ridged or rising in successive ridges; to\n_yaharaka_, soft, as easily folded, so to _nikihada_, skin-surface of\nbody, as soft and pliable, 11, 13, 23.\n\n=tatanamete=, written, shield-arranging; (as wall to shoot over), used\nwith _idzumi_, as connected, once identical, in sound with _idomu_, to\nchallenge (enemy).\n\n=tatanedomo=, although-not-rise-start; used with phrase, _Okina ni\nitari_ (arrive at Okina--_oki_, rise erect being included in meaning of\n_tata_ (_tatsu_)). Perhaps _okanedomo_ would be a better reading.\n\n=tatsukirino=, like rising mist; used with _sugu_, pass away; with\n_ichishiroku_, conspicuous, as the mists along marshy tracts are, 39,\n222, 251.\n\n=tatsunamino=, like rising waves; used with _shibashiba wabishi_, my\nregrets as countless as the waves that rise and fall.\n\n=Tatsutayama=, a hill-name; by sound-quibble applied to the phrase\n_tachite mo wite mo_.\n\n=tatsutorino=, rising-birds (as in the morning by the hills);--applied\nto _me_ (eye), regarded as contraction of _mure_, flock (i.e. of the\nbirds), in the phrase _me yu ka na wo miru_ (_yu_ = _ni_), with my\neyes do I not see you!\n\n=tawarahano=, like child in hand; with _ne_, _naku_, cry, to scream,\nweep, 59.\n\n=tawayameno=, like woman yielding, weak, &c.; with _omohitawa-yamu_, be\nweak, feeble, yielding in spirit, thought, intention.\n\n=terutsuki=, shining moon; what one is never tired of (_akanu_) seeing.\n\n=tobusatate=, a difficult word. Kogi explains it as = _tomosatate_ or\n_tadzukitate_, that is, ply a sort of woodman\u2019s axe; this would explain\nthe use of the m. k. in the phrase _yama ni funaki-kiri_, fell timber\nfor ships in the hill forests. _Tobusa_ according to (I.) means an\noffering of tree-tops by woodmen to the hill-gods.\n\n=tobutadzuno=, flying crane; sound-quibble, m. k. of _tadzutadzushi_.\n\n=tobutorino=, like a flying bird; used with Asuka (pl. n.), often\nwritten _tobushima_. Another explanation is that Asuka = _ashika[ru]_,\nlight of foot = rapid, and birds are both rapid and light-footed, 23,\n26, 86.\n\n=tohotsuhito=, people far away, as travellers; hence used with _matsu_\n(wait, expect), as in Matsura (_matsu no ura_ = pine-fringed bay);\n_matsu no shita ji yu_ (from the road under the pine-trees); with\n_kariji_ (there is a quibble with _kari_, wild geese, regarded as far\ntravellers (on account of their migrations)), 183.\n\n=tohotsukami=, far-off, i.e. far above me--God = Most High Divine\nMajesty. A m. k. of _ohokimi_, great-lord--His Majesty, 4.\n\n=tohotsukuni=, far-off land; m. k. of _yomi_, Hades.\n\n=tokikinuno=, like dress unfastened; m. k. with words denoting\nconfusion, disorder (_omohi-kohi-midarete_, disordered with grief or\nlove), 128.\n\n=tokitsukaze=, time, i.e. tidal winds; used with _fuku_, blow (Fukehi,\nname of a strand).\n\n=tokorodzura=, (tokoro), a sp. of Dioscorea (wild yam), a trailing\nplant; used on m. k. of words of seeking, seeking and not finding end\nof; (_iya tokoshiku ni_, more and more perpetually), _tadzune-yuku_, go\non seeking, 125.\n\n=tokoyomono=, a thing of the Eternal Land; applied to _tachibana_,\norange-bush, fruit brought by Tazhima-mori from Tokoyo, western land\n(China or Korea).\n\n=tokozhimono=, like one lying in bed-place; used with phrase\n_uchi-koi-fushite_, lying prostrate.\n\n=tomoshihino=, as a lit beacon; used with _akashi_, bright, illumed, in\nAkashi no Ohoto, great gate or passage, of Akashi (pl. n.).\n\n=tonamiharu= (_tori no ami wo haru_--spread fowler\u2019s net); applied to\n_saka_, hill-pass, part of pl. n. Sakate--birds being found in numbers\nin such places, 134.\n\n=tonogumori= (_tana gumori_), spreading of clouds; used with pl. n.\nAmefuru River; _-- ame furu_ = rain-pour, 153.\n\n=toriganaku=, cock-crowing; traditional m. k. of Adzuma, Eastland, 24,\n43, 124, 258.\n\n=torizhimono=, like birds; used with _tachi_ (rise up); _nadzusahi_,\nswim in water; _uki_, float.\n\n=tsubasanasu=, like the wings of a bird; used with _arigayohitsutsu_,\ngoing to and fro; according to Kogi refers to flying through the air of\na man\u2019s soul when he dies.\n\n=tsuganokino=, like _tsuga_, tree (_abies tsuga_); used, by\nsound-quibble with _tsugitsugi_ (in succession), 9, 39, 71.\n\n=tsuginefu=, _tsugi-mine-fu_, where serried peaks are abundant;,\ndescriptive m. k. of Yamashiro. But the _ne_ may refer to forest-trees,\n180.\n\n=tsukanedomo=, though-not-bind; used, by sound-quibble with Tsukunu\n(pl. n.).\n\n=tsukikusano=, like _tsuki_-blossom, of which the colour is easily\ntransferred--hence used with words denoting change, impermanence, &c.\n\n=tsumagomoru=, spouse-secluding used with _ya_, house (in composition),\nas Yakami (hill-name), here _ya_ probably means eight, i.e. many gods;\nanother meaning is, held within the (_tsuma_) edge of the hand as _ya_,\narrow, anciently _sa_. Hence other uses of the m. k.\n\n=tsunadehiku=, where boats are hand-drawn by ropes attached; used with\n_umi_, sea, lake.\n\n=tsunashitoru=, where _tsunashi_ (herrings) are caught; descriptive m.\nk. of Himi (name of a creek).\n\n=tsuneshiranu=, not-known, strange; used with Hitokuni (hill-name),\n_hito-kuni_ = another or foreign province or land.\n\n=tsunusahafu= (_tsutasahafu_), where ivy flourishes; used with _iha_\n(rock)--in composition, &c., by meaning or sound on Ihami, Ihare\n(pond-name), 17, 46.\n\n=tsurugitachi=, straight-bladed (Chinese or Korean) sword; m. k. of\n_mi_ (body, on which it is girded); _na_ (thou, who wearest a sword);\n_togishi_ (sharp, bright); _kokoro_ (heart--free from fleck as a bright\nsword-blade); _saya_, scabbard, in a curious prefatial phrase applying\nby a quibble to Ikako (hill-name), 23, 29, 105.\n\n=tsutsuzhihana=, azalea-like, 48, 175.\n\n=tsuwetarazu=, short of a _tsuwe_ (ten feet) in length, as Yasaka\n(hill-name), _yasaka_ = eight feet, i.e. eight which is less than ten\n\u2026, 196.\n\n=tsuyushimono=, like dew and rime, that _lie_ on objects; hence m.\nk. of _oku_, place, lay; that soon vanish, hence used with words of\npassing away, also with _aki_, autumn, when dew and rime are frequent,\n16, 24, 48, 50, 92.\n\n\n=uchiaguru=, _uchi noboru_, rise, raise, elevate, scarcely a m. k.;\nused with Saho no kahara, bed of Saho river, with reference, perhaps,\nto _ho_ = ear of corn, spike. Saho seems to be written also _maho_, the\ncharacter for _ho_ meaning sail, which would point to sails being known\nin the eighth century.\n\n=udzuranaku=, quail-cry; used with _furu_, old, and\ncompounds--signifying where now quail cry (i.e. deserted).\n\n=udzuranasu=, quail-like, with _ihahi motohori_, wander around calling\nupon a dead lord with crouch and cry like quails, 24.\n\n=uchihisasu= (_uchihisatsu_), sunny, sunshiny; used with _miya_,\npalace, and its compounds, 49, 66, 136, 168.\n\n=uchinabiku=, bend, droop; with _haru_, spring (when young plants\ndroop); _kusa_ (herbs), as in Kusaka Hill; _kurokami_, jetty tresses,\ndisordered hair of girl waiting for her lover, 51, 110.\n\n=uchitawori=, used with Tamu no yama (Tamu hill); the meaning would\nbe \u2018where the path or track winds down\u2019; _Tamu_ is contraction of\n_tamotohoru_, wander around, &c., _ta_ is intensive prefix.\n\n=uchiyosuru= (_-- yesuru_), come, be close to; sound-quibble with\nSuruga (province of).\n\n=uguhisuno=, the Japanese nightingale (Cettia cantans), used with\n_haru_, spring.\n\n=ukanerafu= (_ukagahi-nerafu_), track trail of; Tomi Hill--_tomi_ =\ntrail-tracker.\n\n=ukikusano=, floating plants or weeds; used with _uki_, float, drift.\n\n=umakori=, written quibble-wise for _umaki ori_, pretty-woven; used\nwith _aya ni tomoshiki_, strangely rare, precious, _aya ayashi_, also\nwritten quibble-wise as _aya_, pattern, design, 72.\n\n=umanotsume=, horse-hoof; with _tsuku_ of Tsukushi (_no saki_),\nallusion to the pounding of the road by the hoofs of a horse.\n\n=umasahafu= (compare _ajisahafu_) = _umashi-ahafu_, abundance of\ndelicious _millet_, applied to _me_ as contraction of _mure_, crowd,\nmultitude. As to its use with _yoru hiru_ (night and day), see under\nlay 82.\n\n=umasake= (_-wo-no_), sweet or delicious _sak\u00e9_ (rice-beer); applied to\nMiwa (pl. n.), because _mi wa_ = _sak\u00e9_ offered to a god; _mi_, seems\nto be contraction of _kami_ (sacred) _sak\u00e9_, hence application of m. k.\nto Mimoro. Its use with Kamunabi is explained under 7, 206.\n\n=umashimono=, written strangely quibble-wise \u2018horse-under,\u2019 but\nmeaning delicious (_umashi_), or delightful thing, applied to a kind of\norange-tree--_abetachibana_.\n\n=umazhimono=, like a horse or packhorse; used with _naka toritsuke_\n(lead, as prisoner, by rope or halter), and _tachite tsumadzuki_, rise\nor start and stumble (as a packhorse would).\n\n=umiwonasu=, like spooled (hemp) yarn; used with _naga_ (long), in\nNagara, Nagato (pl. nn.), 77, 142.\n\n=umorekino=, like buried log or fossil wood; applied to what is not\nmanifest, to _araharumazhiki_, or to _shita_, under, beneath, what is\ndeep, hidden or unknown.\n\n=unohanano=, harebush blossom (Deutzia scabra); applied to _satsuki_\n(5th month, when it blooms); to _uki_, evil, by sound-quibble (_u_); to\n_saku_, bloom.\n\n=usurabino=, like thin ice, sound-quibble with _usuki_, thin.\n\n=utsusegahi=, an empty acorn-shell; with _minaki_, fleshless,\nfruitless, selfless.\n\n=utsusemino=, probably _utsutsu mi_, real living personality, written\nquibble-wise _utsu_ (hollow), _semi_, cicada, i.e. cast off moult of\na cicada. Thus the reality of life is bracketed so to speak with its\nempty vanity. Used with _inochi_ (life), _hito_ (man), _yo_ (world),\n_mi_ (personality), 18, 26, 28, 50, 191.\n\n=utsusomino=, 251 = _utsusemino_, q. v.\n\n=utsusowo=, _utsusoyashi_, hemp-fibre beaten soft for spinning;\n(_yashi_ = _yo shi_, exclamatives), used with _womi_ (lord), as\nhomophonous with _womi_, _wo-umi_, spin (yarn).\n\n=utsuyufuno=, a difficult word; it may mean the hollow centre\nof a spool of Broussonetia fibre, a narrow confined space; or\n_utsu-mayu-fu_, the hollow of a wild silk-worm (_yamamai_) cocoon;\nor simply beaten or inner (_uchi_) pulp of _yufu_ (Broussonetia\npapyrifera), out of which a cloth was made. It is used with _komoru_\n(seclude, confine); also with _semaki_ (narrow, scanty), 125.\n\n\n=wagainochi=, my life; used with _naga_ (long) as though it were [may\nmy life be] long--in the pl. n. Nagato no shima.\n\n=wagasekowo=, my spouse! _waga seko wo!_ _Nakose no yama_, My spouse!\n_Nakose yama!_ cross it not (_na kose_), i.e. return not, remain with\nme or return to me. So with Idekoseyama, also with _aga matsu_ (whom I\nexpect); _kose_ = _seko_, reversed.\n\n=wagatatami=, my mat; used with _he_, read as fold or thickness, of\nMihe no kahara.\n\n=wagimokoni=, to my love; with _afu_, meet, and compounds as _afuchi no\nhana_ (Melia japonica?), 137, 199.\n\n=wagimokowo=, my love! used with Izami (hill name), _iza_, _mimu_ =\nI would fain see! with _hayami hama kaze_, which may be interpreted\ngiving value for the double sense of _hayami_ (_haya mi_), I would fain\nsee (her) as quickly as the wind bloweth; in the phrase _wagimokowo\nKikitsuga nu_ (moor of Kikitsuga) = prefatially, as if \u2026 _kikitsugi_ \u2026\nmy love whose beauty fame telleth.\n\n=wakahisaki= (_hisa-ki_, long-life tree = _matsu_, pine-tree), young\npine; by sound-quibble (partly) used in _waga hisa naraba_, should I\nlive long.\n\n=wakakikono=, like a young child; m. k. of _hahitamotohori_ (creep\nabout).\n\n=wakakomono=, young rush; m. k. of _kari_, reap; -- Kariji no wonu--the\nlittle moor of Kariji, 33.\n\n=wakakusano=, like young plants; tender, delicate--m. k. of _tsuma_\n(spouse); of _nihi tamakura_, fresh, i.e. young, arm (of mistress),\nused as pillow; of _omohitsuki nishi kimi_ (my lord whom I love); of\n_waka-kahe_ (while young); of _ayuhi_ (_ashi yuhi_), leggings of young\nreeds for travellers, 19, 29, 106.\n\n=washinosumu=, where the eagle dwells; m. k. of Tsukubane yama, 113.\n\n=wasuregahi=, oblivion shell; m. k. of _wasure_ (forget)--it is said to\nbe a kind of clam.\n\n=watanosoko=, sea-floor, sea-bottom; used with _oki_ (deep sea), 65,\n79.\n\n=wimachitsuki= (be-at-rest-wait-moon), the moon of the 18th day (of the\nlunar month); the 17th was called _tachi machi_ (be-up-wait-moon); and\nthe 19th _nemachi_ (sleep-wait-moon); the m. k. is used with _akashi_,\nin the pl. n. Akashi no to. _Akashi_ = cause to open, or open, or\nbecome open and visible under light, 44 (_tachi_, refers to moonrise\nafter full about 8.30 p.m., _wi_, to moonrise next day about 9.50 p.m.,\n_ne_ (after bedtime), to moonrise about 11 p.m.)\n\n=wominaheshi=, the Patrinia scabiosaefolia, Link (a Valerianaceous\nplant); this may have been used as a salad in ancient days. It is used\nwith _saku_ (blow, bloom).\n\n=woshitorino=, like mandarin duck (Anas galericulata); used, by\nsound-quibble, with _woshiki aga mi_, ha! (O miserable me!).\n\n=wotomeraka=, is it a maid? m. k. of _sode furu_, sleeve-waving, in the\npl. n. Sodefuru hill.\n\n=wotomerani=, with the maid--m. k. of _afu_ (meet) in Afusaka hill, 137.\n\n=wotomerawo=, O the maid! see _wotomeraka_.\n\n\n=yachihoko=, eight or many spears, 97.\n\n=yahetatami=, eightfold matting, thick matting. See _komotatanu_.\n\n=yahotadewo=, eight (many) spiked _tade_. See _midzutade_.\n\n=yakitachino=, forged sword; with _to-kokoro_ (ready heart); with _he\ntsukafu_ (gird on warrior\u2019s side).\n\n=yakumosasu=, pierce eight clouds, i.e. many clouds; an epithet of\nIdzumo--_idzu_ = go forth.\n\n=yakushihono=, like fire under salt-pans; epithet of _kohi_, love.\n\n=yamabukino=, like the Yamabuki blossom (Kerria japonica); m. k. of\n_nihoeru imo_ (my love, fragrant or blooming as the Kerria).\n\n=yamagahano=, mountain-stream; applied to _tagitsu_, foam, swirl, roar.\n\n=yamakirino=, mountain-mist-like; m. k. of _ibuseki_ (gloomy).\n\n=yamanomayu=, from amid the hills; m. k. of Idzumo in the phrase\n_Idzumo no kora_ (the maid of Idzumo). _Idzu_ = come forth from.\n\n=yamanowino=, like mountain-well; used with _asaki_, shallow (_asaki\nkokoro_).\n\n=yamashitano=, see _akiyama_; _akiyama no shitabi_, fading to red of\nautumn woods--hence applied to _ake no soho fune_, red-stained ship.\n\n=yamasugeno=, like wild or mountain sedge, Carex gaudichaudiana; used\nwith _mi_ (fruit) and various homophons.\n\n=yamatadzuno=, m. k. of _mukahe_, opposite, face; _yamatadzu_ is\nsaid to be a woodman\u2019s axe carried always with the edge towards the\nbearer to avoid injury and offence. No other explanation has been\noffered. Except a vague reference to the homophon _yamatadzu_ (Sambucus\nracemosa) which is opposite-leaved. The word might, however, in some\ncases be an error for _yama tadzune_.\n\n=yamiyonasu=, like a dark night; m. k. of _omohi-madohahi_, disordered,\ndistracted in thought (i.e. with love), 123.\n\n=yaminoyono=, like a dark night; applied to _yuku saki_, the way in\nfront (_yuku saki shirazu_, not knowing the way before one--one\u2019s\nfuture course).\n\n=yasakatori=, eight-foot-bird; one drawing a long breath, so _ya saka_\n(eight feet deep); used therefore with _ikitsuku_, catch breath, gasp.\n\n=Yasugahano=, like the River Yasu; used, mainly by sound-quibble, with\n_yasu i mo nezu_, not to sleep well.\n\n=yasumishishi=, there are two explanations. One depends on the written\nform _ya sumi shishi_, know (govern) eight corners, all corners, the\nwhole empire; the other in the verb _yasumu_, to rest, or _yasumi\nsuru_, _yasundzuru_, to make rest, pacify, debellare. The latter seems\nthe most reasonable; but that does not make it the real explanation. It\nis always a m. k. of _waga ohokimi_, my great-lord, usually (but not\ninvariably) used in reference to the Sovran.\n\n=Yoshikigaha=, the River Yoshiki, used with _yoshi_ (good, excellent).\n\n=yufudzutsuno= (_dzudzu_), the evening star; m. k. of _yufube_\n(evening); of _ka yuki kaku yuki_, hither, thither pass, with reference\nto the appearance of the planet (Venus) now as an evening, now as a\nmorning star, 26.\n\n=yufuhanano=, like blossom of Broussonetia; m. k. of _sakayuru_, bloom,\nflourish, 24.\n\n=yufutatami=, a cloth of Broussonetia, folded up to present to a god;\nm. k. of _tamuke_ (offering), Tamuke no yama (hill-name); of Tanakami\nyama by sound-quibble reading for _tatami tatana (haru)_, a variant\nof _tatamaru_.\n\n=yukizhimono=, like snow; applied to _yuki kayohi_, go and come; the m.\nk. is simply a sound-quibble.\n\n=yukufuneno=, passage of a ship; m. k. of the passing of time.\n\n=yukukageno=, in the phrase _yukukage no tsuki mo he-yukeba_, as the\nmoon with its passing light follows its course. Motowori thinks the\ntext is corrupt, and proposes _aratama_.\n\n=yukukahano=, like the flowing river; applied to _sugi nishi hito_ (one\nwho has passed beyond--passed away, died).\n\n=yukumidzuno=, running water; with _sugi_ (pass on, beyond); with _oto\nmo sayakeku_ (distinct as the sound of running water); with _tayuru\nnaku_ (without cease); _todome-kane_ (not-delay), 198.\n\n=yukutorino=, like birds taking flight; with _arasofu_ (struggle,\ndispute, vie); with _murete samorahi_ (throng to render due service,\ncrowd), 24, 184.\n\n=yutanemaki=, sow preparatory rice plants, a sound-quibble m. k.\napplied to _yuyushiki_, manly, heroic.\n\n\n\n\nGLOSSARY OF WORDS CONTAINED IN THE FOREGOING TEXTS\n\n\nThe following marks denote: \u2731 a Japano-chinese-word; T. a word found in\nTaketori only; Ta. a word found in Takasago only; Ts. a word found in\nTsurayuki\u2019s Preface only. The figures refer to the Lays. Only the bare\nliteral meanings are given, sufficient for the purposes of the texts;\nm. k. = _makura kotoba_, pl. n. = place-name.\n\n=a= (_are_, _ware_), _I_, _me_, &c., _-aga_ = _warega_, 125, 167.\n\n_aga-mi_, myself, 69, 171, 252.\n\n_a-gari_ = _waga moto_, compare _imo-kimi-gari_; _gari_ = _ga ari_,\nplace where one is, dwells, &c., 102.\n\n_ago_ = _waga ko_, my child, my prince, 160, 168.\n\n=abeki= (_ahegi_), pant, 40.\n\n=abenashi= (_ahenashi_), T.\n\n=abusahazu= = _habukarazu_, not omitting; _abusu_ = _nokoru_,\n_abusahazu_, neg. of lengthened form _abusafu_, 255.\n\n=ada=, vain, worthless, T.; trivial, Ts.\n\n=adomohite= (_ato-_), _hikiiru_, _tomonafu_, lead, accompany, 24, 52,\n113, 220, 258.\n\n=adzukaru=, accept charge of, be charged with, receive.\n\n=adzuma=, Eastland, 121.\n\n=adzusa=, white-wood, Catalpa Kaempferi, S. & Z., or possibly an old\nname of Prunus Cerasus, 3, 27, 29, 104.\n\n=adzusa-yumi=, bow of white-wood, 29.\n\n=afu= (_au_, _\u00f4_), meet, &c. _-- beku_, passim, can-meet.\n\n=afugi= (_\u00f4gi_), look up to, 22, 70. _-- kohi_, look-up-to-intreat, 70.\n_-- te_.\n\n=afumi= (_aha-umi_?), piece of water, lake.\n\n=Afumi= (_\u00d4mi_), Lake Biwa, 112.\n\n=afurite= (_afuru_ = _afureru_), overflow, 233.\n\n=aga=: see =a=, 4, 67.\n\n=agachi=, _-agatsu_ (_wakatsu_), divide, apportion, 86, 22. _--\ntsukahashi_, distribute, send.\n\n=agaki=, paw ground (horse), 17.\n\n=aga-mi=: see =a=.\n\n=agamuru=, extol, exalt, Ta.\n\n=a-gari=: see =a=.\n\n=agari= (_agaru_), mount, ascend, accept drink (_toyo-agari_ = feast,\nbanquet, 257). _-- ki_, mount, embark, come, 102.\n\n=agehari= (_agemaku_), curtain, 226.\n\n=agesezu=, not-do-raise, not raise; _koto --_ = _toku ni toritate\nihazu_, 86.\n\n=age-suwe=, raise-place, T.\n\n=agura= (_ashi-kura_), a sort of foot-stool or (_age-kura_?), a raised\nplatform or seat, T.\n\n=ahaba= (_afu_, q. v.), 158.\n\n=ahabi=, Venus\u2019 ear, Haliotis, 79, 181, 229.\n\n=ahade=, neg., _afu_ (in 199 error for _Ahaji_).\n\n=ahame= (_afu_), with _ya mo_, in sense _awazhi_, 9.\n\n=ahamu= (_afu_), 27, 105.\n\n=ahanu= (_afu_), 23, 206, 251.\n\n=ahare=, excl. of grief, wonder, 226.\n\n=aharebi= (_-u_, _-mu_), be sad for, Ts.\n\n=ahasaba= (_afu_), hon. caus.\n\n=ahase= (_afu_), hon. caus. _-- yari_, clash together, 236.\n\n=ahasezu= (_afu_), hon. caus. neg.\n\n=ahashitaru= (_afu_).\n\n=ahazanaru=, =ahazaru= (_afu_), T.\n\n=ahazhi= (_afu_), 161.\n\n=ahe= (_afu_), emphatic with _koso_, T.\n\n=aheba= (_afu_), T.\n\n=ahemu= (_afu_), shall meet, be equal, able to.\n\n_-- ka mo_, Oh, might I be able, equal to, 156, 252.\n\n=ahenu=, not-meet, not-can, 188.\n\n=ahe-nuki= (_tomo ni tsuranuku_), thread, string together =\n_ahase-nuki_, 211, 214.\n\n=aheri= (_afu_), T.\n\n=aherishi=, _ahi-arishi_ = _arishi_, 211, 214.\n\n=aheru= (_ahi-aru_) \u76f8\u6709 be, is, 152.\n\n=ahete=, for =abete= (_abekite_ = _ahegite_), panting, 44.\n\n=ahi=, a common prefix to verbs, mutually, reciprocally; often of\nlittle meaning.\n\n=ahi-arasohiki= (_ahi-arisofu_), rival, dispute, vie, 5.\n\n=ahida=, interval (space, time, circumstance), while, &c., 61.\n\n=ahi-katarahi=, devise together, 105.\n\n=ahikerashi= (_afu_), 165.\n\n=ahi-keru= (_afu_), 104, \u5408\u76f8.\n\n=ahi-kihohi= (_ahi-arisafu_), 122.\n\n=ahi-matsu= (_matsu_), Ta.\n\n=ahi-mimu= (_mimu_), 204; v. _miru_.\n\n=ahi-mineba=, 217; v. _miru_.\n\n=ahi-mireba=, 217; v. _miru_.\n\n=ahi-mishi= (_mishi_), 28; v. _miru_.\n\n=ahi-mishime=, caus. of _miru_, 224.\n\n=ahi-miteba=, 146; v. _miru_.\n\n=ahi-nomamu= = _nomamu_, 87; v. _nomu_.\n\n=ahi-omohanu= (_omohanu_), 201.\n\n=ahishi= (_afu_).\n\n=ahi-tatakafu=, fight together, or simply fight, T.\n\n=ahite= (_afu_), 217.\n\n=ahi-tomo ni= (_tomo-ni_), together, in company, 250.\n\n=ahi-uzunahi= = _tagahi ni ubenafu_, relates to acquiescence of god in\nprayer offered, 227.\n\n=ahi-yobahi= (_yobu_), written as equivalent to night-creep, but merely\na strong form of _yobu_, call, invite, court, 125.\n\n=aji=, spectacled teal (_anas formosa_).\n\n_-- mura_, flock of _aji_.\n\n=ajisahafu=, m. k.\n\n=aka=, red.\n\n=aka-hoshi= (_boshi_), red, bright star, Venus, 70.\n\n=akaki=, red, fresh, honest, i.e. loyal, 263.\n\n=aka-koma=, bay horse, 159.\n\n=aka-mo=, red skirt, 64, 159.\n\n=akanesasu=, m. k.\n\n=akani= (_aku_) = _akazu_ (_itohazu_), not tired of or satiate with,\n219.\n\n=akanu= = _akani_, _akazu_.\n\n=akarabiku=, lead in redness, light, dawn as source or cause thereof,\n59.\n\n=akaru= (_i_), grow light, grow ruddy, become clear, T.\n\n=akasa=, redness, brightness, T.\n\n=akashi= (_akasu_), brighten, make light, 28, 67, 69; _yo wo akasu_,\nnight-brighten, i.e. become dawn.\n\n=akashi-kurasu= (_shi_), pass dawns and dusks, pass time.\n\n=akashi-tsuraku= (_akashitsuru_), v. _akashi_, grow light, grow\ndark--passage of time, day, &c., 54.\n\n=akatoki=, bright time, ruddy time, dawn, 96, 199.\n\n=akatsuki=, redness, brightness, dawn, 240.\n\n=akazu=, error for =makazu=, 82.\n\n=akazu= = _akanu_, 97.\n\n=ake=, red, 171.\n\n=ake-kakete=, breaking of dawn, Ta.\n\n=ake-kure=, morn and night; but _ake-gure_, dusk before dawn, day-break\ntwilight, 55.\n\n=akekureba=, as day breaks, lit. as night brightens into day, 21, 72.\n\n=akemaku= = _akemu_, 114.\n\n=akemu= (_akuru_), 44.\n\n=ake-yukinu= (_ake-yuku_), brighten-proceed, change of night into dawn,\n179.\n\n=aki=, autumn, _passim_ (originally had reference to filling up of\nripening grain).\n\n=akidzu=, dragon-fly, 194, notes.\n\n_-- no ha_, wing of dragon-fly.\n\n=aki-hagi=, autumn bush clover (Lespedeza), 114.\n\n=aki-kaze=, autumn wind.\n\n=akinahi=, trade, T.\n\n=akinamu= (_aku_, open), T.\n\n=aki ni akinu= = _akinu_ (_aku_, open), T.\n\n=akirakeku=, brightly, clearly, freshly, 211.\n\n=akirameme= (_akiramu_), clear mind, &c., of doubt or grief, 220, 227,\n255.\n\n=akitarame= (_-mu_), will satiate, 240.\n\n=akitaranu= (_akitaru_, _aki_), unsatiate, not-replete, 25.\n\n=akitsu= (_akidzu_), 180.\n\n_-- hire_, dragon-fly-wing-scarf. _hire_ q. v.\n\n=akitsukami=, manifestation of a god, a title of the Mikado, 93.\n\n=akitsushima=, Island[s] of Full Ripe Grain-ears, a title of Japan, 2.\n\n=akiyama=, autumnal hills, 6.\n\n=aku=, open.\n\n=aku=, brighten, grow light.\n\n=aku=, be satiate, loathe.\n\n=aku-ma=, demons, evil spirits, Ta.\n\n=akuru=, grow open, dawn; _ashita_, opening morrow, i.e. to-morrow, 54,\n70.\n\n=ama=, heaven, sky.\n\n=ama=, fisherman.\n\n=ama-bito=, heaven-being, angel, T.\n\n=amabune=, fishing-boat.\n\n=amadzutahi=, sky-traverse, 34.\n\n=amagirafu=, sky-grow-misty, 94, 131, see note text.\n\n=amahashi=, ladder bridge of heaven (connecting heaven and earth),\nconf. Amanohashidate (place-name).\n\n=ama-hire=, heaven-veils, banners (or screens of white cloth?) carried\naround coffins at funerals, 28.\n\n=ama-ji=, heaven-road, firmament or atmosphere as tract between heaven\nand earth, _ohosora_, 62.\n\n=amakumo=, m. k.\n\n_-- no yoso minu_. See note, 149.\n\n=amanaku= (_amu_, _amanu_, not-knit--as in making nets), 182.\n\n=amaneku=, general, universal, Ts.\n\n=ama no hara=, plain of heaven, sky-vault or expanse, 36.\n\n=amarinu= (_amaru_), be too much, in excess.\n\n=ama sosori=, sky-climb.\n\n=amata=, much, many, 102.\n\n=amaterasu=, =amateru=, sky-shine, (_terasu_ is hon. caus.), 22.\n\n=amatobuya=, m. k.\n\n=ama tsu midzu=, waters of heaven, rain, 22.\n\n=amatsu mikado=, heaven-palace (of dead Mikado who returns to heaven),\n24.\n\n=amatsukami=, sky-gods.\n\n=amatsumiya=, sky-palace (_amatsumikado_), 25.\n\n=amata=, many, T.\n\n=ama-wotome=, fisher-maid, 40, 80.\n\n=ama-yo=, rainy night, 211.\n\n=ama-zakaru=, heaven-far, far off as heaven, 9, 55, 89, 241.\n\n=ame=, rain, 8, 67.\n\n=ame=, heaven (see =ama=).\n\n=ame-he=, heaven-quarter, sky, 62.\n\n=ame-mazhiri=, rain-commingled, driving rain, 67.\n\n=Ame no kagu yama=, hill-name, also hill counterpart or hill high in\nheaven? see text and notes, 10, 24, 229.\n\n=ame no shita= (= _tenka_), under-heaven, the realm, the world, 24, 102.\n\n=amere=, _aramu-are_, T.\n\n=ame-shiru=, heaven-know, divinely rule, 14.\n\n=ame tsuchi=, sky and glebe, heaven and earth, 22.\n\n=amori= (_ama-wori_), descend from sky, 24, 133, 255, 263.\n\n=amori-tsuku=, descend from sky and alight (on earth), 33.\n\n=ana=, hole, T.\n\n=ana=, exclamation of surprise, joy, &c.\n\n=anagachi ni=, by force or necessity, T.\n\n=ananahi= = _ashizhiro_, a sort of step-ladder or platform, T.\n\n=anare= = _ari-nare_ = _ari ni are_, T.\n\n=anaru= = _arinaru_, T.\n\n=anata= = _anokata_, there.\n\n=ani= = Lat. num, T.\n\n=annari= = _ari-nari_, T.\n\n=anzhite=, considering, T.\n\n=anzuru=, consider, T.\n\n=aohedo=, green, bilious vomit, T.\n\n=ara=, coarse, waste, wild. _-- yama_, wild hills; _-- nu_, wild moor.\n\n=ara= (_arahareru_), manifest.\n\n=arahashite= (_arahasu_), become or make manifest, 227.\n\n=arahi= (_arafu_), wash, 209.\n\n=araka=, dwelling, mortuary shrine, usually with _mi_, the meaning of\n_ara_ is not known; the Kogi proposes _aretsugu_, come successively\ninto existence (a word found in the Many\u00f4shiu). But it may be\n_ari_ (exist), _ara_ (new), or _ara_ (rough-built), 22; _-- ka_ = place.\n\n=arakami=, visible God, Presence (or rough-punishing-god Aston,\n_Shint\u00f4_).\n\n=arakazhime=, previously beforehand, 50, 84.\n\n=araki=, violent, wild.\n\n=araki=, rough unbarked tree-trunks, or _ara ki_, rough stone-fence, or\nwork, or castle, grave-enclosure, mortuary-enclosure, 90, 200, 254.\n\n=arako=, a sort of skip, or coarse-meshed basket, or pannier, T.\n\n=araku= (_aru_), 33.\n\n=arame= (_aru_), 14; _-- ya_, 88, 125.\n\n=aramu= (_aru_), 24, 102.\n\n=aranaku= (_aranu_), 39, 45.\n\n=araneba= (_aru_), 54.\n\n=ara-no=, wild moor, 28.\n\n=aranu= (_aru_), 67.\n\n=ara-nu= (_ara-no_), 28.\n\n=arashi=, storm, 108.\n\n=arashi= (_arasu_), caus. of _aru_, be, 35, or _arurashi_.\n\n=arashi-wo=, fierce, brave man = _masurawo_, 214, 260.\n\n=arasofu=, dispute, vie, 24, 123.\n\n_-- rashiki_.\n\n=arasohi= (_arasofu_).\n\n=arata=, new, fresh, future, 13, 53, 92.\n\n=aratahe=, coarse, unbleachen (opp. to _nikitahe_), 21.\n\n=aratama= (_aratamaru_) = _arata_.\n\n=aratama no=, m. k.: see K. 216.\n\n=aratoko=, rough couch, 30.\n\n=arayama=, wild hills, 175.\n\n=arazarishi= (_aru_), T.\n\n=arazhi= (_aru_), _arazu_.\n\n=arazu=, not-be, be-not, 17.\n\n=are= (_ware_), 1, 4, 6, 17, 29, 67, 206.\n\n=are=, waste, uncultivated, 92.\n\n=are=, be rough, stormy, T.\n\n=are= (_aru_), emphatic form with _koso_, T.\n\n=aredo= (_aru_).\n\n=aremakurashi= (_aremu_).\n\n=aremasamu= (_are-tsugi-masamu_), appear (_arahare_), in succession, 92.\n\n=aremashishi= (_araharemashishi_), was-made-manifest, 9.\n\n=aremu= (_are_ = waste), 190.\n\n=are nikeru= (_are_ = waste), 92.\n\n=aretari= (_are_ = waste), 95.\n\n=aretsugitareba= (_arahare_), be, be manifest, appear, be born in\nsuccession, 54.\n\n=aretsukashitsu= (_arahare-tsukurasu_), 94.\n\n=are tsuku=: see 14.\n\n=are ya= (_koso are yo_), certainly be, exist, 55.\n\n=ari=, be--continuative, frequentative, or emphatic prefix as\n_ari-gayofu_, 91, often written with character \u87fb _ari_ = ant.\n\n=ari=, be (-at, in), _ari no kotogoto_ (_aru-dake-hodo_), as much as.\n\n=ari-ake=, moonlit dawn, Ta.\n\n=ari-dake= (_ari_), as much as, 67.\n\n=ari-gahoshi=, desirable to be, 95.\n\n=arigataki=, grateful, Ta.\n\n=arigataya=, how grateful, Ta.\n\n=ari-kayohamu= (_ari-k(g)ayofu_), pass to and fro, go and come, go, 137.\n\n=ari-katemashi= (_ari-gatashi_), would be hard or difficult, 60.\n\n=arikemu= (_ari_), 47, 95.\n\n=ariki= (_ariku aruku_ = walk).\n\n=ari-ki-nikereba= (_arikereba_), since it was, has been, 222.\n\n=arikinu no=, m. k.\n\n=arikosenu= (_ari-koso-ne_), Oh, be it so! 58, 128.\n\n=ari koso= (_ari_), 119.\n\n=arikuru= (_ari-kureru_?).\n\n=arikuru= (explained by Keichiu as = _arisofu_; by Motowori as = come\nagain, and again in due season), 240.\n\n=ari-matedo= (_matsu_) = _ari-ari-tayezu-matedo_, 184.\n\n=ari-meguri= (_meguru_), go round, 258.\n\n=arinami= (_inamu_), refuse? 171.\n\n=ari no kotogoto=: see aridake.\n\n=arinureba= (_aru_), 59.\n\n=arisama=, condition, T.\n\n=ariseba= (_ari_) = _areba_, cp. _shiriseba_, 50, 84.\n\n=arishi= (_ari_), 48, 77.\n\n=ariso= (_ara-iso_), rough-rock, wild shore.\n\n=ari-tamotohori= (_tamotohori_), doubly frequentative or intensive of\n_motohori_ = _mahari_, go about or up and down, 224.\n\n=ari-tatashi= (_tatsu_, _tateru_), be erect, standing up, 14, 139.\n\n=ari-tateru= (_ari-tatashi_).\n\n=arite ya= = _arite namu ya_, 20.\n\n=aritsuru= (_ari_), 48.\n\n=aritsutsu= (_ari_), 39.\n\n=ari-yeneba= = _ye-tahe araneba_, intolerable, unsupportable, 24, 67.\n\n=aru=, be, exist, be at or in, 24, 67.\n\n=aruhiha=, or, and again, T.\n\n=arukedo= (_aruku_, walk), 205.\n\n=arukishi= (_aruku_), 64.\n\n=arumi= (_aruru-umi_), waste sea, 100.\n\n=aruraku= (_aruru_), 23, 95.\n\n=aruramu= (_aruru_), 106.\n\n=aruru= (be waste, uncultivated, desolate), 190.\n\n=aruzhi= (_aru-nushi_), lord, house master, T.\n\n=asa=, morning, 3, 4, 10, 12, 117.\n\n=asa=, hemp, 24.\n\n=asa-biraku=, morn-open, dawn, 262.\n\n=asadachi no=, m. k.\n\n=asa-dzukuyo=, morning moonlight, 114.\n\n=asa-fusuma=, hempen plaid, coverlet, sleeping-dress, 67.\n\n=asa-gari=, morning hunt, 3.\n\n=asa-giri=, morning mist, 224.\n\n=asa-hi-nasu=, morning sun-like, 136.\n\n=asahisashi=, m. k.\n\n=asa-kami=, morning (disordered) hair, 60.\n\n=asa-kaze=, morning wind, 97.\n\n=asa-kinu=, hempen vestment, mantle, 124.\n\n=asamashigari=, _asamashiku_, idea of alarm, struck with wonder, fear,\n&c., or broken-down, pusillanimous (with fear, wonder, hardship, &c.)\n(_akereru_, _ozomashi_), T.\n\n=asamoyoshi=, m. k.\n\n=asa-nagi=, morning calm, 80.\n\n=asanasana= (_asana-asana_), morning after morning, 70.\n\n=asarishi= (_asaru_), pick up food (as birds, &c.), 220, 226.\n\n=asasarazu= (_-- hanarazu_), every morning, 223.\n\n=asa-tedzukuri=, hempen hand-made, home-made, 203: see notes (_te sei_,\n_te ori_, _ono ga te no tsukuri_, tribute cloth (hand-end)).\n\n=asa-tori=, morning birds, 20.\n\n=asa-tsuyu=, morning dew, 123.\n\n=asa-yohi=, morn and even, 48.\n\n=asa-yufu=, morn and even, Ta.\n\n=ase=, sweat.\n\n=ase-kake=, break out in sweat, 110.\n\n=ashi= (_yoshi_), reed, Phragmites communis, 70, 198.\n\n=ashi=, foot, Ta, _ashi moto_, where the feet are, Ts.\n\n=ashi-he= (_he_), reedy place, marsh, 96.\n\n=ashibi= (_asebi_), Andromeda jap^a., 98.\n\n=ashibiki= (_ashihiki_) =no=, m. k.\n\n=ashi-gamo=, reed-duck, 225.\n\n=ashige=, reed colour, grey, 185.\n\n=ashihara=, reed-plain, 22.\n\n=ashi-he= (_ashi-be_).\n\n=ashi-kaki=, reed-fence, 123, 155.\n\n=ashikaranu=, not bad, not uncomely, 98.\n\n=ashikaru=, reed-reap, 223.\n\n=ashikeku=, bad, unworthy, 70.\n\n=ashiki= (_-ku-karamu_), evil, bad, T.\n\n=ashita=, morrow, 3, 29, 70.\n\n=ashi-tori=, pull out by feet, T.\n\n=ashi-zuri=, shuffle feet (sign of agitation), 105, 116.\n\n=aso= = _yaso_, 80; i.e. very many, all, 139.\n\n=asobaku= (_asobu_), 246.\n\n=asobamu= (_asobu_), 84.\n\n=asobane= (_asobu_), precative imperative, 246.\n\n=asobashishi= (_asobu_), past hon. caus., 183.\n\n=asobi= (_asobu_), 21.\n\n=asobikemu= (_asobu_), 64.\n\n=asobishi= (_asobu_), 84.\n\n=asobu=, do, be pleased, deign to do, be diverted, amused, go or travel\nfor one\u2019s own pleasure, more or less hon. quasi-auxil., vb., 33.\n\n=asoso= (_wadzuka ni_), somewhat, slightly, 57 (note).\n\n=asu=, to-morrow, 21, 105.\n\n=ata= (_ada_) _mamoru_, foe-ward, observe, guard against enemy, 86, 258.\n\n=atahi=, price (_atafu_, _atahanu_ = be equivalent, equal to--as in\ncombat &c.).\n\n=atamitaru=, hostile, fierce, 24.\n\n=atara=, excellent, precious, valuable, 250 (note).\n\n=atara-mi= (_atara_).\n\n=atara-shiki= (_atara_), 144, 190 (the mod. _atarashiki_ = new, fresh,\n&c.).\n\n=atari=, neighbourhood, locality, 17, 55.\n\n=atenaru=, of gentle, or noble birth, _ate_ said to be _uhate_, upper\nhand, or government, T.--perhaps an Ainu word, comp. _Atahe_, name of\na rank.\n\n=ateyaka ni=, gracefully, nobly, T.\n\n=ato=, trace, step, 50, 198, in 67 _ato no katu_, foot of (bed).\n\n=atomohi= (_atomofu_, _adomofu_) = _tomonafu_, _hikiiru_, conduct,\nlead, invite, 113.\n\n=atosuwe=, course, or track, Ta.\n\n=atsukeku=, warm, 110.\n\n=atsumari= (_-u-inu_), assemble, T.\n\n=atsumi=, crowded, 71, 227, in last refers to mountains, as _hiromi_,\nwide-spaced, widespread (or numerous?) to rivers.\n\n=atsumuru=, gather, collect (persons &c.), T.\n\n=awatenu=, composed, not agitated (_awate awatsu_), T.\n\n=awo=, blue-green, green, blue, sort of grey (with _koma_ 17, _nami_\n102, _hata_ 55), _awoma_, however, seems = clear-coloured, i.e. white\nhorse.\n\n=awohata no=, m. k.\n\n=awokaki=, green bush-fence, 11.\n\n=awoki= (_awo_).\n\n=awo-kumo=, blue clouds (apparently cumulus clouds are meant), 186.\n\n=awokumo no= (_awogumo no_), m. k., _shirakumo_, white clouds, would be\n_cirrus_.\n\n=awoniyoshi=, m. k.\n\n=awosuga=, green rush, 14.\n\n=awoyari= (_yanagi_), green willow, 247.\n\n=awoyama=, green hill, 14.\n\n=awoyeri=, green collar, or border, 124.\n\n=aya=, pattern, design, also a fine stuff, or fabric (silk?),\n_nishiki-aya_, coloured, or brocaded fabric, 124.\n\n=ayafusa=, danger, T.\n\n=ayamachi=, offence, error, 200.\n\n=ayamatazu= (_ayamatsu-chi_), not be wrong, not in error.\n\n=ayame-kusa= (_gusa_), sweet-flag Acorus calamus, 224, 226 (_ayame_),\nhowever, is Iris sibirica.\n\n=aya ni=, strange, extraordinary, extremely, 21, 24, 25, 72, 131.\n\n=ayashigari= (_ayashiki_), T.\n\n=ayashiki=, strange, 13, 44.\n\n=ayashimi= (_ayashiki_).\n\n=ayenu=, be quite full-blown, ripe--_ayuru-mi_, ripe fruit.\n\n=ayu=, trout, 189.\n\n=ayu=, east-wind (Echizen dialect), soft wind, 223.\n\n=ayuhi=, traveller\u2019s leggings, 224.\n\n=ayuko=, troutlet, 51.\n\n=ayumi= (_u_), go on foot, walk, T.\n\n=ayuru=, be full-blown, ripe, 231.\n\n=azane-yuhi=, bind up, knot up (hair &c.), 168.\n\n\n=ba= for _ha_ = _wo ba_, 6.\n\n\u2731=baikuwa=, plum-flowers, Ta.\n\n=bakari= (_hakari_), just, only, 67.\n\n\u2731=bambutsu=, all things, nature, Ta.\n\n\u2731=bammin=, all people, the whole people, Ta.\n\n\u2731=bammoku=, all trees, Ta.\n\n\u2731=ban=, watch, guard, T.\n\n\u2731=banzei=, a myriad years, Ta.\n\n=be=, a collective word = _kamidachibe_, T.; perhaps = _mure_, guild,\ncompany.\n\n\n=chi=, milk (human), 204.\n\n=chi=, a thousand, 15.\n\n_-- he_, a thousandfold.\n\n_-- yo_, a thousand ages or reigns.\n\n=chichi=, father.\n\n_-- haha_, father and mother, parents, 48, 62, 67.\n\n=chichi=, maiden-hair tree (Ginkgo biloba), 262; _chichi no mi_,\nquibbling epithet of _chichi_, father.\n\n=chidori=, dotterel, sanderling, 74, 84, 96.\n\n=chifu= = _to ifu_ (that-say) = is called, known as, 49, 51, 62, 94,\n150.\n\n=chigiri=, blood-cut, hence oath, promise, T.\n\n=chigo=, child (at breast), T.\n\n=chigusa=, 1,000 herbs, all sorts, T.\n\n=chihahi= (_sachihahi_, _saihai_), blessing, gracious acceptance by a\ngod of prayer, offering, &c., 110.\n\n=chihayaburu=, m. k.\n\n=chihe= (_chi_), _no hito he_, a thousandth, 27, 55, 85, 155.\n\n=chikami= (_-ki_), near, 93, 96.\n\n=chikara=, strength, T.\n\n=chimari= = _tomari_, 260.\n\n=chimata=, road, path, 204.\n\n=chirafu= (_chiru_), 17.\n\n=chiraheru= (_chirafu_, _chiru_), 201.\n\n=chirasu= (_chiru_), 92, 101.\n\n=chiri=, dust.\n\n=chirihiji=, dust and dirt, Ts.\n\n=chiri-kosu=, scatter away, 101.\n\n=chiri-midari=, disperse-confusedly.\n\n=chirinamu= (_chiru_).\n\n=chirinuru= (_chiru_).\n\n=chiri-sugi=, scatter, scatter and pass away, 192.\n\n=chiru=, fall and scatter (leaves, flowers, &c.).\n\n=chisa=, a lettuce (_chisha_), Lactuca scariola, L., 230.\n\n=chi-tabi=, 1,000, very many, times, T.\n\n=chi-tose=, a thousand years, 92.\n\n\u2731=chiu-na-gon=, a councillor of state, T.\n\n\u2731=chiyau= (_cho_), a curtain, T.\n\n=chiyauzhiya= (_ch\u00f4ja_), rich or elder, chief merchant.\n\n=chi-yorodzu=, a thousand myriads, 86, 133.\n\n\u2731=chiyou-sesase= (_ch\u00f4sesase_), punish, T.\n\n\u2731=chiyufu-shiyau= (_chush\u00f4_ or _-j\u00f4_), lieutenant-general, T.\n\n\u2731=chokushi=, royal order; ukase, T.\n\n\n=da-basami= (_ta-hasamu_), hold under arm, or by side, 31.\n\n=dachi= = _tachi_, plur. suffix, T.\n\n\u2731=dai=, great; _-- kuwan_, great petition or desire; _-- zhin_\n(_otodo_), _-- nagon_, great councillor, T.\n\n=dani=, even, &c., _dani mo_, 249; with neg. not at all, 27, 30.\n\n=dashi=, caus. of _idzuru_, T.\n\n=de=, =idzuru=.\n\n=desesu= (_funa wo_), float forth, launch boat, 11.\n\n=detachi=, set out, depart, start, 250.\n\n=dete=, go out or forth, start (_idzuru_), 105.\n\n=dochi=, companion, mate, comrade, comp. _dachi_ in _tomodachi_, 27,\n215, 219, 245.\n\n=domo=, plural suffix; _kodomo_, children, 197.\n\n=domo=, concessive particle; see gramm.\n\n\u2731=do sha=, soil and sand, Ta.\n\n=doyomu= (_toyomu_), resound, re-echo, 111, 161.\n\n=dzutahi= (_tsutafu_), pass by or over (_amadzutahi_, _shima --_, 44).\n\n\n=fu-basami= (_fumi-basami_), bamboo cleft to hold petition\n(_-i-are-ase_).\n\n=fuchi=, pool, deep still water (river, &c.), 27.\n\n=fude= (_fumi-te_, writing-thing), pen-brush, 210.\n\n=fukaku= (=-i=), deep, 59.\n\n=fukami=, =fukameshi=, =fukamete=, deep-be, deep-like, 17.\n\n=fuka-midori=, deep green, Ta.\n\n=fukamiru=, deep-seaweed, _miru_ is Codium tomentosum, 17, 83, 172.\n\n=fukare= (_fuku_), T.\n\n=fukase= (_fuku_), T.\n\n=fukeru=, grow late, 161.\n\n=fuki-kayeshi=, blow-back, T.\n\n=fuki-kurete=, Ta., darkening under (pine) wind.\n\n=fuki-mahasu= (_shi_), blow round, about, T.\n\n=fukinaseru=, blow-resound, = _fuki-naraseru_ (_fuki-narasu_), 24.\n\n=fukishi kahereba= = _fuki kaherishi areba_, blow and blow, not =\n_fuki-kahesu_, 128.\n\n=fuki-tatezu=, blow-rise-not (smoke, &c.), 67.\n\n=fuki-yoserare=, get blown, be blown towards, on, T.\n\n=fuku=, blow (wind), 161.\n\n=fukumeru=, contain (as bud the flower, &c.), 108.\n\n=fukure= (_-ru_), be swollen, T.\n\n=fukuro=, bag, T.\n\n=fukushi= (_fugushi_), a sort of spade or trowel, 1.\n\n=fumasuramu= (_fumu_).\n\n=fumedomo= (_fumu_) (Chinese _wen_).\n\n=fumi=, a writing, 13.\n\n=fumi-narashi=, tread level, 92.\n\n=fumi-nuku=, tread-pierce, trample on and discard, 62.\n\n=fumi-okoshi=, trample-rouse, beat (deer, &c.), 52.\n\n=fumi tahiragezu=, not trample level, not much more than \u2018pace about\non\u2019.\n\n=fumi-tate=, trample-start, beat (game, as birds, &c.), 52.\n\n=fumi-tsuki= (_hofufumi --_), ear-ripen month, seventh month, 127.\n\n=fumi-tsurane=, make way through on foot, 168.\n\n=fumodashi= (_fumi wo hodashi_), foot-fetter, halter, &c., 211.\n\n=fumoto=, base of mountain, Ts.\n\n=fumu= (_fumi_), trample, tread on.\n\n=funa= (_fune_), boat, ship, 68.\n\n=funa-bito=, sailor, T.\n\n=funa-de=, boat-start, 199.\n\n=funa-ji=, ship-track, Ta.\n\n=funa-ko=, boatman, sailor, 116.\n\n=funa-yosohi=, preparation of boat for departure, equip, &c.\n\n=funa-zoko=, bottom of boat, T.\n\n=fune= (_funa_), boat, &c.\n\n=furafu= (_furu_), 23.\n\n=fureba= (_furu_).\n\n=furezu= (_furu_).\n\n=furi= (_furu_), shower down.\n\n=furi-kahashi=, flutter together, reciprocally, 64.\n\n=furi-kaheshi=, flutter (of sleeves so as to show inside in motion of\nrowing or sculling), 220.\n\n=furikemu= (_furu_).\n\n=furiki= (_furu_).\n\n=furikinu= (_furu_).\n\n=furi-midari=, shower down confusedly, 34.\n\n=furinishi=, old, become old, 77, 95.\n\n_-- furu_, to pass.\n\n=furi-okeru=, be showered down and lie on, 37.\n\n=furi-okoshi=, shake, arouse, excite, 214, 261.\n\n=furisake-miru=, contemplate, gaze at, 21, 236.\n\n=furite= (_furu_), pass, elapse; _toshi furu_, grow old, Ta.\n\n=furiteshi= (_furu_, touch), 183.\n\n=furi-tsutsu= (_furu_).\n\n=furu=, fall (snow, rain, &c.), 8.\n\n=furu=, shake, brandish, flutter, 142.\n\n=furuki=, old, not new, 39.\n\n=furukoromo=, old vestment, 89.\n\n=furumahi= (_furumafu_), feast, banquet, 52.\n\n=furu-sato= (one\u2019s old village, home), 60.\n\n=fuse-iho=, mean cabin, tumble-down hut, 67.\n\n=fuseraku= (_fuseru_), lie prostrate, 66.\n\n=fuseru= (see _fuseraku_), 195, 214.\n\n=fuseya=, lean-against-hut, bridal-hut, 47. See note translation.\n\n=fuseya-taki=, m. k.\n\n=fushi=, internode of bamboo, tract or space (time or length), 250.\n\n=fushi= (_fusu_), lie prostrate, 24.\n\n=fushi-afugi=, lie prostrate and look up, 70.\n\n\u2731=fushigi=, strange, wondrous, Ta.\n\n\u2731=fushin=, strange, Ta.\n\n=fushi-wi=, lie-be-prostrate, 25.\n\n=fushi-wogami= (_u_), prostrate in prayer, T.\n\n=fusuma=, coverlet, or wadded sleeping-garment, 67.\n\n=futa= (_tsu_), two, 66.\n\n=futa=, lid, 219.\n\n=futa-bito=, two persons, T.\n\n=futagi= (_w_), cover, shut (lid), T.\n\n=futari=, two persons, 50.\n\n=futa-tabi=, twice, 127.\n\n=futatsu=, two, T.\n\n=futatsu tatsu=, stand two together, 210.\n\n=futaya= (_futa-aya_), two-coloured pattern, 203.\n\n=futo=, suddenly, T.\n\n=futoshiki=, _futoshikasu_, stout, massive, make, build, or be --.\n\n=futoshiritate=, vast-know-set-up, i.e. govern, reign majestically, 262.\n\n=futsu=, two, T.\n\n=futsuka=, two days, 181.\n\n=fu-tsuki= (_fumi_, or perhaps _fufumi-tsuki_), [fullest moon (lunar)\nmonth i.e.] seventh lunar month, Aug.-Sept., month of harvest moon.\n\n\u2731=fuufu=, man and wife, Ta.\n\n\u2731=fuusei=, sound, voice of wind, Ta.\n\n=fuye=, flute.\n\n=fuye-fuki=, play flute, 211.\n\n=fuyu=, winter.\n\n=fuyu-komori=, m. k.\n\n=fuyu-kumoriku= = _fuyukumori_.\n\n=fuzhi=, Wistaria.\n\n\n=ga=, gramm. part.\n\n\u2731=gai=, injury, T.\n\n=ga mo=, gramm. part.\n\n=gana= = _kana_.\n\n=gane=, =gani= (_nasu_), like, 65, 101.\n\n=gara= (_karada_?), kind of affix signifying sort, class, quality, &c.;\n_ya gara dochi_, members of a family.\n\n=garu= (_i_) = _ge aru_; affix signifying condition, state, T.\n\n=gata= (_kata_).\n\n=gatera=, while, at same time as, with verbs, almost = _nagara_.\n\n=ge ni=, verily, T.\n\n\u2731=genzhiyau-raku=, name of a musical piece, =Joyeuse-Rentr\u00e9e=, Ta.\n\n\u2731=gi=, thing, matter, Ta.\n\n=giri= = _kiri_, mist.\n\n=gisu= = _ki su_, T.\n\n\u2731=go=, five, T.\n\n\u2731=go ran=, pray look, see, T.\n\n=goro= (_koro_), period, time.\n\n=goto= = _gotoku_.\n\n=gotoku=, like, similar.\n\n=goto ni=, after nouns = each, every time.\n\n\u2731=gushi= (_su_), accompany, T.\n\n\u2731=guwan=, desire, petition, T.\n\n\n=ha=, gramm. part.\n\n=ha=, leaf.\n\n=ha=, eight, T.\n\n=haakara= (_hahakarada_), uterine brethren?\n\n=habakari= (_u_), spread over (_amakumo_), 36.\n\n=habakari= (_u_), fear, hesitate, 260.\n\n=haberazameri= (_haberi-aru_ = _haberu_), neg. fut., T.\n\n=haberi=, serve, attend on (a superior), be, is, &c. (_-- ru_, _--\nranu_, _-- rikemu_, _ritsuru_), T.\n\n=hachi=, bowl, T.\n\n=hachisu= (_hasu_), Lotus lily, Nelumbo nucifera, Gaert.\n\n=hada=, bare skin, body surface, 105.\n\n=hadzu=, bow-end, notch.\n\n=hadzukashi= (_-ku_, &c.), feeling ashamed, T.\n\n=hafu=, extend, _hahe_.\n\n=hafu=, creep, 17, 46, 219.\n\n=hafu=, gable-end, roof, T.\n\n=hafuri=, _miya_ attendants, lower _shinto_ priests, 24, 182.\n\n=hafuri= (_u_), bury.\n\n=ha-furi= (_u_), wing-shake, 247.\n\n=hafu-tsuta=, creeping ivy.\n\n=hagami= (_u_), gnash teeth.\n\n=hageshi=, violent, T.\n\n=hagi=, bush clover, Lespedeza.\n\n=hagitari= (_hagu_), strip (bark), 211.\n\n=hagoromo=, feather robe, T.\n\n=haha=, mother.\n\n=hahaso=, Quercus dentata, 239.\n\n=hahasobano=, quibbling m. k. of _haha_, mother, 262.\n\n=hahete=, =haheru= (1) look fine; (2) grow, flourish.\n\n=hahezu= = _hayezu_.\n\n=hahi= (_hafu_), creep.\n\n=hahi-hirogori= (_u_), creep and spread widely, Ts.\n\n=hahi-nobori=, creep up, T.\n\n=hahi-norite= (_noru_), climb up on and ride (horse), 67.\n\n=hairete= (_hairu_), put in, 199.\n\n=haji=, shame, T.; _-- mise_, show up to shame, T.\n\n=hajishiku=, ashamed, T.\n\n=haka=, tomb.\n\n=hakanaki=, fugitive, passing, impermanent, uncertain, Ts., T.\n\n=hakari= (_u_), consider, weigh.\n\n=hakashi= (_hakasu_), gird on, 105.\n\n=hakazu= (_haku_), not draw on (boots, &c.), 124.\n\n=haki-kiyome=, sweep-out and make tidy.\n\n=hako=, box, coffer, 105, 210, T.\n\n=hakure=, reeve (rope through bull\u2019s nostrils), 211.\n\n=hama=, shore, 40.\n\n=hamabe=, shore and vicinity, shore.\n\n=hamamatsu=, Suaeda glauca, Bge.\n\n=hamana=, Tetragonia expansa, a seaweed thrown up on shore is meant in\n142.\n\n=hameba= (_hamu_), chew, eat, 63.\n\n=hamedo= (_hamu_), 205.\n\n=hana=, flower, blossom.\n\n=hanabishi bishi to= = _hanabishi hanabishi_, snuffle, snort, 67.\n\n=hanachi= (_tsu_), let go, let loose, T.\n\n=hanachikemu= (_hanatsu_), let go, let fly.\n\n=hanada=, deep blue.\n\n=hana-dzuma= (flower-spouse), one of a pair of flowers, 232.\n\n=hanahada=, very.\n\n=hanare=, be apart, far parted from, 66.\n\n=hanare-wite=, being apart from, 18.\n\n=hanari=, parted, as hair falling down to either shoulder\n(_furi-wake-gami_), 125.\n\n=hanasusuki= (_obana_), Miscanthus sinensis, Ts.\n\n=hanatachibana= (_natsumikan_) = Citrus bigaradia.\n\n=hanatsu= (_hanachikemu_), 173.\n\n=hana-wemi=, flower-smile.\n\n=hane= (_ru_), beat water with scull.\n\n=hanekaki=, flap wings, Ts.\n\n=hara=, plain, waste, moor.\n\n=hara=, belly, T.\n\n=harafu=, clear away.\n\n=haragara=, uterine brethren, 49.\n\n=harahite= (_harafu_), 84.\n\n=hara-kiri-warahi=, cut-belly-laugh, i.e. laugh to split sides, T.\n\n=harara ni=, in a scattered way, 259.\n\n=haratatashiki= (_d_), angry, lit. belly-up, T.\n\n=hari=, alder (Alnus jap^a.), 203, 248.\n\n=hari= (_haru_), T.\n\n=harobaro= (_harubaru_), far, far away, 247, 261.\n\n=haru=, stretch, spread-out, hang, T.\n\n=haru=, spring-time.\n\n=harubaru= (_harobaro_).\n\n=haru-hana=, spring-blossoms (plum and cherry).\n\n=harusame= (_haru-tsu-ame_?), spring showers, 108, 215.\n\n=haru-tori=, spring birds.\n\n=hasamu=, grasp, clasp.\n\n=hashi=, margin, border, limit, extreme, 24, 239.\n\n=hashi=, bridge, ladder.\n\n=hashi= (as in _hashikiyoshi_), fine, beautiful (_Hashiudo_, pr. name =\nfair person, that is, fair woman).\n\n=hashikiru=, cut-end-off, 67.\n\n=hashikiyashi= (_yo shi_), fine, beautiful, 30, 246.\n\n=hashimukafu=, m. k.\n\n=hashiri= (_u_), run = _washiri_, T.\n\n=hashita=, small fragment, partly--_tatsu mo iru mo --_ = half inclined\nto depart, half to enter, T.\n\n=hashitate=, erect ladder, ladder.\n\n=hata=, twenty, Ts.\n\n=hata=, flag, banner.\n\n=hatake=, cultivated (not paddy) land, 234.\n\n=hatasazu= (_hatasu_), not achieve, accomplish.\n\n=hatasusuki= (_\u00f4bana_), apparently = _hanasusuki_ (Kogi), 127, 213.\n\n=hatate= (_hate_), end, 99.\n\n=hata-tose=, twenty years, T.\n\n=hate=, _hatemu_, come to end of (as voyage), 68.\n\n=hatsu=, opening, earliest (bloom, &c.), _-- hana_ (231); _-- kowe_\n(242); _-- tare_ (211).\n\n=hatsuki=, eighth (lunar) month, Sept.-Oct.\n\n=hatsuru= (_hate_), to end, 234.\n\n\u2731=hau= (_h\u00f4_) = _kata_, T.\n\n=haya=, soon, quickly, 98.\n\n=hayakaha=, swift stream, 62.\n\n=hayakareba= (_hayaku-aru_).\n\n=hayaku=, swift, early.\n\n=hayami= (_hayaku_); _mi_, see gramm.\n\n=hayasane= (_hayasu_), prec. imperat.\n\n=hayashi=, grove, wood.\n\n=hayashi= (_hayasu_), praise, 210.\n\n=hayate=, squall, sudden storm of wind, T.\n\n=hayezu= (_haeru-noberu_), not extend, draw out.\n\n=hayuru=, flourish, 26.\n\n=hazhime=, begin, 14, 127.\n\n=hazhi-yumi=, bow of _hazhi_; see note, 263.\n\n=hazu= (see _hadzu_), bow-end, notch.\n\n=he= (_hedateru_), 213.\n\n=he=, place, quarter, _nu he_, _no he_, _umi he_.\n\n=he=, littoral, as opposed, _oki_, deep, waters, 68.\n\n=he= (_uhe_), 33.\n\n=he= (_heru_, _hete_, _furu_), pass on, elapse, T.\n\n=hedate= (_ru_), interval, space, distance between, be parted from by,\n194.\n\n=hehi= (_hibi_), day by day, 79.\n\n\u2731=henguye= (_henge_), transformation, metamorphosis, T.\n\n=henu= (_heru_, _henurau_), pass, elapse, Ta., 50.\n\n=henu= = _furu_.\n\n=henureba= (_heru_).\n\n\u2731=henzhi= (_henji_), answer, T.\n\n=he tsu kai=, shallows\u2019 scull, also starboard, 19 (see note); confer K.\nApp. V. _Hetsukai_ is opposed to _okitsukai_.\n\n=he-yukeba= (_heru_), pass on, 146.\n\n=hi=, sun, day, flame, fire.\n\n=hi= (_hiru_), dry, 50.\n\n=hi no ki=, Chamaecyparis obtusa, 13, 135.\n\n=hibiku=, echo, resound, Ta.\n\n=hidzuchi= (_hidzutsu_, _hidzu_), be drenched, wet through, 23, 184.\n\n=higashi= (_himukashi_), towards sun, East, T.\n\n=hige=, beard, face-hair, 67, 262.\n\n=higoro=, some days ago, some time, T.\n\n=higoto=, day-by-day, 221.\n\n=higure=, dusk of day, T.\n\n=hikari=, (_u_), light, glow, blaze, 31, 233.\n\n=hikari-michi=, be full of glow, radiance, T.\n\n=hi ke ni=, _hi kihe ni_, as days pass on.\n\n=hiki= (_u_), pull, draw, lead, 92; in composition, rather indicates\ncommencement or particularity of action.\n\n=hiki-age=, draw, lift up, T.\n\n=hiki= \u2731=gushi=, bring along, \u2018emmener\u2019, T.\n\n=hiki-hanatsu=, draw-let-go (bow-string), 24.\n\n=hiki-kake= = _kake_.\n\n=hiki-noboru= (_noboru_).\n\n=hiki-ori=; pull-break, i.e. break, (make deviate, alter course).\n\n=hiki-sugi= (_u_), bring, lead, pass, beyond, T.\n\n=hiki-uwe=, take and plant, 244.\n\n=hiki-yojite= (_yojiru_).\n\n=hikobi=, a sort of _obi_ (girdle).\n\n=hikodzurahi= (_hiko-tsuru_), draw, haul, 171.\n\n=hi-kohori=, ice-frozen, 15.\n\n=hiko-ye=, latter, smaller twigs, 231.\n\n=hi-kurashi=, till day darkens, all day, 183.\n\n=hima=, small space, or interval, crevice [leisure], T.\n\n=hime=, princess, lady.\n\n=hime-kabura=, a kind of drumming arrow, 210.\n\n=hime-matsu=, lady-Pine (of Suminoye), Ta.\n\n=himo=, fastening cord, girdle, &c.\n\n=himukashi= (_higashi_), East, 189.\n\n=hina=, wild country, frontier.\n\n=hi-naku=, _hi_ = _hiru_, dry, 50.\n\n=hinazakaru=, frontier-distant.\n\n=hinemosu=, all day, 111.\n\n=hinezumi=, fire-rat, salamander, T.\n\n=hi-no miko=, sun-prince.\n\n=hi-no-tate=, probably East.\n\n=hi-no-yoko=, probably West.\n\n=hirakase=, open, 178.\n\n=hiraki= (_u_), be open, open.\n\n=hirame= (_uru_), flatten, T.\n\n=hirameki=, flash, glitter (float, flutter, wave about), T.\n\n=hira-se=, watery expanse, or pool, 246.\n\n=hire=, scarf, veil, wimple, \u03ba\u03c1\u03ae\u03b4\u03b5\u03bc\u03bd\u03bf\u03bd, rica.\n\n=hireba= (_hiru_, dry).\n\n=hirifu= (_hirofu_), pick up, gather, 181.\n\n=hirihamu= (_hirifu_).\n\n=hirihi-tori=, pick up, 199, 144.\n\n=hiro=, fathom, 239.\n\n=hiroge=, open, unroll, T.\n\n=hirokeki= (_hiroshi_), spacious.\n\n=hiroki= (_hiroshi_).\n\n=hiromari=, extend, spread, Ts.\n\n=hiromi= (_hiroshi_).\n\n=hiroshi=, wide, spacious, 136.\n\n=hiru=, day-time.\n\n=hiru=, dry, be dry, 21, 73.\n\n=hisakatano=, m. k.\n\n=hi sa-manemi= (_manemi_ = _maneshi_, numerous, &c.), very many days.\n\n=hisame= = _hitaame_, shower (rain), (_hisame_ is also hail), 30.\n\n=hisa ni= (_hisashiku_), long time, 181.\n\n=hi-sarashi=, sun-blanch, 203.\n\n=hisashiku= (_hisa ni_), long (time), 35.\n\n=hishimu=, ebb, 44.\n\n=hita=, simple, plain.\n\n=hitaburu ni= (_hitasura_), earnestly, T.\n\n=hitachi= (_hitatsuchi_).\n\n=hitahi=, forehead, T.\n\n=hitakuro=, quite black, all black, T.\n\n=hitasa-wo=, plain (unbleachen?) yarn, 124.\n\n=hitateri=, shining, dazzling, 231.\n\n=hitatsuchi=, plain, bare ground, 67, 168.\n\n=hito=, one, _hitohe_, one-fold, simple.\n\n=hito=, one man; another, other, 231, 180, 113.\n\n=hitobito=, men, persons, T.\n\n=hito-dzuma=, another man\u2019s wife.\n\n=hito-giki=, men-hear, rumour, T.\n\n=hito-goto= (_hito no uwasa_), men\u2019s report, 49.\n\n=hitohe= (_hito_).\n\n=hitoma=, while or where no man present, T.; or, some place, a place\n(anywhere).\n\n=hitome=, one glance, 101, 215.\n\n=hitome=, man\u2019s eyes, sight of men.\n\n=hitonami=, as usual, ordinary, 67.\n\n=hitori=, alone, or one.\n\n=hitori-bitori=, in T. = _hitori_.\n\n=hitoshi=, equal, alike.\n\n=hitotsu=, one, T.\n\n=hito yo=, one of the three _yo_--i.e. the present one.\n\n=hi-tsugi=, sun-descent, 227.\n\n=hi-tsuki=, days and months, time.\n\n=hi-tsura= (_hita-ura_), simple-lined, or unlined, unwadded, 203.\n\n\u2731=hiyaku=, one hundred, all; _hiyaku kuwan_, all the officials, T.\n\n\u2731=hiyaushi= (_hy\u00f4shi_), be in accord, or tune with (music), Ta.\n\n=hiza=, knee.\n\n=hizhiri=, sage, priest.\n\n\u2731=hizhiyau= (_hizh\u00f4_), lifeless, Ta.\n\n=ho=, sail, Ta.\n\n=ho=, spike, ear, florescence (Midzuho), _ho nideru_, be in ear.\n\n=ho=, _100 ya ho yorodzu_, 800 myriads, countless.\n\n=ho=, top, _hotsuye_, top branchage, 108, 139.\n\n=hodo=, quantity, measure, extent (_tsuki no hodo ni_, as the moon\nwaxed), T.\n\n=hodonaku=, at once, T.\n\n=hodo ni=: see gramm.\n\n=hogi= (_u_): see _hosagu_.\n\n\u2731=ho-i-naku= (_hon-i-naku_), against one\u2019s will.\n\n=hoka=, other, _hokazama_, other way, astray, T.\n\n=hoki= (_u_): see _hosagu_.\n\n=hokori= (_u_), be proud of, boast, 105.\n\n=hokorohedo= (_hokori_), 67.\n\n=hokoroheru= (_hokori_), 203.\n\n=hokosugi=, spear-shaft-_sugi_, i.e. _sugi_ tree tall as a _hoko_,\nspear.\n\n\u2731=hoku-ro=, north-dew (on sunless side of plants), Ts.\n\n\u2731=honchiyau= (_honch\u00f4_), homeland, Japan, Ts.\n\n=ho ni= (_honoka_).\n\n=honoka ni=, dimly, faintly, 196.\n\n=hori= (_u_), love, _me wo hori_, 138.\n\n=hori-suwe=, scoop, dig hollow to place thing in, 42.\n\n=hosagu= (_hosaku_) = _ihafu_, bless, 257.\n\n=hosazu= (_hosu_), not dry, 48, 50.\n\n=hoshi= (_hosu_), to dry.\n\n=hoshiki= (_hoshii_), desirable, 133.\n\n=hoshisa=, desire, envy for, T.\n\n=hoso=, thin, slender, 203.\n\n=hotaru=, pretty, T.\n\n=hotaru-nasu=, m. k.\n\n=hotoke=, Buddha, darling, T.\n\n=hototogisu=, cuckoo, Cuculus poliocephalus.\n\n=hotsu= (_hatsu_?): see _hotsute_.\n\n=hotsutaka=, chief, favourite hawk, 225.\n\n=hotsute=, chief, headman, perhaps _ho-tsu-te_.\n\n=hotsuye=, top branches, 107.\n\n=hoye= (_hoyuru_), to back, 159.\n\n\n=i=, prefix (value uncertain), 3, 15.\n\n=i=, affix, perhaps Korean article.\n\n=i=, _i no ne_ = _nuru_ (_neru_), sleep, 44.\n\n=ibaye=, neigh, 185.\n\n=ibuki-madohashi=, distracted with doubt, gloom, anxiety.\n\n=ibusemi=, gloomy.\n\n\u2731=ichi=, one, whole, T.\n\n=ichi=, place of market, sort of town.\n\n=ichihi= (_ichiwi_), Taxus cuspidata, S. and Z., 210.\n\n=ichishiruku=: see next word.\n\n=ichizhiruku=, plain, evident, 81, 204.\n\n=ide=, often a sort of auxiliary prefix verb, also exclamative.\n\n=ide-ahi=, T.\n\n=ide-ki=, T.\n\n=ide-kite=, come (from somewhere) 105.\n\n=idemashi=, a royal progress, 57.\n\n=ide-mi= (_mu_), go or come out and see, 197.\n\n=ide-miru= (_idemimu_).\n\n=ide-mishi= (_ide-miru_).\n\n=ide-sohe= (_sofu_), T.\n\n=ide-tachi=, start, 173, 190, 218.\n\n=idete= (_idzuru_).\n\n=ide-wite=, be in place one has come or gone to.\n\n=ide-yukaba=, =ide-yukasu=, =ide-yukishi= = =ide-yuku=, set out, go\nforth, 50.\n\n=idezu=, not go out, 120, 206.\n\n=idzuku=, in what place, where, whither, 63, 64.\n\n=idzura=, where (comp. _dochira_, _achira_).\n\n=idzure=, where, what.\n\n=idzuru= (_deru_), go out, come out, start, 206.\n\n=ifu=, speak, say.\n\n=ifukarishi= (_ibu-_), _utsutsu to shite_, be gloomy, sad, 110.\n\n=i-fuki= (_fuku_), blow.\n\n=ifusemi= (_ibusemi_), 125, 232.\n\n=iha=, rock, stone, 12.\n\n=iha-bashiru=, m. k.\n\n=ihafu= (_ihahi_), bless, congratulate, Ts.\n\n=ihahamu= (_ihafu_), bless.\n\n=iha-hashi=, rock-bridge, stepping-stones or natural bridge.\n\n=ihaheru= (_ihafu_): see gramm.\n\n=ihahi= (_ihafu_), _ihahi-uta_, Ts.\n\n=i-hahi= (_hafu_), creep.\n\n=ihahi he= (_be_), sacrificial jar, 42, 119.\n\n=ihahi-ko=, girl well brought up, i.e. of good position, 124.\n\n=ihahi-suge=, sacred reed.\n\n=ihaho=, rock, cliff, 93.\n\n=iha-kaki=, rock-fence.\n\n=iha-kamahe= (_g_), rock-enclosure, stone-construction (of piled\nstones), 122.\n\n=iha ki=, stones and stocks.\n\n=ihaku= (_ifu_), _ihaku mo shiruku_, 59.\n\n=ihamaku= (_ifu_) = _ihamu_.\n\n=ihamu= (_ifu_).\n\n=iha-ne=, stone, rock (part sunk in earth), peak.\n\n=i ha nezute= = _nezute_ (_nuru_), not sleep, 156.\n\n=ihare= (_ifu_), also reason, explanation, story.\n\n=iha-to=, rock-door.\n\n=ihatoko= (_d_), rock-couch, flat top of rock, 156, 187.\n\n=ihayeshi= (_ifu_) = _ihayuru_, what is called \u2026, 48.\n\n=ihazu= (_ifu_), not-say, 60, 121.\n\n=ihe= (_ru_), was, is said, 119.\n\n=ihe= (_i-he_), dwell-place, abode, house, home.\n\n=iheba= (_ifu_), 59.\n\n=ihe-bito=, house-folk, 200.\n\n=ihe-de=, house-, home-leave (possibly = sometimes _shukke_, Buddhist\nrenouncement of world).\n\n=iheraku= (_iheru_, _ifu_), 105.\n\n=iheru= (_ihe_, _ifu_).\n\n=ihe-tsu-tori=, house-bird; _kake_, cock.\n\n=ihe-wasure=, home-forget, abandon.\n\n=ihe-zakari=, be far from home, 61.\n\n=ihi=, boiled rice.\n\n=ihi= (_ifu_), say, speak, T.\n\n=ihi-oku=, say and leave, hand down, Ta.\n\n=ihidzurabi= (_ihitsuru_), 171.\n\n=ihi-hazhime=, begin to say, T.\n\n=ihi-itari=, was saying, T.\n\n=ihi-kakare=, address, T.\n\n=ihi-kashiku=, boil rice, 67.\n\n=ihi-kereba= (_ifu_).\n\n=ihi-oki=, say, order, T.\n\n=i-hirihi= (_hirifu_, _hirofu_), 209.\n\n=ihitate=, declare, announce, T.\n\n=ihiteshi= (_ifu_), 192.\n\n=ihi-tsugahikeru= (_ihi-tsugi_).\n\n=ihi-tsugeru=, tell, 30.\n\n=ihi-tsugi=, hand down story of, 65.\n\n=ihi-tsugitaru= (_ihi-tsugi_).\n\n=ihitsuru= (_ifu_).\n\n=ihitsutahe= (_-afu_), hand down orally, T.\n\n=ihi-tsute-keraku= (_ihi-tsutahikeru_).\n\n=ihi-wadzurahi=, be averse from saying, T.\n\n=ihi-yaramu=, say-send, make known to, communicate, 158.\n\n=iho=, hut, 25.\n\n=i-ho-chi=, five hundred thousands.\n\n=i-ho-he=, five-hundred-fold, 86.\n\n=ihori= (_iho-wori_), abide in hut, _ihorite_, 30, 78.\n\n=iho-ye=, 500 (countless) branches, 78, 211.\n\n=i-ho-yorodzu=, 500 myriads.\n\n=i-imo= (_imo_), 53.\n\n=ika=, how, how much, T.\n\n=ika-bakari=, just how much, T.\n\n=ikada=, raft, 13, 135.\n\n=ikade=, how, what amount, &c.\n\n=ikadeka=, howsoever, somehow, T.\n\n=ikaga=, how, T.\n\n=i-kaki-watari= (_watari_), _ikameshiu_, with dignity, severity, T.\n\n=i-kakuru= (_kakuru_).\n\n=ikanaru=, what sort of, what? T.\n\n=ika ni=, how, &c., 31.\n\n=i-kari= = _kari_ (hunt).\n\n=ikaru= (_ikaruga_).\n\n=i-karuga=, a bird: see 139.\n\n=ikasama=, how, after what fashion? _-- ni oboshimese ka_, 48, 49; _--\nka_, in some way, for some reason, or other, 22.\n\n=ikatsuchi= (_dz_), thunder, 24.\n\n=ika-=\u2731=yau= (_ikay\u00f4_) = _ikasama_, T.\n\n=ike=, pond, pool.\n\n=ikeramu= (_ikeru_), 146.\n\n=ikerazhi=, not-be-alive, not-live, 124.\n\n=ikeri-tomo= (_ikeru_).\n\n=ikeru=, be alive, 125.\n\n=ike-tori=, take alive, 210.\n\n=iki= = _yuki_ (_u_), T.\n\n=iki=, breath, life, 101, 117. _-- no wo_, thread of life, life, 155.\n\n=iki= (_iku_), live, Ta.\n\n=iki-dohoru= (_t_), revive, cheer, 236, note.\n\n=iki-dzuke= (_iki-dzuki_).\n\n=iki-dzuki= (_ts_), breath-stick, gasp, 28, 69, 102.\n\n=ikihohi=, power, influence, T.\n\n=iki sahe tayete= = _iki-tayete_, breath-fail, 105.\n\n\u2731=ikken=, one look, a glance, look, Ta.\n\n=i-kogi= (_kogu_).\n\n\u2731=ikoku=, barbarian lands, Ta.\n\n=i-koroshi= (_su_), aim at and kill, T.\n\n=ikubaku=, very, ever so much, 124.\n\n=ikuda=, how much, much, many; _-- mo_, ever so much; _-- -- arazu_,\nsome, few, 17.\n\n=i-kuhi= (_kuhi_), 151.\n\n=ikuri=, sea-bottom (muddy?), 79.\n\n=ikusa=, host, forces, army, war, 24.\n\n=ima=, now, presently, 3, 108, 161.\n\n=imada=, not yet, 24, 61.\n\n=i-maki= (_maki_).\n\n=imasamu=, =imasane=, =imasanu= (_imasu_).\n\n=ima sara=, now again, 204; now at all events, T.\n\n=imase=, =-- ba=, =-- taru= (_imasu_).\n\n=imashinu= (_imasu_).\n\n=imashi-ra=, ye, you, 87.\n\n=imashite= (_imasu_).\n\n=imasu=, hon. form., be-in-at, &c.\n\n=imasukari= (_imasogaru-i_) = _imasu ga ari_, T.; = _ohashimasu_.\n\n=ime= (_yume_), 18, 60, 161.\n\n=i-me=, archers, bow-men, 76, 159.\n\n=imi= (_u_), _tabu_, forbid, keep pure, clean, 162.\n\n=imi= (_u_), keep out, ward off (203), dislike, shun, _tabu_, T.\n\n=imizhiku=, very, extremely, magnificently.\n\n=imo=, younger sister, wife, mistress, 16.\n\n=imohi= (_imofu_) = _imu_, T.\n\n=imo mekarete=, part from one\u2019s _imo_, 82.\n\n=imo mo se mo=, younger sister and elder brother (all children, girls\nand boys), 214.\n\n=i-mo-nezu= (_nezu_), not-sleep.\n\n=imo-ra=, hon. pl., cf. _imo_, 170.\n\n=imu=: see _imi_.\n\n=imu= (_i_ = _iru_, aim, shoot at), T.\n\n=in=: see _imu_ (_i_ = _iru_), T.\n\n=ina=, no (decidedly), T.\n\n=(w)inaba=, rice-foliage, but in 224 it is _-- aba_, form of _wiru_,\n_woru_.\n\n=inabi= (_inamu_), T.\n\n=inaki=, a (royal) village headman, 203.\n\n=inamu= (_inami_), refuse, T.\n\n=inamu= (_inan_, _inu_, _ini_), will go away, T.\n\n=ine= = _ne_, sleep, _na ine so_, 105.\n\n=ine-kate=, hard to get sleep, 54.\n\n=inetaru=, asleep, 194.\n\n=inikemu=, pass away, die.\n\n=inishi= (_inu_), past, gone, agone, 250.\n\n=inishi-he=, time agone.\n\n=inochi= (_inu-uchi_?), life, 29.\n\n=i-no-ne-kateneba= = _inekate_ (_neba_), 44.\n\n=inoru= (_i-noru_), pray, supplicate, recite prayer to, 74.\n\n=inu= (_inuru_, _ini_), go away, T.\n\n=inu=, dog.\n\n=iraka=, tiles, tiled roof, 203.\n\n=iranakeku= (_irairashi_), vexed, despondent, \u2018nettled\u2019? 215.\n\n=irayuru= (_iraye-_), reply, answer, T.\n\n=irazuba= (_iru_, _iri_, enter), T.\n\n=ire= (_iru_, go in), put in, T.\n\n=irete= (_iru_).\n\n=irihi=, setting of sun.\n\n=irihinasu=, m. k.\n\n=irite= (_iru_).\n\n=iri-wi=, enter-be, be in, 53, 105.\n\n=iri-ye=, creek, bay, 47.\n\n=iri-ye-kogu=, 223; here the meaning might be, _irikogubeshi_--can\nscull, oar in.\n\n=iro= (_irose_, _irodo_, 206), term of address and endearment.\n\n=iro=, love, passion, 158. _-- ni deru_, to go out to meet a mistress,\n118, 158.\n\n=iro-dzuku= (_ts_), imbue with colour, colour (as autumn tints, 86).\n\n=irogonomi= (_u_), be fond of women, Ts.\n\n=irogonomi=, luxurious (in Shakespearean sense), T.\n\n=iroiro=, various, T.\n\n=irosohi= (_fu_), colour-add, conjoin hues, Ta.\n\n=iroye=, add colour, colour (in various ways).\n\n=iru=, go, come in, enter.\n\n=[i-] saki-motoheru= (_hiraki motoheru_), said of waves rising and\nbreaking along or around a coastline, 78.\n\n=isamenu=, not-forbid, 113.\n\n=isamitaru=, bold, 258.\n\n=isanatori=, m. k.\n\n=isaru=, fish for, fish, 259.\n\n=isasaka=, a very little, T.\n\n=isayohi=, moon on 16th of (lunar) month.\n\n=ishi=, stone, 65.\n\n=ishi-ura=, rock divination, 45.\n\n=iso=, shore, sea-marge, 132.\n\n=i-sobahi= (_asobari_?), 139.\n\n=isobe=, shore, stony place, 30.\n\n=iso-gakure=, rocks being concealed by (mist), Ta.\n\n=isohaku=, be active, busy.\n\n=isozhi=, fifty, T.\n\n\u2731=issen=, one thousand, Ta.\n\n\u2731=issho=, one-place, together, T.\n\n\u2731=isshou= (_issh\u00f4_), through life, T.\n\n=ita= (_ito_).\n\n=i-tachi= (_tatsu wi-tachi_ = _tachi-wi_).\n\n=itadaki=, top, summit, head, T.\n\n=itadaki= (_ch\u00f4dai_), receive humbly, 68.\n\n=i-tadori= (_tadori_), 64.\n\n=itadzura ni= (_itami-dzura_), in vain, uselessly, unpleasantly, 101,\n215.\n\n=itahashi= (_-- kereba_), pitiable.\n\n=itakeku=, _itaki koto_ (_itamu_), 214.\n\n=itaki=, unpleasant, 69.\n\n=itaku=, extremely; _-- shite_, T., 19.\n\n=itame= (_itamu_).\n\n=itami= (_itamu_).\n\n=itamo= (_itomo_), subenami, 217.\n\n=itamu=, feel unpleasant, in pain, vexed, suffer, 17, 31, 50, 94.\n\n=itareba= (_itaru_), 33.\n\n=itareru= (_itaru_).\n\n=itari= (_itaru_), arrive at.\n\n=itariki= (_itaru_), 153.\n\n=itarinu= (_itaru_).\n\n=itaru=, arrive at, reach.\n\n=itashi= (_itaki_), 180.\n\n=itate=, plank, or wooden door (not sliding), 64.\n\n=ito=, very, 93.\n\n=itodo=, very, 233.\n\n=itohoshi= (_itahashi_), pitiable, worthy of love, regret, pity, 193.\n\n=itoke-mi=, young (person, &c.), 62.\n\n=itoko=, term of address and endearment, 210.\n\n=itoma= (_m\u00f4su_), take leave, T.; farewell, leisure (Ts).\n\n=itonokite= (_itonoku_), extremely, excessively, 67, 69.\n\n=i-torashite= (_toru_), 66.\n\n=itsu=, when.\n\n=i-tsugari= (_tsugaru_).\n\n=itsuka=, at any time.\n\n=i-tsuki= (_imi-tsuki_), sacred elms, 131.\n\n=itsuki= (_u_), keep, guard with care or reverence, 45, 55, 252,\ncherish; _itsuki-kashidzuki_, attend upon and cherish, T.\n\n=itsukushiki= (_utsukushiki_), 68.\n\n=i-tsukusu= (_tsukusu_).\n\n=itsumo=, whenever, any time, always, 50.\n\n=i-tsumoru= (_tsumoru_).\n\n=itsushika=, some time or other, 66, 128, 196; an uncertain \u2018when.\u2019\n\n=i-wakare= (_wakareru_).\n\n=i-watashi= (_watasu_).\n\n=iwo mo nezu= = _i mo nezu_.\n\n=iya=, more, more and more, 16, 140, 228.\n\n=iyashiki=, mean, vulgar, 125.\n\n=iya shiki= (_iya shiku_), more and more, continuously.\n\n=iya tate=.\n\n=iya toho=, further and further (space or time), 250.\n\n=iyoiyo=, more and more, surely.\n\n=i-yori-tatashishi= = _yori-tateshi_.\n\n=iyu=, shot (by arrow), _i_, _iru_, 123.\n\n=i-yuki=, _yuki_.\n\n=iza ha=, excl. of appeal, 197, 216.\n\n=izanahi= (_fu_), invite, 225.\n\n=izayohi= (_fu_), hesitate, 41.\n\n\n=ji= (_michi_), road, path, track (sea or land).\n\n\u2731=ji=, chorus (or actors, acting as such), Ta.\n\n\n=ka=, interrog. particle.\n\n=ka=, intensitive prefix, _ka-awo_, 16.\n\n=ka=, there, thither, _ka yori kaku yoru_, thither, hither, to and fro,\n16.\n\n=ka(ze)= = wind (_kami_), 24.\n\n=ka=, a day (_nanuka_), seven days, T.\n\n=kabakari= (_kaku-bakari_), just this much, just thus, T.\n\n=kabane=, corpse, family, _gens_, 227. See Many\u00f4shiu, Introd., sect. X.\n\n=kabura=, turnip; _kabura ya_, arrow with rounded head pierced with\nholes to cause whistling or resonance.\n\n=kachi-yori=, follow on foot, come or go on foot, 180.\n\n=kado=, door, abode, house, 16.\n\n=kado-de=, start from door, go out of door, start on journey, 261.\n\n=kadzuke=, dive, 33, 79, 189.\n\n=kadzunaki=, of no account. 216.\n\n=kadzura=, chaplet, 233, 243.\n\n=kadzuraku=, put on chaplet.\n\n=kafu=, feed, nourish, 149, 185.\n\n=kafuchi= (_kaha uchi_), streamy land, 10, 222.\n\n=kafuchi= (_kaha no fuchi_?) river-pool, 223.\n\n=kagafuri= (_kami kafu[mu]ru_), cover head with, 67.\n\n=kagahi= (_kake-ahi_), a sort of answer-singing, by men and women, 113.\n\n=kagahi= (_kake-ahi_), meet, assemble, 124.\n\n=kagami=, mirror (polished metal), 210.\n\n=kagari=, stand for decoy-fire, used in fishing, 225, 237.\n\n=kage=, light, or shade, or favour, protection, 36, 132.\n\n=kagetomo= (_kage-tsu-mo_), side towards sun, south aspect.\n\n=kagi=, key, 104.\n\n=kagiri=, limit, extent, 69, 122.\n\n=kagura=, sacred mime, Ta.\n\n=kagirohi=, m. k.\n\n=ka-guhashi=, very fine, 231, 241.\n\n=ka-guroki=, deep black.\n\n=kaha=, river.\n\n=kaha=, skin, pelt, 210.\n\n=kahadzu=, frog, 39.\n\n=kahagoromo=, robe of pelt, T.\n\n=kahahori=, bat (animal), T.\n\n=kaha-mo=, river-weed.\n\n=kahara=, dry river-bed, 22, 72.\n\n=kaharafu= (_kaharu_), change, 94.\n\n=kaharamu=, _kaharu_.\n\n=kahasu=, exchange, adds idea of reciprocation.\n\n=kaha-se=, river-stream.\n\n=kahe= = _kaya_? Torreya nucifera, or species of oak.\n\n=kahe= (_kafu_), buy (imperative), 180.\n\n=kaheri=, =kaherahi=, =kaheramu=, =kaheri-kite= =\u2026 ko=, =\u2026 kone=,\n=\u2026 komu=, =\u2026 koshi=, =\u2026 mase= =\u2026 mi= (look back), =\u2026 te=.\n\n=kaheri=, go back, come back, return (as of year), Ts.\n\n=kaheshi-yaru=, send back to, 199.\n\n=kahesu=, return, 90; (= _kahere_).\n\n=kahesugahesu=, again and again, T.\n\n=kahete= (_kaheri_).\n\n\u2731=kahi=, useless (with neg.), T.\n\n=kahi-ko=, young, fledglings, 111.\n\n=kahina=, arm.\n\n=kahi-name=, feed and give to taste, feed--perhaps = give savoury food,\n185.\n\n=kaho=, face, 24, 203.\n\n=kaho-tori=, a kind of bird, 41.\n\n=kai=, scull, oar.\n\n=kai=, shell, T.; (also _kahi_).\n\n=kaimami= (_ru_), peep, T.\n\n=kaji=, scull, oar (steering), 30, 116.\n\n=kajitori=, steersman, T.\n\n=kakafu= (_kakaha_), _boregire_, rags, 67.\n\n=kakafu= (_kaki-u_, rake up), Ta.\n\n=kakahe= (_kakafu_), hold in arms, hold fast, T.\n\n=kakarahashi= (_kakaru_), caught by or in, 62.\n\n=kakarazu mo kakari mo=, be it not so, or be it so (good issue or not\nto prayers), 70.\n\n=kakareba= (_kaku areba_), T.\n\n=kakari= (_kakaru_).\n\n=kakaru=, depend on, be connected with, caught by.\n\n=kakaseru= (_kakuru_), _mi na ni kakaseru Asuka_ \u2026 [her] name-sake the\nAsuka river.\n\n=kakasu=, bear, 221.\n\n=kake= (_ru_), suspend, hang, put to; _tanomi wo kaketari_, proffered\ntheir request, T.\n\n=kake=, cock, 178 (onomatopoietic?).\n\n=kake= (_kakuru_), hang on (67), place on by, apply; _kotoba ni kake_ =\nutter, put into words, 4.\n\n=kake no yoroshiku=, appropriate (time, &c.) for utterance; _kai kake_,\nput oars in place or action, 245.\n\n=kakemaku= = _kakemu koto_, 24.\n\n=kakenu= (_kotoba ni_) = not-utter, 120.\n\n=kakerafu= (_kakeru_, soar), 203.\n\n=kakeri= (_u_), soar, 60; _tobi --_, fly high, 111, 225.\n\n=kakeru=, be defective, lack, 100.\n\n=kakeshi=, wane (moon), 238.\n\n=kakete=, i.e. _kokoro wo_, thinking of, attending to, applying mind\nto, 4, 207.\n\n=kaki=, fence, hedge, 105, 248.\n\n=kaki= (_u_), beat water with oars, 102.\n\n=kaki= (_u_), scratch, comb, also common prefix-verb denoting\nparticularity or commencement--_kakinadete_, 67.\n\n=kaki= (_u_), write, T.\n\n=kaki-haki=, gird on, put on.\n\n=kakihonasu=, m. k.\n\n=kaki-ide=, claw, scratch out, T.\n\n=kaki-kayofu= = _kayofu_.\n\n=kaki-musubi= = _musubi_.\n\n=kaki-nade= (see _nade_), 67, 70.\n\n=kaki-nage= (_naguru_).\n\n=kaki-tare=, fall down (hair on shoulders), 203.\n\n=kakitarishi= (_taru_), scratched in (by time), said of wrinkles, 64.\n\n=kaki-tsu-ta=, enclosed field.\n\n=kaki-utemu= (_utsu_), throw away, 154.\n\n=kako=, sailor, boatman, 55, 192.\n\n=kako= (_shika-ko_), young of deer, 119.\n\n=kakotereba= (_kakotsu_), weary; be wearied of, vexed, Ts.\n\n=kako-zhi=, like young deer.\n\n=kaku=, thus, this way, 5, 141.\n\n=kaku= (_umi wo_), wind, 94.\n\n=kakumare= (_kaku mo are_), thus, T.\n\n=kakumite= (_kakumu_, _kakomu_).\n\n=kakumi-wite=, surround, 67, 89, 262.\n\n=kakure= (_ru_), hide, T.\n\n=kakuri= (_u_), hide or be hidden from view, 24.\n\n=kakurohi= (_kakuri-u_), hide, &c., from view, 17.\n\n=kakusafu= (_kakusu_).\n\n=kakusaharu= (_kakusafu_).\n\n=kakushi= (_-su_), hide, cause to be hidden, conceal, T.\n\n=kaku shi koso=, just thus.\n\n=kaku shi mo ka (ga) mo to=, Oh, that thus it may remain! 52.\n\n=kakute=, being thus, T.\n\n=kamado=, hearth, furnace, 67.\n\n=kamahe= (_kamafu_), enclose, fence in, T.\n\n=kame=, tortoise, 13, 204.\n\n=kame=, earthen jar, 211.\n\n=kami=, god, lord, superior, chief.\n\n=kami=, hair, 64.\n\n=kami he=, upper part.\n\n=kaminari=, thunder (god-voice), 253.\n\n=kami-tachi=, the gods.\n\n=kami-tsu-se=, upper stream or reach.\n\n=kami-yo=, age of the gods.\n\n=kamo=, wild duck, 13, 198.\n\n=ka mo=, interjection of doubt and entreaty.\n\n=ka mo kaku mo=, that way and this.\n\n=kamome=, gull.\n\n=kamu= (_kami_).\n\n=kamu-agachi= (_-- wakachi_), allotment of gods (to special functions).\n\n=kamu-kaze=, divine wind or influence.\n\n=kamu nagara=, as a god, god-wise, being a god.\n\n=kamusabi= (_u_), be divinely majestic with a sense of retiredness or\nseclusion.\n\n=kamusabi-geru=, be _kamusabi_-like, solemn, awful, 33.\n\n=kana=, interjection of longing, regret, admiration.\n\n=kanado= (_to_), door (opening outwards), 60, 104.\n\n=kanafu= (_kanahi_).\n\n=kanafuru= (_kanafu_).\n\n=kanaguri-otoshi=, twist out, force out, T.\n\n=kanahama= (_kanafu_).\n\n=kanahe=, a tripod cauldron, T.\n\n=kanahi= (_kanafu_), be in accordance, agree with, T.\n\n=kanamaru=, metal bowl, T.\n\n=kanashi=, _kanahe_, exciting emotion, sad, mournful, 242.\n\n=kanashikeku= (_kanashi_), 215.\n\n=kanashimeru= (_kanashi_).\n\n=kanashimi= (_u_), _kanashimeru_.\n\n=kanashira=, =kanashisa= (_kanashi_).\n\n\u2731=kandau=, expulsion from clan, &c., T.\n\n=kane=, metal, copper, T.\n\n=kane= (_kaneru_), 37, 50.\n\n=kane=, bell, Ta.\n\n=kane-ki= (_kanetsu_), 251.\n\n=kaneru=, not-can, be unable.\n\n=kanete=, previously, T.\n\n=kanete=, =kanetemu=, 23, 59.\n\n=kanetsu=, =kanetsutsu= (_kaneru_), 118, 205.\n\n=kani=, crab.\n\n=kaniha-maki= (_kaba_, _kamba_), birch-(bark) built.\n\n=ka ni kaku ni=, that way and this, 69.\n\n=kannari= = _kanari_, passable, can-be, T.\n\n=kannushi=, warden of shrine, Ta.\n\n=Kara=, China, Korea, 64.\n\n=kara= = _nagara_ (30, 35); or _kare_, reason, cause; _-- yama kara_,\nas being mountains.\n\n=kara=, from, 71, 109.\n\n=karabitsu=, china-box, long chest on four legs, T.\n\n=karakutari= (_karaku_ = bitter, acrid).\n\n=karashiho=, bitter coarse salt, 69.\n\n=karashimi= (caus. of _karu_), wither; _mi_ is iterative affix, 231.\n\n=kara-usu=, Korean mortar.\n\n=karauzhite= (_kar\u00f4jite_), painfully, T.\n\n=kare=, dem. pron.: see gramm.\n\n=kareru= (_karu_), be temporary, as life, 50.\n\n=karete= = _wakarete_.\n\n=kare-yuku=, go on withering.\n\n=karezu=, not-wither.\n\n=kari=, temporary, impermanent.\n\n=kari= (_gari_), hunt.\n\n=karigane=, wild goose, or its cry, 84, 131.\n\n=karikemu= (_karu_, reap), 47.\n\n=karikomono=, m. k.\n\n=kari-miya=, temporary shrine or mortuary chapel.\n\n=karobi= (_kara-obi_), Chinese (or Korean) girdle.\n\n=karu=, wither, 26, 50.\n\n=karu=, reap, gather, 47.\n\n=kasa=, sun-canopy, shade, hat, 206, 210.\n\n=kasanahe=, =kasanu= (_kasaneru_).\n\n=kasanari= (_u_), be heaped up, accumulate, 120.\n\n=kasaneru=, heap-up, pile-up, 69.\n\n=kashi=, oak (Quercus acuta?), 107.\n\n=kashi=, a final particle: see gramm., T.\n\n=kashihara=, oak-plain.\n\n=kashiko=, there, T.\n\n=kashikokaredomo= (_kashikomi-kuki_), 20, 183, &c.; have feeling of awe.\n\n=kashikomaru=, honour verb of respect, reverence, T.\n\n=kashiku= (_kashigu_), prepare, boil rice.\n\n=kashira=, head, chief, T.\n\n=kasokeki=, dim, misty, 247.\n\n=kasumetaru= (_kasumi_, _kasumu_, _kasumi-tatsu_), foggy, misty.\n\n=kasu-yu-sake=, dregs-_sak\u00e9_, _sak\u00e9_ made from dregs of a former brew.\n\n=kata=, direction, quarter, person, T.\n\n=kata=, quarter, direction, locality.\n\n=kata=, shoulder, shoulder-blade, 202.\n\n=kata=, tidal shore, or swamp, 220.\n\n=katabuki= (_-u-muku_), lean, incline, T.\n\n=katachi=, form, shape, 61, 70.\n\n=katadzukite= (_ku_), be near, beside, 248.\n\n=katagata=, pl. of _kata_, T.\n\n=katahara=, side, T.\n\n=kata-ito=, one thread, m. k., Ts.\n\n=kataki=, hard, difficult, 117.\n\n=kataki=, enemy, T.\n\n=kata-kinu= (_g_), sleeveless mantle, 67, 203.\n\n=kata-kohi=, one-side-love, one of a pair absent, 41.\n\n=kataku= (_-ki_, &c.), hard, difficult, Ts.\n\n=katakuna=, obstinate, foolish, 105.\n\n=katameshi=, settle, fix, 105.\n\n=katami ni=, in memory of, as souvenir, 26.\n\n=kata-nashi=, without tidal shore, 16.\n\n=katane-mochi= = _musubi-mochi_, _tsukanu_, sense not quite clear, see\nthe translation of 233.\n\n=kata-ohi=, part-grown, young, 125.\n\n=katarahamashi= (_kataramu_), 170.\n\n=katarahite= (_katarafu_, _kataru_), 48.\n\n=kataraku= (_kataru_), 105.\n\n=katarikemaku= (_katarikemu_).\n\n=katari-sake=, utter conversation, converse, 236.\n\n=katari-tsugi=, hand down, 36.\n\n=kataru= (_ri_), relate.\n\n=kata-sari=, moving a little way from, 229.\n\n=katashiho=, block salt, 67.\n\n=kata-shikite=, spread sidewards; see 198.\n\n=katatoki=, a while, a short time, T.\n\n=katayama=, remote hill [or country], far, i.e. from City-Royal.\n\n=katazhikenaku=, grateful, also humilific expression, unworthy, feeling\nawe of, T.\n\n=kate= (_katsu_, conquer), an affix to verbs.\n\n=kate= = _yezu_ (cannot obtain, or do), or _katashi_, difficult, 261.\n\n=kate=, victuals, T.\n\n=kateneba= (_kate_).\n\n=katsu ha=, moreover, 57.\n\n=katsura=. There are four homophons: (1) _katsura no ki_,\nCercidiphyllum jap^m.; (2) _Katsura_, a place in Yamashiro, called\nafter a famous courtesan; (3) _kadzura_, a grass Brachypodium jap^m.;\n(4) _kadzura_, false hair, also a chaplet, and _sane-kadzura_, a\nsarmentaceous magnoliad, Kadzura jap^a.\n\n=katsuwo=, tunny.\n\n=kaube= (_k\u00f4be_), head, Ta.\n\n=kawaki= (_u_), dry up, to dry, T.\n\n=ka-yasuki=, quite easy, 225.\n\n=kayofu=, go, or come from one place to another (_kayohamu_,\n_kayohasu_, _kayohashishi_, _kayohikemu_, _kayohikemaku_,\n_kayohasase_), T.\n\n=ka yori kaku yori=, thither, hither.\n\n=kazareru= (_kazaru_), adorn, T.\n\n=kazashi= (_u_), _kami sasu_, stick in hair, as adornment.\n\n=kaze= (_kami-shi_), wind (God-breath); _-- mazhiri_, wind and [rain]\ntogether, 67.\n\n=kaze=, cold in head, T.\n\n=kazohe-uta=, non-figurative, simple song, Ts.\n\n=kazoheyezu=, countless, 227.\n\n=kazu=, number, total, T.\n\n=kazuke= (_ru_), bestow, T.\n\n=kazunaki=, of no account.\n\n=ke=, hair, fur, Ts.\n\n=ke= (_ki_), power, essence, spirit, natural force, =hi no ke=, heat of\nsun, 211.\n\n=ke= (_ki-he_), pass on, elapse, 43, 51, 52, 197.\n\n=keburi= (_kemuri_), smoke, mist, 183.\n\n=kechi= (_keshi kesu_), quench, cause to disappear, 37.\n\n=kedashiku mo=, in case that, if, 233.\n\n=kedzurazu=, not-comb, 229.\n\n=kefu=, to-day.\n\n=kego=, family, housefolk, T.\n\n\u2731=ken=, volume, Ts.\n\n=kenaba= (_keru_).\n\n=ke-nagaki=, hair-long.\n\n=kenu=, a past tense of _keru_.\n\n=kenubeku=, 152.\n\n=kenureba= (_keru_), past tense.\n\n=kera=, hairs, 210.\n\n=keru=, vanish, go out, perish, 24, 152.\n\n=keru=, _keri_, _keraku_, _kereba_ (203); _kerashi_ (_keru_, past\naffix); see _ki_, _kuru_.\n\n\u2731=kesau= (_kes\u00f4_) = _keshiyau_ (_kesh\u00f4_), face powder (adorning with).\n\n=keseru=, put on (dress), 118, 206.\n\n\u2731=keshiki=, scene, appearance, expression, T.\n\n=kesu=, extinguish, cause to end, or perish, 24.\n\n=kesubeku= (_kesu_).\n\n=kesuru= (_kesu_), 50.\n\n=ke-usemu= (_kiye-usemu_), vanish utterly.\n\n=keya ni= (_isagiyoku_), in an unsullied, virtuous or brave manner.\n\n=ke-yasuki=, easy to quench, &c.\n\n=ki=, tree, timber, wood.\n\n=ki=, _sak\u00e9_, 87.\n\n=ki= (_kuru_), come, go--often a past suffix.\n\n=ki= (_ni keru_, _ki_, a past form).\n\n\u2731=kidoku=, merit, excellence, Ta.\n\n=kiyeru=, be extinguished, perish.\n\n=kidzu=, wound.\n\n=kigishi= (_kizhi_), pheasant.\n\n=kigusa=, trees and herbs, T.\n\n=kihame=, =kihamari= (_muru_), settle, determine.\n\n=kihami=, space, extent, limit, fixed point, 22, 53, 86, 234.\n\n=ki-hanare=, come or go and be far from, 224.\n\n=kihe= (_ki-heru_).\n\n=ki-heru=, come or go and pass away.\n\n=kihohi= (_kisohi_), vie, rival, dispute.\n\n=Ki-ji=, _Kii_, road.\n\n=kikamakuhori= (_kikamu_, _kiku_).\n\n=kikamu=, gnash teeth with rage, 125.\n\n=kikazu=, _kikedo_, _kikishi_, _kikite_, _kikiteshi_, _kikitsuru_\n(_kiku_, hear).\n\n=kiki= (_kiku_), listen, hear.\n\n=kiki-kofuru=, hear, and long for.\n\n=kiki-narete=, accustomed to hear, Ta.\n\n=kiki-yoshi=, pleasant to hear.\n\n=kikori=, woodman, 135.\n\n=kikosedomo= (_kikosu_).\n\n=kikoshimesu=, hear (superior of inferior), T.\n\n=kikoshishi= = _notamaheru_, 181.\n\n=kikoshite= (_kikosu_).\n\n=kikoshi-wosu=, rule, govern, 10.\n\n=kikosu= = _notamafu_, honour-form, say, speak, 59.\n\n=kikoye= (see _kikoyezu_), T.\n\n=kikoyetsuru=, heard of, heard, Ta.\n\n=kikoyezu=, not-audible, not to be heard.\n\n=kimasaba= (_kuru_), 86.\n\n=kimasame=, _kimase_, _kimaseri_, _kimashite_, _kimasazu_ (_kuru_).\n\n=kimi=, prince, lord, you, sir, he.\n\n=kimo=, liver, 210.\n\n=kimomukafu=, m. k.\n\n=ki-mukaheba=, come towards, 243.\n\n=ki-naki-doyomoshi=, cometh singing, and making (the country) resound.\n\n=ki-nakite=, come singing (of birds).\n\n=ki-naku= (_ki-nakite_).\n\n=kinamu= = =komu= (_kuru_), 105.\n\n=kinofu=, yesterday, 124.\n\n=kinu=, mantle, upper dress, 18, 83, 189.\n\n=kinu= (_kuru_), T.\n\n=kinu=, silk stuff, T.\n\n=kinugasa=, a large sun-umbrella.\n\n=kinuran= (_kuru_), Ta.\n\n=kinureba= (_kuru_, come).\n\n=kirahazu=, not-dislike, without distinction, T.\n\n=kirakirashiki=, shining, brilliant, 104.\n\n=kireru=, be foggy, misty.\n\n=kiri= (_giri_), fog, mist, 23, 29.\n\n=kiru=, cut.\n\n=kisaragi=, second (lunar), month, T.\n\n=ki-sarite=, come, and pass away, 149.\n\n=kisekemu= (_kisuru_), put on, 121.\n\n=kisete=, put on, 198.\n\n=kiseteshi= (_kisuru_), 198.\n\n=kishi=, coast, 105.\n\n=kiso=, yesterday, 18.\n\n=ki-sohedomo= (_ki-sohe_), put on (garments), one over the other, 67.\n\n=ki-tachi=, clump of trees.\n\n=kitanage-naru=, dirty, filthy, T.\n\n=kitanaki=, unclean, foul, T.\n\n=kitaramu= (_ki_, put on), Ts.\n\n=kitare= (_kitaru_).\n\n=kitarishi= (_kuru_).\n\n=kitaru= (_kuru_).\n\n=ki-tateba=, come to (a place), 104.\n\n=kite= (_kiru_), put on, wear, 105.\n\n=kito=, suddenly, T.\n\n=ki-tsugi=, come, follow in (due) succession.\n\n=kiye= (_-ru_), vanish, T.\n\n=kiyoki=, limpid, unsullied, pure, 10, 72, 93, 221.\n\n=kiyora= = _kiyoki_, T.\n\n=ki-yoru=, come, approach, come up to, 97.\n\n=ki-yose= (caus. _ki-yoru_), 16.\n\n\u2731=kiyou=, joy, amusement, pleasure, T.\n\n=ki-wite=, come, and be at, in, &c.\n\n=kizu=, wound, cut.\n\n=ko=, child, prince, girl, boy, 119.\n\n=ko=, basket, 1.\n\n=ko= (_ki_), tree, 6, 247.\n\n=ko=, come, imperative, 132.\n\n=kobochi= (_tsu_), shatter, T.\n\n=kochi-gochi=, here and there, 28.\n\n=ko-dachi=, clump of trees, 34.\n\n=ko-dakashi=, tree-tall, having tall trees.\n\n=kodomo=, children, 48.\n\n=kofu=, love (_kofuru_), 18, 60, 181.\n\n=kofu=, =kohi=, beg, implore.\n\n=kofuraku= (_kofuru_), 150.\n\n=kofure=, =kofuramu=, =kofuredomo= (_kofuru_).\n\n=kofuru=, love, yearn for.\n\n=kogazu= (_kogu_), not-row.\n\n=kogi-demu=, start forth rowing.\n\n=kogi-hatemu=, scull and arrive at.\n\n=kogi-kuru=, come or go sculling.\n\n=kogiri-ko= (_kogi-iri-ko_), come sculling in.\n\n=kogi-tami=, scull round, 44, 135.\n\n=kogoshi= (_kehashi_), steep, craggy, 156, 187.\n\n=kogu=, scull, row.\n\n=kohanaku=, not-implore, 104.\n\n=kohi=, =kohiba=, =kohimu= (_kofu_).\n\n=kohi-nomaku=, implore and pray.\n\n=kohi-nomite= (_kohi-nomaku_), beg, intreat.\n\n=kohishiku=, feel love, regret; _kohishiku omufu_, to love, yearn for,\nregret.\n\n=kohi-surashi= = _kohimu_, 126.\n\n=kohori= (_k\u00f4ri_), land-division, county, T.\n\n=kohori-watarinu=, pass over to state of ice.\n\n=kohoshiku= (_kohishiku_), 204.\n\n=koi-marobi=, roll prostrate (with grief, &c.), 51, 116.\n\n=koishikeku= (_kohishiku_).\n\n=kokage=, tree-shadow, Ta.\n\n=koke=, moss, 133.\n\n=koke-musu=, moss-grow.\n\n=kokibaku=, very much, much, ever so much (number and quantity), 259.\n\n=kokire= (_koki ire_), strip or plank to put in or on: see notes, 231.\n\n=koko=, here.\n\n=kokobaku= = _kokibaku_, _ikubaku_.\n\n=kokochi=, feelings, spirits, T.\n\n=kokoda=, much, 31.\n\n=kokodaku mo=, very much, 101, 179.\n\n\u2731=kokon=, old and new, Ta.\n\n=kokono=, nine, Ts.\n\n=kokoro=, heart-feelings, mind.\n\n=kokorobosoku=, heart-weak, despondent, feeble, T.\n\n=kokoro-darachi=, satisfaction.\n\n=kokoro-dzukahi=, anxiety, interest, Ta.\n\n=kokoro-gara=, state of mind, feeling, &c.\n\n=kokoro-gushi= (not _-- gurushiki_), but _-- ni natsukashimaruru_,\npleasant to mind or feelings.\n\n=kokoro-nashi=, without feeling, sense, Ta.\n\n=kokoro-yaru=, give mind to enjoyment, recreate, 219.\n\n=ko-kuru=, be dark as among trees.\n\n\u2731=kokushi=, provincial governor, T.\n\n=koma=, pony, horse, 17, 64.\n\n=komagoma=, minutely, in detail, T.\n\n=ko-makura=, wooden pillow, 28.\n\n=koma-nishiki=, a sort of brocade (Korean).\n\n=komashi= = _komu_ (_kuru_), 55, 217.\n\n=ko-matsu=, young pine, 126.\n\n=kome= (_komu_, _komuru_), confine, seclude, T.\n\n=kome=, rice (unboiled), T.\n\n=komo=, a sort of rush (also Zostera nana).\n\n=komori= (_-u_), shut up in, T.\n\n=komori=, _komorinu_, _komorite_, _komori-wite_.\n\n=komori-dzuma=, secluded wife, 152.\n\n=komorikuno=, m. k.\n\n=komoru=, be secluded, surrounded by.\n\n=komu= (_kuru_), sometimes as auxiliary, 108.\n\n=ko-mura=, grove of trees, 38.\n\n=komu zu= = _komu zo_ (_so_), T.\n\n=konata=, this side, herewards, &c., T.\n\n=kone= (_kuru_), do come! 86.\n\n=koneba= (_kuru_), 149.\n\n=kono=, this.\n\n=konogoro=, lately.\n\n=ko no kure=, shade of trees.\n\n=konomi= (_u_), desire, love, T.\n\n=konomoshikari=, desirable, T.\n\n=konu= (_kuru_).\n\n=konure= (_ko no ure_), tree-top, 129.\n\n=kora=, youths, girls, also honour-plural, young lady.\n\n=koro= (_goro_), period, time, T.\n\n=korofuseba= (_busu_) = _korobifusu_, tumble, fall prostrate, 26.\n\n=koromo=, vestment (outer).\n\n=koromode=, sleeve.\n\n=koroshi= (_-su_), kill, T.\n\n=Kose-ji=, _Kose_ road or track.\n\n=koseru=, bring down, along, 13.\n\n=koshi= (_kuru_), often auxil.\n\n=koshi= (_kosu_), cross over, traverse.\n\n=koshi=, bier, 51.\n\n=koshi=, loin; _-- hoso_, slender-waisted; _koshi wo suru_, sit, Ta.\n\n=koshiki=, cauldron, 67.\n\n=koso=, emphatic particle.\n\n=ko-suge=, little sedge, pretty sedge, 182.\n\n=kotahe= (_kotafu_), answer.\n\n=kotahemu= (_kotafu_).\n\n=kote= (_kaute_, _kakute_), thus, T.\n\n=koto=, thing, following verb or adjective, gives abstraction, or act,\nor state.\n\n=koto=, speech, words, saying, 68.\n\n=koto= = _gotoku_, 197.\n\n=koto=, different, strange, T.\n\n=koto=, flat harp.\n\n=koto age=, declare, announce, 146.\n\n=kotoba=, speech, T.\n\n=kotodate=, =kotodatsu= = do something distinguished or not ordinary,\n227.\n\n=kotogoto= (_ku_), wholly, all, 9, 20.\n\n=koto-hiki=, play _koto_.\n\n=kotohiushi=, m. k.\n\n=kotomono=, a different thing, counterfeit, T.\n\n=koto-naku= (_koto mo naku_), untroubled, 56, 69.\n\n=koto no ha= = _kotoba_, Ts.\n\n=kotoshi=, this year, T.\n\n=koto-tama= (_dama_), spirit or soul of speech, of the language (of\nJapan), 68.\n\n=koto-tofu= (_-hi_, _-hamu_), converse, talk with.\n\n=kototohi kahasu=, exchange talk.\n\n=kotowari=, reason, motive, explanation, 62, 230, 252.\n\n=kotowaza=, affairs, actions, doings, Ts.\n\n=kotoyosete=, commit to, 58, 230.\n\n=kou= (_k\u00f4_), _kimi_, lord, Ta.\n\n=kowadaka ni=, loudly, T.\n\n=kowaku=, unpliable, hard, firm, T.\n\n=kowe=, voice, cry, 38, 67, 199.\n\n=koyaseru= (_fusu_), lie prostrate, 124, 195, also _koyashime_.\n\n=koyasugai=, birth-easing shell, T.\n\n=koye-henarinaba=, cross over away, afar from.\n\n=koye-kinu=, cross over to, 16.\n\n=koyesugi=, cross over beyond.\n\n=koyohi=, to-night.\n\n=koyuru=, cross over, _koye_, _koyete_, _koyemashite_, _koyuramu_.\n\n=kozo=, last year, 28.\n\n=kozu=, _kuru_ (neg.), T.\n\n=kozute= (_kuru_), neg.\n\n=kubete= (_-eru_), put in fire, T.\n\n=kubi=, neck, T.\n\n=kubi-tsuki= seems to mean a young child or _mezashi_, lit. cling-neck.\n\n=kuchi=, mouth, entrance (T.).\n\n=kuchi woshiku=, having or causing a feeling of regret, disappointment,\nT.\n\n=kuda=, horn (musical), 24.\n\n=kudakete= (_kudaku_), smash, 120, 204.\n\n=kudaki= (_kudaku_).\n\n=kudari= (_-- ki_, 232), go down from City-Royal to a province, descend\n(from heaven).\n\n=kudo=, furnace, T.\n\n\u2731=kudoku=, merit, T.\n\n=kugane= (_kogane_), gold, 63, 227.\n\n=kuhahete= (_kuhaheru_, _kuhafu_), add to, 69.\n\n=kuhashi= (_ki_), pretty, delicate, dainty, comely, 189.\n\n=kuhashime= (_kufu_), cause to eat or swallow, 189.\n\n=kuhazu=, neg. _kufu_, eat, T.\n\n=kuhi=, pile, port (_i-kuhi_, _ma-kuhi_), 151.\n\n=kuhi= (_kufu_), eat, chew, T.; _su wo kufu_, build nest, T.\n\n=kukane= (_kugane_, _kogane_).\n\n=kuki=, stalk, stem, T.\n\n=kukumeru= (_fukumeru_, _kukumu_), put in mouth or bill.\n\n=kukumi= (_kukumu_), hold in mouth or bill.\n\n=kukuri= (_u_) = _shibaru_, tie together, fasten, 189.\n\n=kuma=, recess, corner, nook.\n\n=kumashikeru= (_kumu_), 124.\n\n=kumi= (_kumu_), T.\n\n=kumo=, cloud.\n\n=kumo=, spider.\n\n=kumo-banare=, =kumo-gire=, spaced, scattered rifted clouds, far off as\nclouds are, 201.\n\n=kumori= (_u_), be cloudy, clouded, 183.\n\n=kumo-wi=, cloudy tract, atmosphere, sky; often refers to horizon, 197,\n199.\n\n=kumu= (_i_), draw water, 150, 185.\n\n=kuneru=, take ill, dislike, Ts.\n\n=kuni=, province, country (Ch. ch\u00fcn kw\u00ean?).\n\n=kuni-gata= (_katachi_), appearance of land, 86.\n\n=kuni-he=, a country, province, countryside.\n\n=kuni-magi=, _kuni wo motomuru koto_, explore, open a country, 263.\n\n=kuni-mi=, land-view, view the country (as from a hill-top), 255.\n\n=kunuchi= = _kuni uchi_, 221.\n\n=kuraki=, dark, gloomy, T.\n\n=kura-koma=, dark or black horse.\n\n=kuraku= (_shi_, _ki_), dark, 21.\n\n=kurashi= (_su_), get dark, pass time.\n\n=kura-yami=, dark darkness, 49.\n\n=kure=, darkness, shade, gloom.\n\n=kure= (_ru_), grow dark, 4.\n\n=kure-gakure=, shade-hidden, 92.\n\n=kurekure to= (_kuregure_), in 138, obscurely, fearfully.\n\n=kurenureba= (_kureru_), 149.\n\n=kureru=: see _kururu_.\n\n=kure-shigemi=, darkly abundant (thick-grown), 33.\n\n=kuretakeno=, m. k., Ts.\n\n=kuri=, chestnut, 63.\n\n=kuri-kutsu=, black boots (_kuri_ seems = black mud at bottom of pool),\n203.\n\n=kuro-kami=, black hair (youth), 53.\n\n=kurokarishi=, become black, 105.\n\n=kurokoma= (_kuro-ma_), black horse, 159.\n\n=kuru=, come, go, sometimes auxiliary; _ko_, _kozu_, _konu_, _kone_,\n_koshi_, _komu_, _kereba_, _ki_, _kitaru_, _kitareba_, _kitarishi_,\n_komashi_, _kimashi_, &c.\n\n=kuruma=, car, vehicle, 203.\n\n=kurumi=, walnut.\n\n=kururu= (_kureru_), be gloomy, grow dark, T.\n\n=kurushige=, wretched-like, T.\n\n=kurushiki= (_gurushiki_, _gushiki_), afflicting, painful.\n\n=kusa=, grass, herbs (also = _tane_ as subject, origin, also kind,\nsort).\n\n=kusagusa=, miscellaneous, many or all sorts.\n\n=kusamakura=, m. k.\n\n=kusa-musa=, grass-grown, 227.\n\n=kuse=, twist, inclination, bent (spirit or meaning of a composition),\nTa.\n\n=kushi= (_kusushiki_), strange, 65.\n\n=kushi=, comb, 250.\n\n=kushige=, comb-box, toilet-case, 55, 105, 252.\n\n=kuso=, dung, T.\n\n=kusuhashiki= (_kusushiki_), 250.\n\n=kusuri=, physic, drugs, T.\n\n=kusuri-gari=, hunt after simples.\n\n=kusushiki= (_mi_), wondrous, strange, 37, 235.\n\n=kutsu=, boots, footgear.\n\n\u2731=kuwannin=, official.\n\n\u2731=kuwa-yefu= (_kway\u00f4_), flowers and leaves, Ta.\n\n\u2731=kuwazhitsu= (_kwajitsu_), flowers and fruit, Ta.\n\n=kuyashi= (_ku_, _ki_, _mi_), vexed, regretful, pained, 173.\n\n=kuyete= (_koyuru_, cross over).\n\n=kuye-yuku= (_koye-yuku_).\n\n=kuzhiri= (_u_), bore, T.\n\n=kuzu=, Pueruria Thunbergiana--a leguminous climber or creeper.\n\n\n=ma=, interval, spot, moment (space or time), 57.\n\n=ma=, chamber, T.; _ma goto ni_.\n\n=ma=, prefix = true, fine, good, \u03b5\u1f50- (in composition).\n\n=ma= = _mi_.\n\n=ma= = _uma_ (_muma_), horse (a Chinese word), 52.\n\n=mabora= ? (_mahora_).\n\n=machi= (_matsu_, wait).\n\n=machi=, _kate_ (_katai_), hard or vain to wait, 84.\n\n=machi-kanetsu=, cannot wait.\n\n=machikemu= (_matsu_), 48.\n\n=machi-mausamu= (_matsu_), Ta.\n\n=made= (_-ni_), until, up to, 101.\n\n=madofu= (_hi_), be astray, beguiled, distracted.\n\n=madohaseru=, =madohasu= (_madofu_).\n\n=madzu=, first of all, in first place, now, T.\n\n=madzushi= (_-ki_), poor, 67.\n\n=magari= (_wemi-magari_, said of eyebrows arching with a smile), 247.\n\n=mage-iho=, hut awry, tumble-down hut, 67.\n\n=magire= (_ru_), be confused with, lost in, T.\n\n=ma(mi)guhashi=, truly fair, comely, 136.\n\n=ma-hari= = _hari_, stretch, extend.\n\n=mahe= (_ni_), before, in front of, (place, time).\n\n=mahi=, bribe, 111.\n\n=mahi= (_mafu_), dance, _mahihime_, Ta.\n\n=mahora= (_mahora-ma_, _mahoro-ba_)--comp. _motohoru_--here seems =\ntract among the hills, 226.\n\n=makago-ya=, god-arrows.\n\n=ma-kai=, true oars, paddles, sculls.\n\n=ma-kaji=, true stout stern oars, or sculls, &c.\n\n=ma-kami= (_ma-gami_) = _ohokami_, wolf.\n\n=makari=, a sort of intensitive prefix to verbs, _-- dete_, _-- imase_,\n_-- nishi_.\n\n=makari= (_u_), go down, from, go back, go, pass away (die), 29, 33, 87.\n\n=makase= (_ru_), commit to, charge with.\n\n=makashi= (_maku_), caus., 64.\n\n=make= (_m\u00f4ke_), provide, procure, obtain, 116.\n\n=make= (_-- no manimani_), in accordance with duty or office, 258.\n\n=make= (_ru_), yield, T.\n\n=makeru= (_maku_), be wound on, round, 142.\n\n=makeru= (_te_), yield to, 125.\n\n=maki= = rolled, and bound up as hair in knot.\n\n=maki=, right true stout timber, may be Podocarpus chinensis, Wall,\nor Quercus glandulifera, Bl., or Quercus serrata, Thbg., or Hinoki\n(Chamaecyparis sp.).\n\n=maki= (_u_), appoint to office, 24.\n\n=maki= (_u_), roll, also sow, water.\n\n=maki-hashira=, pillars or columns of _maki_.\n\n=maki-ire=, lay on ornament.\n\n=maki-mi=, _mi_ seems = frequency, or it may be the mere termination.\n\n=maki-mochi= (_te_), wear, rolled or wound round, 18, 120.\n\n=maki-motaru= (_maki-mochi_), 131.\n\n=maki-ohoshi=, sow-make-grow, 232.\n\n=makishi= (_maku_, sow).\n\n=maki-tamafu=, appoint to office or duty, 232.\n\n=maki-tatsu=, where _maki_-trees grow together, 72.\n\n=makite-neshi=, embrace-sleep.\n\n=makiwe=, gold and silver lacquer, or laid on ornament, T.\n\n=makoto=, true, real, sincere, T..\n\n=ma kuhi= (_kuhi_, pile, post).\n\n=makura= (_ma-kura_?), pillow.\n\n=makura-dzuku=, pillow by pillow.\n\n=ma-kushi=, true, fine comb.\n\n=ma-kuzu=, true, fine _kuzu_.\n\n=mama=, state, condition, will.\n\n=mame-naru=, be on watch, T.\n\n=mame-naru=, serious (_mazhime_), Ta.\n\n=ma mo ochizu=, letting no occasion slip.\n\n=mamorasu= (_mamoru_), T.\n\n=mamori= (_u_), guard, 227.\n\n\u2731=man= (_ban_), a myriad, T.\n\n=manago=, own child, 194.\n\n(=manago=) = _masago_, sand, 97.\n\n=manakahi=, before one\u2019s eyes.\n\n=manako=, eyeball, eye, T.\n\n=ma naku=, ceaselessly, without interruption, immediate, 150, 216.\n\n=maneku= (_ki_, _shi_), many, 241.\n\n=ma ni ma= (_manimani_), 117.\n\n=manimani=, according to will or pleasure of, 57, 62, 197.\n\n=ma nuraru= (_noru_ = _nonoshiru_), true-revile, scold, shout at, 208.\n\n\u2731=manzairaku=, myriad years\u2019 joy, Ta.\n\n=mari-okeru=, round-lay, i.e. lay or drop something round, T.\n\n=maro-ne=, round-sleep, sleep with day-clothes on (as on a journey when\nsleeping alone), 118, 232.\n\n=ma-sakiku= (_te_), truly prosperous, fortunate.\n\n=masaki no kadzura=, Euonymus japonica, Ta.\n\n=masamu= (_mashi masu_), increase, excel.\n\n=masanashi=, wrong, \u1f00\u03b5\u03b9\u03ba\u03ae\u03c2.\n\n=masa ni=, just, precisely.\n\n=masaredo=, _masareru_ (_mashi masu_), 63, 103, 118.\n\n=mashi=, excellent, 14, 84.\n\n=mashi=, optative form, 189, 206.\n\n=mashikemu=, _mashinure_, _maseba_, _masaba_, _masamu_, &c.: see _masu_.\n\n=mashite=, _mashi_.\n\n=mashite=, increasingly more, T.\n\n=ma shirafu=, dappled white (of hawk).\n\n=ma-shiraga=, quite white hair (or white cloth-offerings).\n\n=maso-kagami=, bright (metal) mirror, also m. k., 70.\n\n=masu= (_mashi_), excel, increase.\n\n=masu=, honour affix; also, be.\n\n=masumasu=, more and more, 69, 75.\n\n=ma sumi=, quite black (so written in 210; but it must mean _ma sumi_,\nquite clear, unflawed, being applied to _kagami_, mirror).\n\n=masurahare= = _masurawo ware_, 215.\n\n=masuratakewo= = _masurawo_, 263.\n\n=masurawo= (_masa-ara-wo_), warrior, soldier, follower of military\nclass.\n\n=mata=, again.\n\n=ma-tama= (_dama_), true fine jewel, precious.\n\n=ma-tama-de=, fine precious arms (brachia).\n\n=matamiru=, sort of seaweed (Codium?), 172.\n\n=matamu= (_matsu_, _machi_, wait).\n\n=mataneba= (_matsu_), since-not-wait, 200.\n\n=matashikemu= (_matsu_), honour causative, 248.\n\n=matasuramu= (_matamu_), hon. caus.\n\n=matazhi= (_matsu_), T.\n\n=mate= (_matsu_), imperative, 176.\n\n=matedo= (_matsu_).\n\n=matsu= (_machi_), wait, expect, 22.\n\n=matsu=, pine-tree, 47.\n\n\u2731=matsudai=, to end of time, Ta.\n\n=matsu-hara=, pine-plain, 197.\n\n=ma-tsukahi=, true excellent messenger, or runner, 215.\n\n=matsu-kaze=, pine-wind, 33.\n\n=matsuri= (_-shi-te-sena-semu_), an important verb, of uncertain\nderivation (perhaps simply _ma-tsu[ru]_--\u03b5\u1f56 \u03c0\u03c1\u03ac\u03c3\u03c3\u03b5\u03b9\u03bd), perform ritual\nor religious act, hence perform duly, act, do, serve; affix verb of act\ntowards superior, _tatematsuri_ (offer to superior), _tsukamatsuri_ (do\nfor superior). See 104.\n\n=matsurigoto=, due performance of state ritual, hence government, state\naffairs, Ts.\n\n=matsurofu= (_-hi_, _-he_ _-hagu_ _-hanu_), strong form of _matsuri_,\nq. v.\n\n=matsuru= (_matsuri_).\n\n=matauyama=, pine-hill, Ts.\n\n\u2731=mau= (_m\u00f4_), _ikihohi m\u00f4_, wealthy, great, T.\n\n=maude= (_ru_), emphatic form of _ko_, come, go, T.\n\n=maude-toburai=, _maude-ki_, _maudzu_ (_mawidzu mawide_).\n\n=mauke= (_m\u00f4ke-ru_), prepare, obtain, establish.\n\n=mausu= (_mawoshi_).\n\n=mawide mawishi= (_mawi-ide_), go, come.\n\n=mawi-nobori=, go, come (up to City-Royal).\n\n=mawisaku= = _mawiru_ = _mairu_, go, come.\n\n=mawoshi= (_su_), say, report to throne, _mawosamu_, _mawoseba_, 24;\noften used as prefix to verbs as in _mawoshi-hayasane_ (= _hayasane_).\n\n=mayo-biki=, the painting of false eyebrows.\n\n=mayo-komori= (_mayu_), within-cocoon-secluded.\n\n=mayo-ne= (_mayu_), eyebrow, 247.\n\n=mayu=, eyebrow.\n\n=ma yufu=, true or fine _yufu_ (Broussonetia).\n\n=mazhihe= (_mazhiri_).\n\n=mazhiri= (_mazhiru_), mix, mingle, 67, 229.\n\n=me=, contraction of _mure_--_me koto mo tahenu_, the throng of words\nis ended, or (_me_ = eye) mutual sight and speech ended--as by death.\n\n=me=, eye, T.\n\n=me= (_omi no me_), woman of _omi_ (court-official) rank.\n\n=me=, suffix to adjectives = condition or state or conjuncture,\n_wabishiki me_, state of misery, T.\n\n=me=, woman, wife, 110.\n\n=mede= (_medzuru_), love, like.\n\n=medetaki= (_-ku-shi_), lovely, delightful, T.\n\n=medzurashimi=, lovely, 33.\n\n=megumi=, grace, favour, 255.\n\n=megurashi= (_su_): see _meguri_, T.\n\n=meguri= (_ru-reru-rebu_), go round, 220; be surrounded, engirdled by,\n218.\n\n=megushi=, lovable, 62, 217, 230.\n\n\u2731=meisho=, famous place, Ta.\n\n=mekarete=, turning eyes from, losing sight of, parting from.\n\n=me ko=, wife and child, 62.\n\n=me-oto= (_fuufu_), man and wife, male and female, Ta.\n\n=me-ra=, eyes, 210.\n\n=meramerato=, in a quick crackling way, rapidly burning, T.\n\n=mesaku= (_mishi_), 81.\n\n=mesedo= (_misedo_), 86.\n\n=meshi= (_mishi_), 13, 86, 259.\n\n=meshi= (_mesu_), summon.\n\n=meshi-akirameshi= = _miakirameshi_, clear (delight) mind by sight of\n(chase), 52.\n\n=meshite= (_mesu_), T.\n\n=meshitori=, seize, arrest, T.\n\n=meshi-tsudohe=, summon-assemble.\n\n=meshi-tsugi= (_u_), send order, T.\n\n=mesu= (_meshi_), summon, 24.\n\n=mesurame-mesame=, _mesu_, 211.\n\n=metsuko=: see note, 209.\n\n=mi=, three.\n\n=mi= = _umi_, 16.\n\n=mi= = _midzu_, 133.\n\n=mi= = self, _mi no uhe_, 69.\n\n=mi= = honour prefix, or fine, good, \u03b5\u1f50- in composition [_mi yuki_,\nfine, true (much?) snow], 1, 3, 13, 24.\n\n=mi= = round about? _kuma mi_, 66.\n\n=mi= = _miru_, see.\n\n=mi= = fruit, _kashi no mi_, acorn, 107.\n\n_mi_ = suffix adjectival, also denoting frequency, habit, _udaki-mi\nohi-mi_, _nashi mi_, _maki mi_.\n\n=michi= (_mi chi_), exalted path, a sort of highway, or way to or from\nCity-Royal originally.\n\n=michi= (_mitsu mitsuru_), grow full as moon.\n\n=michibiki=, road-guide, 68.\n\n=michi-hi=, flow and ebb (high and low) tide, Ta.\n\n=michi-kureba= (_michi-ki_), as-grow-full.\n\n=michi-mori=, road-guards, 57.\n\n=michite= (_michi michiteri_, _mitsuru_), 54, 68.\n\n=michiyuki=, journey, Ta.\n\n=michi yuki-bito=, wayfarer.\n\n=midaredomo=, although be disordered, confused, 108, 121.\n\n=midari= (_ru_), _midarete_.\n\n=mide= (not-see, _miru_), T.\n\n=midori=, green, Ta.\n\n=midori-ko= (_go_), green, i.e. very young child, babe, 53, 203.\n\n=midzu=, water, 13, 14.\n\n=midzu=, shining, 14, 22; _midzu-gaki_, Ta.\n\n=midzu-ho=, shining ears (of grain).\n\n=midzukara=, self, Ts.\n\n=mi-dzuki=, moon.\n\n=midzuku= (_midzu tsuku_), sodden.\n\n=midzu-tade=, Polygonum flaccidum, Roxb.\n\n=midzu-ye=, shining twigs.\n\n=migahoshi= (_-karamu_), desirable to see, 39.\n\n=migaku=, polish, make bright, Ta.\n\n=migi=: see notes, 210.\n\n=migiha=, sea-edge, shore (_midzu kiha_), Ta.\n\n=migiri=, stone (or cobble) pavement, yard, 183.\n\n=mi-hakashi-wo=, m. k.\n\n=mi-hanada=, fine blue, 203.\n\n=mi-he=, three turns or folds (_obi_), 121.\n\n=mi-hitsutsu= (_dzutsu_), get wet?\n\n=Mi-kado=, Grand House, Palace; _mikado_, court, government, or realm,\n254.\n\n=mi-kage-ame=.\n\n=mi-kamo nasu=, m. k.\n\n=mi-kanete=, cannot see, 105.\n\n=mi-kari=, royal hunt.\n\n=mike=, sovran\u2019s food (_ohomike_), _gugo_, _omono_.\n\n=mike-mukafu=, m. k.\n\n=mi-ki=, royal _sak\u00e9_.\n\n=mi-ko=, prince.\n\n=mi kokoro=, exalted heart, or mind, &c., 10.\n\n=mikoto=, majesty, highness, godship.\n\n=mi-koto=, exalted speech (of sovran).\n\n=mi-koto-nori=, rescript, decree, command.\n\n=mi-kudaseba=, look down on, see (by superior), 72.\n\n=mi-kushige=: see _kushige_.\n\n=mi-madohi=, see confusedly, be distracted at seeing, T.\n\n=mimahoshikedo= (desirous of seeing).\n\n=mimakuhori=, desire to see.\n\n=mimashi= (_mimu_), would see, 110.\n\n=mime= (_miru_), _kefu koso ha mime_, to-day surely I shall see her, T.\n\n=mi metsuko no tozhi=, lady-mother.\n\n=mimi=, ear (auris), 210.\n\n=mi-moro= (_mi-muro_), great cave, divine dwelling.\n\n=mimu= (_miru_), T.\n\n=mina= (_no wata_), black pulp of shell; Melania sp., 64.\n\n=mina=, all, T.\n\n=minadzuki=, waterless month (6th), 37.\n\n=mi nagishi=, solace, comfort.\n\n=minami=, south.\n\n=mi-narahi= (_nare_, be accustomed to see), be always seeing, T.\n\n=minato=, haven, 30, 124.\n\n=minaw(h)anasu=, m. k.\n\n=mine= (_ohimi ne_), summit, 108, 159.\n\n=mi-nikushi=, ugly to look on, T.\n\n=mi-okose=, send glance towards, T.\n\n=mi-okuri=, accompany with eyes, T.\n\n=mi omo=, lady-mother.\n\n=mireba=, _miredo_, _mishi_, _mimu_, _migu_, _minu_, _mineba_, _mite_,\n_miteshi_, _miteba_, miteshikado, _mishikaba_, _mitari_, _mitsuramu_,\n_mitsutsu_ (_miru_).\n\n=miru=, a seaweed (Codium).\n\n=miru=, see, look, _miraku_, _mirame_.\n\n=mirushiru=, see and know.\n\n=mi-sakaru= (_mi-saku_), look towards, 197.\n\n=mise= (_-mashi_, _-teba-sureba_), show, let, or make see, 50.\n\n=miso=, thirty, Ts.\n\n=misogite= (_gu_), purify, lustrate.\n\n=misu=, blind of bamboo-strips.\n\n=mi-tama=, soul, spirit, ghost.\n\n=mi-tami=, people.\n\n=mitashime=, make full, flow of tide, 44.\n\n=mi-te= (_te_), hand, arm, 68.\n\n=mite= (_mitegura_), offering to a god.\n\n=miteba= = _mitareba_ (_miru_), 105.\n\n=miteshi= (_mite shi_?), _miru_, 28.\n\n=mitsu=, three, T.\n\n=mitsugi=, tax, tribute (in kind), 79.\n\n=mi-tsuke= (_kuru_), look at, perceive, T.\n\n=mi-warahi=, laugh at, T.\n\n=mi-watashi= (_su_), survey, scan, regard, 68, 136, 224.\n\n=mi-wo=, water-thread, fairway, channel.\n\n=mi-wo-biki= (_suru_), pilot, steer, 259.\n\n=mi wo hayami=, rapid stream.\n\n=miya=, grand house, palace, shrine, mortuary chapel.\n\n=miya-bashira=, pillars of _miya_.\n\n=miyabi-wo=, courtier.\n\n=miyadzukahi= (_e_), palace attendant, palace-lady, T.\n\n=miyako=, City-Royal.\n\n=miyako-ji=, road to City-Royal, Ta.\n\n=mi yamahi=, malady, illness (honour word).\n\n=miyatsuko-tachi=, servants of shrine, Ta.\n\n=miye=, _miyetsuru_, _miyezu_, _mizhi_ (not see, _miru_), T.\n\n=mi-yo=, a reign.\n\n=Mi-Yoshinu Yoshino= (word-play by repetition).\n\n=miyu= (passive of _miru_), T.\n\n=mi-yuki=, snow, much snow.\n\n=mi-yuki=, royal progress.\n\n=miyuru=, be seen.\n\n=mizhikaki=, short, 67.\n\n=mizu=, not-see.\n\n=mo=, also, too, &c.\n\n=mo=, sea, river or pond-weed, 16.\n\n=mo=, skirt, 64, 201; _mo gisu_, put on skirt of puberty, T.\n\n=mo=, mourning 69; ill-fortune, 202.\n\n=mochi=, a sort of birdlime, _mochitori_, 62.\n\n=mochi= (_motsu_), hold.\n\n=mochi-kechi= = _kechi_ (_keshi_), quench.\n\n=mochi-ki=, take-come, bring.\n\n=mochi-kudachi=, turn of full moon, 101.\n\n=mochite= (_mochi_).\n\n=mochi-tsuki= (_michi-tsuki_?), full moon, 22.\n\n=moda= (_muna_, _motona_), silent, dumb, in 57 useless.\n\n=\u2019mofu= = _omofu_.\n\n=mohara= (_moppara_), mostly, T.; with neg. = not at all, \u03bf\u1f50\u03ba \u1f14\u03bc\u03c0\u03b7\u03c2.\n\n=moitsutsu=, push forth (as shoots), 231.\n\n=mokoro= = _gotoku_.\n\n=momi= (_u_), rub or pound, 209.\n\n=momi=, red.\n\n=momiji=, ruddy hues of autumn, ruddy leaves of maple.\n\n=momitsu= (_momiji_).\n\n=momo=, hundred.\n\n=momo=, peach.\n\n=momodzutafu=, m. k.\n\n=momo fune=, 100 ships, all, or very many ships or boats, a m. k.\n\n=momo-he=, hundredfold, manifold, showing many-ridges, 66.\n\n=momo-ki=, 100 trees, all sorts of trees.\n\n=momo-kusa=, 100 plants, all sorts.\n\n=momoshikino=, m. k.\n\n=momoshinu no=, m. k.\n\n=momotarazu=, m. k.\n\n=momo tori=, all sorts of birds, 95.\n\n=momo-ye-zashi=, displaying a mass of branches and twigs.\n\n=momo yo=, 100 ages, many ages.\n\n=mo naku=, safely, without [cause of] mourning, 202.\n\n=mono=, thing, person.\n\n=mono ihazu=, saying nothing.\n\n=mono ni yuku=, go somewhere for some purpose or other, 210.\n\n=mononofu=, armed follower (lit. weapon-wight), 52.\n\n=mononofuno=, m. k.\n\n=mononofuno yaso tomo no= (_wo_), a double, m. k.\n\n=mono omofu=, think of things, be sad, 175.\n\n=monoshi= (_mono su_), do something, act, T.\n\n=morasu=, let or cause leak, escape; also for _mamorasu_, hon.\ncausative, watch or guard, 203.\n\n=mori=, grove, 109.\n\n=mori=, guard, watch; _watari-mori_, ferryman, 235.\n\n=mori= (_moru_), heap up, 209.\n\n=moribe=, guard, watch.\n\n=moro= (_muro_).\n\n=moro=, all, many, 227.\n\n=moromoro=, all, 68.\n\n=morotomo ni=, all together, T.\n\n=moru= (_mamoru_), watch, guard, 94, 107.\n\n=moru= (_ru_), leak out, find expression in, Ta.\n\n=Moru yama=, a hill in \u00d4mi, originally perhaps = watch or beacon-hill.\n\n=motage= (_ru_), lift up, T.\n\n=motari= (_motsu_), _-ru_, _-shi_, _-zu_, 59.\n\n=mote= (_mochite_).\n\n=mote-kite=, bring.\n\n=moteredomo= (_motsu_), though I hold, 199.\n\n=moto=, origin, former, 90; _moto no gotoku_, as before; tree-trunk\nor foot, 223; _on moto_ (your, or his, or her), palace, mansion,\nresidence, T.\n\n=moto hikaru=, self-shining? or, stem shining, T.\n\n=motohore= (_ru-ri_), go about, also _motohoshi_.\n\n=motomu= (_muru_, _memu_, _mete_), seek, explore, open out.\n\n=motona=, useless (_itadzura ni_), 31.\n\n=moya=, inner or central chamber, T.\n\n=mo yo=, _mo ya_, _mo gana_, _mo gamo_, _ka mo_, _shi mo_, _mo \u2026 mo_:\nsee gramm.\n\n=moyetsutsu moyenu= (_moyuru_), 28, 123, 215.\n\n=moyuru=, burn.\n\n=mozhi=, letters, writing, Ts.\n\n=mugura=, Japanese wild hop, Humulus japonicus.\n\n=mu-gusa=, six sorts, Ts.\n\n=mukafu= (_mukahi_), be opposite to, turn towards, go towards, 28, 83,\n86.\n\n=mukahase= (_mukafu_), T.\n\n=mukahe mukahesase= (_mukafu_), T.\n\n=mukahi-mawidemu= (_mukafu_), 86.\n\n=mukashi=, long ago, formerly, T.\n\n=muke=, turn towards.\n\n=muke= (_tahirageru_), subdue (_debellare_).\n\n=muke no manimani=, according to his (the sovran\u2019s) pleasure or\nappointment.\n\n=muki= (_muku_), turn with face towards, T.\n\n=muki-tachi=, stand facing (river of heaven), 102.\n\n=mukutsuge=, frightful-like, horrible, T.\n\n=muma= (_ma_), horse.\n\n=muna= (_shiku_), empty, vain, useless, 263.\n\n=munashi=, empty, vain, _-- kaze_, T.\n\n=muna-wake=, part between the breasts, 104.\n\n=munawake mo hirokeki=, wide-bosomed.\n\n=mune=, breast, feelings, 50, 146.\n\n=mune=, roof, ridge, T.\n\n=mura=, multitude, flock, 33.\n\n=murakimono=, m. k.\n\n=murasaki=, purple, 203.\n\n=muratorino=, m. k.\n\n=mure=, crowd, throng, number.\n\n=muredo=, =murete= (_mureru_).\n\n=mureru=, assemble, crowd.\n\n=muro= (_moro_), cave, earth-dwelling, inner chamber, abode, sacred\nabode.\n\n=musebu= (_bu_), choke, sob, gasp, 261.\n\n=muse-tsutsu= (_musebu_), 58.\n\n=mushi=, insect, Ta.\n\n=mushiro=, mat, T.\n\n=mushi-tame=, grow thickly (as moss, &c.), 133.\n\n=musu= (_mushi_), grow (as mosses, &c.).\n\n=musubi= (_u_), bind, contract, engage.\n\n=musubiteshi= (_musubi_).\n\n=musuhore= (_bore_) = _musubaharu_, be bound, involved in, entangled.\n\n=musume=, girl, Ta.\n\n=muta=, =tomo ni=, =manimani=, together with, according to, 59, 123.\n\n=mutsumazhi=, benevolent, friendly, Ta.\n\n=muya= = _moya_, T.\n\n\n=na=, do not (_na -- so_, _na yume_).\n\n=na=, personal name, fame.\n\n=na=, salad herbs (Brassica sp.), 1.\n\n=na= (_namuzhi_, _nanzhi_), thou, _nase_, _na imo_, 213.\n\n=na= (_nan_, _namu_), fut. suffix of verbs, emphatic particle.\n\n=nabe= (_naburu_), together with? emphatic affix to adjectives\n(_yoroshi nabe_), 27, 251.\n\n=nabe ni=, together with.\n\n=nabikahishi= (_nabikafu_) = _nabiku_ (_nabike_), 23.\n\n=nabike= (_ki_, _ku_), bend, yield, 141.\n\n=nabiki-neshi=, sleep with, sleep close by.\n\n=nade= (_ru_) = _nadamuru_, soothe, smooth, treat with favour, 255.\n\n=nadeshiko=, pink (Dianthus), 232.\n\n=nadeu= (_naj\u00f4_), _nan chifu?_ or _nani tefu_, what, why, how? T.\n\n=nado=, =nado ka= = _nani ka_, _naze_, why, wherefore?\n\n=nadokoro= (_meisho_), famous place, Ta.\n\n=nadzuke= (_ru_), give name, 37.\n\n=nadzumi= (_u_), stick to, make way through obstacles, force way, 28,\n168; =-- koshi=, loins obstructed by (grass, bush, &c.).\n\n=nadzusafu=, float on water, 48, 198, 225.\n\n=nadzusafu=, swim, float on surface, 198.\n\n=nagahama=, long tract of shore, 219.\n\n=nagahitsu=\u2731, coffer (Chinese shape) on four legs, T.\n\n=nagaki= (_ku_, _shi_, _mi_), long (space or time).\n\n=nagame=, long-rains, rain, 203: see also _nagamuru_.\n\n=nagamuru=, contemplate, _nagara_: see gramm.\n\n=nagarahete= (_nagarafu_, _nagare_, _nagaru_), Ta.\n\n=nagare= (_ruru_), flow on.\n\n=nagasaheru= (_nagasafuru_) = _nagasu_.\n\n=nagasere= (_nagasu_).\n\n=nagasu= (caus. of _nagaru_, flow).\n\n=nagatsuki=, long-moon month, ninth month (Oct. and part of Nov.).\n\n=nagekafu= (_hi_) = _nageku_.\n\n=nagekashige=, weeping-like, T.\n\n=nageku= (_-ki_, _-kedo_ _-shi_, _-kasuramu_) (_naga-iki_), draw long\nbreath, sigh, lament, weep.\n\n=nagi=, sea-calm.\n\n=nagimu=, be still, calm.\n\n=nagisa=, strand.\n\n=nagori=, vestige, relic, memory.\n\n=nagu= (_nagusamu_), _nagishi_, 199, 242.\n\n=nagu= (_naguru_), cast, throw, shoot off (_ya wo nagu_), 196.\n\n=nagu= = _nagimu_.\n\n=na-guhashi=, beautiful, fair-flowery (_hanaguhashi_), 14, 30.\n\n=nagusa=, diversion, distraction.\n\n=nagusamuru=, divert, console, distract, 23, 103.\n\n=naha=, rope, line, cord, 89.\n\n=naha-nori=, a ropy seaweed, 173.\n\n=naho=, still, yet, more.\n\n=nahonaho=, still more.\n\n\u2731=naishi=, women attendants at court, T.\n\n=naka=, within, midmost, middle, 37.\n\n=na kakasu=, give name to.\n\n=nakanakani=, more than one thought, indeed; but in 120 said to =\n_namanaka_, imperfectly, negligently, without reflection.\n\n=nakare= (_naku-are_), _koso nakare_, 253--do not.\n\n=nakarishi= (_nakaru_), not-been.\n\n=nakashi= (hon. caus. _naku_, weep).\n\n=naka-tsu-ye=, middle branchage.\n\n=nakazarishi=, not-sing (_naku_).\n\n=nake=, _nakedo_, _nakemu_, _nakinu_, _naki_, _naki-tsutsu_,\n_nakuramu_: see _naku_ weep.\n\n=naki-fuse=, lie-weeping, T.\n\n=naki-nonoshiri=, shout, scream, weeping, T.\n\n=naki-wataru=, weep-pass-on, go on weeping.\n\n=naki-watase=, pass or fly along while singing.\n\n=naku=, cry (bird, &c.), sing.\n\n=naku=, weep; _nakayu_ = _nakutokoro_, 31, 69.\n\n=naku= (_naki_, _nashi_, _nakereba_, _nakare_), be-not, not-be, 28.\n\n=nakunaku=, weep-weep, T.\n\n=namarite=, secluded, concealed, 211.\n\n=namashi= (_naramashi_, _naru_), 208.\n\n=namasu=, 210 note, a sort of mayonnaise (fish, herbs, and vinegar).\n\n=namayomino=, m. k.--or _namayumino_, (1) bow of green wood that warps\n(_sori_ kahe_ru_), applied to Kahi (pl. n.).\n\n=name= (_ru_) = _naraberu_, be in row, abreast, side by side, 76.\n\n=name=, lick, taste.\n\n=name-ge= (_nameshi_?), vulgar, T.\n\n=nameri= (_namu-ari_), T.: see gramm.\n\n=nami=, not-be, 28, 59, 123.\n\n=nami=, waves; _nami-ma_, Ta.\n\n=namida=, tears.\n\n=nami ni=, regularly.\n\n=nami no he=, by the waves.\n\n=nami-shikeba=, extend together.\n\n=nami-tachi=, stand, rise together (the two peaks of Tsukubane), 43.\n\n=namu= (_ni_, _nu_): see gramm., T.\n\n=namuji= = _nanji_, _namujura_.\n\n=nan= = _namu_.\n\n=nana=, seven.\n\n=nana-he=, sevenfold, manifold, 210.\n\n=nana-kusa=, seven sorts, many sorts, 70.\n\n=nanasoji=, seventy years old, T.\n\n=nanatabi=, seven times, T.\n\n=nane= (_nanzhi-ane_), you (by man to woman), term of address and\nendearment, 60, 121.\n\n=nani=, what?\n\n=nani shi ka mo=, whatever it be!\n\n=nani su to ka= = _na ni to ka_, what can it be?\n\n=nanji= = thou, you, T.\n\n\u2731=nankai=, southern sea, T.\n\n=nanoka=, _nanuka_.\n\n=nanori=, tell one\u2019s name.\n\n=nanori so= (_nami-nori_), a seaweed, _sargassum_?\n\n\u2731=nanshi=, southern (sun-towards) branchage, Ta.\n\n=nanuka=, seven days, 105, 181.\n\n=na oto=, you, younger brother.\n\n=narabi-nashi=, incomparable, peerless, T.\n\n=narabi-wi=, be together.\n\n=narabi-woru=, be together, side by side, as _tonari_, neighbours.\n\n=narafu= (_hi_), learn, T.\n\n=narahasu= (caus. of _narafu_), T.\n\n=narasu=, tread, level.\n\n=narasu=, make, cause to sound, T.\n\n=nare-goromo=, worn garment, usual garment, 198.\n\n=narenu=, worn, soiled, 118.\n\n=nareru=, grown, or full grown, ripe, 231.\n\n=nari= (_narihai_), way of life, business, occupation.\n\n=narihahi=, crops.\n\n=nari-idete=, come into existence, become.\n\n=nari-masarau=, grow and increase, T.\n\n=nari-yuku=, turn out (to be), result in or as, T.\n\n=naru=, be, be in, at: cf. _naraba_, _narade_, _narame_, _naramu_,\n_narashi_ (_narurashi_), _narazu_, _nare_, _nareba_, _naredo_,\n_nareneba_, _nareri_, _nareru_, _nari_, _narinu_, _narinuru_,\n_narishi_, _narishikaba_, _nariteshi_, _naritomo_, _narurashi_.\n\n=naru= (_ni aru_), be: see gramm.\n\n=naru=, sound, resound (_narasu_).\n\n=nasa= = _nashi_, not-be.\n\n=nasanu= (_nashi_).\n\n=nase= (_nanzhi se_), thou, elder brother, sir, 210.\n\n=nashi=, not-be (_naku_).\n\n=nasu= (_nasazu_), 242; _nashite_, _nashi_, _nasanu_ (_naseru_,\n_nasuramu_), caus. of _naru_, let or cause to (be or do or make).\n\n=nashimi=, manner of being (the force of _mi_ is rather obscure), 203.\n\n=nasu=, form, manner = _zhi_; appended to nouns _tamamonasu_, like\n_tamamo_.\n\n=natane=, rape seed, T.\n\n=natsu=, summer.\n\n=natsukashi= (_-ki_, _-ku_, _-shi_), loving, longing for, lovely, 136.\n\n=natsu-kusa=, summer grass, summer abundance of herbs.\n\n=natsu-mushi=, summer flies, 124.\n\n=natsusobiki=, m. k.\n\n=nayamase=, cause (or feel) distress or trouble, suffer; _shita --_,\n_ura --_, 227, 242.\n\n=nayami-kite= (_kite_ is almost aux.) = _nayami_ (_nayamase_).\n\n=naye-kagamari= (_u_), to be feeble and bent, T.\n\n=nayete= (_nayu_), grow or be feeble, yield, bend.\n\n=nayotakeno=, m. k.\n\n=na yume=, do not \u2026 at all.\n\n=nayutake= (_nayotake_).\n\n=nazorahe=, liken to, Ts.\n\n=nazorahe-uta=, imitative poetry, Ts.\n\n=ne=, precative affix, 159.\n\n=ne=, root, mass of rock (summit).\n\n=ne=, sound, cry, wail.\n\n=ne-bari= (_ne-hari_), wide-rooted. In 183 it has the m. k.\n_sashi-yanagi_, \u2018growing-willow-like\u2019, attached.\n\n=neburi= (_nemuri_), here = with half-closed eyes, or with stupefied\nlook, T.\n\n=nedzumi=, rat, rodent, T.\n\n=negafu=, beg for, desire, 70.\n\n=negahamu= (_negafu_), T.\n\n=negahi-hori=, long lovingly for, 70.\n\n=ne-gami=, sleep-hair, disordered morning-hair.\n\n=negi= (_u_), comp. _negahi_, pray, invoke gods, 87.\n\n=negura=, roost, Ta.\n\n=ne-haheru=, in 156 seems to mean wide-based.\n\n=nemokoro ni=, earnestly.\n\n=neneba= (not-sleep), _neshi_, _nete_, _neteshi_, _netaru_, _nezu_.\n\n=ne nomi shi nakayu=, lamenting and weeping only.\n\n\u2731=nenzhite=, praying.\n\n=ne-same=, wake from sleep, 96.\n\n=netakeku=, jealous, envious.\n\n=netaku= (_keku_), T.\n\n=netami= (_u_), be jealous, envious, T.\n\n=ne-toyomu=, wail-resound, 93, 96.\n\n=neya=, sleep-chamber, T.\n\n=neyado=, sleep-place, 67.\n\n=neyo=, sleep! 70.\n\n=nezu=, not sleep, T.\n\n=ni=, post-position in, to, at, by, with.\n\n=ni=, red, ruddy; _-- tsukafu_ (= _ni tsuku_), apply red-colour.\n\n=ni ini ni keru=, &c.: see gramm.\n\n=ni no ho=, ruddy (ripe), ears of grain.\n\n\u2731=nichi=, day, T.\n\n=nifubu= = _niko niko to_, gently, softly, 233.\n\n=nige= (_ru_), run away, T.\n\n=nige-use=, run away out of sight, T.\n\n=nigi \u2026= _v._ =niki= (_hada_).\n\n=nigiri= (_u_), grasp in hand, close fist on, T.\n\n=nigiri-mochite=, grasping, clutching.\n\n=nigitahe=, fine soft cloth, opp. to _aratahe_.\n\n=niha=, forecourt, garden.\n\n=nihaka ni=, suddenly, 70, 204.\n\n=nihi=, new, 93, 125.\n\n=niho-dori=, a sort of duck, or grebe, Podiceps? 61, 197.\n\n=nihofu= (connected with _nihi_, new, fresh?), smell sweet, be bright,\nflourish--_nihohamu_, _nihoheme_, _nihoheru_, _nihohi_, _nihohishi_,\n_nihofuramu_.\n\n=nikemu= (_ni_, _ini_).\n\n=ni ke ni=--_ni (ini)-ki-he-ni_, 101.\n\n=nikerazu=, _ni keri_, _niki_.\n\n=nikibi-nishi= (_nigi_), soft, pleasant, 53, 155.\n\n=niki-hada= (_nigi_), soft surface (of body).\n\n=nikukarazu=, not hateful, without distinction, T.\n\n=niku maye= (_nikumu_), 64.\n\n=nikumu= (_i_), to hate.\n\n\u2731=nin=, man, person, T.\n\n=ninafu= (_ninahi_), bear burden, T.\n\n=ninaharete= (_ninafu_).\n\n=ni no ho=, _ni_.\n\n=ni-no-ho-nasu=, like ruddy-coloured grain-ears.\n\n=ni-nuhi= (_tsuke_), red-sew-on, 203.\n\n=ni-nuri=, red-painted, coloured, stained, 170.\n\n=nire=, an elm, Ulmus parviflora, Jacq., 211.\n\n=nishi= (= _inishi_, gone i.e. sun), west.\n\n=nishiki-nasu=, _nishiki_-like, brocade-like (originally _ni-shiki_,\nred-stained), 94, 124.\n\n=nite=: see gramm.\n\n=nite shi=, really like, 27.\n\n=ni-tsutsuzhi=, Skimmia japonica?\n\n=niyouniyou ni= (_ny\u00f4ny\u00f4 ni_), groaningly, \u03b2\u03b1\u03c1\u03c5\u03c3\u03c4\u03b5\u03bd\u03ac\u03c7\u03c9\u03bd, T.\n\n\u2731=nizhifu= (_nijiu_), 20.\n\n=no=, gen. poss. particle: see gramm.\n\n=no= (_nu_), moor waste, 232; uncultivated wild land.\n\n=nobe=, moor-side.\n\n=nobori=, _noboru_, _noborashite_, _noborazu_.\n\n=nobori-tachi= (ascend up to), 11.\n\n=noboru=, go up, ascend.\n\n=nobu=, extend, stretch, prolong, utter, relate, escape, _kokoro mo\nnobu_, heart open out (feel happy), Ta.\n\n=nochi=, after, later.\n\n=nodo=, throat, 67.\n\n=nodoka=, fair, fine, calm, Ta.\n\n=nodokeki= (_nodoka_).\n\n=nodo ni= (_nodoka ni_), calm, pleasant, fine (weather).\n\n=nogaroyeru=, unavoidable, cannot be escaped.\n\n=nogohi= (_nuguhi_), wipe, 261.\n\n=nokesama ni=, fall on back, T.\n\n=nokon= (_nokoru no_), Ta.\n\n=nokoreru=, remaining, excepted, omitted, left over, 118.\n\n=nokori= (_u_): see _nokoreru_, T.\n\n=nokoshi= (_nokosu_), take (a quantity) for some purpose, set apart,\nexcept, 231.\n\n=nomare= (_nomu_, drink), T.\n\n=nomeredo= (_nomu_, pray).\n\n=nomi= (_nomu_), drink, T.\n\n=nomi=, only, 186.\n\n=nonoshiri=, shout (abuse, revile), T.\n\n=norahi= (_norafu_, _-noru_, _-noraku_), say, tell, 105.\n\n=noramu=, _norame_, _norase_, _norasane_, _norazu_.\n\n=nori= (_noru_), ride on, go as passenger on.\n\n=nori-tachi=, get on board.\n\n=noru=, say, tell, order.\n\n=nosesu= (caus. of _nosu_), cause to be placed on, T.\n\n=notamafu= (_-hi_, _-hase_, &c., say (honour-form)), T.\n\n=nozoki= (_u_), peep at, look on, T.\n\n=nozomi= (_u_), gaze at something distant, hope for, 102.\n\n=nu= (_no_), moor, waste.\n\n=nubatama= (_no_), m. k.\n\n=nugu=, doff.\n\n=nu-he= (_nu be_, _no be_), moor-side, 92.\n\n=nuhi= (_nufu_), sew, sew together, sew on, 189.\n\n=nuhishi= (_nufu_, _nuhi_).\n\n=nukadzuki=, to _kotow_, knock forehead on floor, 70.\n\n=nukidete=, draw forth, 140.\n\n=nuki-oroshi=, set (oars or sculls), and let fall on water, 40.\n\n=nukitari=, to thread (as beadlace), 42.\n\n=nuku= (_nugu_, _nuki_, _-nukitsuru_), doff, 18, 62.\n\n=nuno=, hempen cloth, 67, 203.\n\n=nurasu=, _nurashi_, _nurenu_, _nurete_ (_nuru_).\n\n=nuri= (_nuru_), smear, varnish, wet, T.\n\n=nurigome=, plastered store-place, T.\n\n=nuru= (_neru_), sleep (_nemuru_).\n\n=nuru=, smear, varnish, stain, wet, 211.\n\n=nuruku=, tepid (slow, dull).\n\n=nururu= (_nureru_), be wet.\n\n=nusa= = _mitegura_, 134, 137, 192.\n\n=nushi=, lord, house-master.\n\n=nusubito=, thief, T.\n\n=nu-tsu-tori=, moorside bird, _kizhi_, pheasant.\n\n=nuye-tori=, a fabulous bird, perhaps a kind of owl.\n\n\n=obaseru=, engirdle, 221.\n\n=obashishi=, girt.\n\n=obi=, girdle, 67; _obi ni seru_, engirdle, 133.\n\n=obiyuru=, be alarmed, 24.\n\n=oboshi=, _obosu-obosaruru_, _obosarezu_, _oboshimese_, _oboshiki_, all\n= _oboshimesu_ = _omofu_ (hon. form), T.\n\n=oboyuru= (_oboye_), think, feel, know, T.\n\n=ochi=, a prefix to verbs giving emphasis.\n\n=ochi=, _otsu_, _ochiru_, fall.\n\n=ochiba=, falling leaves, Ta.\n\n=ochi-kakari=, hang over (as wave), T.\n\n=ochiru=, _otsuru_, fall, drop.\n\n=ochitagitsu=, swirl, roar down, 71, 94.\n\n=ochizu= (_nokorazu_), not-excepted, without exception.\n\n=odoro-odoroshiku=, startled, astonished, T.\n\n=ofu= (_ohi_), bear, contain, carry.\n\n=ofu=, follow, pursue, T.\n\n=ofuru=, grow in, on, 17, 26.\n\n=ogiro-naki=, vast, illimited, 259.\n\n=ogoru=, live in luxury, Ts.\n\n=ohamu= (_ofu_, _ohedo_, _ohi_), follow after, 222.\n\n=ohasu= (_e_, _-eru_, _-shimasu_, _-shimashinu_, _-shimasenu_,\n_-shitari_, _-suramu_), hon. caus. form \u2018be\u2019, T.\n\n=ohazu= (_ofu_), not-bear, Ts.\n\n=oheru= (_ofu_, _ohi_), bear.\n\n=ohi-harahi=, chase, clear away, T.\n\n=ohi-kaze=, stern-wind, T.\n\n=ohi-kuru=, come close after, 64.\n\n=ohi-mi=, carry on back (as a habit?), 54.\n\n=ohi-mochite= (_ofu_, bear), 227.\n\n=ohi-nabikeru=, follow after, and yield, or bend to.\n\n=obi-name= (_ofu_), bear together with, 180.\n\n=ohi-noboru=, grow and ascend, Ts.\n\n=ohitachi= (_ofu_, grow), grow up, growth.\n\n=ohitaru= (_ofu_, grow).\n\n=ohite nabikeru=, grow drooping over or towards (said of a tree planted\nover adjoining grave), 250.\n\n=ohi-tsugi=, follow on.\n\n=ohi-yukereba=, follow on, 125.\n\n=oho=, in comp. big, great, grand, vast.\n\n=oho aya=, large patterned? 203.\n\n=ohobune=, great ship, 100.\n\n=ohobuneno=, m. k.\n\n=ohochi= (_ji_), great road, main road, high road? 203.\n\n=ohofu= (_hi_), cover, 24.\n\n=ohohashi=, great bridge, 107.\n\n=ohohi-kitareba=, come clouding, or covering over, 70.\n\n=ohohoshiku= (_obo-_) dim, gloomy, 30.\n\n=oho-i-dzukasa=, chief cook, T.\n\n=oho-kami= (_gami_), wolf.\n\n=oho kami=, great god.\n\n=ohokari= (_u_), be-many, T.\n\n=ohokedo= (_ohoku_, many), 30.\n\n=ohokimi=, great lord, sire, sovran.\n\n=ohoki ni=, greatly, T.\n\n=ohokisa=, greatness, size, T.\n\n=ohoku=, many, T.\n\n=oho-kuchi=, vast mouth, mouth wide-open, wolf\u2019s jaws.\n\n=oho-kuro=, deep black.\n\n=ohomi=, great, grand, an honour-word.\n\n=oho-mikado=, great palace (vast and wide realm?).\n\n=oho-mike=, great fare, exalted food, (of sovran), 11.\n\n=ohomi-mi=, great self (sovran).\n\n=ohomi-te=, great hand (sovran\u2019s).\n\n=ohomiya=, palace.\n\n=oho ni= = _ohoyoso_, in a general way, not definitely, generally.\n\n=oho-nu=, great moor.\n\n=ohoroka ni=, about, generally, almost, 239, 263.\n\n=ohose= (_ofu_, _ohi_, bear), impute, charge with, 204.\n\n=ohoserarete=, being commanded, Ts.\n\n=ohosora=, sky, atmosphere, Ts.\n\n=ohotomo=, great or chief \u2018tomo\u2019.\n\n=ohotono=, lit. great hall or pavilion or palace. In 183 and 189\nit must have one of these meanings, not the more modern one of a\nsleeping-chamber in the Royal Palace.\n\n=ohotori=, great bird, probably a crane or stork. _Ohotorino_ is a m.\nk. of _Hagae [yama]_, _hagae_ meaning feather-change = moulting.\n\n=ohowada=, sea, ocean.\n\n=ohoyuki=, great fall of snow, 24.\n\n=oi=, old age, 69.\n\n=oi-dzuku=, get old, 252.\n\n=oi-hatsuru=, grow very old, 210.\n\n=oi-hito=, old man, 203.\n\n=oi-mi=, old.\n\n=oi mo sezu=, never growing old.\n\n=oiraka ni=, courteously (here = honestly, straight out), T.\n\n=oitachi= (_tsu_), grow up, growth, T.\n\n=ojinaki=, pusillanimous, T.\n\n=okamashi= (_oku_), 50.\n\n=okanedomo=, though not stand up, 211.\n\n=okashi= (_okasu_, _oku_), put, place, hon. causative in, 65.\n\n=okazu= (not omit), 82; _okeru_ (left behind), 28.\n\n=oki=, offing, deep water, 16, 68, 198; opp. to _he_, littoral water.\n\n=oki= (_oku_), put.\n\n=oki-agari= (_u_), rise to one\u2019s feet, T.\n\n=oki be=, offing, 199.\n\n=oki mo agarazu= = _oki-agarazu_, T.\n\n=okiru=, rise up, T.\n\n=okite=, _okasu_, _okashi_, _okamashi_.\n\n=oki tsu mo=, deep-sea seaweed.\n\n=oki tsu nami=, deep-sea waves.\n\n=oki tsu tori=, deep-sea birds.\n\n=oki-wi=, rise and rest (get up and go to rest), Ta.\n\n=okoru=, rise, originate from, Ts.\n\n=okose= (_-ru_), send, sent, T.\n\n=okosetaru=, given, bestowed, 237.\n\n=okoshi-tate=, raise, set up, bring up, T.\n\n=okosu= (_shi_), rouse, raise; _omohi_, _okoshi_.\n\n=oku=, innermost part.\n\n=oku=, put, place, leave behind, omit.\n\n=oku-ka= (_okuga_), inmost place, end, term, 155, 183.\n\n=okure-nami=, crowding after to say goodbye, 116.\n\n=okuretaru=, left behind, 166.\n\n=okurishi= (_okuru_), _okurishikeri_.\n\n=okuru=, send, see off (person on journey), give.\n\n=oku-tsuki=, secluded mound (grave), 47, 122.\n\n=okuyama=, recesses of hills, 42.\n\n=omi=, a follower, palace servant, minister, 55: see Introduction\nMany\u00f4shiu, ix, x, vol. of Translations.\n\n=omo=, mother, 48.\n\n=omo chichi=, parents.\n\n=omofu=, think, be sad, think lovingly or affectionately of any one;\n_omohashishi_, _omohaku_, _omohami_, _omohanu_, _omoharete_, _omohazu_,\n_omoheba_, _omoheru_, _omohishi_, _omohikoshi_, _omohi-tsutsu_,\n_omohoyu_.\n\n=omofubekere= (_omofu_), T.\n\n=omohashiki=, to be thought of, desired, thoughtful.\n\n=omohi-de=, have [pleasant] recollection of, remember, recall to mind,\n215.\n\n=omohi-hokorite=, recall with pride, 225.\n\n=omohi-kofuramu=, recall with affection, think of affectionately.\n\n=omohi-madohahi=, think-distract, be embarrassed with one\u2019s thoughts,\nperplexed, uncertain.\n\n=omohi-mase=, honour form of _omohi_.\n\n=omohi-midarete=, think-be-confused, be uncertain, perplexed in mind.\n\n=omohi-nadzumi=, sunk in, distracted with thought (love), 148.\n\n=omohi-nobe=, give utterance to thoughts, 236, 242.\n\n=omohi-okosu=, recall, bring to mind, T.\n\n=omohi-sadamete=, determine, T.\n\n=omohi-shigeku=, full of thought (of love, &c.), 244.\n\n=omohi-sugubeku=, think too much, love too much.\n\n=omohi-tanomu= (_-mite_, _-meru_), think or love and trust to.\n\n=omohi-tarahashi=, think-complete, be full of love?\n\n=omohi-tsumi-koshi=, be absorbed in (thought, love, &c.); _koshi_ is\naux. (_kuru_).\n\n=omohitsure= (_omofu_), T.\n\n=omohi-urabure=, be sad with thought, love, &c.\n\n=omohi-wabi=, be love-sick, T.\n\n=omohi-wadzurahi=, be thought-sick, love-sick.\n\n=omohi-yamu=, cease thinking, loving, &c.\n\n=omohi-yaru=, chase thoughts, love, &c., drive out care (modern use,\nsympathize with, imagine).\n\n=omohi-yasumi=, thought, love, &c., ceasing or becoming tranquillized.\n\n=omohoseru=, 172 (_omohosu_), hon. caus. _omofu_; _omohoshikeme_, 9;\n_omohoshiki_, 194, 214; _omohoshimeshite_ (_obo_), _omohoshishi_,\n_omoyu_ (_omofu_).\n\n=omohoyuru= (_omofu_).\n\n=omokage=, appearance of a person\u2019s face, 252.\n\n=omokaharisezu=, without change of appearance, i.e. not looking older,\n233.\n\n=omoki= (_-ku_, _-shi_), heavy, 69.\n\n=omomuki= (_u_), go to, T.\n\n=omonaki=, be shamed, mortified, T.\n\n=omoshiroki= (_-ku_, _-shi_, _-mi_), pleasant.\n\n=omote=, face, 64.\n\n=omotozhi=, lady mother, 91.\n\n=omowa=, face, surface; _tsuki no_, face of moon, 241.\n\n=on= (_ohon_, _ohomi_), hon. particle, T.\n\n=onazhi= = _oyazhi_, T.\n\n=oni=, demon, goblin, elf.\n\n=onna= (_omina_), woman.\n\n=ono= = _onore_, one\u2019s, his, I, self, 58, 83, 228.\n\n=ono ga mi=, my, one\u2019s self.\n\n=onomo onomo= = _ono ono_, each, every, 123.\n\n=orabi= (_u_) = _sakebu_, shout, 125.\n\n=ori-fuse= (_hiza_), bend on knees, kneel (in prayer), 42.\n\n=ori-kazasu= (_-amu_), break off spray for head-adornment, 46.\n\n=ori-kite=, weave-put on, 124.\n\n=oroka=, foolish, vulgar.\n\n=oru=, weave, plait, 203.\n\n=osahe= (_osu_), push, ward, press down, &c.\n\n=osahe-sasu= = _osahe_.\n\n=osahe-tome= (_ru_), forcibly detain, stop, 52.\n\n=osamuru= (_osame_), govern, administer, regulate.\n\n=osanakereba= (_osanaku_ = young, tender), T.\n\n=oshi=, a prefix to verbs, giving force, extent, particularity.\n\n=oshimu= (_-mi_) = _woshimu_.\n\n=oshinabe= (_te_), universally, lit. make-yield = government =\nuniversally (_all_ being under the sway of the sovran), 1.\n\n=oshineri= (_oshi-hineri_), grasp, seize hold of, 125.\n\n=oshiteruno=, m. k.\n\n=oshiwake=, separate, push, force way through, 222.\n\n=oso= = _nibuki mono_, fool, blockhead, 105.\n\n=osoharuru= (_osofu_), be afraid of, T.\n\n=osoroshiku= (_-ki_, _-shi_), fearful, dreadful, T.\n\n=osoru= (_i_), fear, dread, Ts.\n\n=ososhi= (_-ku_, _-ki_), late, slow, T.\n\n=osuhi=, a long veil worn on the head by women, 42.\n\n=oto=, noise, sound.\n\n=oto= (_ototo_), younger brother, 123.\n\n=otodzure=, message, communication, Ta.\n\n=oto ni kiki=, be noised abroad, T.\n\n=otori-masari=, worse or better, T.\n\n=otorohe= (_otorofu_), be inferior, T.\n\n=otosamu= (_otoshi_), T.\n\n=otoshi-ire=, let drop in, 207.\n\n=oto su=, cause sound, Ta.\n\n=otsuru= (_ochiru_), fall, flow down, 135.\n\n=otsutsu= = _utsutsu_, present, real life, 65.\n\n=otte= (_orite_): see _oru_, break, Ta.\n\n=ouna= (_onna_), woman, T.\n\n=oya=, fathers, ancestors, 48.\n\n=oyazhi= = _onazhi_, same, 217, 233.\n\n=oyodzure=, false or delusive rumour or news, 51, 213.\n\n=oyoshiwo= = _oyoso_.\n\n=oyoso= (_oho-yoso_), lit. great elsewhere, almost, about, generally.\n\n=oyu= (_oi_), grow old, 144.\n\n=oyuraku= = _oyu_.\n\n\n=ra=, plural suffix (plurals in _ra_ are often honour-singulars;\n_imashira_ = you, _kora_ = maiden, &c.; _yamahi wo ra_ = _yamahi nado_,\n69: comp. _kinuwatara_, _kinu hakamara_, silks and the like, trousers\nand the like).\n\n\u2731=rakai=, a canopy of thin silk stuff, T.\n\n\u2731=rauzhin= (_r\u00f4jin_), old person, Ta.\n\n\u2731=rei=, usual, ordinary.\n\n\u2731=ri=, the Chinese league.\n\n\u2731=riyau= (_ry\u00f4_), a gold coin, also plan, device, T.\n\n=ro=, an affix: see 14, 52, 65, 183; _ro ka mo_ (56).\n\n\u2731=roku-we=, the six Royal regiments of Guards, T.\n\n\u2731=ruri=, a precious stone, probably lapis lazuli, T.\n\n\n=sa= (_semaku_), a sense of narrowness or contraction, 17.\n\n=sa= (= _ma_, true, \u03b6\u03b1- \u03b5\u1f50-), _sa ni nuri_, well red-stained, 170.\n\n=sa= = _ya_, arrow.\n\n=sa= = _shika_, thus.\n\n=sabahenasu=, m. k.\n\n=sabakari=, so much (_sore hodo_), T.\n\n=sa-bashiru= (_hashiru_).\n\n=sabi-=, affix to _kamu_, _yama_, &c.--it seems to mean godlike,\nsolemn, lonely.\n\n=sabi= = _shikaburi_, wont, habit, practice, 64.\n\n=sabishi= (_sabushi_), desolate and lonely, 29, 214, 230.\n\n=sabitateru= (_sabi_).\n\n=sabushiki= (_sabishi_).\n\n=sadaizhin=, Left Great Councillor, T.\n\n=sadaka ni=, decidedly, certainly, T.\n\n=sadamuru= (_sadame_), settle, fix, _sadameteshi_; _-- kerashi_.\n\n=sadashite= (_sadaka ni shite_), T.\n\n=sade=, small hand-net (fishing), 246.\n\n=sado= = _sato_, village district, 122.\n\n=sadofu= (_sadohi_), beguile, _sadohaseru_, 89.\n\n=sadzuke= (_-- tamaheru_), bestow.\n\n=safubeshi=, _safu_ = impede, stop.\n\n=safurafu= (_s\u00f4r\u00f4_), _samorafu_.\n\n=safurahikemu= (_sorahikemu_), T.\n\n=safuramu=, _samorafu_.\n\n=sagareru=, be hanging down, 67.\n\n=saga= (=shiri=) (_sore ga shiri_), his hinder parts, T.\n\n=sage= (_u_), let down, T.\n\n=sage-oroshi= (_sage_), T.\n\n=sagukumu= (_i_) = _yuki-nayamu_, make difficult way over (as waves),\n55.\n\n=saha ni=, many, numerously.\n\n=saharazu= (_-- ru_), not be impeded [not be touched].\n\n=sa-hashiru= (_-- bashiru_), dart, as fish in stream, 51.\n\n=sahe=, even, at least, not at all (with neg.), 31, 105.\n\n=sahegu=, talk indistinctly (as foreign lang.).\n\n=sahidzuru= (_sahedzuru_), chatter, pipe as birds do (also = _sahegu_).\n\n=sahihahi=, fortunate, prosperous, T.\n\n=saka=, hill, pass, 121, 236.\n\n=saka=, according to Kogi a _shaku_ = 1 foot, 158; according to (I.) =\n_ata_ = one space, about 4 inches. The former meaning is probable in\n158.\n\n=sakaba= (_saku_).\n\n=sakagami=, seizure by hair of head, T.\n\n=sakahaye= (_sakahayuru-saku_, blossom).\n\n=sakahi=, frontier, 68.\n\n=sakaki=, Eurya ochnacea, Szysz--a sacred low Ternstroemiaceous tree or\nshrub, on branches of which are hung offerings to the gods.\n\n=saka midzuki=, a feast of _sak\u00e9_, banquet, 225.\n\n=sakanamu= (_saku_).\n\n=sakaru=, be in bloom, 64, 218.\n\n=sakaru=, be afar, distant, 16, 18, 70, 140; _sakari-wite_,\n_sakari-kinu_, _sakarinu_.\n\n=sakashi= (_-- ki-ku_, &c.), wise, sage, able, T.\n\n=sakashiki=, wise, prudent, learned, 203.\n\n=saka-tori= (_dori_), hill-pass-birds.\n\n=sakaya=, _sak\u00e9_-booth.\n\n=sakayete= (_-- yuru_), flourish, 24, 255.\n\n=sakazarishi= (_saku_), not in bloom.\n\n=sak\u00e9=, rice-beer.\n\n=sakebi= (_bu_), shout, 70, 105, 125.\n\n=saki=, before, in front (place, time), T.\n\n=saki=, cape, headland.\n\n=sakihafu=, be prosperous.\n\n=sakiku= (_saihai ni_), prosperous.\n\n=sakikusano=, m. k.\n\n=saki-mori=, a soldier serving in Tsukushi garrison, frontier-guard.\n\n=saki-nihofu=, bloom-flourish, 241.\n\n=saki-tsugi=, bloom and bloom, 108.\n\n=saki-woworu(i)=, blossom in abundant falling masses.\n\n=saki-zaki=, cape after cape, 90, 139.\n\n=saku=, for _semaku_ (_sebaku_), narrow, 67.\n\n=saku= (_hanatsu_, _yaru_, _hanareru_), _sakeru_, _sakete_, send forth,\nlet forth, comp. _sakaru_.\n\n=saku(i)=, bloom, flourish; _sakinamu_, _sakitaru_, _sakukeshi_,\n_sakeru_, _sakeredo_.\n\n=sakumite= (_-mu_) = _fumi-nuku_, _fumi-saku_, force way on foot\nthrough, 28, 86.\n\n=sa-kumori=, very cloudy.\n\n=sakura=, wild cherry-tree; _-- bana_, cherry-blossom, 33, 86.\n\n=sama=, way, manner, appearance, T.\n\n=sa-manemi=, very many.\n\n=sa-mayohi= (_-fu-nureba_), wander about aimlessly or without order, be\nin a state of confused to-and-froness, physical or moral, 67, 69, 262.\n\n=samazama=, variously, Ta.\n\n=same= = _ame_, rain.\n\n=sameru= (_same_), awake, recover (from drunkenness).\n\n=samorafu= (_samu-sabu-rafu_), lit. serve, wait on, follow--also an\nauxil. = _hateru_ = to do, &c., 24, 44, 128.\n\n=samuku=, weather-cold.\n\n=samura ni= = _samuge ni_, 121, cold-like.\n\n\u2731=san=, three.\n\n=sana= (_sane_) _kadzura_, Kadzura japonica, L., 161.\n\n=sa-naraberu= = _naraburu_.\n\n=sa nasu itato wo= = _sashi-narasu itato_, door that creaks in\nshutting, 64.\n\n=sane=, lit. pips, seed in fruit.\n\n=sa-neshi=, sleep close to, sleep, 53, 64.\n\n=sa-ni-dzurafu=, well-red-stained or ruddy-faced, comely, 55, 94.\n\n=sa ni-nuri=, well-red-stained (of boats), 102.\n\n\u2731=san-sen-banri=, mountains and rivers and thousands of leagues, Ta.\n\n=sanu= = _sa nuru_, sleep, 198.\n\n=sa nu tsu tori=, pheasant, 203.\n\n=sa-otodoshi= (_ototoshi_), year before last.\n\n=sara ni=, again, afresh, quite, 68, 161.\n\n=sarasamu= (_sarasu_), bleach, T.\n\n=sarazu= (_saru_ = _hanareru_), _asa sarazu_ = _asa goto ni_, each\nmorning, no morning omitted, 70.\n\n=sareba=, _sa_ (_shika_) _areba_.\n\n=sarikureba=, _-- nureba_, come or go away.\n\n=sarinamu=, _sa ari namu_, T.\n\n=saritomo=, _sa ari to mo_, nevertheless, howbeit, T.\n\n=saritote=, it being so yet, T.\n\n=saru=, monkey, T.\n\n=saru=, _sa aru_, thus-be, T.\n\n=saru toki=, about 4 p.m., T.\n\n=sasagu= (_sashi-agu_), lift up (offer to superior), _sasagetaru_.\n\n=sasahe-kasanahe= (_sashi-kasane_), heap on (clothes), put on one robe\nover another, 203.\n\n=sasakishi= (_sasameku_), whisper, murmur, 203.\n\n=sasanami=, small waves, rippling surf.\n\n=sasanamino=, m. k.\n\n=sasayaku(i)=, whisper, murmur, T.\n\n=sashi= (_sasu_).\n\n=sashi=, a prefix giving particularity or initial force.\n\n=sashi-afugi= (_afugu_), T.\n\n=sashi-ire= (_-sesase_), put into, T. _-- makura_, pillows side by\nside. _-- hakite_ (_haku_). _-- kudari_ (_kudaru_). _-- megurashite_\n(_meguru_), T. _-- mukafu_ (_mukafu_). _-- nami_ = _sashi-naraburu_ =\n_narabu_, arrange in row or order, 90, 104.\n\n=sashi-watashi=, pass or make go across, carry across, 246.\n\n=sashi-yakamu= (_yaku_), burn.\n\n=sashi-yanagi=, planted willow.\n\n=sashi-yoranu=, not-approach.\n\n=sasofu= (=hi=), invite.\n\n=sasu=, thrust in, stick in, stick out from (_sasudake_), point towards\n(16), attach _tsuna_ (33).\n\n=sasudakeno=, m. k.\n\n=sasuga ni= (_shika-su-nagara_), even so, T.\n\n=sasuhi= = _sasohi_.\n\n=sate=, well, now (_shika shite_), T.\n\n=sato=, village district, Gau, 16, 27.\n\n=satosu= (_shi_), explain, instruct in, exhort, 263.\n\n=sa-tsuki= (_sa nahe_), month of growth, fifth month of lunar year, 46,\n101, 210.\n\n=satsusatsu=, murmuringly (as wind), Ta.\n\n=satsuya=, hunting-arrows, 31.\n\n=satsuyumi=, hunting-bow, 64.\n\n\u2731=sauzoku= (_s\u00f4zoku_) = _shiyauzoku_, raiment, full dress, T.\n\n=sawagu= (_sawaku_), be violent, agitated, 30, 69.\n\n=sa-wataru(i)= = _wataru_, cross over.\n\n=sawi= = _saki_, _shiho sawi_, flood-tide.\n\n=sawo=, pole (boat), 33, 140, 259.\n\n=sawo= (_sa awo_), true green, 211.\n\n=sa-wo-shika= (_wozhika_), young stag, 94, 210.\n\n=saya=, scabbard, 140.\n\n=sayaka ni= (_saya ni_), clearly, brightly, 15, 17, 74.\n\n=sayakeku=, shining, bright, 35.\n\n=saya ni= = _soyo-soyo_.\n\n=sayarazu= = _saharu_, impede, stop (neg.), 239.\n\n\u2731=sayau= (_say\u00f4_), thus so, T.\n\n=sa-yeda=, twigs, sprigs.\n\n=sa-yo=, full, deep night, 126, 178, 243.\n\n=sa-yobahi= (_yobu_).\n\n=sa-yo-fukete=, full deep into the night, 199.\n\n=sa-yuri=, a kind of lily, 232.\n\n=sayuru= (_sayu_), be chill, 15.\n\n=sazara-nami= (_sasara-_) = _sasanami_, ripples, small waves or\nbreakers, 220.\n\n=sazare=, pebbles.\n\n=sazare-ishi=, pebbles, Ts.\n\n=se=, current, stream, 23, 72.\n\n=se=, elder brother, term of respect and endearment, especially from\nsister to brother, sir, 90, 254.\n\n=sebaya=, opt. form _suru_, Ta.\n\n\u2731=sechi ni=, earnestly, strongly, T.\n\n\u2731=sei=, spirit, Ta.\n\n\u2731=seikaiha=, Blue sea wave (name of a musical piece), Ta.\n\n\u2731=seishi= (_seisu_), reprove, T.\n\n\u2731=sekai=, this world, T.\n\n=seki=, barrier, guard-gate, 217.\n\n=seki-tome=, stop, restrain, T.\n\n=seko=, elder brother! sir (to husband, &c.), 57; friend to friend,\n225, 242.\n\n=seku=, stop, close, T.\n\n=semete=, at least, T. (but also, of necessity, by compulsion).\n\n=semeyori-kitari=, come pressing on, 64.\n\n=semu= (_suru_), _semusube_ = _nasubeki shikata_, feasible future\naction.\n\n=semu= (_i_), attack, T.\n\n\u2731=sen=, a thousand, T.\n\n=sen= (_semu_), T.\n\n=se ni= = _sebaku_.\n\n\u2731=sen nen=, 1,000 years, Ta.\n\n=senshiu=, 1,000 autumns, Ta.\n\n\u2731=sen shiu raku=, Joy of a 1,000 Autumns (music), Ta.\n\n=seru= (a caus. of _suru_), in meaning = _naseru_, 152.\n\n=seruramu= (_suru_), 201.\n\n=sesasetamafubeki= (_sasu_, honour double-causative).\n\n=seshi= (_suru_), 84.\n\n=sesu= = _nashitamafu_, cause-let-be, 179.\n\n\u2731=seu-shiyau= (_shosh\u00f4_), major-general, T.\n\n=seyo= (_suru_), imperative.\n\n=sezu= (_suru_).\n\n\u2731=shaku=, a foot (measure), T.\n\n\u2731=shaku=, badge, degree of rank, T.\n\n=shi=, emphatic particle, 4, 243.\n\n=shi= (_sore_), _shiga_ = _sono_, 70, 105, 139, 250; lower twigs, &c.,\n107.\n\n=shiba=, brushwood, bush for wattles, bush-twigs, 66.\n\n=shiba-naki=, _shibashiba naki_ (twitter-song, chirrup of birds), 41,\n74, 216.\n\n=shibashi= (_ni_, _no_), a little time, T.\n\n=shibashiba=, times and again, often, constantly.\n\n=shibi=, tunny fish.\n\n=shibomi= (_u_), wilt, wither, 234.\n\n\u2731=shichi=, seven, T.\n\n=shidzu=, a sort of hempen cloth, 163.\n\n=shidzu=, inferior, mean.\n\n=shidzu-hata=, an ancient kind of loom, a hempen stuff woven in it (cf.\nN. 1, 401).\n\n=shidzukeshi=, tranquil, calm; _niha shidzukeshi_ = sea-floor (surface)\ncalm, 44.\n\n=shidzuku=, falling water, water dropping from trees on a hillside,\nalso to be immersed and visible in water, as a stone at bottom (see a\n_tanka_ in Many\u00f4shiu, vol. vii).\n\n=shidzumarimashimi=, was at rest, 24.\n\n=shidzume=, tranquillize, rule, 65.\n\n=shidzu-tamaki=, m. k.\n\n=shidzu-ye=, lower branchery, 139.\n\n=shi ga=, _sono_, _sore ga_, that, of that.\n\n=shigarami= (_u_), roll round, as deer do; _hagi_ leaves for their\ncouch, 92.\n\n=shigeru= (_shige_, _shigemu_), be abundant, 9, 24, 76, 215, 244; _--\nshigeki_ (_-shi-ku_).\n\n=shige-yama=, thickly wooded hill, T.\n\n=shigi=, snipe, Ts.\n\n=shigure= (_ru_), shower, 46, 94, 183.\n\n=shihabukahi= (_-- buku_), cough, 67.\n\n=shihabure=, stammer out, stutter, 225.\n\n=shihasu=, eleventh (lunar) month, December-Jan.\n\n=shihite= (_shihiru_), compulsorily, forcibly, T.\n\n=shiho=, salt; _yashiho_, many times dipped (dyeing), 237.\n\n=shihohi=, ebb tide, 96.\n\n=shihosawi= (_-- saki_), flood tide, 44.\n\n=shiho-yaki=, making salt from sea-water.\n\n=shika=, thus, 5, 73, 197.\n\n\u2731=shikai=, the four seas (of China) but referred to Japan, Ta.\n\n=shikame=, _shikameya_ = _koso shikame_, surely will be so!\n\n=shika mo=, so too besides, &c.\n\n=shikanaku= (_shikanu_), not spread, not extend over, 182.\n\n=shikare=, _shikareba_, _shikaredomo_, _shikasu_ (57), _shikaru_,\n_shikashi_ (24), _shika to_ (67), be thus, be so certainly.\n\n=shikemu= (_suru_), 47, 112.\n\n\u2731=shiki=, colour, _go shiki_, the five colours--black, white, green,\nyellow, red (Chinese).\n\n=shiki= = _shikiri ni_, _iya shiki_ (_hototogisu_) _iyashiki nakinu_,\nrepeatedly, often, 34.\n\n=shiki= (_u_), spread out, govern, administer (_shikite_).\n\n=shikimasu=, _-- maseru_ = _shiroshimesu_, reign, rule, 34.\n\n=shikinahete= = _oshinabete_, 1.\n\n=Shikishima=, an old name for Yamato or Japan, also of an ancient\ncapital, T.\n\n=shikitaheno=, m. k.\n\n=shiki-ya= (_shiko-ya_), wretched hut, 154.\n\n=shiko=, wretch, dolt, 101, 225.\n\n=shikomete= (_mu_), seclude carefully from observation, T.\n\n=shikushiku= = _shikirini_, repeatedly, again and again, 30.\n\n=shima=, island, tract surrounded by stream? 38.\n\n=shimaba-shimu= = _somaba somu_--if dyeing dye (comp. Gaelic idiom),\n247.\n\n=shima-dzutahi=, coast thread or islands.\n\n=shima-kakure= (_g_), hidden by islands, _shima no kage ni_, 201.\n\n=shima-ne= = _shima_, island, (I.) _shimakuni_ [Yamato shimane],\nisland-province as Shimane ken (Idzumo Ihami, and the Oki islands).\n\n=shima-yama=, island-hill.\n\n=shime=, hawfinch, 139.\n\n=shime=, for _shimenaha_, rice-straw ropes hung before temples and\nhouses, to keep off evil influences, 155.\n\n=shimerani= = _oharazu_, not-end, 215.\n\n=shimesu= (_-shi_), make known, announce, 65, 110.\n\n=shime-yufu=, set in place a _shime-nawa_, 155.\n\n=shimi=, =shimimi ni= = _shigeku_, 49, 183.\n\n=shimi-ra-ni= = _shimimi ni_, but in 154 it seems = _shimerani_ (_hiru\nha shimirani_ = all day long).\n\n=shimi-tohori= = _sometohori_, dye deep, dye through.\n\n=shimo=, hoar-frost, rime, 15, 64, 198.\n\n=shimo=, lower, under.\n\n=shi mo=, emphatic compound particle.\n\n=shimo-he=, under, lower side, quarter, direction.\n\n=shimoto=, bush-shrub-growth (12); rod (to beat with), 67.\n\n=shimo tsu se=, lower waters of a river, 26.\n\n=shinaderu=, m. k.\n\n=shi-naga-tori=, long-tailed or long-rumped bird--or long-breathed bird\n(I.).\n\n=shinahe= (_shinahi_).\n\n=shinahi= (_-fu_), incline, bend, yield.\n\n=shinakereba= (_suru_--a neg. form).\n\n=shiname= (_shinuru_, die).\n\n=shinana= (_shinamu_, _shinuru_, die), 69.\n\n=shina-tatsu= (_shinaderu_?), steep, 182.\n\n=shinazakaru=, m. k.\n\n=shini-hito=, dead man, 30.\n\n=shinikeru=, died, 105.\n\n=shinobu= (_shinubu_), T.\n\n=shinu=, die (_shini_), _shinu_ = _shi-inu_, do-finish or breath-depart?\n\n=shinu= = _shinafu shinahi_, 148, 222.\n\n=shinubame=, _-- bamu_, _-- basu_, _-- basenu_, _-- baye_, _-- bayu_,\n_-- bazu_, _bi kerashiki_, _-- bitsu_, _-- buramu_, 16, 97, 122.\n\n=shinubu= (_bi_), love, long for, endure, conceal.\n\n=shinubu-kusa= (_gusa_), a fern, Davallia bullata, Wilf.\n\n=shinuburahi= (_shinubu_).\n\n=shinugi= (_shinogu-gi_), endure, bear.\n\n=shirade= (_shiru_).\n\n=shiraga=, white hairs, or white cloth offerings.\n\n=shira-hama=, white-shore, white-sanded, clear-watered, 97.\n\n=shirakenu= (_-- genu_, _-- geru_), whiten, 105.\n\n=shira-kumo= (_g_), white cloud, sunshiny clouds, 186.\n\n=shiramaseba= (_shiramu_).\n\n=shira mayumi=, whitewood-bow.\n\n=shirame= (_shirome_), white-eye, white of eye, T.\n\n=shiranami=, white waves.\n\n=shiranuhino=, m. k.\n\n=shira-nuri=, silvered, 225.\n\n=shira-tama=, white jewel, pearl.\n\n=shira-tsuyu=, white (bright), dew.\n\n=shira-yufu=, white _yufu_ (Broussonetia yarn).\n\n=shire ni shirete= (_shiremono_), silly, infatuated, T.\n\n=shirinu= (_shiru_), T.\n\n=shirizoku=, return, withdraw, T.\n\n=shirokane=, silver, 63.\n\n=shiroku= (_-ki-shi_), white, T.\n\n=shirotaheno=, m. k.\n\n=shiroshi-meseba=, _-- kemu_, _-- shi_, _-- mesu_.\n\n=shiroshimeshi= (honour-form of _shiru_), govern.\n\n=shiru= (_shiri_), know, govern, _shiranaku_, _shirani_ (_shirazu_),\n_shiranu_, _shirashikuru_ (_-- nure_), _shiraseru_, _shirasenure_,\n_shiredomo_, _shirinubeki_, _shirinubemi_, _shiriseba_, _shirisubeni_,\n_shiritari_.\n\n=shiruku= = form in _aku_? 59.\n\n=shirushi=, sign, token, effect, result, 59, 178, 199.\n\n=shirusu=, make note of, make known, give token or sign of, 34.\n\n=shi seshite=, hon. caus. = _shi-tamahite_, 255.\n\n=shishi=, deer.\n\n=shishi=, flesh (deer or boar).\n\n=shishiki-ya=, _satsuya_, hunter\u2019s arrows? 173.\n\n=shishi-zhi=, deer-like, like a deer.\n\n\u2731=shisoku= (_-seshite_), causing a light to be brought, T.\n\n=shita=, under, beneath, often = _ura_, inner, deeper, as in\n_shita-gokoro_, 176.\n\n=shitabaye=, heartfelt affection, 125.\n\n=shitaberu= (_-- buru_), be drooping, wilting (associated with red hues\nof autumn), 29.\n\n=shitadohi=, underground pipe, conduit or drain, 128, K. lxxviii.\n\n=shitafu= (_hi_), love, 49.\n\n=shitagafu= (_-hi_), follow (_shitagahite_, _shitagahazu_).\n\n=shita-gohi= (_ura-kohi_), deep, real love, 214.\n\n=shita-gokoro= (_ura-kokoro_), deep, real, inmost feelings, bottom of\nheart, 4.\n\n=shita-hi=: see 120, _Shitahi yama_.\n\n=shita hikari=, glow of colour (spring blossoms or autumn leaves), on\nlower slopes of mountain, 94 (see also K. 163).\n\n=shita-ji=, path under trees, 183.\n\n=shitakumi=, resourceful, crafty, T. \u03b4\u03bf\u03bb\u03cc\u03bc\u03b7\u03c4\u03b9\u03c2.\n\n=shita-kutsu=, sock, 203.\n\n=shita \u2019mohi= (_ura-omohi_), inmost feelings.\n\n=shitanushi= (_suru tanomashiki_) = _tanoshi_, agreeable.\n\n=shitari= (_shite ari_), T.\n\n=shitashikeku=, arousing love, affection, friendship.\n\n=shitatami=, a sort of clam, 209.\n\n=shite=, protagonist (drama), Ta.\n\n=shite= (_suru_).\n\n=shitsu= (_shidzu_).\n\n=shitsu kura= (_shita-gura_), under-saddle (_shidzu_ cloth under\nsaddle, often finely embroidered, &c.), 64.\n\n=shitsurafu= (_hi_), arrange, T.\n\n=shi-tsutsu= (_suru_).\n\n\u2731=shiyau= (_sh\u00f4_) (_-zoku_), gala dress, T.\n\n\u2731=shiyau= (_sh\u00f4_) _zuru_, invite, T.\n\n\u2731=shiyau= (_sh\u00f4_), life, Ta.\n\n\u2731=shiyauga= (_sh\u00f4ga_), song, vocal music, T.\n\n\u2731=shiyaukuwan= (_sh\u00f4kwan_), admire, Ta.\n\n\u2731=shiyou-kon= (_sh\u00f4kon_), pine-foot, Ta.\n\n\u2731=shiyou-kwa= (_sh\u00f4kwa_), pine-florescence, Ta.\n\n=shizhikushiro=, m. k.\n\n=shizhi ni=, abundantly.\n\n=so= (_zo_) = perhaps _sore_, an emphatic particle.\n\n=so=, final imperat. particle: see gramm.\n\n=so= (_sore_), 13, 159.\n\n=soba=, side, T.\n\n=soba-dzura=, side face or slope (of hill), T.\n\n=sode= (_so_, dress, _de_, stick-out), sleeve; (more properly?)\narm-holes in upper garment.\n\n=sode-furi=, wave sleeve.\n\n=sode tsuke=, sleeved, 203.\n\n=sofu= (_sohi_), accompany, join, add to, 109.\n\n=so ga= = _sore ga_, T.\n\n=sogahi=, back-turn, behind; _-- ni mi_, with back turned toward, 49,\n73.\n\n=sohe-neneba= (neg.), _sohe-nekeme_, sleep by side of, 23, 29.\n\n=sohe-uta=, satirical song, Ts.\n\n=sohi=, _sohete_ (_sofu_).\n\n=sohobune=, red-stained ship.\n\n=soki=, afar, 86.\n\n=sokidaku= (_sokobaku_).\n\n=soko=, bottom.\n\n=soko= (_sono tokoro_), there.\n\n=sokoba= (_sokobaku_).\n\n=sokobaku= (_soku baku_), a quantity, much.\n\n=sokora=, there (vaguely), T.\n\n=sokoraku= (_sokobaku_), 105.\n\n=soku-he=, almost = _soki_, more particularized.\n\n=soma=, wooded hill, woodman.\n\n=somekeme= (_someru_ = _hazhimeru_), begun, be first, 85.\n\n=somete= _somu_ (_someru_), dye, 237.\n\n=somosomo=, well then, next, now, T.\n\n=somuki= (_-shi-te_), oppose.\n\n=somukaba=, T.\n\n=sonafuru= (_sonahe_), provide, Ta.\n\n=sono=, that.\n\n=sora=, sky, atmosphere (what intervenes between heaven and earth),\nmetaph. vain, empty; _sora ji_, vain, useless journey, 202.\n\n=soragoto=, false, counterfeit, T.\n\n=soramitsu=, m. k.\n\n=sorohete= (_sorofu_), arrange, bring into order, Ta.\n\n=soshiri= (_u_), revile, T.\n\n=sosogu=, pour, sprinkle, lave, 69.\n\n=sosori=, ascend.\n\n=soto=, outer, _soto mo_, outer face or aspect; in 14, northwards.\n\n\u2731=sousesase=, caus. _sousu_, T.\n\n\u2731=soushi= (_sousu_), T.\n\n\u2731=sousu=(=ru=), report (to Throne), T.\n\n=so ya=, war-arrows.\n\n=su= (_suru_).\n\n=su=, web (spider), 67.\n\n=su=, nest, _su wo kufu_, build nest, T.\n\n=sube= (_subeki_?) manner, means; _semu sube mo nashi_ = _shikata ga\nnai_.\n\n=subekameru= (_subeki-aramu-aru_) or _beku_ may have had form _bekamu_,\nT.\n\n=subemi= (_subeshi_), 118.\n\n=sube mo naku= (_subeku mo naku_).\n\n=suberu= (_i_), slip, T.\n\n=sube-shirani=, _subeku shirazu_.\n\n=subete=, in all, Ts.\n\n=sudakeri= (_sudaku_) = _atsumaru_, collect, assemble, flock, 225.\n\n=su-dori=, sea-swamp birds, 20, 21.\n\n=suga=, rush (plant).\n\n=suganoneno=, m. k.\n\n=sugara=, whilst, through, 59, 154, 169, 215.\n\n=sugaru=, sand-wasp, 104, 203.\n\n=sugata=, form, shape, manner, Ta.\n\n=sugata=, form, shape, T.\n\n=suge=, sedge (Carex), 54.\n\n=sugi=, Japanese cedar, but was the ancient _sugi_ identical?\n\n=sugi= (_sugu_), _sugimaku_, _sugime_, _sugimu_, _suginamu_,\n_suginishi_, _suginu_, _sugite_, _suguraku_, _sugubeku_, _sugureba_,\n_sugusazu_.\n\n=sugikoshi=, elapsed, Ta.\n\n=sugi-mura=, clumps of _sugi_, trees.\n\n=sugi-wakaru=, go departing from T.\n\n=sugu= (_i_), pass beyond, overpass, excel, 17, 55.\n\n=sugu ni=, next, immediately, Ta.\n\n=sugurete=, surpassing, Te.\n\n=suguru= (_sugu_), T.\n\n=sugushi=, _sugoshi_ (hon. caus. of _sugu_), 155.\n\n=sugushi-yare=, passing of time, 64, 215.\n\n=sugusugu to=, speedily, soon, T.\n\n=suji=, line, _take hito suji_, one bamboo. This \u1f05\u03c0\u03b1\u03be \u03bb\u03b5\u03b3\u03cc\u03bc\u03b5\u03bd\u03bf\u03bd is the\nonly Japanese quasi-numerative found in the text.\n\n=suki= (_u_), be fond of, T.\n\n=suki-kakuru= refers to some mode of carrying a child (on back in a\ncloth?), 203.\n\n=sukoshi=, little (quantity, time, &c.).\n\n=sukunakarazu=, not-few, T.\n\n=sukunaki=, few, 206.\n\n=sumafu= (_-hi_), dwell in, at.\n\n=sume= (_ru_), dwell in, abide in; _sume kami_, God whose seat is \u2026 68,\n137.\n\n=sumera=, sovran.\n\n=sumerogi= (_sumera-gi_), =sovran=.\n\n=sumi=, ink, 210.\n\n=sumi-naha=, ink-cord used by carpenters, builders, &c., 68.\n\n=sumire=, the violet flower, 216.\n\n=sumi=(=u=)=tamahaku=, hon. form. _sumu_, dwell, T.\n\n=sumi-yoshi= (_-ki_), fair to dwell in (pl. n), 92, 96.\n\n=sumomo=, a kind of plum, sloe? a variety of Prunus communis, Huds., T.\n\n=sumu= (_sumi_, _sumeru_), dwell in or at, 105, 113.\n\n\u2731=sun=, inch, T.\n\n=suna=, sand, Ts.\n\n=sunahachi=, and so, and then, T. (later, scilicet).\n\n=sura=, even, almost = _sahe_, 23.\n\n=sureba= (_suru_).\n\n=suredomo= (_suru_), T.\n\n=suri= (_suru_ = rub).\n\n=suri= (_ashi --_), shuffle feet on ground, sign of emotion.\n\n=suru= (_suri_), rub, 211 (_sureru_, be rubbed, dyed), 107.\n\n=suso=, hem of vestment.\n\n=susobiki=, train of vestment, trail of skirt, 105, 200, 216.\n\n=suso-mi=, tract at foot of hill, 218.\n\n=susuki= (_i_ = _sosogi_), 209.\n\n=susukitaru=: see _suzukitaru_.\n\n=susumu= (_i_), go on, go forward, 121.\n\n=sute=, _sutsuru_, _sutete_, cast away, T.\n\n=suwe=, end, 146.\n\n=suwe= (_-ru_), place, put.\n\n=suwe-hari-okoshi=, bend bow for shooting.\n\n=suwe-he=, put-place, upper part, 130.\n\n=suwe-hito=, potter, 211.\n\n=suwe-okite=, place-put, 48, 76.\n\n=suwe tsuhi mi=, at very last, 146.\n\n\u2731=suwi-on=, water-sound, sound of river, Ta.\n\n=suzu=, small bells (horses\u2019, falcons\u2019, &c.), 225.\n\n=suzukitaru= (_susukitaru_), smoke-blackened, besooted, T.\n\n=suzuro ni= (_-sozoro_, _-obohezu_), suddenly, by carelessness,\nunforeseen, T.\n\n=suzushime= (_suzusu_), refresh, Ta.\n\n\n=ta=, prefix to verbs, &c., _tadohomi_, _tayasushi_, &c.\n\n=ta=, cultivated (paddy), land.\n\n=tabakaru= (_i_), deceive, T.\n\n=ta-banare=, be loosed from hand, (as hawk), 225.\n\n=tabarishi=, _tamaharishi_, 203.\n\n=tabasami=, hand-hold, under arm hold, 173, 210.\n\n=tabase= (_ru_), hon. caus. _tabe_, T.\n\n=tabe= = _tamahe_ (_tamafu_, _tabu_).\n\n=tabi=, journey, travel.\n\n=tabi=, hand-flame, torch, 31.\n\n=tabi=, time (once, twice, &c.), 15, 60.\n\n=tabi= (_tabu_), T.\n\n=tabi-goromo=, travelling-garb, Ta.\n\n=tabi-ne=, journey-sleep, sleep while on journey, 23.\n\n=tabi-yadori=, [night] shelter while on journey, 12.\n\n=tabi-yuku=, to travel.\n\n=tabu= (_tamafu_).\n\n=taburetaru=, wrong-witted, stupid (_tahamuretaru_), 225.\n\n=tachi=, plur. suffix, T.\n\n=tachi=, sword.\n\n=tachi= (_tatsu_), verbal prefix, giving particular sense--stand up,\nstart.\n\n=tachi-afu= (_afu_).\n\n=tachi-azaru= (_i_), (_aseru_), to be in a state of doubt and\ncommotion, 70.\n\n=tachi-bana no ki=, orange-bush, 46, 101.\n\n=tachi-biki=, spread over, 84.\n\n=tachi-domari=, _todomari_ (_u_), stay, stop.\n\n=tachi-kikeba=, listen (to somebody\u2019s talk).\n\n=tachi-kuku=, dart in and out, 247.\n\n=tachimachi ni=, at once, suddenly, 104.\n\n=tachi-matsu= = _matsu_, wait for, expect, 128.\n\n=tachi-miru=, look for, 55, 122.\n\n=tachi-mukafu= = _mukafu_, 114.\n\n=tachi-nagekahi= = _nageku_, 122.\n\n=tachi-narasu=, in 124 = approach and stand by.\n\n=tachi-nishi=, a past of _tachi-ini_, just go away.\n\n=tachi-noboru= (_noboru_), T.\n\n=tachinu= (_tatsu_).\n\n=tachi-samorahi= (_-fu_) = _samorafu_.\n\n=tachi-tanabiku= = _tanabiku_.\n\n=tachi-tatsu=, rise suddenly, start up.\n\n=tachite= (_tatsu_).\n\n=tachite mo wite mo=, =tachite wite=, standing or sitting, under all\ncircumstances.\n\n=tachi-tomari=, stop, 31, 158.\n\n=tachi-tori-obashi=, a double prefix = gird on.\n\n=tachi-toyomurashi= (_d_), _-toyomu_.\n\n=tachi-tsurare=, be struck with dismay? T.\n\n=tachi-wakare=, take leave and depart, T.\n\n=tachi-washiri= (_-hashiri_ = _u_), 105.\n\n=tachi-wataru= = _wataru_, pass over, or rise and pass over, 75.\n\n=tachi-wi=, be standing up, T.\n\n=tachi-wodori= = _wodoru_, be agitated (with emotion).\n\n=tachi-yoru=, draw near to, Ta.\n\n=tada=, just, simply, at once, ordinary, only, true, 50, 83, 120.\n\n=tada-bito=, an ordinary mortal, T.\n\n=tada goto= (_koto_), mere words, Ts.\n\n=tadaka=, personality, appearance of a person, 118, 167, 192.\n\n=tada koto=, an ordinary affair, T.\n\n=tada me ni=, before one\u2019s very eyes, before one, eye to eye, 146.\n\n=tada-mukafu= = _mukafu_.\n\n=tada ni= (_tadachi ni_), directly, only, immediately, merely, vainly.\n\n=tadare= (_ru_), be blear-eyed (_me no tadare_).\n\n=tada-watari=, in 193, seems = _kachi-watari_, cross water barefoot,\nwade over.\n\n=ta-dohomi=, quite distant, 56.\n\n=tadoki= = _tadzuki_, 70, 120, 128, 204.\n\n=tadori=, grope after, 64.\n\n=tadzu=, a crane, 39, 55, 100, 199.\n\n=tadzuki=, means, way.\n\n=tadzukuri= = _tedzukuri_.\n\n=tadzumi= (_u_), collect as water in a pool, 238.\n\n=tadzusafu=, lead by hand, take with one, 26, 28, 64, 220.\n\n=tadzusahari= (_tadzusafu_).\n\n=tadzutadzushi= (_tadotado_), uncertain, dim, in a groping manner.\n\n=tafutoku= (_-ki_, _-shi_, _-mi_, _-karamu_), noble, honourable,\nexcellent, exalted.\n\n=taga=, whose?\n\n=tagafu=, be different from, opposed to, oppose, mistake or fail (Ta.),\n253.\n\n=tagahinu= (_tagafu_).\n\n=tagane= (_u_) = _tsukanu_, bind, lean on supporting staff, 64, 203.\n\n=tagi= (_tagu_ or _daku_), in (236) = draw in, pull in, rein up.\n\n=tagichi= (_-tsu_, _-te_), swirl, _-ochi-tagitsu_, 189.\n\n=tagoshi=, a _koshi_ (litter) borne by men, T.\n\n=tagufu= (_taguhi_, _-hite_, _-heredo_), be of a kind with, pair with,\n198, 217.\n\n=taguhi-naku=, peerless, T.\n\n=tahagoto= (_-koto_) = _mudanaru shigoto_ = a folly, a silly business,\nfond, foolish, jest, 51, 192.\n\n=tahare= (_-u_ = _tahamuru_, _-- razaru_), play fool, joke, &c., 70,\n104.\n\n=taharete= (_tahare_).\n\n=tahayasuku= = _yasuku_, T.\n\n=tahenaru=, be excellent, fine, of rare beauty.\n\n=tahe no ho=, brightness of _tahe_ (fine white hemp cloth), or\n_tahenaru no ho_.\n\n=tahi=, a fish, sea-bream, 105.\n\n=tahiragete= (_tahiragu_), quell, pacify, debellare.\n\n=tahirakeku=, even, level, prosperous, as when well governed, 69.\n\n\u2731=taidai= (_taida_?), negligent, remiss, T.\n\n\u2731=taimen=, face to face, interview, T.\n\n\u2731=taishite=, be girded with, T.\n\n=ta-jikara=, strength (of arm), 215.\n\n=taka=, hawk, falcon, 225.\n\n=takabe=, a bird (teal?), 33.\n\n=takadaka ni=, in 201, intently, anxiously, as if peering into the\ndistance with head high.\n\n=takadama=, bamboo-jewel, bamboo worked in with pearls; but in lay 42\nbamboo circlets threaded as beads seem to be meant.\n\n=taka-hikaru=, m. k.\n\n=takakarashi= (_-ku_, _-mi_), appearing to be high, lofty.\n\n=takaki= (_-ku_, _-shi_), high, lofty.\n\n=taka-kura=, high seat, throne.\n\n=ta-kami= (_ta-gami_), hilt of sword, 125.\n\n=taka-ne=, lofty peak.\n\n=takara=, treasure, 37, 63, 227.\n\n=takashirasu=, honour causative of _takashiru_.\n\n=takashiru=, high-know, rule, reign over (honour word).\n\n=takataka= = _takadaka_.\n\n=takatama= = _takadama_.\n\n=taka-tobu=, fly high.\n\n=taka-tono= (_dono_), high hall, of two or more stories.\n\n=takatsuki=, a raised stand or tray for offerings, 209.\n\n=taka-yama=, high mountain.\n\n=take=, bamboo, T.\n\n=take=, height, summit, 8, 92.\n\n=take=, stature, T.\n\n=takebu= (_i_), shout, storm.\n\n=takeki= (_-ku_, &c.), bold, T.\n\n=taketori=, bamboo-gatherer, wicker-worker, T.\n\n=taki=, waterfall, cascade, rapids.\n\n=takigi=, firewood, Ts.\n\n=taku=, =tagane-musubu=, bind-up, 125.\n\n=taku= = _yufu_ (paper mulberry).\n\n=takudzununo=, m. k.\n\n=takuhafu= (_-hahe_), treasure up, 252.\n\n=takumi=, builder, carpenter, craftsman, T.\n\n=takunaha=, rope of paper mulberry-fibre.\n\n=tama=, originally perhaps to bestow (_tamafu_), hence precious, jewel,\nround, fine, &c.\n\n=tama-de=, fine arm.\n\n=tamadzusano=, m. k.\n\n=tamafu=, honour verb = confer, bestow, deign to, _tamafurashi_,\n_-hamashi_, _-hane_, _-nu_, _-kashi_, _-heba_, _-hi_, _-hinu_,\n_-hishi_, _-hite_, _-hari_, _-haru_, _-hinu_, _-hine_, _-hiten_,\n_-hama_, _-hasenu_.\n\n=tamahashi=, fine bridge, 115.\n\n=tamahe= (_tamafu_); also _tamaheri_.\n\n=tamahokono=, m. k.\n\n=tamakadzura= = _kadzura_, 39, m. k.\n\n=tamakagiri=, m. k.\n\n=ta-maki=, a bracelet or arm-ornament, arm-encircle, 197.\n\n=tamakiharu=, m. k.\n\n=ta-makura=, arm (of another) used to rest head on, 29.\n\n=tama-kushige=, fine toilet-case, 105.\n\n=tama-maki=, wear pearls round (arm).\n\n=tama-mo=, fine _mo_ (seaweed), 59.\n\n=tamamonasu=, m. k.\n\n=tamareru=, get collected (as water in pool, &c.), 165.\n\n=tamasaka ni=, now and then, not often, by rare chance, 105.\n\n=tama-shihi=, soul, spirit, \u03c8\u03c5\u03c7\u03ae, T.\n\n=tamatareno=, m. k.\n\n=tamatasuki=, m. k.\n\n=tama-toko=, an honour word, bed-place (_tamatoko_, also = bed-place of\na dead person left untouched for seven days after death).\n\n=tamazakaru=, loss of sense or wit.\n\n=tame ni=, for, on account of, for sake of, 56, 99.\n\n=tameshi=, be example or sign or proof of, Ta. _tamesu_ = _kokoro-miru_\n= try.\n\n=ta-mi=, field-hands, people (plebs), 12.\n\n=tamoto=, sleeve, pocket-sleeve, sleeve-pocket = _sode_, 64.\n\n=ta-motohori=, go to and fro, wander about (_maharu_), 80, 219.\n\n=ta-muke=, hand-offer, offer ritually, 133.\n\n=ta-muke-gusa=, various kinds of offerings (to gods), 138.\n\n=tanabiku= (_-ki_, _-keru_), 48, 105, spread over, as clouds do.\n\n=tanakumori= (_g_), clouds gathering and spreading.\n\n=tanashiru= (_-shirazu-shirani_, &c.) = _shiru_.\n\n=tane=, seed, cause, source, means, Ta.\n\n=tani=, valley, hollow, 248.\n\n=ta-nigiri=, hand-grasp, seize, 64.\n\n=tani-guku=, toad (Bufo vulgaris, _hiki-gaheru_), 62.\n\n=tanka= = _mizhika uta_.\n\n=tanomaru= (_-ishi_, &c.), _tanomeru_, _tanomu_, 22, 92.\n\n=tanomoshigari=, desirable, reliable, T.\n\n=tanomu=, trust to, 57, 183.\n\n=tanoshikeku= = _tanoshi_, glad, happy.\n\n=tanushisa= (_no_), gladness, happiness, 110.\n\n=tarachineno=, m. k.\n\n=tarachishi= = _tarachineno_.\n\n=tarahashi= (_-su_), be complete, adequate, full, 149.\n\n=tareru= (_taru_), be complete, 124.\n\n=taretaru= (_taru_, to drop).\n\n=tari= (_taru_), _ama no tari yo_, night-as-much-as-heaven, i.e. all\nnight, 70, 161.\n\n=tari-yukamu=, become perfect, complete.\n\n=tashi=, Eastland for _tachi_.\n\n=tashika= (_-ni_, _-naru_), certain, firm, T.\n\n=tasuke= (_u_), help, T.\n\n=tasuki=, hand-help, shoulder-bands (see _tamatasuki_, m. k.), 70, 164.\n\n=tatafubeki=, to be honoured, respected, T.\n\n=tatafuru=, extol, 93.\n\n=tatahashikemu=, _tatahasu_ = _michi-tari_, complete, perfect, as full\nmoon, 22, 183.\n\n=tatakafu=, fight, T.\n\n=tatamaku= = _tatamu_ (_tatsu_).\n\n=tatami=, mat, 200, 210.\n\n=tatanadzuku=, m. k.\n\n=tatasu=, _tatashi_, _tataseru_, _tatamu_, _tatsuramu_, _tatasurashi_,\n_tateba_, _tatazu_ (caus. of _tatsu_).\n\n=tatazumi=, stop, stand still awhile, T.\n\n=tate= (_ru_), raise, establish, set up.\n\n=tate=: see _hi no tate_ (from E. to W.).\n\n=tate= (_hi no_), East.\n\n=tatematsuru=, hon. form suffix verb., lit. humbly raise, offer, T.\n\n=tate-okite=, _naka ni tate-okite_ = rising out of the midst of [the\nsea], 44.\n\n=tate-watashi= (_watasu_).\n\n=tatohe=, example, Ta.\n\n=tatsu= (_tachi_), stand up.\n\n=tatsukadzuwe=, hand-help-staff, staff to lean on.\n\n=tatsu-kirino=, m. k.\n\n=tatsu na= (_na wo --_ do not injure name (reputation)).\n\n=tatsu-tsuki=, moon that rises.\n\n=taurahi= (_t\u00f4 rahi_) = _toburahi_, q. v.\n\n=tawamite= (_tawamu_), be weak, 80.\n\n=ta-waraha= = _waraha_, 159.\n\n=ta-warahi= (_warafu_).\n\n=tawayame= (_tawoyamu_, _tawamu_), 57.\n\n=tawayame= (_tawayame_).\n\n=ta-wi= means, in 112, _ta_ merely--paddy-land. May also mean \u2018a\nflooded rice-field\u2019.\n\n=tawori= (_u_), break off, 50, 66, 101, 215.\n\n=tawori=, rugged mountain-peak, 159.\n\n=tayori=, advantage, Ta.\n\n=ta-yowai-me=, arm-weak-woman, delicate, tender.\n\n=taye=, _tayezu_, _tayezhi_, _tayeme_, _tayureta_, also _tayuru_,\nendure, support.\n\n=tayu= (_tayuru-eru_), end, cease, be exhausted, interrupted, die.\n\n=tayutafu= (_-hi_), heave, toss, roll, 26, 105.\n\n=te=, hand, arm, _te udaki_, fold hands (sign of tranquillity and\ncontentment), 255.\n\n=tedzukuri=, hand-work, 203.\n\n=tekona= (_tegona_, _tego_) = _ateyaka naru musume_, beautiful girl,\n47, 48, 124.\n\n=temukahi= = _tamuke_, offering, Ts.\n\n=tera=, Buddhist monastery, Korean _ch\u00f6l_, T.\n\n=terasu= (_-shi_), hon. caus. _teru_, 110.\n\n=teri-hatataku=, to lighten and thunder, T.\n\n=teri-kagayaku=, be dazzlingly bright, T.\n\n=teru= (_i_), shine, 27, 67, 142.\n\n=-te shi=: see gramm.\n\n=te-tsu-kara= (_karada_), like _midzukara_, one\u2019s own hands, one\u2019s\nself, 67.\n\n=te wo wakachite=, dividing in different parties, T.\n\n=to=, that, with, &c.: see gramm.\n\n=to= = _soto_, outside, 28, 48, 179.\n\n=to= = _minato_, 44 (_Akashi no to_).\n\n=tobashitsu= (_tobu_), caus. vb., to fly, let fly, 70.\n\n=tobi= (_u_), to fly.\n\n=tobi-kakeri=, fly-soar, 203.\n\n=tobi-karasu=, flying crow.\n\n=tobi-koyete=, fly across, 225.\n\n=tobi-kuku=, fly in and out, 215.\n\n=tobi-ta-motohori=, fly circling, wheeling about, 225.\n\n=tobu-hi=, flying-flame, signal-flare (_noroshi_).\n\n=toburafu=(=hi=), or _tomurafu_(_hi_), make visit of condolence (on a\ndeath), T.\n\n=tobu-tori=, flying birds.\n\n=to-de=, depart from door (start on journey), 262.\n\n=todokohoru= (_i_), stop, delay, 261.\n\n=todomareru=, stop behind, 100.\n\n=todomari-gataki=, cannot pause or rest.\n\n=todome=, stop, delay, 135.\n\n=todomesase=, caus. _todome_, T.\n\n=todomi=, turn or full of high tide, 116.\n\n=todomi-kane= = _todomari-gataki_, hard to delay, 199.\n\n=todomu= (_-i_, _-muru_, _-me_), stop, T., stay, delay, 64.\n\n=tofu= (_tohi_), inquire, ask.\n\n=togamu= (_-eru_), censure, reproach, blame, 113.\n\n=to-gari= (_tori-kari_), hunting birds with hawks, 225.\n\n=togenaki=, unsuccessful, T.\n\n=togezu=, not-achieve, 53.\n\n=togishi= (_togu_), polished, made bright and shining, approved, 59,\n184.\n\n=to-gura= (_tori-kura_), bird-perch (hawk), 236.\n\n=to ha=: see gramm.\n\n=tohamu=, _toheba_, _tohasazu_, _tohamuku_, _tohamashi_ (_tofu_).\n\n=tohi-saku=, talk with, converse with, 49, 61.\n\n=tohi-sawaku=, ask or talk loudly, agitatedly.\n\n=tohi-sawagi= (_u_), ask excitedly, T., 49, 61.\n\n=toho= (_tohoku_), far, distant, 16, 200; also in comp.\n\n=toho-dzuma=, a wife left behind in distant home.\n\n=tohoki= (_-ku_, _-shi_), far distant.\n\n=tohokute= (_tohoku_), T.\n\n=tohonaga= (_ku_), far, long, very far (place, time), 26.\n\n=toho no mikado=, distant portion of realm as Tsukushi frontier,\nofficial post there, 61, 200.\n\n=tohoru=, go through (as wet, &c.), 17.\n\n=tohoshiroshi=, conspicuous (lit. white), from afar, 39, 225.\n\n=tohotsu-hito=, one who is far off (as lord on journey seems to his\nhouse-folk), men far off in time, men of old, 227.\n\n=tokaku=, that and this way, somehow, by all means, T.\n\n=toki=, time, season, period.\n\n=toki= (_toku_, _tokanu_, _tokete_), unloose, 110.\n\n=toki-doki=, times, often.\n\n=tokiha= (_toki-hanare_?), lasting, eternal, 14, 223.\n\n=tokiha-gi=, eternal tree (pine), Ta.\n\n=tokiha nasu= (_tokiha_), 64.\n\n=toki-kahete=, unloose and exchange (girdles), 47, 55.\n\n=toki-kinu=, _tokikinuno_, m. k.\n\n=toki-midashi=, unloose and let be in confusion, 203.\n\n=toki-naku=, timeless, incessantly, 8.\n\n=toki-narazu=, untimely, premature, 48.\n\n=toki ni=, when.\n\n=toki-sakezu=, not-unloose, 55.\n\n=toki-shikite=, unloose-spread, 67.\n\n=toki to naku=, no time fixed, at any time, irregularly, always, 110.\n\n=toki tsu=, timely, regular (as tides, tidal winds, &c.), 30.\n\n=tokizhiku=, constantly, perpetually, 36, 43.\n\n=toko=, couch, alcove, later, bed-place.\n\n=toko=, everlasting, enduring.\n\n=toko-miya=, everlasting palace.\n\n=tokonatsu=, everlasting summer, also (_nadeshiko_), the pink flower.\n\n=toko no be= = _toko_, 70.\n\n=tokoro=, place.\n\n=tokoro-dzura=, Dioscorea tokoro?\n\n=tokoshihe ni=, everlastingly, 105.\n\n=tokoshinahe=, everlasting.\n\n=tokoyami=, everlasting darkness, 24.\n\n=toko-yo=, everlasting age, eternal life, 60, 105, 233.\n\n\u2731=toku=, virtue, excellence, Ta.\n\n=toku= (_tou to_), rapidly, quickly, T.\n\n=tokuchi= (_-guchi_), door-mouth, entry, T.\n\n=tomare=, _to mo are_, be it so, T.\n\n=tomari= (_u_), stay, stop, anchor.\n\n=tomari-wite=, staying, &c., 97, 139.\n\n=tomeru=, delay, stay, &c.\n\n=to-mi= (_ato-mi_), trackers (hunting).\n\n=tomo=, guild of palace retainers, officials, &c.\n\n=tomo=, plural affix: see gramm.\n\n=to mo=, that too: see gramm.\n\n=tomo=, stern (boat), 127.\n\n=tomokaki= = _tomodachi_, comrade, friend, 62.\n\n=tomonahe= (_tomonafu_), accompany, lead.\n\n=tomo ni=, together with.\n\n=tomo no he=, stern (of ship).\n\n=tomoshibure-gane= = _urayamashigaru_, desirable, enviable, 221.\n\n=tomoshiku= (_-ki_, _-mi_), empty, deficient, hence rare, excellent,\n72, 131, 220, 236.\n\n=to-nami= (_tori no ami_), fowler\u2019s net, 134.\n\n=tonari=, neighbour (_to nar[ab]i_?), 104.\n\n=toneri= (_to ni ari_?), court-servant, page, almost = _yatsuko_, 51,\n183. See Asakawa\u2019s \u2018Early Institutions\u2019.\n\n=tono=, mansion, hall, palace.\n\n=tono=, lord, master, excellency, T.\n\n=tonogomori= (_tanagumoru_), spreading of clouds, 127.\n\n=tonogomori= may also mean place-retire = retire to rest (not in M. Y.\nS.?).\n\n=tora=, Korean tiger, 24, 210.\n\n=torafuru= (_torahe_) = _toru_.\n\n=toraku= (_toru_).\n\n=torashi= (_su_), hon. caus. (_toru_).\n\n=toreru= (_toru_), T.\n\n=toreyede= (_toru_) = _toraredzu shite_, _tori-kanete_, T.\n\n=tori=, bird, _tori-zhi_, like a bird.\n\n=tori=, verbal prefix giving idea of particularity and beginning of\naction, &c.\n\n=tori= (_toru_), _toramu_, _torashi_, _torahe_, _toreru_, _torite_,\n_toritemu_, _toreba_, &c.\n\n=tori-atafu= (_atafu_), give, 28.\n\n=tori-dashi=, take out, T.\n\n=tori ga ne=, cry, song, twitter of birds.\n\n=tori-haki=, gird on, 64.\n\n=tori-kahe=, exchange.\n\n=tori-kake= = _kakuru_, 42.\n\n=tori-kazarahi= (_kazaru_).\n\n=tori-kite= (_kiru_ = put on, don).\n\n=tori-mimashi= (_miru_).\n\n=tori-mochi= (_motsu_).\n\n=tori-motasu= (_motsu_).\n\n=tori-nade= (_nadamuru_).\n\n=tori-name= (_namuru_).\n\n=tori-obashi= (_obiru_), gird.\n\n=tori-ohite= (_ofu_ = bear).\n\n=tori-sagaru= (_sagaru_), drop.\n\n=tori-shidete= (_shidarashimete_), hang, suspend (as offerings on\nbranch of Cleyera--_sakaki_).\n\n=tori-shiki= (_shiku_), spread, 66.\n\n=tori-sohe=, add to, join.\n\n=tori-sutesase= (_tori-sutsuru_), T.\n\n=tori-tsudzuki=, follow on, continue, 64, 125.\n\n=tori-tsudzushirohi= (_fu_), nibble, swallow in small portions, 67.\n\n=tori-tsuke= (_tori-sugaru_), attach (cord or rope).\n\n=tori-yorofu= (_-hi_), _tori-sorofu_, complete, equip.\n\n=tori-yosofu= (_-hi_), dress one\u2019s self carefully, make one smart, &c.,\nwith paint, powder, &c.\n\n=toru= (_i_), take, grasp, _tori_, _torazu_, _torite_.\n\n=tose= = _toshi_, a year\u2019s space, _toshi-he_, 127, 232.\n\n=to shi=, that! see gramm.\n\n=toshi=, year.\n\n=toshi no ha= = _toshi no hashi_, a year or term of years.\n\n=toshi-tsuki-hi=, years, months and days--time.\n\n=totonofu=, _totonofuru_, arrange, array, order, 255.\n\n=totsu-miya= (_rikyu_, _gekk\u00fb_, outer-palace, i.e. outside of\nCity-Royal), country or temporary palace.\n\n\u2731=toufuu= (_t\u00f4f\u00fb_), east wind, Ta.\n\n=towomu= = _tawamu_, 252.\n\n=towowoni=, gently, gracefully, 131.\n\n=towoyoru= (_tawami-yoru_), approach gracefully, 29.\n\n=toyo mi ki= (_oho miki_), rich royal _sak\u00e9_, 87; rich _sak\u00e9_, p. 194.\n\n=toyomu= (_doyomu_), resound, 44, 220.\n\n=toyo no akari=, rich-effulgence, a royal banquet, 257.\n\n=tsu=, head, one head (mammal).\n\n=tsu=, perhaps = _to_, place, place of arrival or departure,\nferry-place, harbour, anchorage, 113.\n\n=tsu=, a possessive particle: see gramm., 210?\n\n=tsubaki= (sword-guard-wood), Camellia tree, 130, 242.\n\n=tsubakurame= (_tsubame_), swallow (bird), T.\n\n=tsubaraka= (_tsumabiraka_), clearly, plainly, 110.\n\n=tsubasa=, wing (bird), 196.\n\n=tsubo=, jar, 210.\n\n=tsubure= (_ru_), be broken up, T.\n\n=tsuchi=, earth, soil, glebe, 13, 26.\n\n=tsudofu= (_hi_), collect, assemble 22, 113.\n\n=tsudzuku= (_ki_), continue.\n\n=tsudzumi=, hand-drum.\n\n=tsuga= (_no ki_), Abies tsuga.\n\n=tsugaru= (_i_), halter, tether, moor.\n\n=tsuge= (_no ki_), box-wood.\n\n=tsuge= (_tsugu_), tell, announce, 248.\n\n=tsugi= (_tsugu_, _tsudzuku_), continue, go on; _tsugitaru_, T.;\n_tsugite_, _tsugitete_, _tsugite-ki_ (20).\n\n=tsugi-shidai=, entrance of actors &c., Ta.\n\n=tsugi-tsugi=, in succession, 39.\n\n=tsugi-yuku=, continue, continuing.\n\n=tsuguraku= (_tsugu_).\n\n=tsuhi ni=, finally, 105.\n\n=tsuide=, opportunity, Ta.\n\n=tsuihiji=, either a parapet or terrace of earth or platform of beaten\nearth on which a house stands, T.\n\n=tsukafu= (_tsukaharuru_, _tsukafuru_, _tsukahematsuru_), serve (a\nsuperior), 20, 210.\n\n=tsukafumatsuru= (_tsuk\u00f4matsuru_), serve (a superior), T.\n\n=tsukahasare=, _tsukahashi_, _tsukahashishi_, _tsukahashitsu_.\n\n=tsukahasu=, to send on duty or service.\n\n=tsukahi=, messenger, servant.\n\n=tsukamatsuri= (_u_) = _tsukahematsuru_. See _tsukafu_.\n\n=tsukami-tsubushi=, grasp and overthrow, T.\n\n=tsukanedomo= (_tsuku_), though not construct, build, 211.\n\n=tsukasa=, an administrator, minister, chief of a department.\n\n=tsukazu= (_tsuku_), not-arrive at, 200.\n\n=tsuke= (_-kuru_), fix, apply to, T.\n\n=tsukedomo= (_tsuki_), pierce, make way through, 141.\n\n=tsuke-sasu=, cause to fix, apply (give name), T.\n\n=tsuki=, moon, _tsuki-hi_, months and days--time.\n\n=tsuki=, stand on which food is served.\n\n=tsuki= (_mitsuki_), tribute, tax (in kind).\n\n=tsukiba=, _tsukinu_, _tsukineba_ (_tsuku_, if exhausted).\n\n=tsukinaki=, resourceless, T.\n\n=tsuki no ki=, an elm, Zelkova Keaki, Sieb.\n\n=tsuku= (_e_), stick to, be close to, arrive at, pierce, be possessed\nwith, moisten, soak in, pound in mortar, be at end of, exhausted.\n\n=tsukuhori=, explained in Kogi as bowed and emaciated, 70.\n\n=tsukumodokoro= (_mono wo tsukuru tokoro_), the place within palace\nprecincts where metal work was executed, T.\n\n=tsuku no ana goto ni=, at each hole where the pillars or beams\nsupported roof, T.\n\n=tsukurase= (caus. of _tsukuru_), T.\n\n=tsukurashishi= (_tsukuru_).\n\n=tsukuri-hana=, artificial flowers, T.\n\n=tsukuru=, make, build, construct, also prepare, cultivate land, 13,\n49, 67, 125.\n\n=tsukusu= (_-shi_), exhaust, 239.\n\n=tsukuwe=, stick, staff.\n\n=tsukuyo=, moonlit night.\n\n=tsuma=, spouse, 94.\n\n=tsuma-biku=, twitch strings of _koto_ (flat harp), &c., with nails.\n\n=tsumade=, planks, logs, for building, 13.\n\n=tsuma-dohi= (_fu_), woo.\n\n=tsumadzuku=, stumble.\n\n=tsuma-gomoru=, seclude wife.\n\n=tsuma-kohi=, spousal-love, wooing.\n\n=tsumara=, plural of _tsuma_, spouse, wife. In Lay 258, may or may not\nbe an honour-plural like _kora_, young lady.\n\n=tsumari= (_tomari_).\n\n=tsumasu= (hon. caus. _tsumu_, pluck).\n\n=tsuma-ya=, wife-hut or bridal hut.\n\n=tsuma-yobu=, call one\u2019s mate (as deer in autumn).\n\n=tsume=, claw, nail, hoof, 210.\n\n=tsumi= (_tsumu_), pluck.\n\n=tsumi=, sin, offence.\n\n=tsumi-age=, seize-raise.\n\n=tsumi wo tsukuru=, to commit an offence, T.\n\n=tsumoru= (_-i_, _-inu_), accumulate.\n\n=tsumushi= (_zhi_), whirlwind, hurricane, 24.\n\n=tsuna=, cord, rope, 32.\n\n=tsunashi=, sort of herring, 225.\n\n=tsune=, always, ordinary, 52, 75.\n\n=tsuno=, horn.\n\n=tsunu= (_tsuno_), 210.\n\n=tsunusahafu=, m. k.\n\n=tsurakeku= (_tsurashi_).\n\n=tsuraku= (_tsurashi_).\n\n=tsurane= (_tsuranu-uru_), connect, be connected, be in row or series,\nT.\n\n=tsurara= (_tsura-tsura_), in rows, 199: conf. K. 271, App. LII.\n\n=tsurare-noborite=, climb in company, ascend in company with, lead up,\nT.\n\n=tsurashi= (_-ki-ku_), painful, grievous, disagreeable, &c.\n\n=tsurazuwe= (_hohozuwe_), with cheek on hand, T.\n\n=tsure=, companion, attendant, 22, 49, 184.\n\n=tsuremonaki=, without companion.\n\n=tsurenashi= (_-ki_, _-ku_), pitiless, also companionless.\n\n=tsuri-age-sase=, draw up by cord or rope, T.\n\n=tsuri-bune=, boat for angling.\n\n=tsuru=, to angle with line.\n\n=tsuru=, a crane, Ta.\n\n=tsuru=, a verbal form: see gramm.\n\n=tsurugi=, a straight sword.\n\n=tsurugitachi=, m. k.\n\n=tsuta=, ivy, 17, 219.\n\n=tsutafu= (_-hi_), creep along, keep close to.\n\n=tsutafu=, _tsutafuru_, _tsutaheru_, hand down; tradite.\n\n=tsute= (_tsutahe_).\n\n=tsuto=, something wrapped up and sent as a present home by one on a\njourney (_ihe tsuto_), 199, 231.\n\n=tsutsu=, pipe, hollow stem, T.\n\n=tsutsu=: see gramm.\n\n=tsutsuki=(=u=), pound, pound up, 209.\n\n=tsutsumahazu=, _tsutsuga naku_, unanxious, 258.\n\n=tsutsumerishi= (_tsutsumu_), wrapped up, concealed, 162.\n\n=tsutsumeru=, in 37 used of Lake Se as overhung by Fuji.\n\n=tsutsumi=, dike, bank.\n\n=tsutsumi naku= (_tsutsuga naku_), unanxious, untroubled.\n\n=tsutsumu= (_-i_, _-eru_, &c.), fold up in, wrap up in.\n\n=tsuyoku= (_-ki_, _-shi_), strong, T.\n\n=tsuyu=, dew, dew-drop.\n\n=tsuyushimono=, m. k.\n\n=tsutsuzhi=, Rhododendron Indicum, 175.\n\n=tsuwa-tsuki=, leaning on staff (as old man).\n\n=tsuwetarazu=, m. k.\n\n\n=uba=, old woman, Ta.\n\n=ubena=, _ube_, _-sube_, _-mube naru_, what is just, right, proper,\ngood.\n\n=ubeshi=, good, excellent, 71.\n\n=uchi=, house, abode, T.\n\n=uchi= = _utsutsu_, 69.\n\n=uchi=, within, 28.\n\n=uchi= (_utsu_), frequent prefix to verbs, denoting beginning,\nparticularity.\n\n=uchi-age-asobu=, lift-up (the cup), hence feast or banquet, T.\n\n=uchi-dete=, _-- hahete_ (155), _-- harahi_ (103, 160), _-- kake_\n(_-te_), _-- koi-fushite_ (66), _-- irete_, put in, T.\n\n=uchi-hashi=, temporary bridge? on piles or posts, or planks or logs\nmerely, 26.\n\n=uchihisasu=, m. k.\n\n=uchi-kake=, hang over, impend, T.\n\n=uchi-kise=, put on, make don, T.\n\n=uchi-koyete=, _-- murete_, _-- nabiki_, 49, _-- kubete_, cast in fire,\nT.\n\n=uchi-kuchi-buri= (_wochi-kochi-furi_), here-there-fashion, see 219.\n\n=uchi-nade= (_nadame_), _-- nageki_ (70).\n\n=uchi-nageki=, lament, weep, T.\n\n=uchi-oki= (64), _-- shinahi_, (104), _-- sugi_, pass beyond, away, T.\n\n=uchi-susu=(=zu=)=rohite= (67), _-- woramu_, _-- yosuru_, _-- yukite_.\n\n=udakaye= (_udaku_, _idaku_), embrace, enfold, clasp (_te wo_, &c.),\n87, 255, 257.\n\n=udomuguye=, a flower that appears once only in 3,000 years, T.\n\n=udzu=, precious, 87; also head or hair decoration of flowers, &c., 257.\n\n=udzura=, quail, 24.\n\n=ugara=, blood-kin, 49.\n\n=ugokarenu= (_ugoku_), move.\n\n=ugokasu= (_ugoku_).\n\n=ugokite= (_ugoku_), move.\n\n=uguhisu=, Japanese nightingale, (so called), Cettia cantans, 240.\n\n=uhagi=, outer- or over-dress.\n\n=uhani=, upper-cargo (ship), upper (over) load on a pack-horse, 69.\n\n=uhe=, above.\n\n=uji= (_kabane_), family.\n\n=ukabu= (_-be_), float, 13.\n\n=ukagafu= (_hi_), inquire, T.\n\n=ukagahasemu= (_ukagafu_), T.\n\n=u-kaha=, cormorant-stream, 219.\n\n=u-kahi= (_kafu_), cormorants-feed, keep or employ cormorants (for\nfishing).\n\n=ukanerafu=, read watch, trace.\n\n=uke-gutsu=, torn, dilapidated boots, 62.\n\n=ukeri= (_ukuru_, _ukeru_, _uku_), float, 199.\n\n=uke-suwe=, float-place, launch, 30, 102.\n\n=uketamaharazaramu= (_uke-tamahi-arazu-aramu_), negative form, not-hear\nand obey, not-hear (hon. word), T.\n\n=uketsu= (_uku_, receive).\n\n=uki= (_uku_), float.\n\n=uki= (_-shi_, _-ku_), miserable.\n\n=uki= (_ukeru_, _uku_), receive, T.\n\n=uki fushi=, drifting joint of bamboo, Ts.\n\n=uki-hashi=, floating bridge, hanging bridge or ladder (_ama no --_),\nboat-bridge (not in Many\u00f4shiu?).\n\n=uki-idzuru=, float up to surface, 207.\n\n=uki-kata=, fabric with raised pattern.\n\n=uki-ne=, sleep while afloat, on shipboard, 199.\n\n=uma= (_muma ma_), horse.\n\n=uma= (_umashi_, _-ku_, _-ki_), savoury, pleasant (to taste), &c., &c.\n\n=umakori=, m. k.\n\n=uma-ni=, horse-load.\n\n=umare-idetaru= (_umaru_).\n\n=umaru= (_umaruru_, _-reru_, _-rete_, _-rureba_), be born, 49.\n\n=umasahafu=, m. k.\n\n=umasakeno=, m. k.\n\n=umase=, caus. of _umu_, bear, give birth to, T.\n\n=umaya=, stable (horse).\n\n=umayori=, on horseback, 180 (like _kachi-yori_, on foot).\n\n=umazhi=, horse-like, as a horse does, &c.\n\n=ume= (_no ki_), plum-tree.\n\n=umeru= (_umu_), be born, T.\n\n=umi=, sea, lake (_ohomi_?).\n\n=umi=, hank, skein, ball of yarn.\n\n=umi-he=, by the sea.\n\n=umi-ji=, sea-road, sea-track.\n\n=umi wo kaku=, wind off skein.\n\n=umiwonasu=, m. k.\n\n=unabara= (_umi no hara_), sea-plain.\n\n=unadzuki= (_u_), nod head in assent, T.\n\n=unagakeri-wite=, place hand or arm on neck (in friendship, love).\n\n=unagaseru= (_unagu_), clasp neck, put on neck; _unageru_, wear on\nneck, 142, 206, 235.\n\n=unahara= (_unabara_).\n\n=unakami= (_umi no kami_), by, on the sea, 65.\n\n=unasaka= (_umi no sakahi_), limit of sea, 105.\n\n=uneme=, maid, girl, Ts.\n\n=u no hana=, \u2018harebush\u2019, Deutzia scabra, 111, 217.\n\n\u2731=unzuru= (_unzhite_), be sad, vexed, gloomy, T.\n\n=ura=, bight, shallow bay, or coast thereof.\n\n=ura=, divination, 181, 204, _yufu-ura_, &c.\n\n=ura=, within, inner, hinder, deeply, 195.\n\n=urabe=, divination.\n\n=urabure=, _urabiru_ = _urehe-wabu_, be anxious, troubled, sad,\nmiserable, 174, 217; inwardly, deeply moved or grieved.\n\n=ura-gohi= (_kofu_), to love, long for deeply, passionately.\n\n=uraguhashi= (_-ku_, _-ki_), deeply desirable, lovable, pleasant.\n\n=urahashiku= (_uruhashiku_), T.\n\n=urahe= (_urafu_) = _uranahi_ (_nafu_), to divine.\n\n=uraheru=, in 165, seems = _ahi-aru_, be (emphatic).\n\n=ura-kanashi= (_-ku_, &c.), very sad, 101.\n\n=ura-mi=, tract, adjacent to a bay (_ura_), 199.\n\n=ura mo naku=, literally without inner side (wadding or lining), in\n194 explained as = _nanigokoro mo naku_, here meaning inattentive,\nindifferent, i.e. dead.\n\n=uramu= (_-mi_, _-meshi_, _-zu_), be in a state of dislike or hate or\nvexation or disappointment (at another\u2019s conduct).\n\n=ura-nage= = _ura-nageki_, deeply, inly sorrowing, 4.\n\n=urasabite= (_urasabu_), down-hearted, desolate, 28.\n\n=urasu=, a creek or inlet, or shore thereof, 96, 195.\n\n=urayamu= (_i_), be envious of, marvel at, Ts.\n\n=ure=, tree-top (_ko no ure_, _konure_).\n\n=urefu= (_urehi_, _-hi_, _-shi_), be miserable, sorrowful, 67, 69, 110.\n\n=ureheseshi= (_urefu_), T.\n\n=ureshiku= (_-ki_, _-shi_), delightful.\n\n=uretaki= (_-shi_, &c.), sad, sorrowful.\n\n=uri=, melon, 63.\n\n=uruhashiku= (_-ki_, &c.), fine, beautiful, 70.\n\n=ushi= (_ukeki_, _uki_, &c.), 151.\n\n=ushi=, bull, 211.\n\n=ushi-haki= = _nushi-haki_, sway, rule.\n\n=usobuku= (_fuku_) = _usomuku_, T.\n\n=usomuki= (_usobuki_), whistle, draw breath shrilly (panting), 110.\n\n=usu= (_usuru_), disappear, vanish, pass away, _use_, _usemi_, _useme_,\n_usenuru_.\n\n=uta=, Japanese lay, poem, song, T.\n\n=utafu= (_utahi_), sing.\n\n=utagafu=, doubt, T.\n\n=utagata= (_utahito_), songman, Ta.\n\n=utakata=, foam, 215.\n\n=utate=, unusual, excessive, T.\n\n=utena=, a sort of balcony, T.\n\n=utoshiku=, unfamiliar, unpleasing, estranged, indifferent to, Ts.\n\n=utsu=, to beetle, make even and supple.\n\n=utsu= (_uchi_), strike, in 69, seems = throw on, add.\n\n=utsubusu=, lie prone, T.\n\n=u-tsuki=, \u2018hare\u2019 month (4th), 210, 240.\n\n=utsukushi= (_-ku_, &c.), comely, pretty, beautiful, admirable (Ts.).\n\n=utsurofu= (_-hi_), _utsuru_, 92, 217.\n\n=utsuru=, change (place or condition), 52.\n\n=utsuru=, reflect (as mirror, water), Ta.\n\n=utsusemi=, cast-off exuviae of insect, cast-off skin.\n\n=utsusemi= (_utsutsu-mi_), real self, mortal self (also _utsusomi_).\n\n=utsusemino=, m. k.\n\n=utsushi= (_su_), change, reflect (as light); also real, _utsushi\nkokoro_, true, real heart.\n\n=utsusoyashi-utsusowo=, m. k.\n\n=utsutahe=: see 37, 203; _tahe_ is a sort of cloth, beetled cloth.\n\n=utsutete=, _sutsuru_ = _suteru_, discard, reject, 69.\n\n=utsutsu=, present, real, opposed to _yume_, dream.\n\n=utsuyufu=, m. k.\n\n=uwe-ki=, planted bush or tree.\n\n=uweru= (_uwe_), be starved, cold, 67.\n\n\u2731=uzhiyau= (_uj\u00f4_), having life, quick, Ta.\n\n\n=wa= (_ware_), 262.\n\n=wabi= (_wabu_), beseech, implore, excuse oneself, T.\n\n=wabishiki me=, state or fact of sadness, wretched plight, T.\n\n=wabishiku=, lonely, sad, wretched, deplorable, T.\n\n=wada=, sea, ocean.\n\n=wadzuka=, little, slight, Ts.\n\n=wadzuki=, _wakachi_, _kejime_, difference, 4.\n\n=wadzurafu= (_hi_), be anxious, ill at ease, troubled.\n\n=waga=, of me, mine (but see gramm.), also their, 198.\n\n=wagihe= = _waga ihe_, 82, 217.\n\n=wagimo= (_-- ko_) = _waga imo_.\n\n=wago= = _waga_, 20.\n\n\u2731=waka=, Japanese poetry, Ta.\n\n=wakachi= (_wakatsu_), divide, distribute, T.\n\n=wakaki= (_-ku_, _-shi_), young, _wakakarishi_, 105.\n\n=wakakomowo=, m. k.\n\n=wakakusano=, m. k.\n\n=wakare= (_wakaru_).\n\n=wakaru=, be apart, separated, divided from--_wakaruru_, _wakare_,\n_wakarekinureba_, 53, 66.\n\n=wake= (_waku_, _wakuru_), divide, part among, T.\n\n=waki=, one of the N\u00f4 actors (tritagonist), Ta.\n\n=waki=, side (of chest), side.\n\n=waki-basami=, clasp to side, 53.\n\n=waku-go=, young child.\n\n=waku koto mo naku=, without distinction, division, separation, 222.\n\n=wakuraba=, lit. sere leaves (autumn); _-- ni_, rarely, in 67.\n\n=wakuraba ni= = _tamasaka_, by mere chance (Buddhist word).\n\n=wakuru= (_wakete_), divide, allot, 22.\n\n=wara=, straw, 67.\n\n=waraha=, child, 197.\n\n=ware=, I, myself (but see gramm.).\n\n=washi=, eagle, 113.\n\n=wa shi=, an interjectional final exclamation! see 207, 208.\n\n=washiri-de= (_hashiri-de_), run out, jut out, 28, 190.\n\n=wasurahe-naku= (_wasuru naku_), without forgetting.\n\n=wasuru= (_-re_, _-rete_), forget.\n\n=wata= (_wada_), 65.\n\n=wata=, pulp of shellfish, 64.\n\n=wata=, wadding, 67.\n\n=wata no soko=, bottom of sea.\n\n=watarafu= (_-hi_) = _wataru_.\n\n=wataru=, pass on, along, over, _watari_, _-rasu_, _-shi_, also\nmetaphor., 160.\n\n=wata-tsu-mi=, sea, \u03c0\u03cc\u03bd\u03c4\u03bf\u03c2 (202), also god of sea.\n\n=wawake=, rags, tatters, 67.\n\n=waza=, act, deed, 113, 250.\n\n=wazurahashiku=, miserable, wretched, T.\n\n=we=, interjection of distress, 54.\n\n=wefu=, be drunk, T.\n\n=wehitaru= (_wefu_), T.\n\n=wemimi wemazu=, smiling or not smiling, 230.\n\n=wemi-sakaye=, full smiling, T.\n\n=wemu= (_-i_, _-ite_, _-mahi_), smile, 52, 104, 124.\n\n=werawera=, smilingly, joyously, 257.\n\n=wi= (_wiru_, _woru_, _winaba_), be at, in, &c., 224.\n\n=wi=, well (water), 14, 124.\n\n=wi-chirashi=, be among and scatter, 111.\n\n=wo=, diminutive prefix (often of praise or endearment).\n\n=wo=, gramm. (= _ni_, 61).\n\n=wo=, male, 110.\n\n=wo=, man, vir (_miyabi wo_, _tomo no wo_, &c.).\n\n=wo= (_mine_), summit, 109.\n\n=wo=, tail, 198.\n\n=wo=, so-called adversative conj.: see gramm.\n\n=wo=, thread, string, 49, 110.\n\n=wo ba=: see gramm., 22.\n\n=wo-bana=, a grass (Miscanthus Sinensis), 112, 201.\n\n=wo-bune=, skiff, boat, 245.\n\n=wochi= (_wotsu_), return to former state (I.), 143. Also has the\nmeaning, there, afar, before, &c.\n\n=wochi=, return (of hawk to wrist), 225.\n\n=wochi-kochi=, here and there, far and near.\n\n=wochi-midzu=, dropping water, 143.\n\n=wochi-yeshimu=, obtain return (to youth).\n\n=wo-gaha=, stream, 35.\n\n=wo-gushi= (_kushi_), comb.\n\n=wo-hanari=, part hair (girls) to fall on either side, 125.\n\n=woharu= (_-ri_, _-raba_), end, conclude, 68, 233.\n\n=woka=, hill, knoll, 22.\n\n=wokabe= (_woka_), 93.\n\n=wo-kai= (_kai_).\n\n=wo-kaji= (_kaji_).\n\n=wo-kanato= (_kanato_).\n\n=wo-kasa=, small plaited hat, 206.\n\n=wokashiku=, agreeable, amusing, ridiculous.\n\n=woke=, tub, bowl.\n\n=woku= = _maneku_, in 225 = recall.\n\n=wo-kushi= (_wo-gushi_).\n\n=womi goromo=, a ritual or ceremonial dress (as at _kagura_), Ta.\n\n=womina=, woman.\n\n=wominameshi=, Patrinia scabiosaefolia, a Valerian, Ts.\n\n=womi no kora=, spinster, spinning-girl.\n\n=wono=, axe, 135, 207.\n\n=wonoko=, man (vir), T.\n\n=wo-nu=, little moor, fine moor, 76.\n\n=wori-kaheshi=, fold back (sleeve), 156, 214, 258.\n\n=wori-kazashi=, break off (spray), to adorn head, 26.\n\n=wori-wori= (_ori-ori_), at times, T.\n\n=worogami= = _wogamu_, bend in prayer, _kotow_ in prayer.\n\n=woru=, be in, at.\n\n=woru=, bend, break.\n\n=wosa= [senior, elder], headman (village).\n\n=wosamaru=, be in state of tranquillity (well governed), Ta.\n\n=wosamuru= (_osamu_, _osame_), arrange, receive, govern, administer,\nregulate.\n\n=woshi= (_wosu_).\n\n=woshi=, Mandarin duck, Anas galericulata, 33.\n\n=woshiki= (_-ku_, _-keku_, _-kedomo_, _-mi_), longed for, desirable,\nregrettable, pitiable, 72, 95.\n\n=wosu=, perhaps hon. caus. of _wiru_, _woru_; _kikoshi-wosu_, be in\nstate of making hear and obey = rule, reign.\n\n=wo-suzu=, small bells (worn as armlets), 131.\n\n=wo-tachi=, small sword.\n\n=wote mo kono mo= = _kono mo kano mo_, this side, and that side.\n\n=wotoko= (_wo-tsu-ko_), man (vir).\n\n=wotoko-i=, _wotoko_ with _i_ (Korean article?).\n\n=wotoko-zhi=, in a man\u2019s way (as distinct from a woman\u2019s).\n\n=wototsu= (_ototohi_), day before yesterday = _wotsutsu hi_, passed\naway day.\n\n=wotsuru= = _wochiru_, fall.\n\n=wotsutsu= = _utsutsu_.\n\n=wowoheru=, _woworu_, hang down, as spray heavy with flowers, blossoms.\n\n=wo-ya=, hut, cabin, 54.\n\n\n=ya=, arrow.\n\n=ya=, eight, many, all.\n\n=ya=, house, roof, T.\n\n=ya=, particle (?!): see gramm.\n\n=ya-chi=, eight thousands, very many, 94.\n\n=yachihoko=, m. k.?\n\n=yachikusa=, all sorts of (lit. 8,000) herbs.\n\n=yado=, night-place, lodging, shelter, abode, 51.\n\n=yadori= (_u_), _yado-wori_, take lodging, shelter, pass night in, 12,\n58.\n\n=yadosu=, lodge, T.\n\n=yagara=, house-kin, relations, 263.\n\n=yagate=, straightway, T.\n\n=yaharagu=, be, or make, or keep tranquil, peaceful, Ta.\n\n=yahasu= (_-shi_, _-she_), pacify, quell, 24, 263.\n\n=ya-he=, eightfold, manifold, 22, 210.\n\n=yahegaki=, manifold fence or defence.\n\n=yahokomochi=, m. k.\n\n=ya-ho-yorodzu=, eight hundreds of myriads.\n\n=yakata wo=, roof-shaped, that is truncated, wedge-shape, of tail\n(hawk).\n\n=yakitachi=, sword with fired (tempered) edge, 123.\n\n=yaku= (_i_, _uru_), burn, set fire to, consume--_yakamu_, _yakete_,\n_yakezuba_, _yakite_, _yakamu_, T.\n\n=yaku-shiho=, burn-salt (heat salt-pans), a sort of m. k. of _omohi_.\n\n=yama=, mountain, hill, wooded hills, wild country.\n\n=yama-be=, towards the mountains.\n\n=yamabi= = _yamabe_, nearly.\n\n=yamabiko=, echo among hills and valleys, _hibiku_.\n\n=yamabiko-doyome=, the resounding of an echo among hills.\n\n=yamabito=, woodman, Ts.\n\n=yamabuki=, the Kerria japonica, 24.\n\n=yama-dakami=, the loftiness of mountains.\n\n=yama-dori=, the mountain (wild) bird, copper pheasant, 103.\n\n=yama-gahi=, between mountains, a valley or ravine, 215.\n\n=yamahi=, sickness, illness.\n\n=yama-hiko=: see _yamabiko_, hill-sprite, also a m. k.\n\n=yama-ji=, mountain road, road across mountainous country.\n\n=yamame= (_yamu_), 146.\n\n=yamaneba= (_yamu_), 108.\n\n=yamatadzu=, m. k.\n\n=yama-tsu-mi= (like _wata-tsu-mi_) = _yama no kami_, hill-gods.\n\n=yama-wi=, Fimbristylis japonica, var. (_Yama ahi_, Mercurialis\nleiocarpa, S. et Z.).\n\n=yamazu= (_yamu_).\n\n=yame(ru)=, be pained, grieved, 187.\n\n=yami-fuse=, lie prostrate with pain or sickness, T.\n\n=yaminu= (_yamu_).\n\n=yami-yo=, dark night.\n\n=ya mo?!= see gramm.\n\n=yamu= (_i_), be ill.\n\n=yamu=, cease, stop, _yamemu_, _yamubeku_, T.\n\n=yanagi=, willow.\n\n=yara= = _yaramu yaran_ (_yaru_), used as affix.\n\n=yara=, pool or pond, or mud at bottom of pool, swampy pool, 207.\n\n=yaramu=, will send to, 199.\n\n=yare= = _yabure_, smash, break, 155, 189.\n\n=yaru=, give, send, &c.--_yari_, _yaramu_, _yari_, _yarimi_,\n_yaritsure_, _yarinureba_, _yarazu_, _yarazute_, _yaredomo_.\n\n=yasaka=, eight feet or eight spaces (or many feet, &c.?); for very\nlong or deep.\n\n=yasashi= (_-ki_, &c.), gentle, agreeable, easy, T.\n\n=yase= (_-ru_, _-nu_), emaciated, become lean, 60.\n\n=yashiho=, eight (many) times dipped (deep-dyed), deep tinted, 237.\n\n=Yashima=, eight (many) islands, a name of Japan.\n\n=yashinafu= (_-hi_), nourish, bring up, T.\n\n=yashinahasu= (_yashinafu_).\n\n=yashiro=, shrine.\n\n=yaso=, eighty, many; _yaso shima_, the countless islands (Japan);\n_yasotomo_, all the guilds or clans; _yasouji_, all the (noble)\nfamilies, a m. k.\n\n=yasu-i=, sleep quietly, 63, 242.\n\n=yasukaranu=, _yasukaranaku_ (_yasuku_).\n\n=yasukeku= (_-ki_, &c.): see _yasuki_.\n\n=yasuki-shi-keku=: see _yasuku_.\n\n=yasuku=, unanxious, untroubled, at rest, peaceful, restful.\n\n=yasumezu= (_i_), _yasumu_.\n\n=yasumishishi=, m. k.\n\n=yasumite=, _yasumu_.\n\n=yasumu=, be at rest, tranquil.\n\n=ya tose=, eight years.\n\n=yatsu=, fellow, creature, T.\n\n=yatsubara=, fellow, T.\n\n=yatsuko=, fellow, servant, 208.\n\n=yatsure=, ragged, barebones, T.\n\n\u2731=yaushyun= (_y\u00f4shun_), warm or quickening spring.\n\n=yauyau= (_yaya_, _yauyaku_, _dandan ni_), gradually.\n\n=yayohi=, month of growth, third (lunar) month, 58.\n\n=ye=, _yeda_, branch, twig, sprig, 28, 203.\n\n=ye=, creek, 173.\n\n=ye= (_u_), get, obtain; _yeshi_, _yetaru_, _yeteshi_, T.\n\n=ye= (_he_), to, towards: see gramm., T.\n\n=ye=, sort of passive prefix to verbs: see gramm., almost = \u2018get\u2019.\n\n=yegata=, hard to get, T.\n\n\u2731=yekau= (_yek\u00f4_), praying to a god, Ta.\n\n=ye-mi-tsuke-tatematsurazu=, could not get sight of, T.\n\n=ye-oki-agari-tamahade=, His Honour not being able to get up on his\nfeet, T.\n\n=yerabu= (_i_), _mu_ (_i_), choose.\n\n=yeri=, collar, 124.\n\n=yeru= (_uru_), obtain, get: see _ye_ (gramm.), _ye_, _yeshi_,\n_yeneba_, _yezu_.\n\n=yeshirade= (_shiru_), T.; _yeshihinu_, _yetatakahamu_, T.\n\n=yo=, I., T.\n\n=yo=, age, period, reign.\n\n=yo=, an interjection.\n\n\u2731=yo=, excess, T., _sen yo nichi_, 1,000 days and more, T.\n\n=yo= = _yori_, from.\n\n=yo=, night-time, a night.\n\n=yo=, this world.\n\n=yobahi= (_yobu_), call, woo, 67.\n\n=yobi-doyome=, make resound with calling (as deer belling), 93, 242.\n\n=yobisuwe=, invite to enter, see Taketori, p. 216.\n\n=yobu= (_i_), call, call by name, 27.\n\n=yochi=, like-aged, 64.\n\n=yodo=, pool in river.\n\n=yodomu= (_i_), slowing of stream to form pool.\n\n=yodo-se=, pool in stream.\n\n=yo-gomori=, pass night secluded in temple in prayer.\n\n=yo ha wataru=, the passing on of this world, 67.\n\n=yohi=, night-time.\n\n=yojiru= (_i_, _-ite_), twist (grasp), twist, break off, 101, 244.\n\n=yokaru= = _yoku aru_, T.\n\n=yokashi= = _yoshi_.\n\n=yokikoto=, quite right.\n\n=yokoshima=, cross-wise, perverse, wrong, 70.\n\n=yoku= (_-ki_, _-keku_), good, excellent.\n\n=yomi-kuwahe=, compose and add (verses), T.\n\n=yomi-mazaru=, compose-mingle, Ts.\n\n=yomo=, four sides or faces, on every side, 22, 227.\n\n=yomogi=, Erigeron or Artemisia, 233.\n\n=yomu= (_-i_, _-ite_), count, enumerate, read, compose.\n\n=yo no naka=, in this world, this world.\n\n=yora=, several nights.\n\n=yori=, from, close to.\n\n=yori= (_yoru_).\n\n=yori=, a verb-prefix giving force of closeness, completion and\nparticularity.\n\n=yori-ahi= (_afu_) come close together as sky and earth will eventually.\n\n=yori-konu= (_kuru_), not come to.\n\n=yori-kumazhiki= (_yori-kuru_), T.\n\n=yori-kuru= = _yoru_, approach? Ta.\n\n=yori-maude=, approach, T.\n\n=yori-neshi=, sleep by, 16.\n\n=yori-tachi=, stand by, 3.\n\n=yoriyori= = _oriori_, at times, Ts.\n\n=yorodzu=, a myriad.\n\n=yorokobu= (_-i_), be glad, T.\n\n=yoroshiki= (_-ku_), good, excellent.\n\n=yoroshi-nabe= (force of _nabe_, seems uncertain), perhaps quite or\naltogether good.\n\n=yoru=, approach, draw, be near to, lean on, &c.\n\n=yoru=, night.\n\n=yo-sari=, night-come-forth = night, T.\n\n=yose= (_su_, _suru_), caus. of _yori_ (_yoru_).\n\n=yose= (_yosu_), is caus. or hon. caus. of _yoru_ (_se_), 142.\n\n=yose-kuru= (_kuru_ is aux.).\n\n=yoshi= (_yoku_), good, &c.\n\n=yoshi=, means, motive, cause, explanation.\n\n=yoshinakari= = _yoku-naki_ (not good).\n\n=yoshiwe=, _-- yashi_ = _yoshiya_ = although it be so, if it be so,\nhowbeit, 70, 132, 165, 217.\n\n=yoso=, elsewhere, _yoso nomi ni mitsutsu_, while regarding elsewhere\nonly, i.e. in passing, &c.\n\n=yosofu= (_-hi_), dress up, make a toilet, 24, 51, 199.\n\n=yosofu=, _yosoheru_, liken, compare, Ts.\n\n=yosofu= (_yosu_, lengthened); comp. _utsuru_, _utsurofu_.\n\n=yosohofu= (_hi_), lengthened form of _yosofu_, T.\n\n=yosoru= = _yosofu_ = _nazurafu_, compare, liken, 175.\n\n=yosu= (caus. of _yoru_).\n\n=yosuka= (_yosuga_), lit. bring-to or rely-place, means, connexion,\nrelation, help, 53.\n\n\u2731=youzhi= (_y\u00f4ji_), business affair, T.\n\n=yowaku=, weak, feeble, T.\n\n=yoyo=, age after age, Ta.\n\n=yu= = _yo_ = _yori_, 71.\n\n=yu= = _yumi_, bow, 24.\n\n=yu=, hot springs, hot wells, 38.\n\n=yu-ami=, warm baths, hot wells, T.\n\n=yufu= (_-- be_), evening.\n\n=yufu=, paper-mulberry (Broussonetia papyrifera), 253.\n\n=yufu= (_-hi_) = _musubu_, tie, knot, bind, 155.\n\n=yufu-dzuku=, evening moon.\n\n=yufu-dzudzu=, evening star, Venus, 70.\n\n=yufu-gari=, evening chase.\n\n=yufu-giri=, evening mist.\n\n=yufugure=, evening dusk, 108.\n\n=yufuhanano=, m. k.\n\n=yufuhinasu=, m. k.\n\n=yufu-ke= (_ge_), evening oracle (listening to talk of passers-by): see\n204.\n\n=yufu-nagi=, evening calm (sea), 81.\n\n=yufu-nami=, evening waves, Ta.\n\n=yu-hadzu=, bow-end or notch, 210.\n\n=yuhi-agete=, bind-raise (hair), or draw up with rope, T.\n\n=yukamahoshiki=, where one might desire to go, T.\n\n=yukashi= (_-ku_, &c.), nice, admirable, precious, T.\n\n=yuki= (_yuku_), go, come, go on--often prefix or affix in composition.\n\n=yuki=, quiver.\n\n=yuki=, snow.\n\n=yuki-ahi=, reciprocal meeting on journey or road, 58.\n\n=yuki-ge=, appearance like snow, of snow.\n\n=yuki-hate=, _kokoro yuki-hatete_, heart-go-end, heart going on again,\nrecover oneself--_hate_ is emphatic, T.\n\n=yuki-kagahi= = _yuki-kake-afu_ (_kagahi wo nasu_ = men and women\nassembling to sing, &c.).\n\n=yuki-kaharedomo=, although come and go.\n\n=yuki-kaheri=, come or go and return, 97.\n\n=yuki-kakuru=, become hidden, &c., in course of journey (as ships by\nislands on a voyage), 82.\n\n=yuki-kayohi=, go, pass to and fro.\n\n=yuki-koharu=, change as go on, go and change, 235.\n\n=yuki-kurashi=, go on till dark (i.e. travel), 225 [possibly\n_yuki-megurashi_].\n\n=yuki-sugi= (_u_), go beyond, 213.\n\n=yuki-torashi= (hon. caus.) = _toru_, T.\n\n=yuki-wakarinamu= (_wakaru_), go away from (some one).\n\n=yuki-yorite= (_yoru_), stop at in passing by, 122.\n\n=yuku= (_-ki_, _-kazu_, _-kamu_, _-kamashi_, _-kana_, _-kanamu_,\n_-kanaku_, _-keba_, _-kinu_, _-kaba_, _-kamu_, _-kaneba_, _-kikemu_,\n_-kedo_).\n\n=yuku-he=, go-direction, course, future course, 22, 140, 157.\n\n=yukura yukura ni= (_yukuraka ni_), in a rocking, heaving way.\n\n=yukusuwe=, time to come, future, future course, path, T., Ta.\n\n=yukutorino=, m. k., 24.\n\n=yume= (_ime_), dream.\n\n=yume=, with negative, not at all, never, 101.\n\n=yumi=, bow.\n\n=yu-midzu=, warm water, T.\n\n=yumi-ya=, bow-arrow, archer, 89.\n\n=yura ni= (_yurayura ni_), in a drifting or wavy manner, as snow or\nrain falling, or water trickling.\n\n=yurara ni= = _yura ni_.\n\n=yuri=, lily, 232.\n\n=yuri= = _yori_, 232.\n\n=yuriyuri to= (_yururi to_) = _yuruyuru_, with movement side to side,\nrocking, tremblingly, 105.\n\n=yurusu= (_-shi_, _-sazhi_, _-shite_, _-shite shi_, _-shi-tachi_),\nallow, let do, 59 (= welcome, 110).\n\n=yutakeki= (_yutaka_), abundant, rich, prosperous, 259.\n\n=yuwe=, reason, cause, 125.\n\n=yuweyoshi= (_yuwe_), 125.\n\n=yuyami=, dark (moonless) night or evening.\n\n=yuyushiki= (_-ku_, _-mi_, _-karamu_), in Many\u00f4shiu implies sentiment\nof awe and fear, as of thing under _tabu_, or sacred.\n\n\n\u2731=zeni= (_sen_), a cash, money.\n\n\u2731=zheu= (_j\u00f4_), old sir, Ta.\n\n=zhi= (of unknown derivation) = _nasu_, be like, _kako zhi_, like a\nyoung deer, not in appearance, but in manner of action, &c.\n\n\u2731=zhi-getsu= (_jigetsu_), second (lunar) month, Ta.\n\n\u2731=zhiuhachi= (_jiuhachi_), eighteen, Ta.\n\n\u2731=zhiyaudai= (_j\u014ddai_), ancient, Ta.\n\n\u2731=zhiyufuku= (_jiufuku_), long life and prosperity, Ta.\n\n=zo= = so.\n\n\u2731=zonzhi= (_zonji_, _zondzuru_), think, intend, have a mind to, Ta.\n\n\n\n\nAPPENDIX\n\nI\n\n\nThe colon and semicolon are not used in the texts, the comma is\nemployed very sparingly, chiefly with forms of _ifu_ (say, &c.) after\nquotations.\n\nIn Japanese the clauses of a sentence run together in such a way that\npunctuation beyond what is adopted in this volume is better avoided.\nThe verbal forms (allowing for inversions) sufficiently indicate the\nend of the clause in most cases.\n\nThere are no long lays in books VII, XI, XII, and XIV of the Many\u00f4shiu.\n\n_Nigori_ (voicing) of mutes is seldom observed; owing to its\nuncertainty it would have been better to have omitted it altogether\nsave in a few verbal forms _-eba_ _-aba_ _-de_, _-do_ _-domo_, &c.\n_Nigori_ applies to the consonants and digraphs k, s, sh, t, ch, ts, h,\nwhich, _nigori_\u2019ed, become g, z, zh, d, j, dz, b.\n\nThe following additions and emendations would not have been relegated\nto an appendix but for the fact that certain important and not very\ncommon works could not be procured from Japan until after the texts and\nglossaries had been printed.\n\n Lay 14, l. 15. In the note better read \u2018north or cross\u2019 for \u2018noon-sun\u2019.\n\n 16, 5, _kata nashi_ is perhaps a better reading.\n\n 27, 40 n., a preferable reading is _imo ga yamazu idemishi Karu_.\n\n 31, 10, _ika ni to toyeba_ is better than the text.\n\n 40, 21 n., add \u2018or _shima kuni_, land of islands.\u2019\n\n 44, 26, more correctly _abete_.\n\n 46, 6 n., change to--\u2018the subject seems to be _hito_ of line 4.\u2019\n\n 69, 26, more probably _yami shi_ should be read.\n\n 82, 25, _nagami_ is the correct reading.\n\n 87, 13 n., add _nade_ = stroke, approve.\n\n 88, 13, read _kono yama_.\n\n 130, 2, } the notes may be omitted.\n 155, 27, }\n\n 192, 19, line 19 is really a m. k. of Tsukushi.\n\n 194, 11 n., add--indifferent, see Glossary.\n\n 198, over this should be inserted the heading MAKI XV, KAMI; the\n same should be the heading of page 137.\n\n On page 235, line 5 from bottom, it is better to remove the quotation\n mark to \u2018_mune \u2026_, and in line 6 to read _kohishikarame_.\n\n In Lay 171 note 9 should be deleted and the translation consulted.\n\n In Lay 235, line 5, an improved reading is _mukahi tachi_.\n\n 257, 15, the _nigori_ is better omitted, not _agari_ but _akari_, so\n in 255 (_dai_).\n\n\n Page 194, l. 35, should read _tatematsurase_.\n\n 195, l. 18, better _makishime_.\n\n 196, 11, 2, read _haru no ni idete_.\n\n 203, l. 23, better a full stop after _nari--nari_. _Yo.\u2026_\n\n 207, l. 17, preferable to add _wo_ after _so_.\n\n 227, l. 3 (from bottom), _no_ is better than _ha_ after _me_.\n\n\n\n\nII\n\nADDENDA TO MAKURA KOTOBA\n\n\nN.B. It is not always sufficiently explained that the m. k. often apply\nto syllables only, either identical in sound merely with part of the m.\nk., or, by some kind of word-jugglery, suggesting decoratively a new\nsignification.\n\n=akahoshi=, _add_ morning-star.\n\n=amadzutafu=, _add_ or pass along or over.\n\n=amakazofu=, _add_ perhaps a script-error for _amakumo_ or\n_sasanami_--the former would apply to _oho_ (dimly), the latter to\nOhotsu (pl. n.).\n\n=asahisasu=, _for_ as _read_ in.\n\n=awokumono=, like blue cloud--in Lay 186 this m. k. seems to mean the\nblue expanse of sky above the clouds showing white against it--the\nblue sky being regarded as a vast blue cloud. _After_ clouds; _read_\nor as clear as blue (_awo_) of sky and so epithet of white (_shiro_):\nafter _ideko_ come forth through (as the gods did through the clouds on\nIdzumo) as blue in stormy sky.\n\n=awomidzura=, _add_ or possibly where fowlers\u2019 nets are spread\n(_yose-ami_).\n\n=awoniyoshi=, _transpose_ also K. lviii _after_ 137.\n\n=fujikoromo=, read _ma-tohoku_.\n\n=guwan=, prayer or petition to Buddhist saint.\n\n=hahomameno=, _add_ perhaps the creeping fern Taenitis carnosa\n(_mamedzura_) is meant.\n\n=hanakatsumi=, _add_ perhaps nothing more than a repetition of _katsu_\nis intended.\n\n=hanezuirono=, add _hanezu_ seems to be Prunus japonica.\n\n=hashitateno=, _after_ palisade _add_ a comma.\n\n=hisakatano=, _add_ the usual script is \u2018long-hard\u2019, i.e. firm and\nenduring, but this does not agree with all the applications of the\nword. It might also mean \u2018sunbright\u2019. _After_ inversely _add a comma_,\nand read _hisao_, _hisago_.\n\n=ihabashino=, _for_ or _read_ as.\n\n=ihafuchino=, _after_ (of river) _add a comma_.\n\n=ihatsutano=, _read_ like rock-creeper, i.e. ivy.\n\n=kariganeno=, _for_ like &c. _read_ when.\n\n=katamohino=, _add_ or one half of a receptacle consisting of two bowls\nfitting one on the other.\n\n=kazenotono=, _after_ love _add_ as.\n\n=kekoromowo=, _dele all after_ vestment; _and add_ used with _haru_,\nspring-time, as homophonous with _haru_, stretch, as skins when being\ncured.\n\n=komomakura=, _add_ with _ahimakishi_ as meaning, embraced, enlaced.\n\n=koromote=, _from_ other _to end dele and insert_:--\n\n=koromoteno=, sleeve, used with the syllable _ta_ (hand, or a\nhomophon), with the syllable _na_ (_naga_), with _ma_ (_ma te_ meaning\n\u2018both hands\u2019, i.e. perfect or complete or pair, so _ma-kai_, pair of\noars?), with _kaheru_ (comp. _hiru-gaheru_, to wave).\n\n=Kotori= (Lay 250) = _kototori_, i.e. _koto wo toriokonafu_, an\nadministrator or commissioner (to levy troops).\n\n=kurenawino=, scarlet or light red; perhaps = _Kureno awi_ = Kure\nindigo, Kure being a name for Go or Wu in China; used with _iro_,\ncolour, _asa_, light tinted, _utsushi kokoro_, real heart regarded as\n\u2018red\u2019, i.e. true.\n\n=makibashira=, _for_ word _read_ wood.\n\n=matamatsuku=, _insert_ after _matamanasu_ thread-jewels applied to\nsyllable _wo_ as homophon of _wo_, thread.\n\n=matorisumu=, dele _mamori_.\n\n=midzukukino=, _add_ there is also a pl. n. _Midzukuki no Woka_.\n\n=mimorotsuku=, add _tsuku_ may be _itsuku_, reverence. _Miwa_ is a pl.\nn., also \u2018sacred sak\u00e9\u2019, also \u2018tub for brewing sak\u00e9\u2019, also _miwaku_ =\ngushing of water, or fermenting of sak\u00e9 liquor.\n\n=minasegaha=, _translate_ my life trickles on, lessening month by\nmonth, day by day, as the water of a waterless stream (which disappears\nunder the dry bed--a very common result in Japan) whose gradual\nexhaustion is like the death of men from love.\n\n=miru=, in Lay 263, means--to have emotional or intellectual experience\nof.\n\n=misagowiru=, _add_ more likely = where ospreys (_misago_) are.\n\n=mitsumitsushi=, _for_ ccxxvii _read_ Lay 227.\n\n=momoshikino=, _after_ countless _shiki add_ or provided with many\ndefences.\n\n=momotarazu=, for _ika_ read _i_ = fifty.\n\n=momoyogusa=, _dele all after_ pyrethrum, and add _chichi haha ga\n| tono no shiri he no | momoyogusa | momoyo idemase | waga kitaru\nmade_, like the hundred-ages-herb that groweth behind my father and\nmother\u2019s mansion, live thou for a hundred ages until I return (a lover\ndispatched on official duty to his mistress).\n\n=nahanorino=, _for_ not yet told _read_ certainly untold to parents.\n\n=nihatadzumi=, _read_ form pools as rain does.\n\n=nihatsulori=,--=nihatsutori=.\n\n=nikogusano=, said to be Solomon\u2019s seal (flower); _hanatsuma_ =\nbeautiful woman.\n\n=sagoromono=, _after_ fastened _add_, _tsuku_.\n\n=sahidzuruyo=, read _sahidzuruya_.\n\n=sakidakeno=, _add_ or bedfellow.\n\n=sanekayano=, _read_, _sa nahe kaya no_, pliant as _kaya_ (dwarf\nbamboo).\n\n=sashisusumu=, _add_ perhaps error for _muratama_ = _nubatama_ which\nmight be m. k. of Kurusu, taking _kuru_ = _kuro_, black.\n\n=shikishimano=, _read_ fort-island or isolated place.\n\n=shinaderu=, slopewise with _kata_, shoulder, slope.\n\n=shinazakaru=, separated by many steep passes.\n\n=shiranakuni=, _read_ unknown or remote provinces used with Kos\u00e9ji\nKose-road, _kose_ = come. A more elaborate explanation hints at the\nbringing or coming of remote lands under the sway of the Mikado.\n\n=shiranamino=, _dele_ perhaps \u2026 hills.\n\n=shizhikushiro=, _after_ Hades _add_ as homophon of _yomi_, excellent.\n\n=tadawatari=, add _anashi_ is also a name for the north-west wind _ana!\nshi_.\n\n=tamadzusa=, _after_ like insert _tamadzusa_ flower.\n\n=tamakadzura=, _dele_ false hair, _after_ chaplet _add_ of beads, after\n_kage_ _add_ sparkle, _dele words in_ ( ), _add_ other explanations are\ngiven by Motowori.\n\n=tamakiharu=, _after_ (arm) _add_ for _utsutsu_, present real existence.\n\n=tamanowono=, _for_ custom _read_ or succession or life.\n\n=tamatareno=, _add_ m. k. of syllable _wo_ taken as _wo_, thread.\n\n=tamatasuki=, _for_ lie on &c. _read_ fasten round _une_ or _una_.\n\n=tatamikeme=, _for_ \u2018rush, (matting)\u2019 _read_ \u2018rush\u2019 (matting).\n\n=tobusatate=, _read_ The Kogi &c., _for_ tree-tops _read_ lopped\ntree-trunk.\n\n=tokikinuno=, _after_ unfastened _add_ or taken to pieces.\n\n=tokozhimono=, like a bed-place, _after_ prostrate _add_ (on pallet of\nreeds, &c.).\n\n=tomoshihino=, _read_ like a light or flame giving light.\n\n=tonogumori=, for _gumovi_ read _gumori_.\n\n=tsumagomoru=, after _sa_ add (see N. I. 402, 2nd _uta_), _before_\nmeaning _insert_ perhaps the real.\n\n=uchitawori=, perhaps simply by syllable-repetition a m. k. of syllable\n_ta_.\n\n=udzuranasu=, read _ihahi_ as _i-hahi_.\n\n=umashimono=, _add_ the true orange _kunempo_.\n\n=umazhimono=, for _naka_ read _naha_.\n\n=wagasekowo=, read _waga seko wo | na kose no yama no | yobu kotori |\nkimi yobi kahese | yo no fukenu to ni_, far gone is the night, ye birds\nthat cry on Kose hill, turn back my lord, crying to him, cross not the\nhills (to prevent him leaving her).\n\n=wagatatami=, _read_ my own mat.\n\n=wagimokowo=, _add_ Hayami is the name of a part of the coast of Settsu\n\u2026 in the phrase _wagimokowo kiki Tsuga nu_, prefatially, as if \u2026\n_kikitsugi_ \u2026 my love, of whose beauty the fame passeth from age to age.\n\n=wakakusano=, add _wakaku he_, while young by side of.\u2026\n\n=yakitachiwo= or =-no=, with the syllables _to_ (_toshi_), smart,\nready, vigorous, and _he_, side.\n\n=yakushihono=, _add_ before _kohi_, _karaki_, passionate.\n\n=yamanowino=, _after_ well _add_ or source, not deep like an artificial\nwell.\n\n=yufuhinasu= (to follow =yufuhanano=), like evening sun, used with\n_uraguhashi_ (delightful to the feelings, as _maguhashi_ is delightful\nto the eye).\n\n=yufutatami=, _after_ Broussonetia _add_ kept: after _tatami_ insert a\ncomma.\n\n=yukumidzuno=, after _sayakeku_ read (clear-sounding as running water).\n\n\n\n\nIII\n\nADDENDA TO GLOSSARY\n\n\n=agari=, read _akari_, _toyo no akari_.\n\n=ahare=, pitiful; later--interesting, see Lay 231.\n\n=ahishi= = _arasohishi_?\n\n=akazu=, sometimes = _tarazu_.\n\n=amatsu mikado=, _add_ i.e. tomb or _mi-sasagi_ of Mikado.\n\n=aretsukashi= = _araharetsukahe_ (not _tsugu_), cause to establish,\nbuild, 94.\n\n=arikuru= = _arisofu_, _arasofu_, 240.\n\n=ariso=, strictly, perhaps, rough shingly shore.\n\n=asa hi nasu=, morning-sun-like.\n\n=asamashigari=, for _akereru_ read _akireru_.\n\n=asatedzukuri=, remove \u2018notes\u2019 after \u2018203\u2019.\n\n=ato=, for _katu_ read _kata_.\n\n=awayuki=, snow just melting, p. 194.\n\n=ayakaki=, pictured, patterned, T.\n\n=ch\u00f4ka=, long lays.\n\n=fuhaya=, soft, p. 194.\n\n=fumedomo=, _remove_ \u2018(Chinese _wen_)\u2019 to next word after \u201813\u2019.\n\n=fumi-nuku=, tread, trample, wear through.\n\n=futoshiritate=, stablish stoutly, 263.\n\n=hanka=, envoys (to the lays).\n\n=hokosugi=, _for_ tall _read_ upright.\n\n=hotaru=, _for_ pretty _read_ firefly.\n\n=idete=, for _idyuru_ read _idzuru_.\n\n=i-kaki-watari= after (_watari_) _insert_ 102, _dele the rest_.\n\n=ikameshiu=, sumptuously, T.\n\n=i-karuga=, _omit_ hyphen.\n\n=ikidohoru=, vexed, angry.\n\n=imohi= (or _imowi_?), _imofu_, to seclude oneself ritually, be\ntabooed. See p. 218.\n\n=(w)inaba=, the _w_ belongs to next line, _winaba_, form of &c.\n\n=isogakure=, rocks or shore, &c.\n\n=itate=, read _itato_.\n\n=iyatate= = _iyoiyotatete_.\n\n=ka=, _after_ day _add a comma_.\n\n=kabakari= (p. 203) = this much, so much, equally.\n\n=kako totonohe=, arrange rowers in due order, see Lay 258.\n\n=kanahama=, read _kanahamu_.\n\n=kara=, _omit the_ --.\n\n=kare yuku=, go on withering, 234.\n\n=kaushi=, lattices, T.\n\n=Ki-ji=, _omit the comma_.\n\n=kiki-kofuru=, _omit the comma_.\n\n=kiyora= (_keura_), in Lay 229, pure, precious, rare.\n\n=kokire=, _for_ plank to _read_ pluck and.\n\n=koshi=, _add_ also palanquin, litter.\n\n=kote=, read _k\u00f4te_.\n\n=kou=, prefix asterisk.\n\n=kure kure=, _add_ secretly.\n\n=kusa musa=, read _kusamusu_.\n\n=makari=, _after_ down _omit the comma_.\n\n=maki-mi=, _add_ or equal _nasu_.\n\n=managari=, entwine arms, p. 194.\n\n=meguri=, for _-rebu_ read _-reba_.\n\n=meshi-tsugi=, rather, one who takes an order or message.\n\n=mi=, adjectival or verbal suffix, seems to denote habit, state, &c.\n\n=mikado=, _add_ Sovran.\n\n=mizhika uta=, short lays, _tanka_, envoys.\n\n=momonaga ni=, with legs out-stretched, p. 194.\n\n=moto hikaru=, _add_ value of _moto_ uncertain, probably lower part of\nstem.\n\n=mushibusuma=, warm coverlet, p. 194.\n\n=nabe=, _add_ gives a sense of completeness, _yoroshi nabe_, 14.\n\n=nadzumi=, obstruct, impede, be obstruction to.\n\n=nadzusafu=, also = _nadzusaharu_ = _nazhimu_, be intimate, friendly\nwith.\n\n=naga-uta=, long lays, or _ch\u00f4ka_.\n\n=naki-wataru=, _add_ (or go on singing as birds do).\n\n=nani=, _add_ thing, anything.\n\n=naresofu=, accompany.\n\n=nari-hahi=, produce (vegetable).\n\n=neburi=, look with half-closed eyes, perhaps = _niramu_, stare.\n\n=nikibi-nishi=, _add_ comfortable.\n\n=nobu=, _kokoro wo nobu_ rather means \u2018explain meaning\u2019.\n\n=nogaroyeru=, read _nogaroyenu_.\n\n=nu= sometimes = precative _ne_, =ahanu= in 42 = _ahane kashi_.\n\n=nutsutori=, pheasant.\n\n=ohashimashinu=, _sarimashita_. (Taketori.)\n\n=ohi-mi=, rather act, or state of carrying on back.\n\n=ohorokani=, _oho-ro-ka_, an obscure word, perhaps = _oho ni_, greatly.\nThe note to 263 should be changed by altering \u2018lightly\u2019 to \u2018gravely,\nseriously\u2019.\n\n=ohotono=, _for_ 189 _read_ 184.\n\n=oiraka=, simply (Lay 205).\n\n=oiraka ni=, _read_ plainly, simply.\n\n=osuhi=, _add_ or perhaps an outer dress.\n\n=rani=, after verbs = _ge ni_, 60.\n\n=sabi=, _add_ has force of \u2018like\u2019, as _kamusabi_, godlike.\n\n=sakimori=, soldier of frontier garrison (Tsukushi)--literally,\ncape-watcher or (perhaps) frontier (_sakahi_) guard. See Lay 258.\n\n=saki-tsugi=, bloom successively.\n\n=samorafu=, for _hateru_ read _haberu_ (be, do).\n\n=sarazu=, p. 232, inevitably.\n\n=saritote=, _for comma after_ yet, _put_ --.\n\n=sayagu=, rustle, p. 194.\n\n=shigarami=, _dele the_ ;\n\n=shima-dzutahi=, oar along coasts of, or amid, islands.\n\n=shinaye=, droop (physically or morally), see Lay 240.\n\n=shizhi-nuki=, _shigeku tsuranuku_, well equipped (as boat with oars)\nor well furnished as bead-lace with _tama_, wreath with blossoms, &c.\nSee Lay 258.\n\n=sode=, _read_ (_so_, dress, _de_, arm), sleeve.\n\n=sora mo naku= = _ki wo ushinahi_, lose one\u2019s wits, T.\n\n=sotataki= (_sotto_), soft-pat, stroke.\n\n=tachi-azaru=, to be anxious, distracted.\n\n=tachi-narasu=, level by standing on (as when one frequents a\nparticular spot).\n\n=tadaka=, real self, person.\n\n=tadamuki=, arm, 194.\n\n=tadayofu=, drift, T.\n\n=tagoshi=, _before_ men _insert_ two or few.\n\n=tahagoto=, _better read_ foolishness, jest.\n\n=takubusuma=, white-bark coverlet, p. 194.\n\n\nOXFORD: PRINTED AT THE CLARENDON PRESS BY HORACE HART, M.A.","title":"Primitive & Mediaeval Japanese Texts: Transliterated into Roman with introductions, notes and glossaries","tradition":"myth-cosmogony","translated_text":null,"word_count":97785}