{"collection":"ETC Sacred Texts","full_text_available":false,"graph_url":"https://unchartedknowledge.5gfusion.net/v2/api/page/sacred_texts_v1_etc_ml_ml26_htm/graph","html_url":"https://unchartedknowledge.5gfusion.net/v2/page/sacred_texts_v1_etc_ml_ml26_htm","id":"sacred_texts_v1_etc_ml_ml26_htm","license":"unknown_pending_legal_review","rights_basis":"sacred_texts_v1_preview_gate_primary_text_only; acquisition-method/ToS and compilation-copyright questions still open, not resolved by this gate","source":"sacred_texts_v1","source_url":"https://unchartedknowledge.5gfusion.net/browse/etc/ml/ml26.htm","summary":"IN the Annales Arch\u00e9ologiques for 1857 it was stated that M. Bonnin, of Evreux, had collected no less than 200 designs of mazes or labyrinths, representative of all sorts of nations and periods, and the editor promised to make a selection of these for reproduction as soon as the text to accompany them should be ready. The editor of the Annales incidentally referred to an early sixteenth-century painting on wood, in the palace of the Marquis Campana, which represented the legend of Theseus and\u2026","tags":[],"text":null,"title":"Mazes and Labyriths: Chapter XXIII. Miscellanea and Conclusion","tradition":"ETC Sacred Texts","translated_text":null,"word_count":2978}